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One For The Morning Glory Paperback – February 15, 1997
But, as is often the case in Tales of this sort, the young Prince's misfortune was also a sort of blessing in disguise. For a year and a day later, four Mysterious Strangers appeared, and, as Amatus grew to manhood, they guided him on a perilous quest to discover his true identity--not to mention adventure, danger, tragedy, triumph, and true love.
John Barnes has been heralded as "one of the most able and impressive of SF's rising stars" (Publishers Weekly) for his widely praised novels including Orbital Resonance and A Million Open Doors.
Now, in One for the Morning Glory, John Barnes has crafted an artful and immensely entertaining fable that takes its place as a modern fantasy classic beside such enduring works as William Goldman's The Princess Bride and T.H. White's The Once and Future King.
- Print length320 pages
- LanguageEnglish
- PublisherTor Fantasy
- Publication dateFebruary 15, 1997
- Dimensions4.75 x 1 x 6.75 inches
- ISBN-100812551605
- ISBN-13978-0812551600
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"Amusing and fun, of course, and unexpectedly moving, too. I found the world mattered very much to me, and then I found myself wondering just exactly what John Barnes is up to. He's up to a lot." --Maureen F. McHugh, award-winning author of China Mountain Zhang
"Barnes is a major SF writer of the 1990s." --The Washington Post
About the Author
Product details
- Publisher : Tor Fantasy; First Edition (February 15, 1997)
- Language : English
- Paperback : 320 pages
- ISBN-10 : 0812551605
- ISBN-13 : 978-0812551600
- Item Weight : 5.6 ounces
- Dimensions : 4.75 x 1 x 6.75 inches
- Best Sellers Rank: #1,884,413 in Books (See Top 100 in Books)
- #143,390 in Fantasy (Books)
- Customer Reviews:
About the author

My thirty-first commercially published novel came out in September 2013. I've published about 5 million words that I got paid for. So I'm an abundantly published very obscure writer.
For readers who are wondering where to start with my work, the most common suggestions are Orbital Resonance, A Million Open Doors, Mother of Storms, Encounter with Tiber, or Tales of the Madman Underground. However, almost no one likes all five of those books--I write a wider range than most people read--so you might want to flip a few pages before buying. My most popular have been Directive 51, Mother of Storms, and the two collaborations with Buzz Aldrin. My 3 most popular series begin with A Million Open Doors, Directive 51, and Patton's Spaceship. Nearest my heart are probably One for the Morning Glory, Tales of the Madman Underground, and The Sky So Big and Black. And the most fun was had in writing Gaudeamus, Payback City, and Raise The Gipper!
I used to teach in the Communication and Theatre program at Western State College. I got my PhD at Pitt in the early 90s, masters degrees at U of Montana in the mid 80s, bachelors at Washington University in the 70s; worked for Middle South Services in New Orleans in the early 80s. For a few years I did paid blogging mostly about the math of marketing analysis at TheCMOSite and All Analytics. More recently, I covered advanced technology, especially space, stories in the Government section of Information Week.
If any of that is familiar to you, then yes, I am THAT John Barnes.
I have also become aware of at least 72 Johns Barneses I am not. Among the more interesting ones I am not:
1. the Jamaican-born British footballer who scored that dramatic goal against Brazil
2. the occasional Marvel bit role who is the grandson of Captain America's sidekick
3. the Vietnam-era Medal of Honor winner
4&5. the lead singer for the Platters (and neither he nor I is the lead singer for the Nightcrawlers)
6.the Australian rules footballer
7. the former Red Sox pitcher
8. the Tory MP
9. the expert on Ada programming
10&11. the Cleveland-area member of the Ohio House of Representatives (though we're almost the same age and both grew up in northern Ohio) who is also not the former member of the Indiana House that ran for state senate in 2012 (one of them is a Democrat, one a Republican, and I'm a Socialist)
12. the former president of Boise State University
13. the film score composer
14. the longtime editor of The LaTrobe Journal
15. the biographer of Eva Peron
16. the manager of Panther Racing (though he and I share a tendency to come in second)
17. the British diplomat (who is not the Tory MP above)
18. the conservative Catholic cultural commentator (now there's an alliterative job)
19. the authority on Dante
20. the mycologist
21. the author of Marketing Judo (though I have an acute interest in both subjects)
22. the travel writer
23. the author of Titmice of the British Isles (originally published as Greater and Lesser Tits of England and Ireland, a title which I envy)
24. the guy who does some form of massage healing, mind/body stuff that I don't really understand at all
25. the corp-comm guy for BP (though I've taught and consulted on corp-comm)
26. the film historian,
27. the Pittsburgh-area gay rights activist (though we used to get each others' mail)
28. the guy who skipped Missoula, Montana, leaving behind a pile of bad checks, just before I moved there
29. the policeman in Gunnison, Colorado, the smallest town I've ever lived in, though he busted some of my students and I taught some of his arrestees
30. the wildlife cinematographer who made Love and Death on the Veldt and shot some of the Disney True Life Adventures ("Hortense the Presybterian Wombat" and the like) or
31. that guy that Ma said was my father.
And despite perennial confusion by some science fiction fans and readers, I'm not Steve Barnes and he's not me, and we are definitely not related, though we enjoy seeing each other and occasionally corresponding (not often enough).
I used to think I was the only paid consulting statistical semiotician for business and industry in the world, but I now know four of them, and can find websites for about ten more. Statistical semiotics is about the ways in which the characteristics of a population of signs come to constitute signs themselves. It has applications in marketing, poll analysis, and annoying the literary theorists who want to keep semiotics all to themselves and spend their time studying individual signs and the processes around them in very deep detail. It also shouldn't be confused with computational semiotics, which was about how software could parse complex signs to communicate with humans and other software. Just to make it a bit more confusing, both statistical and computational semiotics are being gradually subsumed into natural language processing, which in turn seems to be being absorbed into data science. Someday all universities will just have a Department of Stuff and that's what everyone will major in.
Semiotics is pretty much what Louis Armstrong said about jazz, except jazz paid a lot better for him than semiotics does for me. If you're trying to place me in the semiosphere, I am a Peircean (the sign is three parts, ), a Lotmanian (art, culture, and mind are all populations of those tripartite signs) and a statistician (the mathematical structures and forms that can be found within those populations of signs are the source of meaning). Recently I've begun working on a certificate in Data Science for pretty much the same reason that the Scarecrow needed a diploma and the Lion needed a medal.
I have been married three times, and divorced twice, and I believe that's quite enough in both categories. I'm a hobby cook, sometime theatre artist, and still going through the motions after many years in martial arts.
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Two for the Early Dew,
Three for the Man who will Stand his Ground,
And four for the Love of you."
So goes the slightly altered verse that is the heart and soul of this extraordinary, lyrical, wonderful story. Part adventure, part romance, part horror, part farce, and entirely magical, this is my absolute favorite book by John Barnes, and one of my choices for top ten SF ever.
It is a bit like James Thurber's The Thirteen Clocks, a bit like Mark Twain, rather a lot like George MacDonald's Princess and Curdie books, and there's a warped bit of Shakespeare as well.
Prince Amatus had a slight misadventure when he was very young, so he is only half there: just a right side, no left.
His father, King Boniface, after dispatching the four careless persons who allowed the Prince to drink an entire glass of The Wine of the Gods, puts out a proclamation seeking 4 persons to fill the four essential positions vacated by a superb execution of skill and justice, as described in the first chapter, "A Difficult Day in the Kingdom," for now the Kingdom is short of one Royal Alchemist, one Royal Witch, one Captain of the Guard, and one Prince's Personal Maid.
A year and a day later - John Barnes knows his fairy tale motifs - four mysterious persons appear to fill the positions perfectly. Golias, Mortis, the Twisted Man, and Psyche are just what Prince Amatus, and the Kingdom, need, even if two of them are terribly dangerous, for there is much more at stake than the half-life of a small boy. Brigands and monsters inhabit the reaches, goblins lurk underground, and Waldo the Usurper is set upon conquering and laying waste to Boniface's domain, as he has to the neighboring kingdoms already.
As Amatus matures, he and his best friends, Sir John Slitgizzard, Duke Wassant, and the Lady Calliope, discover that growing up happens in stages, and there is loss and pain at every level. But if a boy does not become a man and a hero, even worse things happen instead.
John Barnes does something in this story which only a few writers dare attempt, and even fewer do well: he deliberately uses malaprops and word substitutions. For example, a typical meal is a plate of "protons and simile" and hunters go after gazebo. (NIce allusion there to the infamous "Knights of the Dinner Table" episode, John. And yeah, THAT'S why there is a gazebo card in the first Munchkins game by Steven Jackson.)
For the most part this is simple fun on the part of one wordsmith for the delight of others, but it also makes for great vocabulary exercises. When I have used this book in literature classes, students' vocabulary scores tend to go up two or even three grade levels from this one book alone.
By the way, if you wish to hear the original song, the Clancy Brothers recorded a good version; in that song, the third line is "Three for the man who will stand his round" - because it is a drinking song from World War One.
This is the gold standard of magical adventure and coming-of-age. Nothing else comes close, not Harry Potter, not Hunger Games, not Percy Jackson.
Interestingly enough, John Barnes Also wrote one of the best science fiction YA books ever: Orbital Resonance, which is on par with Lois McMaster Bujold's The Warrior's Apprentice or whatever your favorite Heinlein novel might be.
The only disappointment that this book caused this reader was discovering that Barnes apparently intended it as part of a trilogy but poor sales meant that the other two volumes were unlikely ever to appear. Don't let that stop you from reading and enjoying this Tale, however - it stands fully and satisfyingly on its own.
I even use this book in my homeschooling with my senior. It had wonderful literary device examples in addition to being riveting.
If you like "The Princess Bride" but skipped through the many monotonous parts, "One for the Morning Glory" is definitely your kind of read. It moves quickly through a series of action packed adventures which reinvigorate this tired genre. It's a much better and frankly easier read than "The Princess Bride" and boasts equal amounts of charm, exploit and humor.
It's a teddy bear of a book - comforting, lighthearted, next to my bed at all times, and continuing to get better as it and I age together.

