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Olympus OM-D E-M1 Mirrorless Digital Camera with 16MP and 3-Inch LCD (Body Only) (Black)
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| Brand | Olympus |
| Model Name | Olympus OM-D E-M1 |
| Form Factor | Mirrorless |
| Effective Still Resolution | 16.3 MP |
| Special Feature | Lightweight |
| Optical Zoom | 1 x |
| Color | Black |
| Connectivity Technology | HDMI |
| Screen Size | 3 Inches |
| Photo Sensor Size | Micro Four Thirds |
About this item
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- 16.3MP CMOS Four Thirds sensor with 5-axis sensor shift image stabilization
- 10 frames per second continuous shooting
- Contrast detect and phase detect AF
- ISO 100-25,600
- 1080 30 fps HD video (H.264/Motion JPEG)
- Tiltable 3 inch touchscreen LCD with 1,037,000 dots
- Electronic viewfinder with 2,360,000 dots (1.3x magnification)
- Raw and Raw + JPEG shooting
- Magnesium alloy body
- Flash hot shoe and Olympus Wireless RC Flash system compatible
- Water, dust, and freezeproof
- SD/SDHC/SDXC card slot
- Built-in Wi-Fi
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This item Olympus OM-D E-M1 Mirrorless Digital Camera with 16MP and 3-Inch LCD (Body Only) (Black) | Olympus OM-D E-M5 16MP Live MOS Mirrorless Digital Camera with 3.0-Inch Tilting OLED Touchscreen [Body Only] (Black) (Discontinued by Manufacturer) | Panasonic LUMIX GX85 4K Digital Camera, 12-32mm and 45-150mm Lens Bundle, 16 Megapixel Mirrorless Camera Kit, 5 Axis In-Body Dual Image Stabilization, 3-Inch Tilt and Touch LCD, DMC-GX85WK (Black) | Fujifilm X-S10 Mirrorless Camera Body- Black, X-S10 Body- Black | Fujifilm X-T4 Mirrorless Camera Body - Black | |
|---|---|---|---|---|---|
| Customer Rating | 4.3 out of 5 stars (211) | 4.1 out of 5 stars (338) | 4.6 out of 5 stars (744) | 4.7 out of 5 stars (240) | 4.8 out of 5 stars (595) |
| Price | $298.00$298.00 | $299.95$299.95 | $597.99$597.99 | $1,349.00 | $1,699.99 |
| Sold By | SKR camera store | BYDEALS | Amazon.com | Wholesale Photo | Amazon.com |
| Screen Size | 3 inches | 3 inches | 3 inches | 3 | 3 inches |
| Has Image Stabilization | Yes | Yes | Yes | — | Yes |
| Item Dimensions | 5.13 x 2.48 x 3.68 inches | 4.8 x 1.69 x 3.5 inches | 4.8 x 2.78 x 1.73 inches | 4.96 x 3.35 x 2.56 inches | 3.65 x 5.3 x 2.51 inches |
| Item Weight | 1.10 lbs | 0.94 lbs | 1.09 lbs | 1.03 lbs | 1.34 lbs |
| Optical Zoom | 1x | 1x | 12x | 1x | 1 |
| Photo Sensor Size | Micro Four Thirds | Micro Four Thirds | Micro Four Thirds | APS-C | APS-C |
| Video Capture Resolution | 1080p | 1080p | 2160p | 2160p | 2160p |
| Viewfinder Type | Electronic | Electronic | Electronic | Electronic (OLED) | Electronic (OLED) |
Videos
Videos for this product

1:30
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Olympus OM-D E-M1 Product Tour
Merchant Video
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4:49
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What is the advantage of using a mirrorless camera?
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Olympus OM-D Hands on Presentation
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Olympus OM-D AF Dual Feature
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1:33
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Olympus OM-D Shutter Mechanisms
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Olympus OM-D EM-5 Testimonial
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Olympus E-P5 17mm f1.8 and VF-4 16.1 MP Compact System Camera
DPReview
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Olympus OM-D E-M1 MKII - It is still worth it!
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Product Description
Product Description
The Olympus OM-D E-M5 unleashed a revolution in photography. The OM-D E-M1 is starting another. Stay on the leading edge of the imaging technology curve with the new OM-D E-M1. It embodies the revolutionary design elements that will send your imagination into overdrive-at warp speed. Full magnesium alloy body construction, an intuitive control layout with customizable direct control buttons, an interactive “best in class” large, easy to view, 1.48X viewfinder, and In-Body 5-Axis Image Stabilization combine to create one extraordinary photographic tool for professionals and serious photo enthusiasts alike.
The OM-D E-M1 is the new flagship Micro Four Thirds camera system in the OM line that’s as adventurous, imaginative, creative, fast and revolutionary as you are. So you can take amazing pictures from anywhere, anytime, under any conditions.
Use this comparison chart to compare all of the Olympus OM line.
From the Manufacturer
Product Description
From the Manufacturer
THE OLYMPUS OM-D E-M1.
RE-IMAGINED. REDESIGNED. REVOLUTIONIZED.
The Olympus OM-D E-M5 unleashed a revolution in photography. The OM-D E-M1 is starting another. Stay on the leading edge of the imaging technology curve with the new OM-D E-M1. It embodies the revolutionary design elements that will send your imagination into overdrive. Full magnesium alloy body construction, an intuitive control layout with customizable direct control buttons, an interactive "best in class" large, easy to view, 1.48X viewfinder, and In-Body 5-Axis Image Stabilization combine to create one extraordinary photographic tool for professionals and serious photo enthusiasts alike, all in a portable, lightweight body. Powerful, yet ergonomic and comfortable to hold and carry.
The OM-D E-M1 is the new flagship Micro Four Thirds camera system in the OM line that’s as adventurous, imaginative, creative, fast and revolutionary as you are. So you can take amazing pictures from anywhere, anytime, under any conditions.
STAY ON THE LEADING EDGE OF THE IMAGING TECHNOLOGY CURVE WITH THE INCREDIBLE SPEED OF THE NEW OM-D E-M1.
With the new 16MP Live MOS Image Sensor with DUAL FAST PHASE AND CONTRAST AF Sensor, the OM-D E-M1 automatically switches between Contrast Detection AF or Phase Detection AF to deliver blazing fast autofocus speeds—no matter which Olympus Zuiko lens you use. All of our lenses—from our super-quiet MSC Micro Four-Thirds lenses to our renowned SWD FourThirds lenses work seamlessly and to their full potential when paired with the OM-D E-M1.
The exclusive Olympus FAST (Frequency Acceleration Sensor Technology) AF System focuses at an astonishing speed and offers 37 separate focus areas in on-chip phase detection mode and 81 areas in contrast detection, spread over the image area.
EMBODYING REVOLUTIONARY DESIGN ELEMENTS THAT WILL SEND YOUR IMAGINATION INTO OVERDRIVE.
The new, interactive high-definition EVF features a 2.36 million dot resolution, an impressive 1.48x magnification, 29ms image display time lag, eye sensor for automatic switching between the EVF and monitor and intuitive functionality for real-time viewing of any shooting situation. You can control shooting situations without your eye leaving the viewfinder.
Trouble-free shooting in all environments is assured by our proven seals that protect the camera from sand, dust, rain, ice and water spray. The tough magnesium body makes the OM-D E-M1 ideal for rugged outdoor photography.
POWERFUL VERSATILITY. OM-D E-M1 IS PART OF A COMPLETE; AND COMPLETELY VERSATILE SYSTEM.
There are over 57 fully compatible lenses available for the OM-D E-M1, including 32 Olympus Zuiko Digital and M.Zuiko Digital lenses plus dozens of others from Four Thirds consortium members. Features such as Focus Peaking and Magnified Focus Assist let you use your favorite OM lens with the appropriate adapter for beautiful results.
THE PERFECT COMBINATION OF FEATURES FOR THE PROFESSIONAL IMAGE QUALITY YOU DEMAND.
The OM-D E-M1 is equipped with 5-Axis image stabilization system with IS-Auto. 5-Axis IS compensates for vertical, horizontal, and rotational camera shake that conventional 2-axis systems could not. The new IS-Auto mode detects both vertical and horizontal panning and automatically deactivates image stabilization on the panning axis, so you can take spectacular panning photos of objects such as a speeding car.
BUILT-IN WIRELESS ALLOWING FOR FULL CONTROL OF THE OM-D E-M1, WITHOUT TOUCHING THE CAMERA!
Using the OI. Share app, you can preview your composition, choose the AF point and release the shutter; perfect for tripod or portrait shooting. Connect easy with the QR Code Connection and add geotags to your photos by simply sending the high-precision GPS log data recorded by OI. Share to your camera.
LET THE OM-D E-M1 TAKE YOUR CREATIVITY TO NEW HEIGHTS.
The new Color Creator feature lets you adjust Hue and Chroma right in the EVF and preview the effect "real time". Two types of HDR shooting enable high-quality images that can easily be captured with 12EV wide-range bracketing shooting. Twelve in-camera Art Filters are enhanced by new filter variations, art effects and bracketing. You can use Art Filters in all shooting modes as well as filming 1080 HD movies. Expand your photographic possibilities with Interval shooting and Time Lapse Video.
Product information
| Product Dimensions | 5.13 x 2.48 x 3.68 inches |
|---|---|
| Item Weight | 1.1 pounds |
| ASIN | B00EQ07PG2 |
| Item model number | V207010BU000 |
| Batteries | 1 Lithium Ion batteries required. (included) |
| Customer Reviews |
4.3 out of 5 stars |
| Best Sellers Rank | #297,719 in Electronics (See Top 100 in Electronics) #653 in Mirrorless Cameras |
| Is Discontinued By Manufacturer | No |
| Date First Available | September 9, 2013 |
| Manufacturer | Olympus |
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Learn more how customers reviews work on AmazonReviewed in the United States on May 3, 2018
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1. Absolutely YES...if you are a dedicated Olympus guy/gal with a serious investment in Zuiko lenses, then this upgrade is an absolute no-brainer. Buy it now and you will finally be able to compete with your Canon and Nikon buddies in low-light and high resolution. They'll be jealous of the small package and amazing array of features in this camera, and you'll finally get the full performance out of the Zuiko HG and SHG lenses that were always overmatched for the Olympus bodies (more on the performance of the camera below).
2. Almost certainly...if you are looking for your first DSL system and prefer a very lightweight and compact camera system over the bulkier full-size DSLRs YET you still want pro-level control and image quality AND a large selection of medium-to-high grade lenses. If that description fits you, then this camera is the best choice today. The micro four thirds standard is the most diverse system in this category, as Nikon and Canon have yet to really compete in the mirrorless segment beyond a few entries and lenses. Sony is another good option, but their mirrorless lens choices are very thin and overpriced IMO...but I digress.
3. Seriously Consider...if you are Canon/Nikon pro who makes money with your photography and you're looking for a smaller rig on occasion. The EM-1 could be a nice second (or third) rig with image quality that will impress you even in low light. The light weight and small size of the lenses (especially the fast primes) will surprise you. You might find yourself in places and situations where the full-size camera is too imposing or distracting, while the EM-1 is barely even noticeable (and the shutter is nearly silent). I think we're going to see the mirrorless systems showing up more often in professional settings, especially as the bodies improve and the lens choices increase. Right now, this is the best of the breed.
4. Maybe...if you have an aging full-size DSLR from Canon or Nikon and it's time for an upgrade. Depending on how much you have invested in your glass, a switch to this system should give you substantially better image performance, much smaller size and probably less cost when compared to buying a new full-size sensor body with several fast lenses. It's a commitment to a new system, but if your current setup is old and can't cut it any longer, then this might be the right time to switch.
5. Probably not...if you are invested heavily in Canon and Nikon glass and accessories. The quality of this camera is very, very good, but not good enough to justify significant expense in new lenses.
I bought this camera because I fit into category 1 above. I am a long-time Olympus digital SLR owner (which has not been an easy road, frankly). I originally bought into the Olympus four-thirds system because their lenses were so much faster (i.e., brighter) than competitors at a similar price point, and their equipment is very well made. I think the price was a bit steep (even more than I paid for my E-5), but the quality to match the price is there, and let's face it...Olympus owners don't really have a choice if we want to continue using our high-end Olympus glass.
Some background on my perspective...skip the nex paragraph if you don't care.
I started with the E-1, moved to the E-620 and then the E-5. I've been using the E-5 exclusively for the past three years. (I also bought a Panasonic mirrorless micro four thirds body to play with, but I never liked the lack of control it offered, so I stuck with the E-5.) I also have many Olympus lenses, including four of their high-end SHG lenses, and if it hadn't been for my (significant) investment in this glass, I would have abandoned the four-thirds standard long ago. I've long been jealous of my Canon and Nikon friends with much better low-light performance and better resolution. On the other hand, they were jealous of my insanely fast Olympus glass, so I waited to see Olympus' next move before deciding whether to stay or jump ship.
The OM-D EM-1 wasn't exactly the body I was expecting, but now that I have shot with it for a week, I'm sold. Finally, I have a camera that competes nicely (not equally, but close) with full frame sensor bodies. The build quality on this camera is top notch, equal to the E-5 and even better in some respects. The controls will be familiar to anyone who has used (and loved) the unique Olympus body control layouts. Everything on this camera is fast, fast, fast. Contrast focus is great with MFT lenses and the phase-detection is even faster than my E-5 (which was no slouch with SWF lenses).
Now, here are answers to questions I had before I bought the EM-1 (that no else seemed to address). I think they will be particularly helpful for existing Olympus camera owners:
1. Is the EM-1 image quality *finally* competitive with the "big boys?"
In a word, yes. Olympus owners can finally take the bag off their heads! No more making excuses for our low light performance, poor focus speed or low resolution. I'm continually surprised (in a good way) by the image quality of the EM-1. It's visibly better than the E-5, and in low light situations the difference between the EM-1 and previous Olympus bodies is...well...night and day. Noise is all but nonexistent at ISO 6400 or below (and even higher ISOs are very usable). This was always Olympus biggest weakness compared to other cameras, but that difference is mostly erased with this camera. Compared to my friend's full frame Canon, the EM-1 colors look a little over saturated (in the typical Olympus way, especially the reds), but I kinda like the pumped look, and you can always desaturate in post if you prefer the flatter, more neutral Canon look. White balance is outstanding. Olympus bodies typically handled white balance well, but this one nails it every time.
2. Is the camera still easy to configure and control in the typical Olympus way of doing things?
Look up the word "configurable" on wikipedia, and you will find a picture of the EM-1. Virtually every button can be remapped to another purpose. Olympus might as well have labeled every button on the camera with a letter (e.g., A, B, C, etc.) instead of a specific function, because you can change every button to do whatever function you prefer. In fact, you can make multiple buttons do the SAME thing. The manual comes on a CD, but it's not that long and you can print it at home with a laser printer for a few pennies. It's worth it because you'll need it to configure the camera properly. After about an hour, I had the EM-1 buttons remapped to match the configuration on my E-5. Yeah...zero retraining required!
3. Do I need the new Olympus M Zuiko Digital ED 12-40mm f/2.8 or should I stick with my four-thirds lenses and the adapter?
How rich are you? If you have the money, replace your four thirds lenses with good M4/3, but it will cost you. The 12-40mm is a cool $1,000. After I got my EM-1 I attached a few of my SHG lenses, and they worked perfectly, but they look ridiculous. I initial intended to stick my big Olympus glass to save money, but after one day with the EM-1, I decided to invest in high-end micro four thirds lenses. It completely ruins the point of a svelte micro four thirds body when mated to oversized lenses. I love the quality of SHG glass, and I certainly won't be dumping those lenses anytime soon, but for everyday photography needs (i.e., with the kids at the amusement park, walking around the tourist spots, a casual moment with the family and pets, etc.) you don't want to mate a small, lightweight camera with a ginormous, heavy lens. My first purchase was the 12-40mm (on the wait list now) and I've already bought a few of the M4/3 primes including the Oly 17mm, Pana/Leica 25mm, Oly 45mm and Oly 75mm (my favorite). I'm told Olympus is working to replicate the fast zooms of the SHG four thirds line in M4/3 versions. Let's hope for it.
4. Can I live with an electronic viewfinder instead of optical?
The electronic viewfinder is absolutely stunning. When I first heard Olympus was abandoning their traditional four-third bodies in favor of mirrorless, I was VERY concerned about losing an optical viewfinder like in my E-5. I took one look through the EM-1, and I was sold on electronic viewfinders. It's bigger and brighter than the E-5 - and most other cameras I'm told. My only complaint is that colors are rendered a little cooler and unsaturated in the viewfinder (as compared to the back screen and the actual photo), but you can adjust the tone and brightness of the viewfinder screen in the endless control settings on this camera. There are three different viewfinder modes so you can select the data you prefer to see, and it automatically turns on and off when you bring it to your eye. Very smart. The first time you try to focus your shot at dusk in near total darkness, you'll learn to appreciate the advantages of electronic viewfinders over optical. No regrets here.
5. What accessories should I buy?
Personally, I think the $200 battery extender grip accessory is a must-have for this camera. First, it makes the camera easier to hold, since the EM-1 is quite small in larger hands. Obviously, you can always remove the battery holder when you want the smallest possible camera. More importantly, if you are accustomed to the 600+ shots of the E-5 battery, be aware you aren't going to get that with this camera. You can only get that level of performance with the extended battery pack. The single internal battery in the camera is good for maybe 300 or so. Other than the battery extender grip, there's not much else you need. You can reuse Olympus lenses, flashes, wired remotes, etc.
6. How does it feel and sound?
It feels wonderful. The button actions are noticeably better than the E-5 buttons, which always felt a little "squishy" to me. Every switch action oozes quality, like a finely made device. Except the SC card door...it's nothing special. Sound wise, the EM-5 uses the same "double beep" focus confirmation as the E-5 (with volume settings, of course). More importantly, everyone remarks on how quiet the shutter is. It has a very quiet but satisfying "thunk" sound compared to the more traditional "click" DSLR shutter sound. Sounds like the shutter is under a pillow, but still very reassuring. Sounds like quality, like a German car door closing. It's perfect for taking photos in sensitive surroundings. All in all, the camera feels like the money you paid for it.
7. How will I process RAW images from this thing? No one has a RAW profile for this camera yet.
I have long used Olympus' Studio Pro software to do RAW processing to JPG for my E-series cameras. The software had the unique ability to apply Olympus' lens correction data to the final image to eliminate distortion, aberrations and corner shadows. I tried comparing the output of Studio Pro to ACR and Apple's RAW converters, and Olympus always came up better. But Olympus hasn't updated this software in forever, so I wondered what software Olympus would bundle with the EM-1. I was pleasantly surprised. The software provided is basically an updated version of Studio Pro, though it goes by a different name and lacks some pro features. (Specifically, it lacks the ability to control the camera by wire, but this feature is now available through the smartphone app, so it's a wash.) The update still includes all the RAW processing features I liked in Studio Pro, including applying lens correction data for any Olympus digital lens. But, I also learned that if you prefer to shoot in JPG, the EM-1's in-camera JPG processing also applies the lens correction data automatically. So if you only shot in RAW in the past so you could correct lens errors in software, now you can stick with shooting JPG and still get corrected images. I still shoot in RAW for the extra color control.
Finally, some nit-picky complaints:
- There is no way to completely turn off the backlighting for the main screen like you can in the E-5. You can turn off live view image and the menu so the screen is blank, but even then the screen's backlighting remains on whenever the camera is turned on (so it's still draining the battery). The only time the backlighting goes off is when your eye comes up to the viewfinder (which is nice). With such a small battery, this is a dumb design. I hope Olympus fixes it with a firmware update.
- The shutter release is VERY sensitive. I've occasionally taken two of three photos when I intended to take only one (and yes, the drive setting was set to single exposure). Just hesitating as I release my finger from the shutter release button can trigger one or two additional shots. On the positive side, the camera can reel off a burst of photos as fast as the new iPhone 5S (10/sec) and the super fast focus means they are all sharp.
- On a camera at this price, Olympus should have included GPS in the camera. The smartphone app works, but it requires you keep the app open and running on your phone (albeit in the background) for the entire time you are shooting pictures, so that the app can log your location data during the period you were taking pictures and then pass that logged data to the camera at a later point. Cumbersome to say the least. Look Olympus, if you're gonna charge $1,500 for a compact DSLR body, you can afford to put a freakin' $1 GPS chip in the camera body!
- Olympus includes a compact camera-style flash accessory you can attach on the hotshot. It's designed to be removed from the camera when not in use, so it's a bit of a pain (though they do include a nice velvet carry pouch that velcros to your strap). I haven't used the flash yet. One benefit of the EM-1's high ISO performance is almost never needing a flash anyway. Obviously, there are times with a flash is required (for very low light or to fill shadows, etc.), but this little flash probably isn't going to be the one you want to use on an expensive body like this, so if you need flash, plan on buying one of Olympus' big off-camera flashes. I wish Olympus had made the included flash an accessory and just cut $150 off the EM-1 price.
- The EM-1 screen doesn't articulate outward to the side of the camera (so it can be seen by the subject) or folded back against the body to protect the screen (like the E-5). It's limited to simply angling up or down. Not sure how much I will miss the extra flexibility, but I do hate to see it go. Oh well.
By sdaniela on October 29, 2013
1. Absolutely YES...if you are a dedicated Olympus guy/gal with a serious investment in Zuiko lenses, then this upgrade is an absolute no-brainer. Buy it now and you will finally be able to compete with your Canon and Nikon buddies in low-light and high resolution. They'll be jealous of the small package and amazing array of features in this camera, and you'll finally get the full performance out of the Zuiko HG and SHG lenses that were always overmatched for the Olympus bodies (more on the performance of the camera below).
2. Almost certainly...if you are looking for your first DSL system and prefer a very lightweight and compact camera system over the bulkier full-size DSLRs YET you still want pro-level control and image quality AND a large selection of medium-to-high grade lenses. If that description fits you, then this camera is the best choice today. The micro four thirds standard is the most diverse system in this category, as Nikon and Canon have yet to really compete in the mirrorless segment beyond a few entries and lenses. Sony is another good option, but their mirrorless lens choices are very thin and overpriced IMO...but I digress.
3. Seriously Consider...if you are Canon/Nikon pro who makes money with your photography and you're looking for a smaller rig on occasion. The EM-1 could be a nice second (or third) rig with image quality that will impress you even in low light. The light weight and small size of the lenses (especially the fast primes) will surprise you. You might find yourself in places and situations where the full-size camera is too imposing or distracting, while the EM-1 is barely even noticeable (and the shutter is nearly silent). I think we're going to see the mirrorless systems showing up more often in professional settings, especially as the bodies improve and the lens choices increase. Right now, this is the best of the breed.
4. Maybe...if you have an aging full-size DSLR from Canon or Nikon and it's time for an upgrade. Depending on how much you have invested in your glass, a switch to this system should give you substantially better image performance, much smaller size and probably less cost when compared to buying a new full-size sensor body with several fast lenses. It's a commitment to a new system, but if your current setup is old and can't cut it any longer, then this might be the right time to switch.
5. Probably not...if you are invested heavily in Canon and Nikon glass and accessories. The quality of this camera is very, very good, but not good enough to justify significant expense in new lenses.
I bought this camera because I fit into category 1 above. I am a long-time Olympus digital SLR owner (which has not been an easy road, frankly). I originally bought into the Olympus four-thirds system because their lenses were so much faster (i.e., brighter) than competitors at a similar price point, and their equipment is very well made. I think the price was a bit steep (even more than I paid for my E-5), but the quality to match the price is there, and let's face it...Olympus owners don't really have a choice if we want to continue using our high-end Olympus glass.
Some background on my perspective...skip the nex paragraph if you don't care.
I started with the E-1, moved to the E-620 and then the E-5. I've been using the E-5 exclusively for the past three years. (I also bought a Panasonic mirrorless micro four thirds body to play with, but I never liked the lack of control it offered, so I stuck with the E-5.) I also have many Olympus lenses, including four of their high-end SHG lenses, and if it hadn't been for my (significant) investment in this glass, I would have abandoned the four-thirds standard long ago. I've long been jealous of my Canon and Nikon friends with much better low-light performance and better resolution. On the other hand, they were jealous of my insanely fast Olympus glass, so I waited to see Olympus' next move before deciding whether to stay or jump ship.
The OM-D EM-1 wasn't exactly the body I was expecting, but now that I have shot with it for a week, I'm sold. Finally, I have a camera that competes nicely (not equally, but close) with full frame sensor bodies. The build quality on this camera is top notch, equal to the E-5 and even better in some respects. The controls will be familiar to anyone who has used (and loved) the unique Olympus body control layouts. Everything on this camera is fast, fast, fast. Contrast focus is great with MFT lenses and the phase-detection is even faster than my E-5 (which was no slouch with SWF lenses).
Now, here are answers to questions I had before I bought the EM-1 (that no else seemed to address). I think they will be particularly helpful for existing Olympus camera owners:
1. Is the EM-1 image quality *finally* competitive with the "big boys?"
In a word, yes. Olympus owners can finally take the bag off their heads! No more making excuses for our low light performance, poor focus speed or low resolution. I'm continually surprised (in a good way) by the image quality of the EM-1. It's visibly better than the E-5, and in low light situations the difference between the EM-1 and previous Olympus bodies is...well...night and day. Noise is all but nonexistent at ISO 6400 or below (and even higher ISOs are very usable). This was always Olympus biggest weakness compared to other cameras, but that difference is mostly erased with this camera. Compared to my friend's full frame Canon, the EM-1 colors look a little over saturated (in the typical Olympus way, especially the reds), but I kinda like the pumped look, and you can always desaturate in post if you prefer the flatter, more neutral Canon look. White balance is outstanding. Olympus bodies typically handled white balance well, but this one nails it every time.
2. Is the camera still easy to configure and control in the typical Olympus way of doing things?
Look up the word "configurable" on wikipedia, and you will find a picture of the EM-1. Virtually every button can be remapped to another purpose. Olympus might as well have labeled every button on the camera with a letter (e.g., A, B, C, etc.) instead of a specific function, because you can change every button to do whatever function you prefer. In fact, you can make multiple buttons do the SAME thing. The manual comes on a CD, but it's not that long and you can print it at home with a laser printer for a few pennies. It's worth it because you'll need it to configure the camera properly. After about an hour, I had the EM-1 buttons remapped to match the configuration on my E-5. Yeah...zero retraining required!
3. Do I need the new Olympus M Zuiko Digital ED 12-40mm f/2.8 or should I stick with my four-thirds lenses and the adapter?
How rich are you? If you have the money, replace your four thirds lenses with good M4/3, but it will cost you. The 12-40mm is a cool $1,000. After I got my EM-1 I attached a few of my SHG lenses, and they worked perfectly, but they look ridiculous. I initial intended to stick my big Olympus glass to save money, but after one day with the EM-1, I decided to invest in high-end micro four thirds lenses. It completely ruins the point of a svelte micro four thirds body when mated to oversized lenses. I love the quality of SHG glass, and I certainly won't be dumping those lenses anytime soon, but for everyday photography needs (i.e., with the kids at the amusement park, walking around the tourist spots, a casual moment with the family and pets, etc.) you don't want to mate a small, lightweight camera with a ginormous, heavy lens. My first purchase was the 12-40mm (on the wait list now) and I've already bought a few of the M4/3 primes including the Oly 17mm, Pana/Leica 25mm, Oly 45mm and Oly 75mm (my favorite). I'm told Olympus is working to replicate the fast zooms of the SHG four thirds line in M4/3 versions. Let's hope for it.
4. Can I live with an electronic viewfinder instead of optical?
The electronic viewfinder is absolutely stunning. When I first heard Olympus was abandoning their traditional four-third bodies in favor of mirrorless, I was VERY concerned about losing an optical viewfinder like in my E-5. I took one look through the EM-1, and I was sold on electronic viewfinders. It's bigger and brighter than the E-5 - and most other cameras I'm told. My only complaint is that colors are rendered a little cooler and unsaturated in the viewfinder (as compared to the back screen and the actual photo), but you can adjust the tone and brightness of the viewfinder screen in the endless control settings on this camera. There are three different viewfinder modes so you can select the data you prefer to see, and it automatically turns on and off when you bring it to your eye. Very smart. The first time you try to focus your shot at dusk in near total darkness, you'll learn to appreciate the advantages of electronic viewfinders over optical. No regrets here.
5. What accessories should I buy?
Personally, I think the $200 battery extender grip accessory is a must-have for this camera. First, it makes the camera easier to hold, since the EM-1 is quite small in larger hands. Obviously, you can always remove the battery holder when you want the smallest possible camera. More importantly, if you are accustomed to the 600+ shots of the E-5 battery, be aware you aren't going to get that with this camera. You can only get that level of performance with the extended battery pack. The single internal battery in the camera is good for maybe 300 or so. Other than the battery extender grip, there's not much else you need. You can reuse Olympus lenses, flashes, wired remotes, etc.
6. How does it feel and sound?
It feels wonderful. The button actions are noticeably better than the E-5 buttons, which always felt a little "squishy" to me. Every switch action oozes quality, like a finely made device. Except the SC card door...it's nothing special. Sound wise, the EM-5 uses the same "double beep" focus confirmation as the E-5 (with volume settings, of course). More importantly, everyone remarks on how quiet the shutter is. It has a very quiet but satisfying "thunk" sound compared to the more traditional "click" DSLR shutter sound. Sounds like the shutter is under a pillow, but still very reassuring. Sounds like quality, like a German car door closing. It's perfect for taking photos in sensitive surroundings. All in all, the camera feels like the money you paid for it.
7. How will I process RAW images from this thing? No one has a RAW profile for this camera yet.
I have long used Olympus' Studio Pro software to do RAW processing to JPG for my E-series cameras. The software had the unique ability to apply Olympus' lens correction data to the final image to eliminate distortion, aberrations and corner shadows. I tried comparing the output of Studio Pro to ACR and Apple's RAW converters, and Olympus always came up better. But Olympus hasn't updated this software in forever, so I wondered what software Olympus would bundle with the EM-1. I was pleasantly surprised. The software provided is basically an updated version of Studio Pro, though it goes by a different name and lacks some pro features. (Specifically, it lacks the ability to control the camera by wire, but this feature is now available through the smartphone app, so it's a wash.) The update still includes all the RAW processing features I liked in Studio Pro, including applying lens correction data for any Olympus digital lens. But, I also learned that if you prefer to shoot in JPG, the EM-1's in-camera JPG processing also applies the lens correction data automatically. So if you only shot in RAW in the past so you could correct lens errors in software, now you can stick with shooting JPG and still get corrected images. I still shoot in RAW for the extra color control.
Finally, some nit-picky complaints:
- There is no way to completely turn off the backlighting for the main screen like you can in the E-5. You can turn off live view image and the menu so the screen is blank, but even then the screen's backlighting remains on whenever the camera is turned on (so it's still draining the battery). The only time the backlighting goes off is when your eye comes up to the viewfinder (which is nice). With such a small battery, this is a dumb design. I hope Olympus fixes it with a firmware update.
- The shutter release is VERY sensitive. I've occasionally taken two of three photos when I intended to take only one (and yes, the drive setting was set to single exposure). Just hesitating as I release my finger from the shutter release button can trigger one or two additional shots. On the positive side, the camera can reel off a burst of photos as fast as the new iPhone 5S (10/sec) and the super fast focus means they are all sharp.
- On a camera at this price, Olympus should have included GPS in the camera. The smartphone app works, but it requires you keep the app open and running on your phone (albeit in the background) for the entire time you are shooting pictures, so that the app can log your location data during the period you were taking pictures and then pass that logged data to the camera at a later point. Cumbersome to say the least. Look Olympus, if you're gonna charge $1,500 for a compact DSLR body, you can afford to put a freakin' $1 GPS chip in the camera body!
- Olympus includes a compact camera-style flash accessory you can attach on the hotshot. It's designed to be removed from the camera when not in use, so it's a bit of a pain (though they do include a nice velvet carry pouch that velcros to your strap). I haven't used the flash yet. One benefit of the EM-1's high ISO performance is almost never needing a flash anyway. Obviously, there are times with a flash is required (for very low light or to fill shadows, etc.), but this little flash probably isn't going to be the one you want to use on an expensive body like this, so if you need flash, plan on buying one of Olympus' big off-camera flashes. I wish Olympus had made the included flash an accessory and just cut $150 off the EM-1 price.
- The EM-1 screen doesn't articulate outward to the side of the camera (so it can be seen by the subject) or folded back against the body to protect the screen (like the E-5). It's limited to simply angling up or down. Not sure how much I will miss the extra flexibility, but I do hate to see it go. Oh well.
I was reluctant at first to try the EM-1 for three reasons:
- The format is Micro-Four Thirds, not Four Thirds. I take 99% of my photos in the telephoto range, and that is what Four Thirds was optimized to use. Micro-Four Thirds is geared more towards wide angle lenses.
- The camera is mirrorless and uses an electronic Viewfinder (EVF).
- I have to use a converter to mount my existing Four Thirds lenses, and converters have a very bad history.
Out of the box:
The first thing that you notice when you pull the body out is that it is SOLID. The thing feels like it is built like a tank. I have not tried the "splashproof" and other claims, but just holding this body I can believe them. The camera fits well in my hand. My hands are a little large, and my pinky occasionally slides off the bottom. I may buy the grip/extra battery holder later if this proves to be a problem. YMMV.
Using Four Thirds lenses:
I have no Micro Four Thirds lenses and a lot invested in Four Thirds lenses, so using them was a key issue. Olympus has 1/17 or 1 MP of the sensor dedicated to phase detection auto focus, the only type of auto focus that will work with these lenses. I find that the system works very well. Focusing is fast and accurate.
Mounting the converter is easy, as expected. Once mounted, you use a button on the side to release the lens. This is a learning issue since I still normally hit the lens release button on the camera body. I anticipate little real problems with this since as soon as I try to put the cover on the back of the lens I realize my error.
Balance with the 12-60 mm Four Thirds lens is excellent. Holding the lens by the zoom collar, the weight is only slightly behind my left hand. I only have to support the body lightly with my right hand. I personally like that balance. Longer lenses like the 70-300 are also well balanced.
EVF:
I have used a mirrored SLR since 1978 and a rangefinder 35 mm camera and 126 film P&S cameras before that. As you might guess, I favor a direct view to see what I am shooting. EVF have issues with resolution and lag when moving to a different point of interest or following a subject, especially in low light.
The EVF has turned out to be great. I really like Olympus' implementation. There is some lag, but it is generally minimal. The "What You See Is What You Get" is a big plus in my book. Adjust the exposure compensation or manual exposure settings, and the view in the EVF changes to reflect what the image will look like. It is not perfect, but it gets 95%+ of what you will actually get. The display of settings is bright, clear, crisp, large, and surprisingly unobtrusive.
The EVF also allows a lot of changes in camera settings to be done without removing the camera from your eye. Use the two dials, and you can see where the focus points that you are using are. Hit the OK button on the back, and you can use the dials to adjust just about every setting while watching the selections you are making in the EVF. Ditto with the other buttons like HDR and auto exposure mode.
HDR:
I had the opportunity to use in-camera HDR while on a recent trip. The day was cloudy, and there was a lot of shadow against bright grey clouds. The in-camera HDR used a series of shots at different exposures and combined them in the camera. The results were better than HDR Pro in Photoshop CS5.5 IMO. I was much, much happier with the dynamic range and overall look of the images. the 10 fps shooting mode was also great for minimizing camera movement, ghosts and other problems associated with HDR.
Image stabilization:
The EM-1 has a five axis image stabilization system for the sensor. That means any lens becomes can be used. The fourth and fifth axes are for rotations. One compensates for the slight turn of the camera that often occurs when you press the shutter button. I had good success using IS in low light with my 70-300 mm lens set at 300 mm.
Scenes:
the EM-1 has many useful scene modes. I used landscape and panorama with great success. The artistic filters and story modes may also interest you. I prefer to do those types of things in post-processing.
ISO:
The camera has an almost insane 25600 maximum ISO. Yes, you get image quality degradation and noise at that ISO, but the in-camera JPEG processor can actually give you some relief from the problems at higher ISOs. I so far have found shooting up to ISO 1600 produces no discerned degradation. I tried ISO 6400 and found minimal issues.
For those who started with film and were in love with the "high ISO" 1000 film for low light shooting, this is a major and welcome advancement. For those newer to photography that have been using higher ISO cameras for a while, the speed may not be much of a gain, but the image quality should be.
The low end ISO is 200, which is the new normal. I do not find it to be a problem. I would rather shoot at a faster shutter speed than have an ISO 100 setting in most cases. There is an ISO LOW setting, but I do not plan to use it. If you regularly shoot in bright light and want lower f-stops, invest in a neutral density filter.
Back display:
The back display is slightly disappointing. It can only tilt up and down, not rotate so that you can see your composition when you are getting into the shot. It works well for shooting over crowds or getting a low angle shot.
On the plus side, the display is clear, bright and a touchscreen that can be used to select a point of interest for focusing and can be used to take the shot in live view mode. You can also use it to select settings to change. The next generation should be even better, and hopefully it will have a screen that rotates.
SD card:
One change from the E-500 that I do not like is the use of SD rather than CF cards. CF cards are nearly indestructible, and a good Sansdisk Extreme card works virtually anywhere, anytime and is virtually impossible to physically break. The xD card slot disappearing is no loss, but not having a second card slot is somewhat surprising given the high-end prosumer/professional positioning of this camera.
Controls and customization:
The controls are pretty well placed for me with the exception of the auto exposure lock button. That is right beside the viewfinder and too far to the left for my liking. You can do a lot of customization with the control buttons and dials, but there are limits. I have not made any changes yet because I am still learning the camera. Overall the defaults seem logical and useful.
This camera has two dials, one on the front and one on the back. The E-500 only had a back dial, so I am learning to use the two dial system. They work well for adjusting and selecting options. I think the second dial was a good addition. Both are conveniently located for my fingers.
Image quality:
All of this is meaningless if the image you get out is bad. The EM-1 does not disappoint. I know that there are people who insist that they need 48 MP or some other ridiculously large number. The reality is that 16 MP is a great size for printing full-size 300 dpi images on your printer or using a commercial photo printing service. If all you do is screen displays, it is about eight times more pixels than you need for a typical 2 MP monitor.
The quality of the EM-1 pixels is very high, and you get excellent out-of-the-camera RAW and JPEG images. I have no problems seeing fine detail at 100% and higher magnifications.
Summary:
This camera is a winner, and it works with my existing Four Thirds lenses so I do not have to invest another $3000+ in lenses to use it. I have a lot to learn, and it will take some time to get the most out of the camera, but out-of-the-box, using my E-500 techniques, it is already doing great work.
Top reviews from other countries
Sharp with even entry level zoom, but really shines with pro lenses.









































