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Orson Welles's Last Movie: The Making of The Other Side of the Wind Hardcover – April 21, 2015
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Josh Karp
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Print length352 pages
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LanguageEnglish
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PublisherSt. Martin's Press
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Publication dateApril 21, 2015
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Dimensions6.39 x 1.21 x 9.55 inches
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ISBN-101250007089
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ISBN-13978-1250007087
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Editorial Reviews
Review
“Supremely entertaining ...[and]... an early contender for this year's best book about Hollywood.” ―Hollywood Reporter
“Meticulously researched.” ―The Washington Post
“Highly entertaining.” ―New York Post
“In Josh Karp's excellent new book, you get a sensitively rendered and panoramic depiction of that famous megalomania. Welles is as ripe a subject as any to depict Hollywood hubris, but Karp's lively tone keeps him on a balanced, human level. There's no shortage of hilarious anecdotes here. A-” ―Entertainment Weekly
“Josh Karp applies enthusiastic scholarship, with vivid narrative writing and just the right touch of can-you-believe-this-stuff? marvel.” ―The New York Times
“Fascinating...an in-depth account. [A] wonderful book.” ―Wall Street Journal
“Karp's propulsive chronicle of the botched production is a hall of fun-house mirrors. Welles's improvised pastiche, begun in 1970, would star John Huston as a brilliant, egotistical director laboring to finish a masterpiece before dying at the age of 70. Fifteen years later, Welles himself died at 70, his masterpiece unfinished - which was far from the end of a story as gripping, probably, as the still-unseen movie.” ―New York Magazine
“Karp's conversational tone yet unerring attention to detail make this an essential book on Welles...an intimate, humorous, and staggering tale. This is easily one of the most enjoyable and informative books about Welles ever published.” ―Library Journal (starred review)
“What became of The Other Side of the Wind, that crazy movie that took up the last 15 years of the life of Orson Welles? Karp puts that question to rest with this hilarious and sobering saga of one of the greatest films never finished. Luckily, there's nothing unfinished in Karp's retelling. He follows every story, dollar and last legal battle in full detail. Whether the film sees a 2015 release on the anniversary of Welles' birth, as was speculated as of late last year, we at least have Karp to thank for the next best thing.” ―Kirkus Reviews
“A fascinating story, much more than your typical making-of book.” ―Booklist
“Riveting, wildly entertaining.” ―Vulture
“Everything Welles ever did was a kind of adventure: The Other Side of the Wind--a film made up as it went along--was perhaps the greatest, maddest adventure of all. Josh Karp's absolutely riveting book recreates the whole tragic, comic enterprise, creating an unforgettable portrait of a middle-aged Welles thrashing around as only a frustrated genius could thrash around, in quest of an ever-elusive dream of film, assembled from a hundred thousand fragments of spur-of-the-minute inspirations. Like some semi-mythic warlord, Welles lays about him, bullying, terrifying, charming, lying, cheating, cajoling, manipulating, destroying, creating in pursuit of a goal he himself barely understands. Orson Welles's Last Movie is a massive contribution to Welles scholarship, and an unputdownable read.” ―Simon Callow, author of Orson Welles: The Road to Xanadu and Orson Welles: Hello Americans
“If you're writing a biography of a movie, especially one by Orson Welles, it's not such a great idea to compete with your subject, unless you're sure you can pull it off. Happily, Karp does. This is the most entertaining film book I've read in years--informative, funny, and least expected, freshly researched. Orson would have loved it.” ―Peter Biskind, My Lunches With Orson: Conversations Between Henry Jaglom and Orson Welles
“Like the best Hollywood stories, Josh Karp's entertaining book veers between slapstick and tragedy, and is filled with larger-than-life characters who are charmed and doomed by their own hopefulness and cynicism, charisma and buffoonery. With wit and insight, Karp has made a valuable contribution to the enduring legend of Orson Welles, and proved once again that in the movie business, improbability may be the one enduring truth.” ―Julie Salamon, author of The Devil's Candy and Wendy and the Lost Boys
“Josh Karp has written a Hollywood epic as grand as any shot by Frank Capra, Preston Sturges or Orson Welles. In the end, this book is about more than a movie that was never quite finished. It's about an industry, an era and the artistic process. Funny and profound, too weird and heartbreaking to believe--Karp has added an indelible chapter to the literature of show biz.” ―Rich Cohen, New York Times bestselling author of Monsters, The Avengers, and Tough Jews
“A maverick director, shady dealings, and the Iranian revolution make up the often incredible true story behind The Other Side of the Wind. Packed with revealing first-hand accounts, Orson Welles's Last Movie recounts the making and downfall of the ill-fated comeback of the film industry's most talented prodigal son.” ―Ray Kelly, Wellesnet.com
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Product details
- Publisher : St. Martin's Press; 1st edition (April 21, 2015)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 1250007089
- ISBN-13 : 978-1250007087
- Item Weight : 1.1 pounds
- Dimensions : 6.39 x 1.21 x 9.55 inches
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Best Sellers Rank:
#998,542 in Books (See Top 100 in Books)
- #159 in Documentary Movies
- #385 in Individual Directors
- #741 in Movie Director Biographies
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Top reviews from the United States
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Karp has tied all the history of this unreleased film together, showing Welles' process and progress along the way. He sorts through the tangled web of Welles' finances, which is not easy (Welles had been financing his own films through his acting work for decades), and introduces us to the Shah of Iran's brother-in-law, various lawyers, Canadian arts reps and a delightful reappearance from Suzanne Cloutier, who played Desdemona in Welles' great film of Othello (nearly four years in the making and which was mainly finished by Welles through funding from his acting work).
Orson Welles's Last Movie: The Other Side of the Wind is very enjoyable, witty and revealing, all at once. There are plans afoot to bring it to the screen later this year; it appears all the tangled web of ownership has been resolved and piecing together the remaining elements of the film is taking place. I've seen some of the footage of the movie (Welles showed several clips at the AFI Tribute in 1975, hoping for end money which never came) and the scenes are wonderful. It will add more to the legend of Welles and this book will hold a permanent place on any Welles fan's bookshelf.
Karp's book is a treasure trove of knowledge as it pieces together the more than forty-five year history of the film. The book, in proper Welles style, opens up not at the beginning of the lengthy shoot for Other Side Of The Wind but with Welles 1985 death which serves as a Kane like prologue for the entire book. From there, the book starts by tracing the film's roots back to the earliest days of Welles' career and an encounter with Ernest Hemingway, Karp then gives a brief summing up of the ups and downs of that career up to the point in the late 1960s when the film began to take shape.
The majority of the book takes the reader on a journey through the last fifteen years of Welles life and the incredible cast of real life characters involved in the making of the film. There's Welles himself of course who comes across as a larger than life figure who seems to go back and forth between creative genius, capable of inspiring great loyalty while also being an incredibly flawed human being capable of petty jealously and anger. There's Welles mistress the actress Oja Kador, Welles protege the actor/director Peter Bogdanovich, actor John Huston (who didn't start shooting scenes until four years into filming), the brother-in-law of the Shah of Iran who helped to finance the film and crew members such as Gary Graver, a B-movie maker who becomes the cinematographer on Other Side Of The Wind and spends decades dedicated to the film and Welles.
This section of the book is also full of incredible moments and details. There's Welles using a table and a bread truck to get a forced perspective shot, how critics attacking the reputation of Citizen Kane put a brief stop to filming, how one of the film's actresses was a waitress in a diner who was cast after serving Welles dinner and how both his continuing push for artistic freedom helped to guarantee that editing wouldn't be completed by the time of his death. It makes for an intriguing read as it portrays the ups and downs of film-making and how outside forces including the Iranian Revolution and the fall of Bogdanovich's career during the mid-late 1970s effected the film.
The last section of the book covers the thirty years that have passed since Welles death. It's a story just as compelling as the making of the film itself and involves Kador, Welles daughter Beatrice and the Showtime channel amongst others in an ongoing thirty year effort to finally get the film completed and released. In it, Karp reveals a mess of rights issues, conflicting agendas and how attempts to protect Welles legacy have helped to keep the film unreleased and how filmmakers ranging from Huston to Clint Eastwood have tried their hand at piecing together the eleven hours worth of filmed material into a final product. The book doesn't cover the recently launched campaign on Indiegogo but I imagine that a second edition might very well do so and maybe write the last chapter on The Other Side Of The Wind.
Karp's greatest achievement though might be that he's able to present a coherent story pieced together from decades of speculation and controversy alongside newly conducted interviews and research. While I'm sure that many Welles' aficionados are well aware of some of the stories related here, I must confess that (as someone whose come to the saga around the film only in the last couple of years) I'm grateful that he's pieced it all together into a narrative within a single volume The effort is arguably akin to the attempts to put the film together at last, with art imitating life and vice versa.
Even better, Karp keeps the book compelling throughout. The book easily could have been a dull analysis of “what went wrong” or just simply been a string of anecdotes about the film strung together. Instead, Karp's narrative follows the tangled web of filmmakers and financiers throughout the last fifteen years of Welles life struggling to get the film made followed by three decades of further efforts. Karp's flowing prose style and compelling narrative means that the book is never dry, never dull and goes along at a great pace.
If you're a film buff or a Welles aficionado, I heartily recommend the book. It's a fascinating read and a tale of creative persistence in the face of financial issues, egos and conflicting agendas. More than that it presents a compelling, immensely readable biography of a film few have ever seen and a portrait of a filmmaker misunderstood in life and loved in death. As Karp shows, it's a tale only Orson Welles could have created.
Top reviews from other countries
I feel this book really captures the spirit of Orson Welles, I enjoy reading about the making of a movie, every movie has a story it seems, and this one with Orson involved is right up my alley. Some think his life is sad, he had a start where everything he did was pure genius, then disaster after disaster! But were they? Take a look at what he actually achieved, any other film maker would be proud of this work. So I did not find this book tragic, but rather enjoyable. Perhaps it may help us to eventually see the movie itself? I hope so.
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