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Orwell Rolls in His Grave [DVD]
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| Genre | Documentary |
| Format | DVD, Color |
| Contributor | Charles Lewis, Vincent Bugliosi, Mark Lloyd, Tim Robbins, Mark Crispin Miller, Jeff Cohen, Danny Schechter, Bernie Sanders, Robert Kane Pappas, Robert McChesney, Greg Palast, Michael Moore, Dennis Kucinich See more |
| Language | English |
| Runtime | 1 hour and 24 minutes |
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : NR (Not Rated)
- Package Dimensions : 7.1 x 5.42 x 0.58 inches; 2.93 ounces
- Director : Robert Kane Pappas
- Media Format : DVD, Color
- Run time : 1 hour and 24 minutes
- Actors : Charles Lewis, Robert McChesney, Mark Crispin Miller, Bernie Sanders, Danny Schechter
- Studio : GO-KART RECORDS
- ASIN : B0008237AA
- Writers : Robert Kane Pappas
- Best Sellers Rank: #180,738 in Movies & TV (See Top 100 in Movies & TV)
- #6,506 in Documentary (Movies & TV)
- Customer Reviews:
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- Reviewed in the United States on June 12, 2005"They could be made to accept the most flagrant violations of reality...and were not sufficiently interested in public events to notice what was happening."
This quote from Orwell's "1984" is used in the opening sequence of this film, and sums up America's media structure frighteningly well. Media shapes and alters human consciousness, collectively, it shapes and effects the collective reality.
This film serves as a WARNING: the U.S. media is an ANTI-democratic force, a weapon of "doublespeak,", a subsidiary of corporate America which shapes and determines the legality, constitutionality, and 'facts' of democratically newsworthy events and issues from official, inside sources, instead of(and quite OPPOSED TO, in fact) true journalism, or even any vague sense of it. Specific, essential words/language are not used, not permitted, within our media, in order to reduce cognition. In America, truth is staged and 'managed' to that extent, the pattern with which stories and events are covered, dropped, spun or omitted, is strategically deceptive.
When you consider just how many people either don't understand that, or flat out don't care, or actually believe that we have a free, 'liberal' media....the mind boggles, yet you can't help but marvel at it's efficacy.
As Mark Crispin Miller makes the illustration with a quote from Nazi Joseph Goebbels: "What you want in a media system is ostensible diversity that conceals an actual uniformity."
This doc, previously only available at Buzzflash, examines the consolidation of media(which=consolidation of voice=consolidation of 'one truth')and why certain stories are obviously NOT covered in our "free" press: the illegal behind the scenes actions of, and overall unconstitutionality of, the 2000 (S)election, Bush's SEC violations of insider trading, the WMD's: WEAPONS OF MASS DECEPTION used by our media to get a supposedly democratic nation behind a totalitarian invasion/occupation, the Telecommunications Act, and even delves into the Reagan/Bush years, examining October Surprise(watch "Cover Up: Iran/Contra") their 'Orwellian' use of the term, "de-regulation," again, anti-democratic policies, and the killing of the Fairness Doctrine, which meant that media outlets no longer had to air opposing viewpoints.
This results in less knowledge, less facts, one widely accepted (un)reality, and reveals how the fascist right wing has been on the march for decades, infiltrating *every* aspect of the corporate culture. It's overt and underlying effects of how it's dumbed down collective reality and worked to induce frighteningly large percentages of our populace into chauvinsitic, hate-filled 'super patriotism,' greed, apathy, unconscionability, often through brainwashed fervor and manipulated ignorance(dumb as a stump & fightin' mad to prove it!)can be seen literally everywhere these days.
Imagine 1% of the population effectively conning and convincing the other 99% to support their wants and desires, and those wants and desires are grounded in greed, debasement and mass murder: the media, once a means of keeping power in check, is now the very tool to con and convince the 99% that greed, debasement and mass murder aren't 'really' bad, for such values are generally promoted and exhaulted within the corporate culture...and likewise(to further confuse and control)to convince the 99% that the obvious greed, debasement and mass murder *aren't really so.* This form of indoctrination has gone a long way in creating this widely adhered to perception of a 'reality' which simply doesn not exist: it's a euphemistic unreality.
Naturally, when you try to show evidence of this to people, there is a strong reluctance, a deep seated inability to be capable of understanding it, because the unreality has been accepted by so many, for so long.
Go back to the quote from Orwell: "They could be made to accept the most flagrant violations of reality."
Accept Flagrant VIOLATIONS of REALITY.
If you care about and lament the death of democracy ~ and you either care or you don't ~ and are troubled over what terminal, pitch-black ending this could lead us to, please watch this obelisk of a documentary. The presentation is dead on, the sources reliable and seasoned. Those interviewed are plain speaking communicators who resist the 'kids gloves' approach/denial to the fascist, perilous dilemma which menaces our fragile democracy, and inevitably, civilization, and the fate of our species.
Also watch "Manufacturing Consent," "The Corporation," "The World According To Bush," and "Control Room," (about Al Jazeera's television news coverage of the Iraq invasion)and lastly, I'd recommended the brilliant and overlooked Tim Robbins mockumentary, "Bob Roberts," which chronicles the rise of a fascist, right wing, messianic senator.
- Reviewed in the United States on June 23, 2005The chilling documentary film "Orwell Rolls in His Grave" examines the relationship between the media, corporate America, and government. In a country where the "top 1% control 90% of the wealth", the film argues that the media system is nothing but a "subsidiary of corporate America." It's a stunning fact that the media received 1 billion dollars in campaign ads for the last election. Large corporations own the television networks, and the sheer number of stations/channels available gives the public the "illusion of choice." Yes, there are tons of channels to chose from, but this "ostensible diversity conceals an actual uniformity."
"Orwell Rolls in his Grave" gives the big picture of the media system in America and asks why some important stories are not covered by the mainstream news and remain invisible. Other stories appear and sink rapidly--while some stories are repeated over and over. Using references to George Orwell's masterpiece "1984" the filmmakers establish the idea that "1984" isn't just fiction any more. The premise of Orwell's novel is that language is redesigned and history rewritten to control people's thoughts. According to the filmmakers, the American media system at best--filters the news to the populace, and at worst--is the mouthpiece of its corporate and political masters.
This information packed film examines the ties between media, corporations and the government using facts and figures--as well as a number of news stories. The film focuses on media coverage of the 2000 election, and the juicy detail of the purging of Florida voter rolls. According to the filmmakers, when journalist Greg Palast broke the story for the BBC, major American networks declined to explore the story further as Jeb Bush, Governor of Florida, and naturally the focal point of any investigation into Florida voting, debunked the story. The filmmakers point out the outrageousness of the squashing of a story simply because the person being investigated says it's not true. This section of the film also gives details regarding the Supreme Court Justices who voted to terminate the Florida recount. It's interesting to see who voted against the recount, and that two children of these justices then got positions in the Bush administration. Is a quid pro quo system at work behind the scenes--are deals made, jobs given, contracts awarded to 'friends' of the administration? Well watch the film and decide for yourself.
The film includes interviews with a number of experts on media--including Charles Lewis, the director of the Centre for Public Integrity. Lewis has an engaging candor that is refreshing and genuine. Michael Moore appears in a few brief clips from a speech he gave, and there's also some clips from George Bush. Witty and entertaining Vermont congressman, Bernie Sanders weighs in, and there are also interviews with Danny Schecter, director of "Weapons of Mass Deception", and legal expert Vincent Bugliosi. The film winds up with information on the FCC (Michael Powell, son of Colin Powell is head of the FCC), lobbyists, corporate watchdogs and regulators. For a behind-the-scenes look at the structure of the American media system, I recommend "Orwell Rolls in His Grave." The information here is at once enlightening, chilling and downright depressing--displacedhuman
- Reviewed in the United States on February 11, 2007My expectations were not met with this documentary. I really came expecting more comparisons of the Orwellian views with what is going on today in the media. Hey guys, tell me why Orwell would roll in his grave and a few quotes and words would not due justice to his powerful insights. The quotes which I could hardly finish reading wasn't really backed up with anything I could digest. The camera work was a little shaky in places, the auto focus really got on my nerves and the and editing was not good. I am not trying to be overly harsh. I wouldn't have noticed all of these things had they not stood out like a sore thumb. Please don't film a documentary with distractions in the background. I wanted to try to see what that was in the back ground a sofa or un made up bed in the background, and all of that junk. See how a mind can wonder. Oh I forget to mention the beginning. Please do not start a film with a few frames of a lecture, which was filmed without a direct audio patch. Its not like the guy was Alex Jones. The camera zooms made me dizzy with the auto focusing - which did a number to my eyes. I wanted to love this film, especially because of the provocative title. I wanted to love it because it didn't come cheap! I found myself fading out a little. I felt the end was stronger but it took so long to get there..