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October Mourning: A Song for Matthew Shepard Hardcover – September 25, 2012
| Leslea Newman (Author) Find all the books, read about the author, and more. See search results for this author |
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On the night of October 6, 1998, a gay twenty-one-year-old college student named Matthew Shepard was kidnapped from a Wyoming bar by two young men, savagely beaten, tied to a remote fence, and left to die. Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.
Back matter includes an epilogue, an afterword, explanations of poetic forms, and resources.
- Print length128 pages
- LanguageEnglish
- PublisherCandlewick
- Publication dateSeptember 25, 2012
- Grade level9 - 12
- Reading age14 years and up
- Dimensions5.44 x 0.51 x 9.38 inches
- ISBN-100763658073
- ISBN-13978-0763658076
- Lexile measureNP
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Review
From the Author
The book began on October 12, 1998, the day I flew across the country to give a speech entitled "Heather Has Two Mommies: Homophobia, Censorship, and Family Values" at the University of Wyoming in celebration of National Coming Out Day. But that day, there was little to celebrate. That day, the University of Wyoming campus, the town of Laramie, the state of Wyoming, and the entire nation were all grieving for Matthew Shepard, who had died early that morning from a beating so horrendous, its brutality shocked the world.
As I stood behind the podium that evening, I caught sight of an empty seat in the very front row. I imagined Matt Shepard, whose picture had been splashed all over the newspapers, sitting there. I knew he had planned on coming to my lecture. I knew he had attended a meeting of the school's Lesbian Gay, Bisexual, Transgender Association to finish planning Gay Awareness Week the night he was attacked. I knew he had been robbed, kidnapped, beaten, and tied to a fence where he remained undiscovered for eighteen hours all because he was gay.
That night I promised the people attending my lecture that I would do my best to make sure Matthew Shepard was not forgotten. To that end, I wrote an essay entitled "Imagine" and published it in regional LGBT newspapers across the country (a version of this essay appears as an after word in the book). I put together a slide show to go with the essay, and to this day, I begin all my lectures on gay rights with a tribute to Matt's memory. I tucked a photo of Matt inside my wallet, which I still carry with me wherever I go. I traveled to New York to attend The Laramie Project a play that consists of interviews conducted by the Tectonic Theater Project with the people of Laramie shortly after the crime. I attended a lecture given by Judy Shepard at the University of Massachusetts, and afterwards went back stage to greet her. Though I never met Matt Shepard, he became woven into the fabric of my life.
Flash forward ten years to 2008, when something happened that was critical in the writing of October Mourning: I was appointed the poet laureate of Northampton, MA. This honor inspired me to focus fully on my first literary love, which has always been poetry. In the fall of 2009, near the end of my two-year term, I created a project entitled, "30 Poems in 30 Days" in which I challenged local poets to write a poem a day during the month of November. During the month of October, poets would solicit pledges (ranging from a penny a poem to a dollar a poem) and the money collected would be donated to a local literacy group.
On October 12, 2009, the eleventh anniversary of Matt Shepard's death, something else happened that was crucial to the writing of my book: the play, The Laramie Project - Ten Years Later: An Epilogue premiered in 100 cities, including Northampton, MA. The Tectonic Theater Project had gone back to Wyoming ten years after Matthew Shepard's murder to interview the people of Laramie once more, to see what had and hadn't changed. The play was riveting, and it opened up something inside me. I remembered my time spent in Laramie vividly. I could see the mountains. I could hear the wind. And I could feel my grief over Matt's death as profoundly as I had on the day that he died.
When I got into bed that night, I couldn't sleep. Instead, I picked up a pen and wrote the first draft of "Wounded". The next day, I wrote "The Fence (that night)." When November arrived, I knew that my 30 poems would explore Matt's death and its impact on the world.
The poems poured out of me as if they had been cooped up for years. Always a morning writer, I found myself scribbling in the middle of the night, when I couldn't sleep. I imagined Matt out there in the prairie tied to the fence all alone, and decided to call upon the silent witnesses to the crime to give me their side of the story: the truck, the rope, the moon, the stars, the wind, a deer, Matt's shoes. The "30 Poems in 30 Days" project ended, but I continued writing a poem a day. When I had written 67 poems I felt finished. Almost.
I had come to the end of the narrative, but it didn't feel like the end of the story. Something was missing. I didn't know what it was, but I knew I had to travel back to Wyoming to find it. A few months later, I flew to Denver, drove to Laramie, and visited the site where Matt's murder had taken place.
As I walked across the prairie, the land felt spongy under my feet. Though it was April there were still patches of snow all around. The wind was brisk and very cold against my face. The fence was solid under my hand. I said Kaddish, the Jewish mourner's prayer, and placed a stone I had brought from home on the fence. Two hawks flew overhead. I stared at the sky, so big and open, and again wondered what it had witnessed that night more than a decade ago.
And on April 12, 2010, eleven and a half years to the day Matthew Shepard died, I flew home and wrote the last poem of the book while soaring through the air. "Pilgrimage" takes its form from an ancient Navajo prayer, and incorporates lines from Jewish, Christian, and Buddhist traditions. The poem allows readers to pay their respects to Matt; it also reminds readers of the great beauty of the world and conveys a feeling of hope. My hope is that those who read October Mourning will be inspired to honor Matthew Shepard's legacy by working to replace hate, ignorance, and fear, with peace, compassion, and love.
--Lesléa Newman
About the Author
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Product details
- Publisher : Candlewick; 33360th edition (September 25, 2012)
- Language : English
- Hardcover : 128 pages
- ISBN-10 : 0763658073
- ISBN-13 : 978-0763658076
- Reading age : 14 years and up
- Lexile measure : NP
- Grade level : 9 - 12
- Item Weight : 1 pounds
- Dimensions : 5.44 x 0.51 x 9.38 inches
- Best Sellers Rank: #928,907 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

Lesléa Newman is the author of 75 books for readers of all ages including the teen novel in verse, OCTOBER MOURNING: A SONG FOR MATTHEW SHEPARD; the middle grade novel, HACHIKO WAITS; the poetry collection, I CARRY MY MOTHER; the short story collection, A LETTER TO HARVEY MILK; and the children's books, A SWEET PASSOVER, THE BOY WHO CRIED FABULOUS, KETZEL, THE CAT WHO COMPOSED, and HEATHER HAS TWO MOMMIES. Her literary awards include poetry fellowships from the National Endowment for the Arts and the Massachusetts Artists Foundation. OCTOBER MOURNING: A SONG FOR MATTHEW SHEPARD was named an American Library Association 2013 Stonewall Honor Book, and A SWEET PASSOVER was named a 2013 Sydney Taylor Honor as well. A past poet laureate of Northampton, Massachusetts, she is a faculty member of Spalding University's brief-residency MFA in Writing program. Her newest poetry collection, I CARRY MY MOTHER is a book-length cycle of poems that explores a daughter's journey through her mother's illness and death. From diagnosis through yahrtzeit (one-year anniversary), the narrator grapples with what it means to lose a mother. The poems, written in a variety of forms (sonnet, pantoum, villanelle, sestina, terza rima, haiku, and others) are finely crafted, completely accessible, and full of startling, poignant, and powerful imagery. These poems will resonant with all who have lost a parent, relative, spouse, friend, or anyone whom they dearly love.
Customer reviews
Reviewed in the United States on February 18, 2015
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I especially gained even more knowledge through the author's introduction, her epilogue, her afterword, notes, explanation of poetic forms and resources. Newman brings sympathy, anger, sorrow, and compassion to each and every word in this book. Highly recommended.
This book uses multiple types of poetry to tell basically a single paige point of view of someone or something that was present of affected by this hate crime. And while some do have the elements I don't like, the author has given an index of the poems numbered and described how the poem works in its place and what kind of poem it is. I recommend waiting till the end to look for ones you don't understand. It might breakup the thoughts and flows between poems.
So, this verse novel gives the events of a tragic murder of a gay boy named Matthew Shepard. I begins before he is killed, what he is thinking about in the club, when he is beaten and tied to a fencepost and ultimately dies. Multiple viewpoints are given throughout the book. What the stars saw, what the mothers of others felt for their sons. The fence that so sadly had to hold him up... And the mourning and fall out from a murder of hate. The sentencing, the hate-groups that agree...
It's deeply moving. interweaving different stories like yarn into a coherent start to finish book of what happened that night to the aftermath for the boy, his family, his killers, the community, and the LGBTQ community.
Not only is the book creative in its design, but it stands as a device for raising awareness (to all ages) on issues such as LGBTQIA, bigotry/hate crimes, and the ramifications that affect more than just the victims and perpetrators of such ignorant crimes.
I highly recommend this book.
It doesn’t take 90 seconds of reading the book for me to be in tears. This is a raw account of exactly what cruelty and love is. This is a book I recommend to anyone I meet. This is an honest autopsy of human nature at both the most evil and pleasant ends.









