![The Overstory: A Novel by [Powers, Richard]](https://images-na.ssl-images-amazon.com/images/I/5177Op-cP8L._SY346_.jpg)
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Amazon.com Review
An Amazon Best Book of April 2018: Do you love trees? I thought I did, until I read Richard Powers's The Overstory, and I realized that my appreciation of trees was lightweight at best. When one of Powers's characters goes to a small grove outside her office window to determine the tree's species, "She stands with her nose in the bark, perversely intimate. She doses herself for a long time, like a hospice patient self-administering the morphine." Trees are not exactly an addiction to the wide-ranging cast of characters--an engineer, a Vietnam vet, a college student, a videogame designer, and more—but more like a touchstone that offers tradition and destiny at once. Powers, a National Book Award and Pushcart Prize–winning author, is devious in that he first immerses the reader in the lives of his characters before delicately oxygenating his story with the devastation of Dutch elm disease, the enduring strength of the sequoia, and the communication methods trees use to warn of predators and to lure allies. The Overstory might sound a bit woo-woo—and it definitely is that, though in such a way that it inspires passion instead of eye-rolling. This gorgeously written novel will seduce you into looking more closely at not only our fellow human beings but the towering bio-kingdom that is too often merely a backdrop to our days. Perhaps, like me, you will be inspired to walk out into the night to smell the rain sweeping through the nearby evergreen trees. —Adrian Liang, Amazon Book Review
Review
“The Overstory, a novel about trees and people who understand them, is the eco-epic of the year and perhaps the decade. Unlike the Lorax, who spoke for the trees, Richard Powers prefers to let them do their own talking.”
- Leanne Shapton, judge for the Man Booker Prize
“Autumn makes me think of leaves, which makes me think of trees, which makes me think of The Overstory, the best novel ever written about trees, and really, just one of the best novels, period.”
- Ann Patchett
“Monumental…The Overstory accomplishes what few living writers from either camp, art or science, could attempt. Using the tools of the story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility, while watching our own kind get whittled down to size....A gigantic fable of genuine truths.”
- Barbara Kingsolver, The New York Times Book Review (cover review)
“Remarkable....This ambitious novel soars up through the canopy of American literature and remakes the landscape of environmental fiction.”
- Ron Charles, Washington Post
“A big, ambitious epic....Powers juggles the personal dramas of his far-flung cast with vigor and clarity. The human elements of the book―the arcs his characters follow over the decades from crusading passion to muddled regret and a sense of failure―are thoroughly compelling. So are the extra-human elements, thanks to the extraordinary imaginative flights of Powers’s prose, which persuades you on the very first page that you’re hearing the voices of trees as they chide our species.”
- Michael Upchurch, Boston Globe
“A rousing, full-throated hymn to Nature’s grandeur.”
- Dan Cryer, San Francisco Chronicle
“An extraordinary novel....An astonishing performance....There is something exhilarating, too, in reading a novel whose context is wider than human life. The Overstory leaves you with a slightly adjusted frame of reference....What was happening to his characters passed into my conscience, like alcohol into the bloodstream, and left a feeling behind of grief or guilt, even after I put it down.”
- Benjamin Markovits, The Guardian
“Powers is the rare American novelist writing in the grand realist tradition, daring to cast himself, in the critic Peter Brooks’s term, as a 'historian of contemporary society.' He has the courage and intellectual stamina to explore our most complex social questions with originality, nuance, and an innate skepticism about dogma. At a time when literary convention favors novelists who write narrowly about personal experience, Powers’s ambit is refreshingly unfashionable, restoring to the form an authority it has shirked.”
- Nathaniel Rich, The Atlantic
“This book is beyond special. Richard Powers manages to turn trees into vivid and engaging characters, something that indigenous people have done for eons but that modern literature has rarely if ever even attempted. It's not just a completely absorbing, even overwhelming book; it's a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed.”
- Bill McKibben
“The Overstory is a visionary, accessible legend for the planet that owns us, its exaltation and its peril, a remarkable achievement by a great writer.”
- Thomas McGuane
- Leanne Shapton, judge for the Man Booker Prize
“Autumn makes me think of leaves, which makes me think of trees, which makes me think of The Overstory, the best novel ever written about trees, and really, just one of the best novels, period.”
- Ann Patchett
“Monumental…The Overstory accomplishes what few living writers from either camp, art or science, could attempt. Using the tools of the story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility, while watching our own kind get whittled down to size....A gigantic fable of genuine truths.”
- Barbara Kingsolver, The New York Times Book Review (cover review)
“Remarkable....This ambitious novel soars up through the canopy of American literature and remakes the landscape of environmental fiction.”
- Ron Charles, Washington Post
“A big, ambitious epic....Powers juggles the personal dramas of his far-flung cast with vigor and clarity. The human elements of the book―the arcs his characters follow over the decades from crusading passion to muddled regret and a sense of failure―are thoroughly compelling. So are the extra-human elements, thanks to the extraordinary imaginative flights of Powers’s prose, which persuades you on the very first page that you’re hearing the voices of trees as they chide our species.”
- Michael Upchurch, Boston Globe
“A rousing, full-throated hymn to Nature’s grandeur.”
- Dan Cryer, San Francisco Chronicle
“An extraordinary novel....An astonishing performance....There is something exhilarating, too, in reading a novel whose context is wider than human life. The Overstory leaves you with a slightly adjusted frame of reference....What was happening to his characters passed into my conscience, like alcohol into the bloodstream, and left a feeling behind of grief or guilt, even after I put it down.”
- Benjamin Markovits, The Guardian
“Powers is the rare American novelist writing in the grand realist tradition, daring to cast himself, in the critic Peter Brooks’s term, as a 'historian of contemporary society.' He has the courage and intellectual stamina to explore our most complex social questions with originality, nuance, and an innate skepticism about dogma. At a time when literary convention favors novelists who write narrowly about personal experience, Powers’s ambit is refreshingly unfashionable, restoring to the form an authority it has shirked.”
- Nathaniel Rich, The Atlantic
“This book is beyond special. Richard Powers manages to turn trees into vivid and engaging characters, something that indigenous people have done for eons but that modern literature has rarely if ever even attempted. It's not just a completely absorbing, even overwhelming book; it's a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed.”
- Bill McKibben
“The Overstory is a visionary, accessible legend for the planet that owns us, its exaltation and its peril, a remarkable achievement by a great writer.”
- Thomas McGuane
