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Origin: A Novel (Robert Langdon) Paperback – July 17, 2018
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"A brisk new book that pits creationism against science, and is liable to stir up as much controversy as The Da Vinci Code did. In Origin, the brash futurist Edmond Kirsch comes up with a theory so bold, so daring that, as he modestly thinks to himself in Brown’s beloved italics, “It will not shake your foundations. It will shatter them.” Kirsch is of course addressing The World, because that’s the scale on which Brown writes. Brown and serious ideas: they do fit together, never more than they have in Origin."
–-Janet Maslin, The New York Times
"Origin asks the questions Where do we come from? Where are we going? They are questions about humanity--but they could just as easily be questions about Robert Langdon. The Mickey Mouse watch-wearing, claustrophobic, always-near-trouble symbology professor is back in Dan Brown’s latest book. And just like he was in his original exploits (Angels & Demons and The Da Vinci Code), Dr. Langdon is once again wrapped up in a global-scale event that could have massive ramifications on the world’s religions. As he does in all his novels, Brown[‘s] extensive research on art, architecture, and history informs every page."
"Entertaining . . . Loyal fans of his globetrotting symbologist Robert Langdon will no doubt be thrilled with the fifth book in the series."
"Dan Brown is once again taking on the big questions: God and science and the future of the world. Origin is a familiar blend of travelogue, history, conspiracies and whodunit, with asides on everything from the poetry of William Blake to the rise and fall of fascism in Spain."
"The bestselling author of The Da Vinci Code is back with a new book that looks to the future. Origin features many of Brown’s signature themes. An evil, Catholic-adjacent cult, in this case the Palmarian Church, is behind some murders. Gems from art history are the key to solving the mystery. [And] if the reader is in it for the thrill and the twist, the faithful will be glad to hear that there’s a Da Vinci Code-esque background to Robert Langdon’s mission."
--The New Republic
About the Author
- Publisher : Anchor; Reprint edition (July 17, 2018)
- Language : English
- Paperback : 656 pages
- ISBN-10 : 0525563709
- ISBN-13 : 978-0525563709
- Item Weight : 12.2 ounces
- Dimensions : 4.1 x 1.34 x 7.5 inches
- Best Sellers Rank: #7,251 in Books (See Top 100 in Books)
- Customer Reviews:
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Top reviews from the United States
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I give this book two stars only because Dan Brown is still skillful at constructing a decent plot structure and managing his narrative pace. In my opinion, however, it is the worst novel he has ever written. The ending and “the culprits” were fairly easy to predict very early on. Brown telegraphed the secrets Robert Langdon and Ambra Vidal would reveal even as Langdon went through his usual machinations of deciphering various symbols while on the run.
As is the case with all of Dan Brown’s novels, the page before chapter one states that “All art, architecture, locations, science, and religious organizations in this novel are real.” This may be technically true, but Brown twists the reality behind the above to suit his purposes and, at times, grossly distorts the underlying truths and meanings of art, science, religious institutions, and locations.
A few examples are in order, although pointing out every discrepancy between what is real and what is fabricated would take a book in itself. First, the narrative states that Michelangelo’s David is effeminate because of its pose. The truth is that Michelangelo was forced to position the David as it now stands because it was necessary to carve around various flaws in the column of marble he had selected for the piece. The David is real, of course, but not the information about its carving or its resulting presentation.
Second, the ultraconservative Palmarian Church is indeed a Catholic schismatic sect that broke away from the Church in 1978, not recognizing any further popes in Rome but rather electing its own. It is not, however, a thriving sect that has hundreds of thousands of followers worldwide who donate veritable fortunes to keep conservative Catholicism alive, which is what the book claims as fact. It is estimated that the sect has fewer than 1,000 followers left and continues to shrink. It has only thirty nuns and a pope who left to get married. That’s conservative? In Origen, the Palmarian church is a popular and wealthy driving force helping to drive Brown’s plot on several fronts. What Brown has written about the church is not in any sense “real.” At the very end, he pulls back and says the church was just a financial scam, but that’s not entirely true either.
But let’s move onto a third example, one that is inferred from both science and religious institutions. This is the biggie.
The book plainly states in multiple chapters that there are only two possibilities: either God created man fully-formed or else Darwinian evolution is correct and negates the possibility that there is a God. Catholic doctrine and most Christian denominations have no argument with science, nor is there any belief that Darwin’s theories preclude the existence of God. The Catholic Church (and its theology) openly acknowledges that the creation story in Genesis and much of the Old Testament are genre fiction and not to be taken literally. The entire premise of the book is that once evolution and its corollaries have been proven correct, such as how the first DNA was created in the primordial oceans, then God can no longer exist. With the exception of many fundamentalist and evangelical Christians, this view is not shared by most Christians, and Genesis is not taken literally by believers.
Brown has made his entire plot revolve around this central question of evolution and the creation of the first living cells. Okay, so what if a lightning strike caused certain molecules to form into one-celled organisms, meaning that God didn’t come from heaven on a chariot and place Adam and Eve in the Garden? Other questions must be answered. Who made the oceans? The planet? The galaxies? Who is responsible for the Big Bang? Brown, who gives enormous shout-outs to New Atheists such as Hawking, deGrasse Tyson, Dawkins, and others, tries to limit the entire debate over the existence of God to a point that is not in contention within Catholicism. The plot, presented as philosophical fact, and its assumption that definitive proof of evolution will put an end to all religions, is absurd—and is most definitely not fact. (Evolution was presumed as fact by most scientists long ago, and religion didn’t die.)
But consider that little sentence at the beginning of the book again: “All art, architecture, locations, science, and religious organizations in this novel are real.” The author has skillfully manipulated his readers into buying into believing that science and religion cannot coexist, a central theme to the book without which there can be no plot. Once the reader believes that little innocent-looking sentence, then the whole philosophical premise of the book is entertained as being a valid argument that will topple religion.
Brown has been hammering away at religion for several years by inserting twisted facts into his plots, and this is a tour de force in inviting the reader to step inside his world of scientific rationalism. But one cannot prove the “supernatural” with “natural” sciences. Science itself admits that beyond an event horizon of a black hole or the instant before the Big bang, physical laws—and physics itself—no longer exist. In Origen, Brown has pulled out all of the stops and tried, once and for all, to bludgeon religion to death with science that modern Catholicism does not repudiate. He has failed miserably and instead has given his readers a diatribe, not an engaging novel of suspense.
So why is this so troubling? I, for one, am tired of trying to read an enjoyable thriller without being hit over the head constantly by the axe Brown has to grind with religion, the Catholic Church in particular. Without contributions from Catholic scholars and monks, learning would not have survived the Dark Ages due to monasteries preserving classical Greek philosophy, and many of the greatest scientific breakthroughs have been made by Christian men and women of faith. Even today, there are millions of scientists who belong to organized religions, scientists who do not believe that science and religion are mutually exclusive.
The character of Robert Langdon remains undeveloped after six Langdon novels, which would qualify most writers for an immediate rejection slip. Yes, we know that he swims every morning, wears a Mickey Mouse watch, has an eidetic memory, and grows irate and frustrated at all people who do not have every nuance of history, art, architecture, and symbology committed to memory. In this latter respect, Langdon never fails to grow aggravating to me and patronizing and condescending to other characters. Yes, Langdon is an uber scholar, but as a human being he is flat, one-dimensional.
And speaking of Langdon, his role in this novel is minimal. He is more of a bystander as Brown preaches his gospel of atheism. He solves a few riddles, but he certainly doesn’t advance the plot.
The copy editing for the book (as with other Brown novels) is bad. Hundreds of compound words are split into two, such as “crossfire.” In the novel we are told that two characters are in “a cross fire.” That literally means that they are somehow threatened by a burning cross. Words are hyphenated that shouldn’t be. Commas are thrown about haphazardly, and sentences that need commas to prevent a misreading have none.
The constant use of italics (and Spanish sentences) is especially annoying. Sentences are italicized at the drop of a hat to show thoughts, alarm, emphasis, etc. These are all valid uses of commas, but they are used thousands of times in the book, and I couldn’t always tell when a sentence was expressing a thought, emphasis, surprise, or all of the above. This overuse of italics slows the reading process and at times makes it unclear who is thinking or speaking.
In terms of using italics to indicate a rise in vocal inflection, there is no rhyme or reason to where the italics are placed. I read many sentences out loud, but they sounded ridiculous and sing-song. The incorrect vocal emphasis compromises the dialogue in hundreds of places.
As usual, Brown revels in describing architecture and art, but his description of architecture was way over the top here. It was pervasive throughout the book and extremely repetitive in spots. I suspect Brown couldn’t resist the descriptions since they are mostly framed as architectural explanations that reinforce the atheism or paganism of the architect. There’s such a thing as too many chambers, staircases, crypts, balconies, and spires. At times, I felt as if I were reading Architectural Digest.
And then there is the anticlimactic ending that runs for seventy-five mind-numbing pages (a video presentation to shock the world into giving up belief in God). The science is shaky at best, and the presentation jumps from one scientific conjecture to another. I felt as if I were sitting in a college auditorium, forced to listen to a longwinded and slightly far-fetched lecture. It’s tedious in the extreme and seventy-five pages of more didacticism and philosophy mixed in with science that again twists facts combined with computer simulations that are both nebulous and a bit hard to swallow.
But wait! Langdon at the last minute asks where physics came from? Who made the laws of science? Maybe there is a higher power after all. Nah. Science is the new religion. Or, well, maybe they can work together. Nah, science is the new religion. But maybe God exists and the fault lies with fundamentalists and evangelicals. No, science is the new religion. The ending is garbled from a narrative perspective, but the message has been driven home. God, according to the narrative, is irrelevant either way. Only science can save the world.
I think Mr. Brown would be well advised to put Robert Langdon on the shelf for a while and write other novels, ones similar to Deception Point or Digital Fortress. When the formula is always so preachy, determined to prove an anti-religious belief ad nauseum, the patience wears thin.
Unfortunately, Brown’s thrillers have become a platform for not-so-thinly veiled attempts to refute God and religion. It has become tiresome. Origen hardly qualifies as fiction because of its heavy-handed rant against religion. As noted, his books are not really based on facts, but he has snookered millions of readers into believing that he and his alter ego, Robert Langdon, know arcane secrets and truths. They don’t.
Please understand that (at that time) I felt that "The Da Vinci Code" was one of the most refreshing and interesting novels that I have ever read. It is a blockbuster of a novel that was made into a highly successful film that grossed about $224 million worldwide. HOWEVER, "Origin" follows almost the exact same formula using the same basic premise but involving a modern supercomputer instead of an ancient cryptex. If you buy and read "Origin" you will be reading essentially the same story with updated technology using Spain as the locale instead of France. As I realized that this book was just essentially a rework of the same formula used in "The Da Vinci Code", it become a bit tiring for me to finish.
Once again, an interesting and well written novel with characters moving around and through beautiful European locales. The struggles of science and religion continue with the whole world waiting for which discipline would win out. Don't be surprised if a sequel is waiting in the wings. The author left enough 'clues' to pave the way for some type of continuation of the story line. I feel like Dan Brown let me (and other loyal readers) down. Time to change formulas.
Top reviews from other countries
The formula is simple:
* Put Langdon in a bizarre situation (usually to do with an ex-colleague / student / long-time academic friend)
* Throw in an eligible female lead
* Have some sinister goings-on with a character with particularly nasty predispositions
* Do stuff that relies on Langdon's convenient eidetic memory
* Overly describe obscure aspects of history / location that don't really add much to the plot
* Have a fairly predictable ending.
So yeah, sorry... but I think it's time to try something else.
In the book, he also argued for open borders. Plus, all the villainous characters are conservative or religious. I also got fed up with Edmond - the dead genius atheist - whose trail Langdon followed to uncover the secret that would turn the world upside down.
Too many cliches.
So, I think Dan Brown is a puppet, sorry, and his days are numbered now that globalism is in the process of crumbling. I’m sure he will still have his readers who’ll keep the flame of globalism alive but they will be fewer and fewer as time goes on.
AS AN ARDENT ADMIRER OF DAN BROWN'S WRITING MY SPIRITS WERE DAMPENED AFTER READING INFERNO BUT I STILL BOUGHT A COPY OF ORIGIN ON THE VERY DAY OF IT'S RELEASE HOPING FOR A MORE POSITIVE THEME. HAVING SEEN HIS INTERVIEW ON YOUTUBE I SOMEHOW SENSED THAT SHARJAH WOULD BE FEATURED IN THE BOOK AND IT WAS. ALSO I THOUGHT THAT THE RECURRENT QUESTION OF SCIENCE VERSUS GOD WOULD BE EXPLORED IN SOME NEW WAY ALONG WITH THE TIMELESS QUESTION WHERE DO WE COME FROM ? “Human creation and human destiny. They are the universal mysteries.”
BUT THIS BOOK RUNS MUCH DEEPER.
THE WASHINGTON POST , THE TELEGRAPH, THE GUARDIAN AND THE NEW YORK TIMES HAVE GIVEN VERY SCATHING REVIEWS TO THE BOOK BUT THE REAL REVIEW IS IN THE SALES FIGURES AND THE RECEPTION FROM THE MASSES IT IS AIMED AT. THE CRITICS EVEN NOTIFY TOM HANKS FOR HIS UPCOMING MOVIE SHOOTING IN SPAIN AND COMMENT ON THE BOOK'S FORMULA. THE REASON FOR A FORMULA BEING REPEATED BY SOMEONE IS THAT IT WORKS. IT IS A THRILLER SET IN A BEAUTIFUL COUNTRY WITH GREAT HISTORICAL MONUMENTS EXPLORING EXISTENTIAL QUESTIONS. HISTORY +BEAUTIFUL ARCHITECTURE + SMART DAMSEL IN DISTRESS + SOLVING CODES + CONTROVERSIES + UNDERDOG GEEKY HERO OVERCOMING ALL OBSTACLES DESPITE CLAUSTROPHOBIA & THE WORLD AGAINST HIM ETC = MILLIONS OF BOOK COPIES SOLD ALONGWITH MOVIE RIGHTS.
“In your world of classical art, pieces are revered for the artist’s skill of execution—that is, how deftly he places the brush to canvas or the chisel to stone. In modern art, however, masterpieces are often more about the idea than the execution.“ THIS INSIGHT FROM THE BOOK IS A VERY SIMPLE WAY TO EXPLAIN THE CONCEPT OF MODERN ART TO THOSE WHO ARE PERPLEXED BY IT. I liked the way he has approached modern art by making Bilbao museum the starting point for the story. The description of ideas behind modern art is a gateway for people who do not appreciate it perhaps and I for one have added the Guggenheim museum to my bucket list.
ON MY PART, I AM FASCINATED BY THE HISTORICAL PERSPECTIVE OF MONUMENTS AND THE VARIED THEORIES DAN BROWN SHARES USING LANGDON HIS ALTER EGO PERHAPS. I DO NOT MIND THE DESCRIPTIONS ABOUT CITIES AND MONUMENTS WHICH IS WHAT THE CRITICS ABHOR THE MOST IN HIS BOOKS. LEARNING ABOUT A PLACE DURING A STORY IS MORE INTERESTING THAN PICKINGUP A TRAVEL BOOK. I READ HIS BOOKS SLOWLY, SEEING VIDEOS AND PICTURES OF THE PLACES AND READING A BIT ABOUT THEM BEFORE MOVING ONTO THE NEXT MONUMENT. HE MOVES FROM MONUMENT TO MONUMENT AND CITY TO CITY SOLVING A PUZZLE. I AM AS A READER INTRIGUED BY THE PUZZLE AS MUCH AS BY THE ARTWORK AND PASSAGES OR POETRY SHARED DURING THE QUEST. Getting a fresh perspective about works of Nietzsche and William Blake as an interwoven part of the tale makes it DEEPER THAN A SIMPLE THRILLER.
DAN BROWN STEPS CAUTIOUSLY INTO ISLAM for a brief moment AND MOVES INTO THE Familiar territory of Christianity for the rest of the book. He shares the controversies of the Christian world in interesting plot twists.
I like the manner in which he deals with religious fanaticism subtly and even provides a solution of sorts “that the human mind has the ability to elevate an obvious fiction to the status of a divine fact, and then feel emboldened to kill in its name. He believed that the universal truths of science could unite people—serving as a rallying point for future generations.” “That’s a beautiful idea in principle,which is why Edmond hoped science could one day unify us,” Langdon said. “In his own words: ‘If we all worshipped gravity..."
In making up artificial intelligence as a main character Dan Brown shows the contentious cusp between present and future possibilities. To quote“ assess a machine’s ability to behave in a manner indistinguishable from that of a human“ makes it sound achievable. The concept of building intelligence that can be near human but not humane is intriguing and scary both. “the human brain is a binary system—synapses either fire or they don’t—they are on or off, like a computer switch. The brain has over a hundred trillion switches, which means that building a brain is not so much a question of technology as it is a question of scale.“ I WONDER IF THE FUTURISTIC UPGRADED ARTIFICIAL INTELLIGANCE WINSTON WHO PUTS SIRI TO SHAME IS BEING DEVELOPED SOMEWHERE.
THE "SMART DAMSEL IN DISTRESS SOLVING CODES" THEME RECURRS HERE AND I WONDER HOW HIS NOVELS WOULD FARE IF THE FEMALE LEAD WOULD BE A MUCH OLDER MARRIED LADY OF GRANDMOTHERLY AGE OR MAY BE EVEN A MALE SCIENTIST? DESPITE THE PLATONIC FRIENDSHIP PORTRAYED, A RAVISHING FEMALE LEAD ADDS AN ELEMENT OF WOW DEFINITELY. THOUGH STATED AT A DIFFERENT POINT IN THE STORY ,AN AUTHOR HAS TO TAP INTO BASIC HUMAN TENDENCIES AT SOME POINT BECAUSE IN DAN BROWN'S OWN WORDS "humans, despite being God’s most sublime creation, were still just animals at the core, their behavior driven to a great extent by a quest for creature comforts." MOST READERS' ATTENTION WOULD BE DRAWN TO ATTRACTIVE FEMALE LEADS IN TROUBLE AND IN HIS NOVELS IT IS BEAUTY WITH BRAINS.
THERE IS A TENDENCY TO INCLUDE INTERNATIONAL CHARACTERS TO GET WIDER AUDIENCE AND AN INTELLIGENCE OPERATIVE OF INDIAN ORIGIN MAKES AN APPEARANCE BUT I HOPE DAN BROWN CHOOSES A BETTER INDIAN NAME NEXT TIME.
I HAVE READ ALL OF DAN BROWN'S BOOKS AND MY RATINGS WERE THE HIGHEST FOR THE DIGITAL FORTRESS FOLLOWED BY DA VINCI CODE FOLLOWED BY ORIGIN FOLLOWED BY DECEPTION POINT FOLLOWED BY ANGELS AND DEMONS FOLLOWED BY THE LOST SYMBOL FOLLOWED BY INFERNO. I HATED THE NEGATIVE THEMED INFERNO THE MOST . ALL IN ALL HIS RECENT BOOK"ORIGIN" IS A PLEASANT READ AND I WOULD RATE THE PLOT AS 3.5/5 AND THE WRITING AS 4/5 BECAUSE I LIKE TRAVEL AND MYSTERY BOTH AND DAN BROWN MARRIES THEM IN QUITE A DECENT NARRATIVE. I ALSO LIKED THE WAY I WAS FORCED TO THINK OF TECHNOLOGY IN THE FUTURE IN MYRIAD HUES AND NOT JUST AS AN AID TO HUMAN KIND.