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Our Love to Admire
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Our Love To Admire [Explicit]
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Audio CD, Import, July 9, 2007
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Vinyl, August 18, 2017
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Editorial Reviews
Our Love To Admire is at once unmistakably Interpol and undeniably new. The witty and perverse "No I In Threesome" is an upbeat ode to shaking up a staid relationship propelled by Carlos D's peerless bass melody while the tenderly observant "Pace Is the Trick" proves that the band are still the masters of the dramatic check the painful pause right before the sinfully satisfying return of Sam's thundering drums and Daniel's ringing lead guitar. The band's impressively seductive evolution is obvious all over the record, but never more so than on tracks like "Mammoth," "Who Do You Think" and on the album's lyrical centerpiece, the ghostly "Rest My Chemistry." While Daniel is understandably proud of the song he cautions against reading too much autobiography into its lyrics. "We always leave the interpretation to the listener," he says. "I mean, you shouldn't watch a movie for the first time listening to the director's commentary!" Our Love to Admire closes with "The Lighthouse," a funereal dirge that is among the most unexpected and memorable songs ever recorded by the band. Almost entirely percussion-free, the song is constructed around Daniel's mournful guitar and Paul's sparten lyrics. Not only is it one of their finest moments to date, it provides the album's most goose-bump inducing moment, the very same reflex shivers that make Interpol live shows such an exhilarating experience. As the very last song the band recorded for the album it was, they say, the hardest to play. The hypnotic guitar part was played on a 50-year-old guitar that had toxins on the strings, providing Daniel with a blistering and painful sensation in his fingers. The band weren't even sure the track would make it out of the studio, but once they heard Paul's remarkable vocals they were floored. The song and the album doesnt so much end as it bleeds to a close with a long, echoey coda filled with feedback and strings. A fittingly dramatic end to a stunning and emotional journey. Interpol is back, every bit as good as before but charged with a new spirit, a new direction, a new label and, most of all, a new confidence.
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 4.84 x 5.59 x 0.47 inches; 3.39 Ounces
- Manufacturer : Capitol Records
- Item model number : 2304816
- Date First Available : April 30, 2006
- Label : Capitol Records
- ASIN : B000PY32CO
- Number of discs : 1
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Best Sellers Rank:
#153,333 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #1,714 in New Wave
- #3,741 in Indie Rock
- #6,529 in Adult Alternative (CDs & Vinyl)
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Top reviews from the United States
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This music is often dark and explores deep, pained issues. Don't mistake it for "emo" music, there's actually substance here. (Anyone who writes "I've made hallways scenes for my regret" has got to have some dark corners of their memories.)
The tunes are generally good, the harmonic progressions are creative, and the production is clear and snappy, without sounding glossy - the music never loses its grit despite the masterful production.
This is gritty, guitar and groove-based modern rock. Dark and worth the journey.
`Antics', proved to be more of a commercial album, to my ears. Again, I was a little disappointed at first listen. I didn't want my favourite new band to have been sullied by the luke warm reception to their first album, or make any attempts to please the masses. For a while I refused to even listen to 'Slow Hands', tagging it as an indie radio rock anthem, but I eventually gave in. The songs were just too dang catchy to ignore, and yet they retained that flavour of discontent that I'd come to love. My biggest complaint was the length between 'Antics' and 'Admire'.
`Our Love To Admire' is a continuation of their vision and takes great, though subtle, leaps forward. Rather than taking a musical detour, the boys come forward with more power and confdence; tighter as a unit as ever before. Sonically, they go beyond the boundaries of the previous two disks in ways that are not apparent after one or two listens. In fact, like 'Turn...', I was disappointed after listening to 'Admire' the first couple of times. But I know my Interpol, and so I put the disk on repeat.
Opening with `Pioneer To The Falls' sets the tone for `Our Love To Admire' as a journey of singular purpose. `The Heinrich Maneuver' hints at the force of nature apparent on the appropriately titled 'Mammoth' and 'Who Do you Think' (an obvious choice for the 2nd single). Pace is indeed the trick with this new effort. If you let it, 'Our Love To Admire' will get your "soul all fired up".
They may have risen in popularity on the coat-tails of the so-called Indie Rock Revolution, but they've left their peers in the dust. Yes, Interpol borrows heavily from the past. But rather than languishing there, they drag those sonic undertones kicking and screaming into the present and deliver yet another listening experience that is quite admirable. 4.5 stars!
I bought it thinking it was going to be unique, only to find as I pulled off the wrapping that i managed to tear a small part of the paper cover album! Not only that, but when I opened the booklet up the cd managed to fall out (also comes in a slip) and get slightly scratched (not bad enough that i couldnt listen to it) and the poster, apart from being folded up way too many times is also a pain to try and get back into its original sleeve.
Plus it costs a lot more then the normal version. Just buy that one!
The album:
Apart from being over joyed at the thought of a new interpol album, I have to say that I didnt really find that much of a difference in the writing style to antics. I feel however, the difference between turn down your bright lights and antics is quite easy to spot.
I find there is some starking difference to the overall feel of the album. Almost like the recording was more refined, less analoge and more of a digital perfect stream of sounds involved ( I will refer back to antics for a better listen) but I like it!
This album provides quite a mellow feel to it, really easy to listen to and as an interpol fan, you can only help and appriciate that this band is finding its sound. This album is evidence of that.
I dont know if this will be as big a hit as Antics was with "Evil" but "the Henrich Manuver" and "All fired up" may prove otherwise.
A good Interpol album. Not as innovative as people seem desperate to find between albums but if you are a fan of the interpol/joy division sound from previous experiances (albums) then this one is for you.
Top reviews from other countries
The most epic tracks are amongst the most interesting here, Pioneer to the Falls, Rest My Chemistry and The Lighthouse all push five minutes, perhaps this is a direction Interpol should follow next? The sound has changed, there are lots more keyboards and emebellishments, which might have to do with the drummer having nerve problems, or Carlos D wanting to make soundtracks and listening only to classical (see a recent blog on Guardian Unlimited). I wonder if an instrumental record by Interpol would be interesting? - though I think they like songs and vocals, so like a band like Wire, seem caught between poppier climes and the avant garde, which isn't the worst place to be...
No I in Threesome is unlike a previous record, with a John Cale/Terry Riley style piano and a feel that reminds me a little of early REM, or one of their peers like Pylon (see the wonderful Crazy). Next track The Scale similarly throws the listener, who might be waiting for an Evil or Slow Hands - instead it's a tight mid paced rocker that concludes with an E-Bow solo from Paul Banks that sounds very Robert Fripp...which can only be quite a decent thing? Those who wanted another Antics and not best pleased so far will be appeased with single the Heinrich Maneuver which is a sort of sequel to Evil, with a Pixies-style bassline - though it's even tighter and more angular, veering off into an odd direction - even sounding like the next track. Heinrich even gets away with the line, "today my heart swings", which in other hands probably wouldn't fly. My favourite track and the centrepiece of the album is Mammoth, which appears to be one of the few tracks they're playing from Our Love to Admire on this year's tour - though much of that has been Festival related. Let's hope that more Admire-material is moved into the live set by the time I see them in Birmingham in August! I'd rather hear No I In Threesome, Rest My Chemistry, Mammoth, Pioneer to the Falls, The Scale, Heinrich, Pace is the Trick and The Lighthouse than an older song...
The first half of the LP concludes strongly on Pace is the Trick, which feels like an expansion on directions apparent on earlier joys like NYC, Leif Erikson and A Time So Small. Our Love...goes a bit askew next with All Fired Up, which doesn't quite hang together for me - sounding like several ideas that don't quite fuse together - fortunately Rest My Chemistry is next and returns things back to that high standard. The keyboards are quite ambient, though the second guitar that comes in does sound like that riff from Where Is My Mind by The Pixies!! Who Do You Think sounds like a revisit to the style of Say Hello to the Angels, while the closing duo of Wrecking Ball and The Lighthouse point at interesting directions for the future (whether Capitol will agree with that though...). The last two tracks feel a little shoegaze, a little post rock and certainly not the anthemic directions that some may have expected from a Killers version of Interpol...
How Our Love to Admire will date is another question, but right now it sounds pretty fine and not the dud some reviews are suggesting - I have a feeling some of these songs will be as pleasantly regarded as Untitled, Obstacle 1, or Not Even Jail in the future...
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