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Object Lessons: The Paris Review Presents the Art of the Short Story Paperback – October 2, 2012
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A New York Magazine Best Book of the Year
A Huffington Post Best Book of the Year
Twenty contemporary authors introduce twenty sterling examples of the short story from the pages of The Paris Review.
What does it take to write a great short story? In Object Lessons, twenty contemporary masters of the genre answer that question, sharing favorite stories from the pages of The Paris Review. Over the course of the last half century, the Review has launched hundreds of careers while publishing some of the most inventive and best-loved stories of our time. This anthology---the first of its kind---is more than a treasury: it is an indispensable resource for writers, students, and anyone else who wants to understand fiction from a writer's point of view.
"Some chose classics. Some chose stories that were new even to us. Our hope is that this collection will be useful to young writers, and to others interested in literary technique. Most of all, it is intended for readers who are not (or are no longer) in the habit of reading short stories. We hope these object lessons will remind them how varied the form can be, how vital it remains, and how much pleasure it can give."―from the Editors' Note
WITH SELECTIONS BY
Daniel Alarcón · Donald Barthelme · Ann Beattie · David Bezmozgis · Jorge Luis Borges · Jane Bowles · Ethan Canin · Raymond Carver · Evan S. Connell · Bernard Cooper · Guy Davenport · Lydia Davis · Dave Eggers · Jeffrey Eugenides · Mary Gaitskill · Thomas Glynn · Aleksandar Hemon · Amy Hempel · Mary-Beth Hughes · Denis Johnson · Jonathan Lethem · Sam Lipsyte · Ben Marcus · David Means · Leonard Michaels · Steven Millhauser · Lorrie Moore · Craig Nova · Daniel Orozco · Mary Robison · Norman Rush · James Salter · Mona Simpson · Ali Smith · Wells Tower · Dallas Wiebe · Joy Williams
- Print length368 pages
- LanguageEnglish
- PublisherPicador
- Publication dateOctober 2, 2012
- Dimensions5.5 x 0.82 x 8.25 inches
- ISBN-101250005981
- ISBN-13978-1250005984
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Editorial Reviews
Review
“Hyperinteresting shoptalk from some of literary culture's best shops, and best talkers.” ―Kathryn Schulz, New York Magazine (Top 10 Books of 2012)
“The stories are indeed varied in their style, as the editors' note promises, but many of them left me with the same feeling: devastation.” ―The Christian Science Monitor
“Object Lessons [is] my new favorite gift book.” ―Elizabeth Taylor, The Chicago Tribune
“This thoughtful book will make you look at short fiction with new eyes.” ―Minneapolis Star Tribune
“As the ‘Best American' anthologies begin their annual take-over of bookstore shelf space this month, short story fans should look past those displays to find this collection curated from the archives of The Paris Review.” ―The Cleveland Plain Dealer
“The editors call this a guide for young writers and readers interested in literary technique, and the book achieves that purpose while also serving as a tribute to the role The Paris Review has played in maintaining the diversity of the short story form. The collection reminds us that good stories are always whispering into each other's ears.” ―Publishers Weekly
“A compendium of The Paris Review's short story hits, curated with the ambitious, aspiring writer in mind. … Jeffrey Eugenides' discussion of Denis Johnson's "Car Crash While Hitchhiking" captures that story's heartbreak and serves as an essay on the virtues of the form itself. … A smart showcase of a half-century's worth of pathways in fiction.” ―Kirkus
About the Author
The Paris Review was founded in 1953 and has published early and important work by Philip Roth, V. S. Naipaul, Jeffrey Eugenides, A. S. Byatt, T. C. Boyle, William T. Vollmann, and many other writers who have given us the great literature of the past half century. Some of the magazine's greatest hits have been collected by Picador in The Paris Review Book of People with Problems as well as The Paris Review Book for Planes, Trains, Elevators, and Waiting Rooms and The Paris Review Book of Heartbreak, Madness, Sex, Love, Betrayal, Outsiders, Intoxication, War, Whimsy, Horrors, God, Death, Dinner, Baseball, Travels, the Art of Writing, and Everything Else in the World Since 1953.
Product details
- Publisher : Picador (October 2, 2012)
- Language : English
- Paperback : 368 pages
- ISBN-10 : 1250005981
- ISBN-13 : 978-1250005984
- Item Weight : 11.8 ounces
- Dimensions : 5.5 x 0.82 x 8.25 inches
- Best Sellers Rank: #1,232,362 in Books (See Top 100 in Books)
- #10,799 in Short Stories Anthologies
- #57,590 in American Literature (Books)
- Customer Reviews:
About the author

David Means is the internationally acclaimed author of six short-story collections, including INSTRUCTIONS FOR A FUNERAL, THE SPOT (a New York Times notable book of the year), ASSORTED FIRE EVENTS (winner of the Los Angeles Times Book Prize for fiction), and THE SECRET, and the novel HYSTOPIA (long-listed for the Man Booker Prize). His stories have appeared in The New Yorker, Harper’s Magazine, The Best American Short Stories, The Best American Mystery Stories, The O. Henry Prize Stories, and numerous other publications. The recipient of a Guggenheim Fellowship, Means lives in Nyack, New York, and teaches at Vassar College.
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Being literary fiction, these stories don't have pat endings or pat plots or pat characters. They don't follow those writing rules you may have read about in "The Idiot's Guide to Writing Best-Selling Fiction for Dummies." They are sometimes mysterious, often quirky, at times experimental, and occasionally packed to the gills with WTF. I found a few of them too opaquely obscure to be enjoyable, and I expect some other readers will also have that experience (though perhaps tripping over different stories than I did). But other stories I found delightfully funny, wickedly clever, tear-jerkingly sad, or simply exquisite examples of the art of short fiction.
The joy in an anthology like this is in discovery. Finding a story that's an amazing read; that makes you want to look further into the author's work, thus perhaps leading to many more amazing reads. For me, the discoveries included James Salter's compressed and brilliant "Bangkok" (evidently something of a classic in lit-fic short story circles, so I'm probably blowing my credibility by admitting that I hadn't read it before), Mary-Beth Hughes' wrenchingly painful "Pelican Song," and Mary Robison's just-plain-wonderful "Likely Lake."
And so on. If you have any affinity for literary fiction short stories, I'm sure you will have your own discoveries as you read through this book. So quit wasting time with this review and buy the book and start reading. Wonderful discoveries and amazing reads await you.
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Appendix:
I have a gripe with how this book is promoted. On its front cover, its back cover, and in the product description here on the Amazon page, lists of authors are shown. But there's no indication as to whether the book has a story by any given author, or just one of the introductory comments. Thus, for example, despite the implied promise on the front cover you'll find no stories in here by Ann Beattie, Amy Hempel, Jonathan Lethem, or several other notable authors listed.
But that was just a stupid and dishonest marketing decision (Is there any other kind of marketing decision?), and it doesn't affect the quality of the book's contents.
You can use the Amazon page's "Look Inside" feature to see the book's table of contents, but as a quick alternative, here's a list of contributors, divided up into story-contributors and comment-contributors:
Stories by: Donald Barthelme, Jorge Luis Borges, Jane Bowles, Ethan Canin, Raymond Carver, Evan S. Connell, Bernard Cooper, Guy Davenport, Lydia Davis, Thomas Glynn, Mary-Beth Hughes, Denis Johnson, Leonard Michaels, Steven Millhauser, Craig Nova, Mary Robison, Norman Rush, James Salter, Dallas Wiebe, Joy Williams
Comments by: Daniel Alarcon, Ann Beattie, David Bezmozgis, Lydia Davis, Dave Eggers, Jeffrey Eugenides, Mary Gaitskill, Aleksandar Hemon, Amy Hempel, Jonathan Lethem, Sam Lipsyte, Ben Marcus, David Means, Lorrie Moore, Daniel Orozco, Norman Rush, Mona Simpson, Ali Smith, Wells Tower, Joy Williams
We're all pushed for time and there is NOTHING like a short story to give you a good read and often, a surprise ending!
Top reviews from other countries
The stories are all good, obviously, and the forewords before each story pick out why each is so good, although the stink of author's ego permeates through to each story if you read each foreword scrupulously.
Because of the quality of the book itself, it is worth the money. The stories, however, can be found for free on the Paris Review website.









