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The Ocean at the End of the Lane: A Novel Mass Market Paperback – June 28, 2016
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"Rebound" by Kwame Alexander
Don't miss best-selling author Kwame Alexander's "Rebound," a new companion novel to his Newbery Award-winner, "The Crossover," illustrated with striking graphic novel panels. Learn more
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“Remarkable . . . wrenchingly, gorgeously elegiac. . . . [I]n The Ocean at the End of the Lane, [Gaiman] summons up childhood magic and adventure while acknowledging their irrevocable loss, and he stitches the elegiac contradictions together so tightly that you won’t see the seams.” (Star Tribune (Minneapolis) on THE OCEAN AT THE END OF THE LANE)
“Gaiman has crafted an achingly beautiful memoir of an imagination and a spellbinding story that sets three women at the center of everything. . . .[I]t’s a meditation on memory and mortality, a creative reflection on how the defining moments of childhood can inhabit the worlds we imagine.” (Journal Sentinel (Milwaukee, WI))
“His prose is simple but poetic, his world strange but utterly believable—if he was South American we would call this magic realism rather than fantasy.” (The Times (London) on THE OCEAN AT THE END OF THE LANE)
“[W]orthy of a sleepless night . . . a fairy tale for adults that explores both innocence lost and the enthusiasm for seeing what’s past one’s proverbial fence . . . Gaiman is a master of creating worlds just a step to the left of our own.” (USA Today on THE OCEAN AT THE END OF THE LANE)
“Poignant and heartbreaking, eloquent and frightening, impeccably rendered, it’s a fable that reminds us how our lives are shaped by childhood experiences, what we gain from them and the price we pay.” (Kirkus Reviews (starred review))
“[A] compelling tale for all ages . . . entirely absorbing and wholly moving.” (New York Daily News on THE OCEAN AT THE END OF THE LANE)
“[A] story concerning the bewildering gulf between the innocent and the authoritative, the powerless and the powerful, the child and the adult. . . . Ocean is a novel to approach without caution; the author is clearly operating at the height of his career.” (The Atlantic Wire on THE OCEAN AT THE END OF THE LANE)
“Ocean has that nearly invisible prose that keeps the focus firmly on the storytelling, and not on the writing. . . . This simple exterior hides something much more interesting; in the same way that what looks like a pond can really be an ocean.” (io9)
“This slim novel, gorgeously written, keeps its talons in you long after you’ve finished.” (New York Post on THE OCEAN AT THE END OF THE LANE)
“In Gaiman’s latest romp through otherworldly adventure, a young boy discovers a neighboring family’s supernatural secret. Soon his innocence is tested by ancient, magical forces, and he learns the power of true friendship. The result is a captivating read, equal parts sweet, sad, and spooky.” (Parade on THE OCEAN AT THE END OF THE LANE)
About the Author
Neil Gaiman is the New York Times bestselling author of the novels Neverwhere, Stardust, American Gods, Coraline, Anansi Boys, The Graveyard Book, Good Omens (with Terry Pratchett), The Ocean at the End of the Lane, and The Truth Is a Cave in the Black Mountains; the Sandman series of graphic novels; and the story collections Smoke and Mirrors, Fragile Things, and Trigger Warning. He is the winner of numerous literary honors, including the Hugo, Bram Stoker, and World Fantasy awards, and the Newbery and Carnegie Medals. Originally from England, he now lives in the United States. He is Professor in the Arts at Bard College.
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It's a short book; it's enchanting; it's very well written...definitely top-quality fantasy literature. I'm not a fan of fantasy literature, but this book swept me away into such a delightful and fascinating series of incredible adventures--or should I say misadventures--that I could not pull myself away. The author is correct to warn that this is not a fable for children...the reality is far too stark and dark, and there are definitely some adult themes.
"The Ocean at the End of the Lane" is a tale about a lonely bookish seven-year old whose life takes a terrifying turn into a dark and creepy reality. The child is never named, but in recent interviews, the author admits that this child is very much like he was at that age. The child lives in the lovely English countryside of Sussex--the same environment where the author grew up. And like Gaiman, the child is wise, responsible, and moral beyond his years. The parents are blithely confident that nothing bad could happen to their brilliant bookish son in such a bucolic setting. But of course, bad things can, and do happen, especially to the pure and innocent...
The parents have no idea that the Hempstocks--an eleven-year-old girl, her mother, and grandmother--who live by a pond at the end of the lane, are really a group of immortals who play at being human. Our seven-year-old child makes friends with the girl, Lettie Hempstock, and she introduces him to the pond, which is really an ocean. Eventually, our narrator and Lettie take a trip into a higher plain of reality that is entered somehow through the property owned by the Hempstocks, and so begins a series of remarkable misadventures with unforeseen consequences.
This novel is a heroic tale about the age-old battle between childhood innocence and mythic forces. The book will charm you, fill you with awe, make you feel on edge, surprise you, and make you want to keep on reading no mater what important obligations you might have waiting for you to accomplish.
Since finishing the book this afternoon, I was so curious about this fine writer that I started doing research into his life, philosophy, and writing. It seems that in prepublication interviews, Gaiman says that he's prouder of this particular work than anything else he's ever written...and, as I learned today, this is an author who has had an insanely prolific career spanning blockbuster successes across a large number of different creative media. He says he's put an enormous amount of effort into writing and rewriting this book in order to get the tone, words, and dramatic focus just right. A number of critics have already said they consider this work to be as close to sterling literary fiction as Gaiman is ever likely to get.
Indeed, I was very impressed. For me, this work is, without doubt, first-rate fantasy and escapist fiction...and very fine literature, as well. It delivers a highly imaginative, fabulous and fascinating fable that envelops, and attempts to explain, everything in the space-time continuum. Yes, it's that ambitious! It had me hooked from the first to the last page. Simply put: it is an incredible gem of a novel.
Gaiman's sense of description and and the way he puts words together really is interesting. I really found it interesting that the narrator--and his family--don't have names, just roles. As a writing device that could have been annoying and a poor decision, but here I actually think it served quite well for reasons I don't quite now how to put into words. I found the Hempstocks to be quite likable and fascinating and like-able. Having been quite bookish at most point in my childhood, I could relate to the un-named, male narrator (even as female reader).
Much like _Coraline_, this one has a couple of highly quotable passages. I could probably quote several whole sections. My favorite: "Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they just look like they always have. Like they did when they were your age. The truth is, there aren't any grown-ups. Not one, in the whole wide world." Ah, how much easier growing up--and life in general--would be if this was universal knowledge... LOL When I was younger, it was so easy to think, "Adults just don't understand..." but as I've gotten older... I've come to realize yes, some adults do maybe forget what it's like to be young and going through life's various growing-pains... As I've gotten older, though, I've realized that most adults just feel pretty much like they always have and just have more accumulated "battle scars" from learning and living. I'm not sure if it's because I'm something of a big "kid-at-heart" reader, but I feel much the same I did decades (yikes!) ago and still even like many of the same things and have some of the ame dusty and rusty dreams that I had when I was little... LOL
_Coraline_ is still my favorite (and first) Gaiman book, but this one was time well-spent. I don't regret the investment--whether regarding money or time--at all. As I just finished reading the book a few minutes ago, I imagine this one will stick with me and my brain will continue to "chew" on the concepts for a while, much like _Coraline_ (a young adult novel) and _American Gods_ (another of the author's adult novels).
Beyond the stellar narration, the story was just so-so. I started reading it last year and quickly grew bored, so I stopped. Then I decided to give it another go when I found the audio version with Gaiman reading.
His voice and inflections give the story a little punch, but not enough to make up for all the elements I felt this novel lacked.
This is a book that started off as a short story and was expanded into a novel, and you can tell. For me, it still sits somewhere in-between a short story and a full blown novel, and I thought it could have used some more expanding and exploring of the characters, most of whom felt never fully realized.
Still, Gaiman's narration merits an extra star, and I did enjoy letting him read to me.