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Old Venus Hardcover – March 3, 2015
"Children of Blood and Bone"
Tomi Adeyemi conjures a stunning world of dark magic and danger in her West African-inspired fantasy debut. Learn more
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About the Author
George R. R. Martin is the #1 New York Times bestselling author of many novels, including the acclaimed series A Song of Ice and Fire—A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons—as well as Tuf Voyaging, Fevre Dream, The Armageddon Rag, Dying of the Light, Windhaven (with Lisa Tuttle), and Dreamsongs Volumes I and II. He is also the creator of The Lands of Ice and Fire, a collection of maps from A Song of Ice and Fire featuring original artwork from illustrator and cartographer Jonathan Roberts, and The World of Ice & Fire (with Elio M. García, Jr., and Linda Antonsson). As a writer-producer, Martin has worked on The Twilight Zone, Beauty and the Beast, and various feature films and pilots that were never made. He lives with the lovely Parris in Santa Fe, New Mexico.
Gardner Dozois has won fifteen Hugo Awards and thirty-two Locus Awards for his editing work, plus two Nebula Awards for his own writing. He was the editor of Asimov’s Science Fiction for twenty years, and is the author or editor of more than a hundred books, including The Year’s Best Science Fiction.
Excerpt. © Reprinted by permission. All rights reserved.
Allen M. Steele
In the suspenseful story that follows, we accompany a tough PI to Venus on a risky mission that takes him down some very Mean Streets indeed—even if, on Venus, there aren’t any streets.
Allen Steele made his first sale to Asimov’s Science Fiction magazine in 1988, soon following it up with a long string of other sales to Asimov’s, as well as to markets such as Analog, The Magazine of Fantasy & Science Fiction, and Science Fiction Age. In 1989, he published his critically acclaimed first novel, Orbital Decay, which subsequently won the Locus Poll as Best First Novel of the year, and soon Steele was being compared to Golden Age Heinlein by no less an authority than Gregory Benford. His other books include the novels Clarke County, Space, Lunar Descent, Labyrinth of Night, The Weight, The Tranquillity Alternative, A King of Infinite Space, Oceanspace, Chronospace, Coyote, Coyote Rising, Spindrift, Galaxy Blues, Coyote Horizon, and Coyote Destiny. His short work has been gathered in three collections, Rude Astronauts, Sex and Violence in Zero-G, and The Last Science Fiction Writer. His most recent books are a new novel in the Coyote sequence, Hex, a YA novel, Apollo’s Outcasts, an alternate history, V-S Day, and the collection Sex and Violence in Zero-G: The Complete “Near Space” Stories: Expanded Edition. He has won three Hugo Awards, in 1996 for his novella “The Death of Captain Future,” in 1998 for his novella “. . . Where Angels Fear to Tread,” and, most recently, in 2011 for his novelette “The Emperor of Mars.” Born in Nashville, Tennessee, he has worked for a variety of newspapers and magazines, covering science and business assignments, and is now a full-time writer living in Whately, Massachusetts, with his wife, Linda.
Allen M. Steele
The shuttle fell through the clouds—clouds as dense as grey wool, separating purple sky and sun above from perpetual rain below—for what seemed like a very long time until the windows finally cleared and Venus’s global ocean lay revealed: dark blue, storm-lashed, endless.
Engines along the spacecraft’s boatlike underbelly fired, forming a concentric circle of white-peaked wavelets that spread outward upon the ocean surface. Gradually the shuttle made its final descent until its hull settled upon the water. As careful as the pilots were, though, the splashdown was rough. A swift, violent jolt passed through the passenger compartment, shaking everyone in their seats, causing an overhead storage compartment to snap open and spill a couple of carry-on bags into the center aisle. Through the compartment, people cursed—mainly in Russian although a few American obscenities were heard as well—and someone in the back noisily threw up, an involuntary act that was greeted by more foul language.
Ronson wasn’t happy about the landing either. This wasn’t the first time he’d traveled off-world, but landing on Mars was mild compared to this. He couldn’t blame the guy a few rows back for getting sick. Although the shuttle was no longer airborne, it still remained in motion, slowly bobbing up and down as it was rocked by the ocean. He’d been warned to take Dramamine before boarding, and he was glad he’d heeded the advice.
Clutching the armrests, Ronson gazed through the oval porthole beside his seat. Rain spattered the outer pane, but he could still see where he was. Not that there was much to look at: ocean for as far as the eye could see—the Venusian horizon was about three miles away, nearly the same as Earth’s at sea level—beneath a slate-colored sky bloated by clouds that had never parted and never would. The shuttle was supposed to make planetfall at Veneragrad, but the floating colony must be on the other side of the spacecraft. Unless, of course, the pilots had miscalculated the colony’s current position and had come down—landed wasn’t the proper word, was it?—in the wrong place.
That was a possibility. Ronson had spent the last four months in hibernation, but his waking hours aboard the Tsiolkovsky had shown him that Cosmoflot’s reputation for ineptitude was well deserved. He’d just begun to consider the possibility that the shuttle was lost at sea when a tugboat came into view. Smoke belching from its funnel, the rust-flecked craft circled the shuttle until it passed out of sight once again. Several minutes went by, then there was a thump as its crew attached a towline to the shuttle’s prow. The shuttle began to move forward again, the tug hauling it toward its final destination.
Everyone on his side of the passenger compartment peered through the windows as the shuttle pulled into Veneragrad, including the middle-aged Russian in the aisle seat who unapologetically leaned over Ronson as he craned his head for a look at the man-made island. Veneragrad was as utilitarian as only a Soviet-era artifact could be: a tiered hemisphere a kilometer in diameter, a shade darker than the ocean it floated upon, the long, wooden piers jutting out from its sides giving it the appearance of an enormous, bloated water spider. Rickety-looking platforms, also constructed of native timber, rose as irregularly spaced towers from the outside balconies; they supported the open-top steel tanks that caught the rain and distilled it as the colony’s drinking water. Radio masts and dish antennae jutted out at odd angles from near the top of the dome; a helicopter lifted off from a landing pad on its roof. An ugly, unwelcoming place.
“Looks bad, yes?” The man seated beside him stared past him. “Better than nothing . . . it’s dry.”
Ronson had already learned that his traveling companion spoke English, albeit not very well. His breath reeked of the vodka he swilled from a bag-wrapped bottle on the way down from orbit; he’d opened it as soon as the shuttle entered the atmosphere. “Is this where you live?” he asked, if only for the sake of being polite. “Is this your home, I mean?”
The other man barked sullen laughter. “This hellhole? No! My home, St. Petersburg. Come here to make money. Sell . . . um . . . ah”—he searched for the right word—“computers, yes? Computers for office.”
Ronson nodded. He wasn’t much interested in making friends with the businessman, but it appeared that conversation was unavoidable. “Whole colony, built in space above Earth, sent here by rockets,” the businessman continued, telling Ronson something he already knew. “Dropped from orbit by para . . . para . . .”
“Parachutes, yes. Come down”—he lifted his hands—“sploosh! in water.” He waved the bag toward the window. “People then build onto it. Wood from floating . . . um, forests, yes? Floating forests on moss islands.”
“Yes, I see.” Again, the businessman wasn’t telling him anything new.
“Yes, you see.” The Russian took another swig from his bottle, then offered it to Ronson. “So why you come here?”
Ronson shook his head at the bottle. There were several ways he could get out of this unwanted conversation. He opted for the easiest approach. “I’m a detective,” he said, and when the businessman gave an uncomprehending look, he rephrased his answer in simpler, if inaccurate, terms. “A cop.”
“A cop. Yes.” The businessman gave him the distrustful look Ronson anticipated, then withdrew the bottle and settled back into his seat.
Ronson didn’t hear from him again for the rest of the way into port. Which suited him well. He didn’t want to talk about why he’d come to Venus.
The heat hit him as soon as he stepped through the hatch. It was like walking into a sauna; the air was hot and thick, hard to breathe, humid beyond belief. The sun was larger and warmer here than on Earth, yet little more than a bright smear in the sky that heated up the atmosphere. Ronson began to sweat even before he reached the end of the wooden gangway that led from the hatch to the pier where the shuttle had been berthed. A fine, almost misty rain was falling, and it too was warm; he didn’t know whether to take off the denim jacket he’d worn on the way down or keep it on. The dockworkers didn’t seem to mind. Most of them wore only shorts, sneakers, and sometimes a rain hat, with the women wearing bikini tops or sports bras. They unloaded the bags from the cargo bay, and Ronson took a few moments to find his suitcase before walking the rest of the way down the pier to the spaceport entrance.
There were only a couple of customs officers on duty, bored-looking Russians in short-sleeve uniform shirts who regarded the line of passengers with bureaucratic disdain. The officer Ronson approached silently examined his passport and declaration form, gave his face a quick glance, then put his stamp on everything and shrugged him toward an adjacent arch. No one had asked him to open his bag, but he knew what was about to happen. Sure enough, bells rang from the arch as soon as he walked through it. Its weapons detector had found the gun he was carrying.
Just as well. It only meant that he’d meet the police sooner than he had planned.
An hour of sitting alone in a detention area, another half hour of angry interrogation by a port-authority officer whose English wasn’t much better than the businessman’s, then Ronson was loaded onto an electric cart and spirited to police headquarters. Along the way, he got what amounted to a nickel tour of Veneragrad. The colony seemed to consist mainly of narrow corridors with low ceilings and low-wattage light fixtures, their grey steel walls decorated with grime, handprints, and stenciled Cyrillic signs, then the cart passed through a broad doorway and Ronson suddenly found himself in the city center: a vast atrium, its skylight ceiling a couple of hundred meters above the floor, with interior balconies overlooking a central plaza. As the cart cut across the plaza, Ronson caught glimpses of Veneragrad’s daily life. Residents in shorts, vests, and T-shirts resting on park benches, hanging laundry on balcony clotheslines, standing in line in front of fast-food kiosks. A group of schoolchildren sitting cross-legged near a fountain, listening as their young teacher delivered a lesson. Two men in a heated argument; another couple of men watching with amusement.
A statue of V. I. Lenin stood in the center of the plaza. Incongruously dressed in a frock coat and high-collar shirt no Venusian colonist would be caught dead wearing—even inside the city, the air was tropically warm—he pointed toward some proud socialist future just ahead. But the statue was old and stained, and a broken string that might have once been a yo-yo dangled from the tip of his finger. The Communist Party was just as dead on Venus as it was on Earth; it was just taking the locals a little longer to get rid of its relics.
The cart entered another dismal corridor, then came to a halt in front of a pair of battered doors painted with a faded red star. The port-authority officer who’d questioned Ronson ushered him through the crowded police station to a private office, and it was here that he met Arkandy Bulgakov.
Veneragrad’s police chief was about Ronson’s own age, short and broad-chested, with the short-banged Caesar haircut that never seems to go out of style with European men. Seated at a desk piled with paperwork, he listened patiently while the officer delivered a stiff-toned report of the visitor’s offense, punctuated by placing Ronson’s Glock on the desk along with its extra clips, then Bulgakov murmured something and waved the officer out of the room. He waited until the door was shut, then he sighed and shook his head.
“You’re the same guy who e-mailed me a while ago about the missing kid?” His English was Russian-accented but otherwise perfect.
“That’s me.” Ronson motioned to an empty chair in front of the desk; Bulgakov nodded, and he sat down. “Sorry about the gun. I was going to tell you about it when I reported in, but . . .”
“We don’t allow private ownership of firearms. Didn’t you know that?”
“I figured that my license might exempt me.”
“No exemptions here. Only police are allowed to carry lethal weapons.” Bulgakov’s chair squeaked as he leaned forward to pick up the Glock; he briefly weighed it in his hand before opening a drawer and dropping it in. “I won’t fine you, but you may not carry this. I’ll give you a receipt. You may reclaim it when you leave.”
“All right, but what am I supposed to use until then? I might need a sidearm, you know.”
“To find a missing person? I doubt it.” Catching Ronson’s look, the chief shrugged. “You can buy a Taser if it makes you feel better, but only if you’re going outside the city. And if that’s the case, then your chances of finding this fellow . . .”
“. . . David Henry alive are practically zero. At any rate, he’s not in Veneragrad, I can tell you that right now.”
“That’s what you told me five months ago,” Ronson said, “and that’s what I told my client, too. But the old man isn’t satisfied. His kid was last seen here nearly a year ago, when he came to Venus on a trip his dad bought him as a college-graduation gift.”
Bulgakov raised a querulous eyebrow. “His father must be rich.”
“The family has a few bucks, yeah, and the kid likes to travel. He’s already been to the Moon and Mars, so I guess Venus was next on his list. Personally, if he was my boy, I would’ve given him a watch, but . . .”
“We don’t have many tourists, but we do get some. His kind is not unfamiliar. Privileged children coming to see the wonders of Venus”—a brief smirk—“such as they are. They go out to the vine islands, take pictures, collect a few souvenirs. Now and then they get in trouble . . . a bar fight, dope, soliciting a prostitute . . . and they wind up here. But they eventually go home and that’s the end of their adventure.”
“That’s not how it ended for him. He didn’t come home.”
“So it appears.” Bulgakov turned to the antique computer on one side of his desk. He typed something on the keyboard, then swiveled the breadbox-size CRT around so that Ronson could see the screen. “This is him, yes?”
Displayed on the screen was a passport photo of a young man in his early twenties: moonfaced, arrogant blue eyes, sandy hair cut close on the sides and mousse-spiked on top. Good-looking but spoiled. The same boy in the picture his father had given Ronson when he’d visited the family home in Colorado Springs. “That’s him.”
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So how does Old Venus stack up to old Venus? First off, there is only one story in Old Venus that really runs in the Burroughs vein (not by accident my favorite), so maybe I didn’t pick the best book to compare and contrast. None of the stories are outright bad, but they lack that spark of vitality that Pirates of Venus has. My biggest complaint may that the stories—with the exception of The Tumbledowns of Cleopatra Abyss by David Brin—aren’t very inventive.
Old Venus is still a pricey hardcover, but you certainly get your money’s worth in quantity. At 608 pages, Martin and Dozois pack in 16 stories that run more toward novelette length than short story (there is a full list of the stories below).
They’re not bad stories, but they are conventional, in pretty much every way. They stick to modern sensibilities and lack any real sense of wonder. The multitudes of Venusian-native species aren’t usually much more interesting than dwarves and elves. The Soviets show up frequently. The stories lean heavily toward the exploration-side of pulp. The action-side isn’t well represented.
It’s the general dullness of modern short speculative fiction that drags the volume down, not the politics of it, as you might expect. Those only really harm two stories. Pale Blue Memories should be a powerful tale of a man dragged back down into the nightmares of his history, but is hobbled by the protagonist’s tendency to talk like a critical studies professor. The Heart’s Filthy Lesson may still be the best story in the anthology (and definitely has the best name). But there is a nasty, out-of-place edge to it that pulled me partway out of a story otherwise full of pathos and exploration and bioorganic power suits and swamp-tigers—“two lies, six taloned legs, and an indiscriminate number of enormous daggerlike teeth in a four-hindred-kilogram body, . . . striped violet and jade [with] long, slinky bodies . . . and . . . whisker-ringed mouths hinged open wide open enough to bite a grown person in half.”
The stories get better as they go along. Living Hell by Joe Haldeman was the first one I really enjoyed. It’s technically proficient (more than proficient), has some cool speculative elements, and has a nice pop to the ending. By Frogsled and Lizardback to Outcast Venusian Lepers is a great adventure yarn, but the ending a bit flat (it also has the second best name). The strong but flawed stories by Buckell and Bear show up in the second half, as does my favorite story, The Wizard of the Trees. The final story, Botanica Veneris was the surprise of the collection, riffing on mannerpunk as a daughter of the gentry tracks down her dissolute brother through the shadier side of Venus. It’s sneaky good.
The Wizard of the Trees by Joe Lansdale is that single story in the Burroughs vein. It’s a hell of a lot of fun. A Buffalo soldier, killer of Johnny Ringo, and actor in Wild Bill’s Western Show finds himself transported to Venus. He’s a hero in the vein of both John Carter and Bass Reeves. What follows is very much similar to what I imagine the Barsoom books to be. In fact, I demand a series.
Thanks for the highlight, George and Gardner, but I think I’ll look to the source material before I work my way around to Old Mars.
Introduction: Return to Venusport by Gardner Dozois
Frogheads by Allen M. Steele
The Drowned Celestial by Lavie Tidhar
Planet of Fear by Paul McAuley
Greeves and the Evening Star by Matthew Hughes
A Planet Called Desire by Gwyneth Jones
Living Hell by Joe Haldeman
Bones of Air, Bones of Stone by Stephen Leigh
Ruins by Eleanor Arnason
The Tumbledowns of Cleopatra Abyss by David Brin
By Frogsled and Lizardback to Outcast Venusian Lepers by Garth Nix
The Sunset of Time by Michael Cassutt
Pale Blue Memories by Tobias S. Buckell
The Heart’s Filthy Lesson by Elizabeth Bear
The Wizard of the Trees by Joe Lansdale
The Godstone of Venus by Mike Resnick
Botanica Veneris: Thirteen Papercuts by Ida Countess Rathangan by Ian McDonald
Literary conflict: Man vs. Man, Man vs. Martian
Solid editing/polish: ✔ yes
Fun characters: ✔ yes
Thought provoking: ✔ yes
Rapid head-hopping: no
Unbelievable moments: no
Idiot aliens won't retreat 'til their dead are piled 5 meters high: no
Too many characters: no
This nostalgic collection of short stories fills that void left after the true nature of Venus' atmosphere was discovered and so many of the older books fell out of print. George R.R. Martin has co-edited the book, lending his household name to this project.
I found some of the stories completely engrossing, and I hope you do as well. My only complaint is that the good ones end all too soon. I would rather have seen fewer and longer stories. One story in particular, The Sunset of Time by Michael Cassutt, deserves a few hundred pages to accommodate its majestic/sweeping scope. This story alone makes the read worthwhile.
The last story let me down slightly. It was of obvious quality, but not what I was looking for, so the book didn't finish strong (for me at least).