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The Ocean at the End of the Lane: A Novel Kindle Edition
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|Length: 259 pages||Word Wise: Enabled||Enhanced Typesetting: Enabled|
|Page Flip: Enabled||
Switch back and forth between reading the Kindle book and listening to the Audible book with Whispersync for Voice. Add the Audible book for a reduced price of $11.49 when you buy the Kindle book.
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Top customer reviews
It's a short book; it's enchanting; it's very well written...definitely top-quality fantasy literature. I'm not a fan of fantasy literature, but this book swept me away into such a delightful and fascinating series of incredible adventures--or should I say misadventures--that I could not pull myself away. The author is correct to warn that this is not a fable for children...the reality is far too stark and dark, and there are definitely some adult themes.
"The Ocean at the End of the Lane" is a tale about a lonely bookish seven-year old whose life takes a terrifying turn into a dark and creepy reality. The child is never named, but in recent interviews, the author admits that this child is very much like he was at that age. The child lives in the lovely English countryside of Sussex--the same environment where the author grew up. And like Gaiman, the child is wise, responsible, and moral beyond his years. The parents are blithely confident that nothing bad could happen to their brilliant bookish son in such a bucolic setting. But of course, bad things can, and do happen, especially to the pure and innocent...
The parents have no idea that the Hempstocks--an eleven-year-old girl, her mother, and grandmother--who live by a pond at the end of the lane, are really a group of immortals who play at being human. Our seven-year-old child makes friends with the girl, Lettie Hempstock, and she introduces him to the pond, which is really an ocean. Eventually, our narrator and Lettie take a trip into a higher plain of reality that is entered somehow through the property owned by the Hempstocks, and so begins a series of remarkable misadventures with unforeseen consequences.
This novel is a heroic tale about the age-old battle between childhood innocence and mythic forces. The book will charm you, fill you with awe, make you feel on edge, surprise you, and make you want to keep on reading no mater what important obligations you might have waiting for you to accomplish.
Since finishing the book this afternoon, I was so curious about this fine writer that I started doing research into his life, philosophy, and writing. It seems that in prepublication interviews, Gaiman says that he's prouder of this particular work than anything else he's ever written...and, as I learned today, this is an author who has had an insanely prolific career spanning blockbuster successes across a large number of different creative media. He says he's put an enormous amount of effort into writing and rewriting this book in order to get the tone, words, and dramatic focus just right. A number of critics have already said they consider this work to be as close to sterling literary fiction as Gaiman is ever likely to get.
Indeed, I was very impressed. For me, this work is, without doubt, first-rate fantasy and escapist fiction...and very fine literature, as well. It delivers a highly imaginative, fabulous and fascinating fable that envelops, and attempts to explain, everything in the space-time continuum. Yes, it's that ambitious! It had me hooked from the first to the last page. Simply put: it is an incredible gem of a novel.
The use of the maiden-mother-crone imagery for the Hempstock women is the most appealing aspect of the book. The life-threatening actions of Ursula and the boy's father under her influence are the most frightening. Children need to trust in their caregivers, not be afraid of them. This element was what I found most troubling about Coraline as well.
Things are often not what they seem, and that can be frightening to us adults as well as children.
His characters were so interesting that I did not notice until the end of the book that the main character/protagonist was never given a name. His representation of the maiden, mother, and crone was perfection and one that played well into the story line and their interactions with the main character, a young boy. Even his villain/antagonist was strangely appealing and sympathetic for, as it was pointed out in the book, she was only doing what was instinctual to her.
Gaiman's fantasy world brought me back to my childhood where things that go bump in the night are always scary yet peak a certain innocent curiosity that adults have forgotten or refuse to acknowledge. There was also a touch of dark whimsy that pulled you further into that childhood fantasy world.
If you haven't had the pleasure of reading Gaiman, I highly recommend beginning with this book.
What a head...
This story is delicate, dark, compelling and wonderful. Moving back and forth between the past and the present, he weaves a narrative that defies you to put the book down. OK, so I had a few nights I stayed up past my bedtime.
I loved this story and the characters, the plot and the conclusion. It is frightening and sweet, sometimes at the same time. Don't wait, start reading it now.
Beyond the stellar narration, the story was just so-so. I started reading it last year and quickly grew bored, so I stopped. Then I decided to give it another go when I found the audio version with Gaiman reading.
His voice and inflections give the story a little punch, but not enough to make up for all the elements I felt this novel lacked.
This is a book that started off as a short story and was expanded into a novel, and you can tell. For me, it still sits somewhere in-between a short story and a full blown novel, and I thought it could have used some more expanding and exploring of the characters, most of whom felt never fully realized.
Still, Gaiman's narration merits an extra star, and I did enjoy letting him read to me.
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