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One Summer: America, 1927 Hardcover – October 1, 2013
| Bill Bryson (Author) Find all the books, read about the author, and more. See search results for this author |
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A GoodReads Reader's Choice
In One Summer Bill Bryson, one of our greatest and most beloved nonfiction writers, transports readers on a journey back to one amazing season in American life.
The summer of 1927 began with one of the signature events of the twentieth century: on May 21, 1927, Charles Lindbergh became the first man to cross the Atlantic by plane nonstop, and when he landed in Le Bourget airfield near Paris, he ignited an explosion of worldwide rapture and instantly became the most famous person on the planet. Meanwhile, the titanically talented Babe Ruth was beginning his assault on the home run record, which would culminate on September 30 with his sixtieth blast, one of the most resonant and durable records in sports history. In between those dates a Queens housewife named Ruth Snyder and her corset-salesman lover garroted her husband, leading to a murder trial that became a huge tabloid sensation. Alvin “Shipwreck” Kelly sat atop a flagpole in Newark, New Jersey, for twelve days—a new record. The American South was clobbered by unprecedented rain and by flooding of the Mississippi basin, a great human disaster, the relief efforts for which were guided by the uncannily able and insufferably pompous Herbert Hoover. Calvin Coolidge interrupted an already leisurely presidency for an even more relaxing three-month vacation in the Black Hills of South Dakota. The gangster Al Capone tightened his grip on the illegal booze business through a gaudy and murderous reign of terror and municipal corruption. The first true “talking picture,” Al Jolson’s The Jazz Singer, was filmed and forever changed the motion picture industry. The four most powerful central bankers on earth met in secret session on a Long Island estate and made a fateful decision that virtually guaranteed a future crash and depression.
All this and much, much more transpired in that epochal summer of 1927, and Bill Bryson captures its outsized personalities, exciting events, and occasional just plain weirdness with his trademark vividness, eye for telling detail, and delicious humor. In that year America stepped out onto the world stage as the main event, and One Summer transforms it all into narrative nonfiction of the highest order.
- Print length528 pages
- LanguageEnglish
- PublisherDoubleday
- Publication dateOctober 1, 2013
- Dimensions6.45 x 1.36 x 9.52 inches
- ISBN-100767919408
- ISBN-13978-0767919401
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Editorial Reviews
Amazon.com Review
From Booklist
Review
—The New York Times
"...A skillful lesson on the dynamics and personalities that shaped today's America and on how far the country has evolved from a gaudy era fondly but imperfectly recalled."
—Wall Street Journal
"There are two kinds of readers: those who love Bill Bryson and those who haven't met him yet... Colorful, rollicking and sweet, this is Bryson being Bryson. Which is to say: marvelous."
—People
"A glorious look at one summer in America...Bryson offers delicious detail and breathtaking suspense about events whose outcomes are already known."
—Booklist, Starred Review
"This splendid book, written in the breezy and humorous style that has come to be Bryson's trademark, is sure to delight readers steeped in the history of the period as well as those looking to acquaint themselves with it for the first time."
—The Associated Press
“Bryson will set you right in this canter through one summer of one year that—once you’ve turned the final page—will seem more critical to American history than you might have reckoned before… [He] is a master of the sidelong, a man who can turn obscurity into hilarity with seemingly effortless charm—and One Summer is an entertaining addition to a body of work that is at its best when it celebrates the unexpected and the obscure… This is a jolly jalopy ride of a book; Bryson runs down the byways of American history and finds diversion in every roadside stop.”
—Financial Times
"...Bryson himself is captivated by the events of summer, 1927. And why not? They included Charles Lindbergh's solo flight over the Atlantic, Sacco and Vanzetti's execution, Gutzon Borglum's start on the sculpting of Mt. Rushmore, the Dempsey-Carpentier fight, and Babe Ruth's 60 home runs—all of which Bryson covers in characteristically sparkling prose."
—Publishers Weekly
"As a historian, Bryson is the antithesis of stuffy. He's a storyteller, pure and simple, and One Summer is a collection of a great many tales about people and events, centered on (but not limited to) a single season in a single year... Bryson could have written a book just as interesting about the summer of 1949 or 1913. That's because his subject isn't really a year. It's human nature in all its odd and amazing array."
—Chicago Tribune
"The book's strength is in showing the overlap of significant events and the interaction of personalities."
—Library Journal
"What comes across clearest in Bryson’s lucid, lighthearted narrative is the pure energy and crazed optimism of the era. Sure, the rollicking party would end, but it was fun while it lasted—as is Bryson’s One Summer.”
—Minneapolis Star-Tribune
"...One Summer wins you over by the sheer weigh tof its encyclopedic enthusiasms."
—The Telegraph
"Bryson is a marvelous historian, not only exhaustively accurate, but highly entertaining. If you avoid textbook histories because they seem too dry, pick up One Summer, or any other of Mr. Bryson's books. They are intelligent delights."
—Liz Smith, The Huffington Post
"Highly recommend One Summer: America, 1927 by Bill Bryson—interesting, entertaining visit to an incredible year."
—John McCain
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Product details
- Publisher : Doubleday; First Edition (October 1, 2013)
- Language : English
- Hardcover : 528 pages
- ISBN-10 : 0767919408
- ISBN-13 : 978-0767919401
- Item Weight : 1.96 pounds
- Dimensions : 6.45 x 1.36 x 9.52 inches
- Best Sellers Rank: #323,982 in Books (See Top 100 in Books)
- #1,584 in Popular Culture in Social Sciences
- #3,663 in Historical Study (Books)
- #14,258 in United States History (Books)
- Customer Reviews:
About the author

Bill Bryson was born in Des Moines, Iowa. For twenty years he lived in England, where he worked for the Times and the Independent, and wrote for most major British and American publications. His books include travel memoirs (Neither Here Nor There; The Lost Continent; Notes from a Small Island) and books on language (The Mother Tongue; Made in America). His account of his attempts to walk the Appalachian Trail, A Walk in the Woods, was a huge New York Times bestseller. He lives in Hanover, New Hampshire, with his wife and his four children.
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America had been suffered from abnormal weather in that summer. It rained steadily across much of the country, sometimes in volumes not before seen. Heat wave of summer was under way. The Great Migration, blacks’ moving out from the South, began soon after the Mississippi flood, which lead to keeping out immigrant movements. Eugenics was a minion theory in that era. Bryson notes the fact sterilization laws still remain on the books in twenty states today. Extraordinary weather forced the federal government to accept that certain matters are too big for states to handle alone. The birth of Big Government in America. The canyon like streets and spiky skyline was largely a 1920s phenomena. Holland Tunnel was opened in 1927. A Mount Rushmore project was begun on. Constructing Golden Gate Bridge and Hoover Dam started. It was the same summer four men, from America, England, Germany, and French, gathered at the Long Island to discuss abolishing the gold standard. The result connected to the Great Depression. Calvin Coolidge presided over a booming economy and did nothing at all to get in the way of it.
The 1920s was a great time for reading. Reading remained as a principal method for most people to fill idle time. It coincide precisely with the birth of tabloid papers and huge popularity of book clubs. Plausibility was not something that audiences needed for in the 1920s. An immense pulp fictions were printed out in this era. Bryson picks up the Sash Weight Murder Case to illustrate this frenzy. It would be overtaken soon by the passive distraction of radio. Lindbergh’s return in triumph was in many ways the day that radio came of age. American spent one-third of all the money for furniture on radios. The nation’s joy and obsession was baseball at that time. Baseball dominated and saturated American life culturally, emotionally. It was that summer Yankees won the American League championship with a league record, and Babe Ruth banged out 60 home runs. Boxing was also a 1920s phenomenon. Jack Dempsey - Gene Tunny Fight were held at the summer’s end of that year. Americans were excited about every on-the-spot broadcast. Many people came to find the automobile an essential part of life. One American in six owned a car by the late 1920s. It was getting close to a rate of one per family. And it was in the summer of 1927 that Henry Ford embarked on the most ambitious, and ultimately most foolish venture, the greatest rubber-producing estate, Fordlandia.
The 1920s are dubbed as the Jazz Age, the Roaring Twenties, and the Era of Wonderful Nonsense. Musical performances were prospered. Big theaters had been constructed. It was a flourishing time for America, various cultural icons for American life style were created and introduced. American century began to blossom with full of life and energy. America’s winning the World War I exhibited it’s existence to the world. In 1927, Americans were not popular in Europe and not popular at all in France. The most striking things to a foreign visitor, arriving in America for the first time in 1927, was how staggeringly well-off it was. No other country they knew had ever been this affluence, and it seemed getting wealthier daily at a dizzily pace for them. It was the time TV started test broadcasting. Talkies began to take place of Silent Movies. Talking pictures were going to change the entertainment world thoroughly. It not only stole audiences from live theaters but also, and even worse, reaped talent. Who couldn’t speak English were kicked out from the industry. Through talkies America began to export American thoughts, attitudes, humor and sensibilities, peaceably, almost unnoticed. America had just taken over the world.
It was a time of Prohibition. It was a time of despair for people of a conservative temperament. The 1920s were also an Age of Loathing. More people disliked more other people from more directions and for less reason. There were subversive activities. Foreign workers who couldn’t get job were thought to be anarchy. It was not a good time to be either a radical or an alien in America, and unquestionably dangerous to be both. Bryson takes up the Nicola Sacco and Bartolomeo Vanzetti case to explain the atmosphere in this era. The European economies were uniformly wrecked while America’s was booming. America was blamed for it’s indifference to other countries suffering economic difficulties. Rejecting foreign workers led to bringing out negative feeling from other countries. Before the summer ended, millions of French would hate America, and it would actually be unsafe to be an American on French street.
What did Lindberg’s success mean to American people. America has fallen behind from the rest of the world in every important area of technology in the 1920s. Lindbergh’s flight brought the world a moment of sublime, spontaneous, unifying joy on a scale never seen before for some unknowable reason. There would have been the gratifying novelty of coming first at something. America was suddenly dominant in nearly every field. In popular culture, finance and banking, military power, invention and technology, these center of gravity for the planet was moving from Europe to America. Charles Lindbergh’s flight somehow became the culminating expression of this. It is interesting to note Bryson counts as advantage for American fliers over European competitors is their using aviation fuel from California. It burned more cleanly and gave better mileage. It harbingers the coming oil century. It is impossible to imagine what was it about Charles Lindbergh and his 1927 flight to Paris that so transfixed the world in that summer. Bryson seems to have no interest about psychological analysis of heroes. He objectively piles up the facts from datas still remained. We are enthralled many times by accidental outcome resultant from connection between people and or tossed about by the tide. The greatest hero of the twentieth century was infinitely more of an enigma and considerably less of a hero than anyone had ever supposed. Alexis Carrel, a famous doctor at that time, provided Lindbergh with an enduring friendship and years of bad advice. Lindberg was invited to the Olympics in Berlin as a guest of the Nazis. He and his wife became unapologetic admirers of Adolf Hitler. People’s enthusiasm to Lindberg burnt out quickly and never returned. 1927 was substantially the first year of Showa in Japan. Showa actually started from the late December of the previous year. Ryuunosuke Akutagawa, a novelist, suicided from dimly obscured uneasiness in this year. It was an era militarism crept upon Japanese from the behind unnoticeably.
-- "Seventy six trombones led the big parade," which begins in May with Lindbergh & the first trans-atlantic flights, followed by
--"Take me Out to the Ball Game," with June's Babe Ruth, and his peerless peers including Lou Gehrig, continuing with
-- "It's a Grand Old Flag," in which we meet August's vacationing President Calvin Coolidge and those around, before, and after him, concluding with
--"Darth Vader's March," September & summer's end---whose brutal solemnity echoes Sacco & Vanzetti's lives, the height of the Klu Klux Klan, and the prosecution (& persecution) of anarchists, Fascists, and those thinking differently
The almost 500 pages of "One Summer, America 1927" can hardly contain these events and these men, and it doesn't even try to. The book is as fractal as the coast of Maine. A character or theme is introduced: don't go away, it won't have its arc completed where it first appears, but is followed in asides & interludes in succeeding pages. Like life itself, where happenings are spread out & we just learn to pick up the theme & follow it when it re-appears.
There's Henry Ford and his story; the financial gang of four whose summer of 1927 plotting & ploying probably pushed the economy over the cliff in 1929; Clara Bow, that darling girl whose voice sadly for her & us all twanged harshly upon the ear when talkies arrived; the gallant & ambitious & competitive & at times manipulative aviators who did not make it across the Atlantic (peace be on their memories). And Herbert Hoover, who combined a genius for egotistic self-promotion with extra-ordinary management skill, a fine man for disasters, untouched it would seem with the milk of human kindness. We elected him president in 1929. Oh, and Al Capone & the rooting, tooting story of Prohibition and the remarkable woman, lawyer Mabel Walker Willebrandt, who laid him low for income tax evasion. Leading off? Those ill-fated lovers of the 1927 Sash Weight Murder case.
Bryson is the drum major of this parade, high-bouncing, gold-hatted, & be-plummed with curiousity, fascination, a passion for details, and writing his most readable prose. Stepping back, however, several themes run through:
--his love of baseball and the noble science of boxing. You want to know who else was on Babe's 1927 Yankee team? Here are their bios, every one (pp. 219-222)with names in bold-face type. And the scores of almost every game, as well as the size & shape of the bat-boy and the changes, intrigues, and drama of baseball's resurrection when the Babe first came to bat.
--the sense of America's proud high noon, between the wars, when symbolically with Lindbergh's flight and literally, America become a dominant world force, the leader, and by-and-large, we did so in benign ways
--the darkness at noon in America as well as abroad, the virulent anti-Communism, anti-Fascism that saw enemies in butchers and bakers; the more horrible, if this is possible, anti-Semitism that saturated Lindbergh the hero, that imbued Henry Ford, that was almost a common-place in thought and language; and the ugly, cruel, devastating discrimination against African-Americans.
"One Summer, American 1927" can be read lightly, in the human interest of the stories and revelations of let's say unusual details ("He liked his head massaged with Vasaline when he was breakfasting") and going from the top-of-one-wave to the next in achievements & celebrations. This is, however, also a book about serious & enduring issues, ones that can slow down the turning page and quiet the ebullient music.
"What can be said," writes Bryson,summing up Lindbergh with information emerging after his death, "is that the greatest hero of the twentieth century was infinitely more of an enigma and considerably less of a hero than anyone had ever supposed." (p.441) So it goes, for many about whom Bryson writes. Yet, the heroism & the greatness were there too as "One Summer, American 1927" can help us see.
Any negatives? At times, unlike some of Bryson's earlier books, the writing seems stitched together, giving here and there a sense of some cut-and-paste, edited by that high-bouncing drum-major.
None-the-less, this is an ambitious, grand, and often wise book from one of our well-loved authors. "American muse," wrote Stephen Vincent Benet in the invocation to his "John Brown's Body, "whose strong & diverse heart, So many men have tried to understand...." Readers may feel Bryson has invoked this muse and that she has, in her strong & diverse way, answered.
By David M Hough on June 8, 2022
Top reviews from other countries
Murders, baseball, inventions, banking, literature, movies, aviation and more feature in Bryson's sprawling take on the summer months of 1927 in America, Charles Lindberg's triumph in flying solo across the Atlantic is the central event around which all others are focused. And, while Lindberg's achievement is celebrated, he became frustrated at becoming public property and dropped out of favour with the Americans later when he expressed some highly controversial views related to race. Indeed another unpleasant undercurrent in the book is the story of America embracing eugenics during the twenties, which at some stage actually achieved some degree of political acceptance at a political level. Bryson's level of interest and enthusiasm is never in doubt, but the book outstays its welcome by simply running on way too long,
There's plenty to enjoy and the main elements which drew me in was the aviation race and groundbreaking tale of Charles Lindbergh, Ford's catastrophic foreign expansion, the sheer lunacy of some of the characters of the time and Babe Ruth's Yankees. Certainly a real page turner!
It's a long book, not much shorter in fact than A Short History of Nearly Everything, and whilst the latter deals with the history of, well, nearly everything, One Summer: America 1927 by comparison spans just, er, one summer. So naturally, the anecdotes it relays are somewhat more detailed and sometimes run the risk of feeling just a touch over-indulgent.
As I mentioned before though, the book is very entertaining, with some genuinely intriguing stories, which are given the trademark Bryson wit and sparkle. He takes an age which many of us have relegated to dusty black-and-white pictures and tinny gramophone music and brings it magically to life in vivid HD. The whole book vibrates with the energy and optimism of America at the peak of it's opulence and razzle-dazzle, along with the scandal and sensationalism that such an age naturally also generated.
I did at times find myself skipping across paragraphs however, something which I have never done with a Bryson book before. As a reader from the UK, one particular area that I just couldn't connect with was the lengthy passages regarding baseball and Babe Ruth's career. Perhaps if I understood the sport better I would have gotten more out of it, but the wordy descriptions of various games had me skipping whole pages of text. I do appreciate that this is a book about America, and as such, baseball is a huge and important part of American culture. However, in his previous books, I have always found Bryson to be meticulous about involving readers from both sides of the Atlantic, explaining concepts carefully if they are alien to one culture or another, and on this front I found the Babe Ruth sections curiously lacking in his normal care.
All in all, whilst I enjoyed the book and it kept me entertained enough to finish it, I feel that it falls below the standard of some of his earlier works.Whilst I would happily re-read all of his other books (and have done so), I don't think that I would be particularly inclined to tackle this one again.
We are all in to aviation so I know that the extra background to Lindberg and the first Atlantic crossings will be of interest, but finding out about quite what a monumental time it was in so many ways really was fascinating.
I'll read it again.
Perspective is brought, complex relationships explained and sentiment enlivened in his hugely readable and highly digestible format.
There was a little too much baseball for someone like me who doesn’t get it and has no idea what the stats he cited meant – the historical significance of the game’s developments is, however, without doubt – and I learned things about Henry Ford and Charles Lindbergh that make some of their achievements a little less palatable.
In short (and this is a hefty tome), the author manages to interweave all the salient strands of American life into a very enjoyable read, with great insight and much more entertainment than history books normally convey.












