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Olympus M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Interchangeable Lens
|Price:||$899.00 & FREE Shipping. Details|
|You Save:||$100.00 (10%)|
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- Constant f2.8 maximum aperture
- Focal length : 12-40mm, Minimum focusing distance : 0.2m
- Dustproof, Splash proof, and Freeze proof construction
- Includes lens hood and pouch,Filter Size 62mm, Equipped with manual focus clutch mechanism
- Compatible with Olympus and Panasonic cameras
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From the manufacturer
The M.Zuiko Digital ED 12-40mm F2.8 PRO lens offers unmatched shooting versatility. It features a wide-angle focal length to capture landscapes, architecture or nature scenes and a super fast fixed f/2.8 aperture for perfect portraits at 40mm.
Sometimes the harshest conditions produce the most dramatic photo opportunities. With separate seals to keep out moisture and dust, the 12-40mm f2.8 PRO is ready to take on the elements.
Lens Function Button
The customizable Lens Function Button (L-FN) allows you to control one of 27 different functions right from the barrel of your lens, including AF Stop, AF Home, Focus Peaking and Magnify.
Movie-Still Compatible (MSC)
The linear drive motor found in the 12-40mm f2.8 PRO is Movie and Still Compatible (MSC) and provides fast, nearly silent focusing and aperture performance, a must-have for any videographer.
Manual Focus Clutch
Located on the focus ring, the Manual Focus Clutch enables you to switch instantly between auto and manual focus. You can also preset a particular focus position (using the easy-to-read distance meter), and by pulling the ring toward you, return instantly to that position from AF mode.
Adapted from multilayer film deposition technology used in Olympus' industry-leading line of precision microscopes, the Zuiko Extra-Low Reflective Optical Coating practically eliminates ghosts and flares caused by in-frame light sources. This feature is invaluable when shooting into the sun or other back-lit situations.
Close Focusing Distance
The M.Zuiko ED 12-40mm f2.8 PRO can focus as close as 2.75 inch at the telephoto end of the focal range, and 7.9 inch at all focal lengths, further adding to the versatility of this lens.
Stabilized Hand-Held Performance
Paired with the advanced in-body image stabilization of the Olympus OM-D and PEN series of cameras, this extremely bright f2.8 lens allows you to shoot longer hand-held exposures without a tripod.
|Compatible Lens Hood Part Number||LH66|
|Compatible Mountings||Micro Four Thirds|
|Focus Type||Stepper motor|
|Item Dimensions||2.76 x 2.76 x 3.31 inches|
|Item Weight||0.84 pounds|
|Lens Type||Zoom lens|
|Macro Focus Range||0.20 m|
|Manufacturer Warranty Description|
|Maximum Aperture Range||F2.8|
|Maximum Focal Length||40 mm|
|Maximum Format Size||FourThirds|
|Minimum Focal Length||12 mm|
|Number of Diaphragm Blades||7|
|Number of Elements||14|
|Number of Groups||9|
|Photo Filter Thread Size||62 mm|
|Shipping Weight||1.5 pounds|
|Style Name||US Version|
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This item Olympus M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Interchangeable Lens
|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Compatible Camera Mount||Micro Four Thirds||Micro Four Thirds||Micro Four Thirds||Micro Four Thirds||Micro Four Thirds||Micro Four Thirds|
|Focus Type||Stepper motor||Stepper motor||Stepper motor||manual-and-auto||Micromotor||Stepper motor|
|Item Dimensions||2.76 x 3.31 x 2.76 in||3.11 x 6.3 x 3.11 in||3.11 x 4.17 x 3.11 in||2.68 x 2.91 x 2.68 in||2.28 x 1.42 x 2.28 in||2.24 x 3.27 x 2.24 in|
|Item Weight||0.84 lb||1.94 lbs||1.18 lbs||—||4.23 ounces||7.44 ounces|
|Lens Type||Zoom lens||Zoom lens||Zoom lens||Zoom lens||Prime lens||Zoom lens|
|Maximum Focal Length||40 millimeters||150 millimeters||14 millimeters||35 millimeters||17 millimeters||50 millimeters|
|Minimum Focal Length||12 millimeters||40 millimeters||7 millimeters||12 millimeters||17 millimeters||12 millimeters|
|Photo Filter Thread Size||62 millimeters||72 millimeters||—||58 millimeters||46 millimeters||52 millimeters|
This large-aperture 3.3X Zoom lens is the first in the newly created “M.ZUIKO PRO” category. Covering a 35mm equivalent focal length of 24-80mm, this lens features all metallic construction and makes extensive use of high grade optical components including Dual Aspherical, High Refractive and ED lens elements configured in 9 groups to assure the highest level of reproduction. A fast maximum aperture of f2.8 throughout the zoom range, a manual focus clutch as well as Splash-proof, Dust-proof and Freeze-proof construction make it suitable for the most demanding professionals and enthusiasts. An “MSC” (movie and still compatible) AF lens drive system ensures fast and quiet auto-focusing – especially important when shooting HD movies. A seven blade circular aperture produces pleasing background defocusing effects. Included accessories are LH-66 Petal Type Hood, LC-62D Aluminum Protective Lens Cap, LR-2 Rear Lens Cap, LSC 0918 Lens Pouch and One Year World-Wide Warranty.
Read about our customers' top-rated lenses and cameras on our review pages: Lenses, Digital SLR Cameras, Compact System Cameras
Top Customer Reviews
Have used the kit zoom lens for 2 years and like it (see my review), I wanted the wider angle this affords and of course the F2.8 to boost options. I finally took the plunge during a recent $100-off sale. This zoom is an F2.8 12-40mm (Full-frame/35mm eq. of 24mm - 80mm)
Pros: Solid and well-finished construction - mechanically this is one of the best feeling lenses that I have had on any camera, silky smooth focus and solid zoom. Even wide open the lens is much sharper that the kit zoom it replaces. I would say the sharpness is close to the 25 and 45mm primes from Oly. over the full zoom range! At f4 it becomes sharper. Color rendition and contrast is the best I have seen, primes included. Bokeh at F2.8 - 5.6 is super-creamy. Lens can focus very close ~ 4" even fully zoomed. Vignetting minimal at 12mm, with standard height filter. I good flare control shooting into the sun. Manual focus automatically engaged by sliding the focus ring back (like the 17mm)Nicely done lens shade attaches easily. Lens bag also included.
Cons: BIG and HEAVY! This is basic physics of a metal lens with F2.8 optics so I took no points off. As others have pointed out, it is not well-matched to the smaller bodies such as the PEN series. I imagine with an M5 + grip or an M1 this would feel well-balanced.
Just a few shots in, I am very impressed and will likely have this on my camera most of the time!
But the 12-40mm f/2.8 lens takes the camera to a different level. I thought I was getting decent performance from the 12-50mm lens -- and I thought wrong. It's okay, for what it is, but it's slow (f/6.3 at 50mm) and just average in sharpness. With nothing to compare to, I didn't realize how it was holding back the E-M5's potential.
The 12-40 is truly top caliber. Sharp from corner to corner. Chromatic aberration cannot be found. Fast for extending the E-M5's low light capabilities at modest ISOs (I can gain nearly three stops from the 12-50mm in many situations). On the PC I'll zoom in on shots and be astonished by the crispness that simply didn't exist before.
Having never owned an expensive DSLR (I had a decent Nikon FE2 film body and some Vivitar Series I lenses in the 80's, however), I'd been lulled into thinking the images I was capturing were simply all that such a camera was capable of. The E-M5 is a very good micro four thirds body, after only the new E-M1. What difference could one lens make? Well, as it turns out, a great deal.
The 12-50mm has a smooth motor drive mode for video (which I rarely shoot) and a dedicated macro mode, which is nice. But the 12-40mm, while not being optimized for macro, turns out to be a fully capable macro lens as well, better than the 12-50, IMHO, because of its superior resolution and significantly faster performance and ability to isolate at f/2.8. The only step up for close up photography being to a dedicated macro lens. (And yes, I know that with regards to depth of field it is twice that of a full frame sensor. But f-stop is dimensionless, and with regards to light-gathering-per-sensor-size/exposure/ISO, f/2.8 is f/2.8 is f/2.8, whether it be APS, M43, full frame or a large format camera.)
The only thing I don't like is the price. $1,000 was a big chunk. But the way it has changed the performance of the E-M5 is truly revelatory. There really is a significant optical difference between a decent mainstream consumer lens and a pro level lens. The 12-40 lives on my camera now, and the 12-50 is going to end up on eBay.
If you've got the E-M5 or M1 and can afford it, this lens is a no brainer and will not dissappoint. Since the long end is only 80mm equivalent, I think even Lumix body owners can enjoy it's benefits despite not having the in-camera stabilization that Olympus bodies have.
Another question that pops up frequently on blog pages and review sites is the question between this and the high quality prime lenses out there for the m4/3 format. My opinion (just my 2 cents) is if you plan on shooting on nice bright days and don't want the hassle of changing lenses, then bottom line, this is your lens. On sunny/bright days you will end up stopping down the prime lenses anyway so you will get just the same amazing results especially if you pair this with an Olympus OM-D that adds in-body 5-point IS and Chromatic fixes in the software for this specific lens.
On the other hand, if you like to shoot in low light, have no problem switching lenses, and generally want the ability for a very shallow DOF (depth of field) and subject isolation you can get on the m/43 format, stick with primes. Though to be fair, the bokeh is perfectly fine for my taste on this lens.
One detail that is often overlooked with this lens is it has an amazingly short focusing distance. This means you can get pretty darn close to your subject which is like having a sudo-macro function for this lens. This just adds to the incredible diversity of this lens.
If you are concerned with price, you shouldn't be. A lens of this quality at this price is an amazing deal. Here is my cost comparison/value break down:
If you bought the 12mm F2 and 45mm F1.8 you would be $200 above the cost of this lens (all brand new) and only have 2 focal lengths.
The equivalent price in primes would be the 17mm f1.8 and the 45mm f1.8 but you lose the nice wide angle 12mm focal length and gain possibly the "best portrait lens" for m4/3 cameras with nice creamy bokeh and sharp IQ.
To me the ideal prime set is the 12mm f2, 25mm f1.4 (Panasonic) and 45mm f1.8 which puts you at roughly $1800 give or take.
A nice f2.8 combo would be this lens (12-40mm f2.8 Pro) and the 60mm f2.8 macro giving you a fully capable system of varied focal lengths plus macro and medium telephoto capabilities all for about $1400.
Extremely Sharp IQ corner to corner
Super-fast AF (I think faster then my L series lens tbh)
The best and most versatile focal lengths for everyday photography
Ability to get very close to subjects. Just a few inches in fact
Large Aperture for decent bokeh and good subject isolation at the higher focal lengths
All metal construction
MF 'choke' design for quick switching to Manual Focus mode
Includes a customizable L-FN button on lens for additional functionality.
Big and somewhat heavy (though half the size of lets say the Canon 24-70mm f.28 L) - The size doesn't bother me in the least I have to add. Makes the E-M1 look pretty awesome.
Tube Extends during Zooming (would have liked the elements to stay within the lens, thought this would probably double the price)
Not the smoothest zoom and focus ring on the market. The other primes I have are way smoother. In fact there is small 'tap-like vibrations' when zooming. After speaking with Olympus directly they informed me this is normal operation.
Loses almost 2 stops compared to the primes available today for m4/3 format cameras.
I'm happy to answer questions posted here in Amazon. Good luck!