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Oliver Twist (Oxford World's Classics) Paperback – October 28, 1999
There is a newer edition of this item:
The new Oxford World's Classics edition of Oliver Twist is based on the authoritative Clarendon edition, which uses Dickens's revised text of 1846. It includes his preface of 1841 in which he defended himself against hostile criticism, and includes all twenty-four original illustrations by George Cruikshank. Stephen Gill's groundbreaking introduction gives a fascinating new account of the novel. He also provides appendices on Dickens and Cruikshank, on Dickens's Preface and the Newgate Novel Controversy, on Oliver Twist and the New Poor Law and on thieves' slang.
- Print length544 pages
- LanguageEnglish
- Lexile measure1060L
- Dimensions5.25 x 1 x 7.75 inches
- PublisherOxford University Press
- Publication dateOctober 28, 1999
- ISBN-100192833391
- ISBN-13978-0192833396
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- Publisher : Oxford University Press (October 28, 1999)
- Language : English
- Paperback : 544 pages
- ISBN-10 : 0192833391
- ISBN-13 : 978-0192833396
- Reading age : 7 - 11 years, from customers
- Lexile measure : 1060L
- Item Weight : 12.8 ounces
- Dimensions : 5.25 x 1 x 7.75 inches
- Best Sellers Rank: #7,329,588 in Books (See Top 100 in Books)
- #47,221 in Coming of Age Fiction (Books)
- #124,182 in Classic Literature & Fiction
- #238,323 in Literary Fiction (Books)
- Customer Reviews:
About the authors

Charles Dickens was born in 1812 near Portsmouth where his father was a clerk in the navy pay office. The family moved to London in 1823, but their fortunes were severely impaired. Dickens was sent to work in a blacking-warehouse when his father was imprisoned for debt. Both experiences deeply affected the future novelist. In 1833 he began contributing stories to newspapers and magazines, and in 1836 started the serial publication of Pickwick Papers. Thereafter, Dickens published his major novels over the course of the next twenty years, from Nicholas Nickleby to Little Dorrit. He also edited the journals Household Words and All the Year Round. Dickens died in June 1870.

Mary Sebag-Montefiore is a best-selling children's author, whose re-tellings of classics have been published all over the world. She is the author of over 25 books and has adapted everything from Dickens to 'War and Peace'. She has also published articles on children's books academically and in the national press, and for adults, is the author of 'Women Writers of Children's Classics'. Her most recent title is 'Forgotten Fairy Tales of Kindness and Courage', published by Usborne Publishing.
“Mary Sebag-Montefiore’s retellings…are perhaps the best – well-written and dramatic”
The Telegraph

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Warning: SPOILERS!!!!
The story is one of a poor orphan boy, sold to an undertaker and abused until he runs away to London. He falls in with thieves and through a strange twist of fate is rescued by the man who was his father's best friend. It's a long story, filled with reversals of fortune and amazing coincidences, and although it has a happy ending, there is some genuine tragedy. It's a very sad scene when Oliver returns to the orphanage to get his best friend, Dick, who saw him off on his journey to London, only to find that Dick has died of untreated sickness. The prostitute, Nancy, has all the attributes of a character in a Greek tragedy-you desperately want her to leave the streets and her brutal boyfriend, Bill Sikes, and when she refuses to go, you have a sinking feeling that she isn't going to last much longer. When he beats her to death in their little room, it's a gruesome scene, but not a surprising one. The only relief from Fagin's gang comes from Charley, who reforms and leaves London to become a grazier.
A word about Fagin-some might find the constant description of him as "the Jew" offensive. It is not meant as a pejorative, but rather as a handy label to define the arch-criminal. While it is true that Fagin is constantly described as a Jew and is one of the most repulsive Jewish characters in literature, it was not Dickens' intent to cast slurs upon Jewish people. He wrote in good faith and was troubled later, after becoming friends with Eliza Davis, the wife of the Jewish banker he sold his London house to, by the way he had portrayed Fagin. Eliza wrote to him in 1863 that she considered the way Dickens had portrayed Fagin a great wrong to the Jewish people. Dickens started to revise Oliver Twist, removing over 180 instances of the word "Jew" from the first edition text. He also ommitted sterotypical caricature from his public readings of Oliver Twist and a contemporary report noted, "There is no nasal intonation; a bent back but no shoulder-shrug: the conventional attributes are omitted." Dickens was finally able to write to Eliza, "There is nothing but good will left between me and a People for whom I have a real regard and to whom I would not willfully have given an offence." Fagin might still give offense to those looking for it, but personally I have always seen him as an example of a bad man, not a Jewish man, and I believe that is how Dickens meant to portray him.
Oliver Twist, obviously a well-known title, needs little introduction. But what is striking is how Dickens’ tale is several things at once. It has a fairy tale quality to it, with some dark elements thrown in as well (i.e., there is a pretty brutal murder scene and another bizarre death scene). It is also a “rags to riches” sort of tale (with “rich” not being necessarily in the monetary form). Likewise, It is also a coming-of-age children’s novel with Dickens’ sentimentality. Moreover, the novel also forms a social commentary and criticism about the conditions taking place in Dickens’ time.
Upon my second reading, I thought it was a very entertaining and enchanting story, something Dickens seems to always pull off. Dickens captures eloquently the spirit of a young orphan boy who tries to overcome the many setbacks, heartbreaks, harsh elements, and trials that are thrown at him in his young life. Through the story’s narrative, Oliver meets many types of people, friends and foes, virtuous and malevolent, and must navigate his way in the world.
Oliver Twist has many of the Dickens’ staples that make a worthy and heartfelt tale and a classic. One of the definitive characters I love about reading a Dickens novel is the cliffhanger type endings in chapters, revealing something interesting at the end of the chapter to pique the reader’s anticipation of what is to come. As per usual with Dickens, there are a bevy of eccentric and interesting characters (some infamously so).
It’s not surprising that the popularity of this novel has spawned countless adaptations in various forms, from film, stage plays, musicals, etc. Definitely a novel for Dickens or classic literature aficionados to read.
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In terms of content, Oliver Twist is one of Dickens' most accessible novels. Hard Times and The Pickwick Papers might be weightier tomes and A Christmas Carol might be a better start for younger readers, but Oliver Twist is simply classic. On the surface engaging story with vivid characters that draws you in to the streets of London, Dickens uses his plucky little hero to paint a lurid portrait of the underbelly of society and the abject misery of living in poverty. By following Oliver through his meager workhouse existence and onward to life as a street urchin and budding criminal, we can see through the author's eyes his take on the cruel truths of child labor and the pitiful lives of the unwanted.
If my admittedly dry assessment of the underlying theme depresses you, please do realize that the Dickensian dark humor and wit are very much at play in this novel. He gets his points across with sometimes heavy-handed sarcasm and characters that may seem more like caricatures in their absurdity. Oliver Twist remains an entertaining read, one that lends itself easily to popular culture and a number of film adaptations.
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It is a good quality book and I love it a lot.
It's a good book to be recommended for all.





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