Listen Now
Go Unlimited
Subscribe Now
Listen to any song, anywhere with Amazon Music Unlimited. Learn More
Your Amazon Music account is currently associated with a different marketplace. To enjoy Prime Music, go to Your Music Library and transfer your account to (US).

& FREE Shipping on orders over $25. Details
Only 5 left in stock (more on the way).
Ships from and sold by Gift-wrap available.
Our Love to Admire has been added to your Cart

Ship to:
To see addresses, please
Please enter a valid US zip code.
FREE Shipping on orders over $25. Details
Used: Very Good | Details
Sold by GKBookSellers
Condition: Used: Very Good
Other Sellers on Amazon
Add to Cart
& FREE Shipping on eligible orders. Details
Sold by: CAC Media
Have one to sell? Sell on Amazon

Our Love to Admire

Audio CD

4.2 out of 5 stars 126 customer reviews

See all 14 formats and editions Hide other formats and editions
Listen Now with Amazon Music
Our Love To Admire
"Please retry"
Amazon Music Unlimited
New from Used from
Audio CD, July 10, 2007
"Please retry"
$4.63 $2.12
$8.83 & FREE Shipping on orders over $25. Details Only 5 left in stock (more on the way). Ships from and sold by Gift-wrap available.

Frequently bought together

  • Our Love to Admire
  • +
  • Antics
  • +
  • Turn On the Bright Lights
Total price: $29.52
Buy the selected items together

Editorial Reviews

Product Description

Our Love To Admire is at once unmistakably Interpol and undeniably new. The witty and perverse "No I In Threesome" is an upbeat ode to shaking up a staid relationship propelled by Carlos D's peerless bass melody while the tenderly observant "Pace Is the Trick" proves that the band are still the masters of the dramatic – check the painful pause right before the sinfully satisfying return of Sam's thundering drums and Daniel's ringing lead guitar. The band's impressively seductive evolution is obvious all over the record, but never more so than on tracks like "Mammoth," "Who Do You Think" and on the album's lyrical centerpiece, the ghostly "Rest My Chemistry." While Daniel is understandably proud of the song he cautions against reading too much autobiography into its lyrics. "We always leave the interpretation to the listener," he says. "I mean, you shouldn't watch a movie for the first time listening to the director's commentary!" Our Love to Admire closes with "The Lighthouse," a funereal dirge that is among the most unexpected and memorable songs ever recorded by the band. Almost entirely percussion-free, the song is constructed around Daniel's mournful guitar and Paul's sparten lyrics. Not only is it one of their finest moments to date, it provides the album's most goose-bump inducing moment, the very same reflex shivers that make Interpol live shows such an exhilarating experience. As the very last song the band recorded for the album it was, they say, the hardest to play. The hypnotic guitar part was played on a 50-year-old guitar that had toxins on the strings, providing Daniel with a blistering and painful sensation in his fingers. The band weren't even sure the track would make it out of the studio, but once they heard Paul's remarkable vocals they were floored. The song – and the album – doesn’t so much end as it bleeds to a close with a long, echoey coda filled with feedback and strings. A fittingly dramatic end to a stunning and emotional journey. Interpol is back, every bit as good as before but charged with a new spirit, a new direction, a new label and, most of all, a new confidence.

Moving up to a major label has hardly lifted Interpol's spirits. This is a good thing. Even with the twisted Wild Kingdom album cover and bassist Carlos Dengler's unexpected Wild West makeover, on its third studio album the black-clad New York quartet still sounds inflexibly menacing, grasping tighter than ever to its doomy post-punk influences and delving further into frontman Paul Banks's emotional unrest. Everything sounds a little bigger and brighter, sure, but at their core songs like "Rest My Chemistry" and "Wrecking Ball" are heroically sinister, goaded on by prickly riffs and slow-bleeding rhythms. The group briefly jumps to life on the buzzing "Heinrich Manouver" and exhibits an unexpected dash of humor on "No I in Threesome," but it's the closing "Lighthouse" that best defines the set--a late-night lament that simply steals away into the dark. --Aidin Vaziri

Interpol Photos


More from Interpol


Turn on the Bright Lights

The Black EP