Top positive review
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5.0 out of 5 starsYou express what and where you are in time. It's honest.
BySTABERDEARTHon March 26, 2017
I acknowledge that it's cheating to go back and review this album from the perspective of Evanescence's (face it, it's AMY LEE) later work. I will not quibble with those who mention her dark mood from an earlier perspective and that she should have lightened up. I think now we all know that Amy Lee was not in exactly a bright and sunny place at this time in her life. Her music reflects that by the depth of the darkness and the consistency of it across the album.
My wife refuses to listen to Evanescence and can't imagine how someone could be so dark, however, when she has seen Amy in interviews she gets confused. Amy Lee is not dark and brooding anywhere else we have record of her. In fact she is a warm charming upbeat ultra charismatic presence that happens to be a force of nature singer with stunning looks to boot. She is an alpha female of rare exception. That being said, this is an essential album in the journey known as Evanescence and its many players on the train of Amy Lee's fearless, out of the box brilliance. Listen to it and accept the pining, the "having to get it all out", and the journey through that time in her life. Bookended by Fallen and the self titled album, it's all a part of the chronicle. It is an album worth having if you somehow skipped it.
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Some ramblings skewed from the main topic at hand...
Open Door? Dark? So be it. The fun of looking back is the joy of now being in the present phases of her career and having much better perspective. She left a string of some very bad mojo behind, got married, then came the self titled album which by all aspects is bouncy, upbeat, and if it does get downbeat, it's an in control pensiveness, expressing darkness from input from the outside (My Heart is Broken), not dark output from deep within. Moving on, she had a child, and if you've ever seen the beaming smile and elation of a woman so engaged and in love with her child, this Amy in deep. It can't and won't be hidden, but then we already knew that. Don't we wish this sort of unbridled love for all children? The well received side trip, Dream Too Much, obviously tells us where her head and heart are in this moment.
We await the next phase but to finish in the present, her adaptation and cover of Love Exists (L'more Esiste - Francesca Michielin) and the ready for a Grammy nomination Speak to Me bodes well for all of us. Both moving pieces. Admit it, did you react to one or both similarly as you did to My Immortal?