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Panasonic LUMIX GH5 4K Digital Camera, 20.3 Megapixel Mirrorless Camera with Digital Live MOS Sensor, 5-Axis Dual I.S. 2.0, 4K 4:2:2 10-Bit Video, Full-Size HDMI Out, 3.2-Inch LCD, DC-GH5 (Black)
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Purchase options and add-ons
| Brand | Panasonic |
| Model Name | Panasonic Lumix GH5 |
| Photo Sensor Size | Micro Four Thirds |
| Image Stabilization | Sensor-shift |
| Min Shutter Speed | 1/8000 seconds |
| Metering Description | Center-Weighted Average, Multiple, Spot |
| Exposure Control Type | aperture-priority, shutter-speed-priority, manual-and-automatic |
| Form Factor | Mirrorless |
| Effective Still Resolution | 20.3 MP |
| Special Feature | Brightness Control |
About this item
- Professional photo and video: 20.3 Megapixel micro four thirds sensor with no low pass filter to capture sharp images with a high dynamic range and artifact free performance
- Splash or Freeze Proof Design: Freeze proof to 10 degrees the durable magnesium alloy body withstands heavy use in the field; Splash or dust proof construction with weather sealing on every Joint, dial and button
- Dual image stabilization: 5 axis dual image stabilization corrects all lenses, including classic lenses not equipped with O. I. S, to eliminate Blur and nearly eliminate body and lens shake in both photo and 4K video recording
- 4K video capture: Records silky smooth 4K 60P by 50P (QFHD 4K: 3840 x 2160 ; MOV or MP4) video with internal 4: 2: 2 10 bit 4K video recording, Plus exclusive 6K photo and 4K post focus records photos up to 60Fps
- Connectivity and Ports: 3.5 millimeter audio port, connect to devices with USB 3.0, an external monitor or external Recorder with a full size HDMI port; Available Twin SD card slots (UHS II U3 compatible)
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This item Panasonic LUMIX GH5 4K Digital Camera, 20.3 Megapixel Mirrorless Camera with Digital Live MOS Sensor, 5-Axis Dual I.S. 2.0, 4K 4:2:2 10-Bit Video, Full-Size HDMI Out, 3.2-Inch LCD, DC-GH5 (Black) | Panasonic LUMIX GH6, 25.2MP Mirrorless Micro Four Thirds Camera with Unlimited C4K/4K 4:2:2 10-bit Video Recording, 7.5-Stop 5-Axis Dual Image Stabilizer – DC-GH6BODY Black | Panasonic LUMIX GH5M2, 20.3MP Mirrorless Micro Four Thirds Camera with Live Streaming, 4K 4:2:2 10-Bit Video, Unlimited Video Recording, 5-Axis Image Stabilizer DC-GH5M2 Black | Panasonic LUMIX G9 Mirrorless Camera, Micro Four Thirds, 20.3 Megapixels Plus 80 Megapixel, High-Resolution Mode with LUMIX G Vario 12-60mm F3.5-5.6 Lens (DC-G9MK) , Black | Panasonic LUMIX G95 20.3 Megapixel Mirrorless Camera, 12-60mm F3.5-5.6 Micro Four Thirds Lens, 5-Axis Dual I.S. 2, 4K 24p 30p Video, Pre-Installed V-Log L, 3” LCD Touchscreen - DC-G95MK (Black) | Panasonic LUMIX GH5S Body 4K Digital Camera, 10.2 Megapixel Mirrorless Camera with High-Sensitivity MOS Sensor, C4K/4K UHD 4:2:2 10-Bit, 3.2-Inch LCD, DC-GH5S (Black) | |
|---|---|---|---|---|---|---|
| Customer Rating | 4.8 out of 5 stars (403) | 4.4 out of 5 stars (90) | 4.5 out of 5 stars (43) | 4.7 out of 5 stars (373) | 4.5 out of 5 stars (232) | 4.3 out of 5 stars (84) |
| Price | $1,599.99 | $1,697.99 | $1,197.99 | See price in cart | $697.99$697.99 | $1,797.99 |
| Sold By | Amazon.com | Hunts Photo and Video | Adorama | ThePixelConnection | Amazon.com | Amazon.com |
| Screen Size | 3.2 inches | 3 inches | 3 inches | 3 inches | 3 inches | 3.2 inches |
| Has Image Stabilization | Yes | Yes | Yes | — | — | Yes |
| Item Dimensions | 5.83 x 7.56 x 6.14 inches | 9.1 x 9.1 x 9.1 inches | 7.5 x 6 x 5.5 inches | 9.1 x 9.1 x 9.1 inches | 9.1 x 9.1 x 9.1 inches | 5.45 x 3.86 x 3.44 inches |
| Item Weight | 1.60 lbs | 1.81 lbs | 1.60 lbs | 1.27 lbs | 1.06 lbs | 1.45 lbs |
| Optical Sensor Resolution | 20.3 megapixels | 25.0 megapixels | 21.77 megapixels | 21.77 megapixels | 24.2 megapixels | 1 megapixels |
| Optical Zoom | 1x | 0x | 5x | 3x | 0x | 1x |
| Photo Sensor Size | Micro Four Thirds | Micro Four Thirds | Micro Four Thirds | Micro Four Thirds | Full Frame (35mm) | 1-inch |
| Video Capture Resolution | 4K UHD 2160p | 2160p | 2160p | 4K UHD 2160p | 4K 24p 30p Video | 4K UHD 2160p |
| Viewfinder Type | Electronic | Electronic | Electronic | Electronic | Electronic | Electronic |
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Product Description
The professional grade Panasonic Lumix 4K Digital Camera DC GH5K offers over 28 Lumix and LEICA compact lens options built on the next generation interchangeable lens camera (ILC) standard (Micro Four Thirds) pioneered by Panasonic. With a durable, magnesium alloy body that’s splash/dust/freeze proof, the mirrorless design enables a lighter, more compact camera body that can go anywhere you can. The marriage of an advanced Digital Live MOS sensor with the beautiful new Venus Engine 10 produces extraordinary color detail and natural texture expression. Cutting edge features include 4K 60p (4:2:0 8 bit) and 30p (4:2:2 10 bit) in camera cinematic video, 5Ghz Wi Fi + Bluetooth for fast connection and image transfer, lightning fast DFD focusing, 5 axis dual I.S 2.0 stabilization and exposure technologies not possible with traditional DSLRs. With the exclusive Lumix 4K Photo (8MP, 30/60 fps) and brand new 6K PHOTO mode (~18MP, 30 fps), simply pause that perfect moment from video to produce printable high resolution photos. A high resolution 21mm, 0.76x OLED eye viewfinder (3680K dot) matches up to exactly how you intended to see the image even under direct sunlight. For connectivity convenience, the GH5 includes a full size (Type A) HDMI terminal with cable lock, twin SD Card slots (UHS II U3 compatible), 3.5mm microphone & headphone terminals and optional DMW XLR1 microphone adaptor. Wi-Fi IEEE 802.11a/b/g/n/ac 5GHz Wi Fi is not available in some countries.
Product information
| Auto Focus Technology | Eye Detection |
|---|---|
| Aspect Ratio | 16:9 |
| Display Resolution Maximum | 1620 |
| Photo Sensor Size | Micro Four Thirds |
| Photo Sensor Technology | CMOS |
| Effective Still Resolution | 20.3 MP |
| White balance settings | Auto |
| Self Timer Duration | 10 seconds |
| JPEG quality level | Basic, Fine, Normal |
| Camera Flash | Hotshoe |
| Image Stabilization | Sensor-shift |
| Flash Modes Description | Red Eye Reduction, Automatic |
| Flash Sync Speed | 1/250 Second |
| Supported Image Format | AVCHD, JPEG, MP4, MPEG-4, RAW |
| Video Capture Format | MP4, MOV |
| Video Capture Resolution | 4K UHD 2160p |
| Video Input Format | NTSC/PAL |
| Video Standard | MPEG-4, MOV |
| Video Output Interface | HDMI, USB |
| Batteries Required? | Yes |
|---|---|
| Number of Batteries | 1 Lithium Metal batteries required. (included) |
| Are Batteries Included | Yes |
| Rechargeable Battery Included | Yes |
| Battery Cell Composition | Lithium Ion |
| Battery Description | Lithium Ion |
| Battery Weight | 1 Grams |
| Battery Capacity | 4400 Milliamp Hours |
| Target Gender | Unisex |
| Audio Input | Microphone |
| Connectivity Technology | Bluetooth, Wi-Fi |
| Continuous Shooting Speed | 12 |
| Controller Type | Remote |
| Wireless Communication Technology | Bluetooth, Wi-Fi |
| Flash Memory Type | SD / SDHC / SDXC |
| Memory Slots Available | 2 |
| Special Feature | Brightness Control |
| Water Resistance Level | Water Resistant |
| Skill Level | Professional |
| Number Of Conductors | 2 |
| Polar Pattern | Supercardioid |
| Shock Resistant | FALSE |
| Water Resistance Depth | 1 Feet |
| Form Factor | Mirrorless |
| Frequency Range | 100 Hz to 16 kHz |
| Hardware Interface | AV Port |
| Audio Recording | Yes |
| Diaphragm Blades | 9 |
| Operating Voltage | 2.5 Volts |
| Audio Output Mode | Mono |
| Lens Type | Fisheye |
|---|---|
| Optical Zoom | 1 x |
| Digital Zoom | 4 x |
| Maximum Aperture | 4 f |
| Minimum Aperture | 22 f |
| Zoom Type | Depth from Defocus |
| Compatible Mountings | Micro Four Thirds |
| Focus Type | Depth from Defocus |
| Minimum Focal Length | 7.87 Inches |
| Expanded ISO Minimum | 80 |
|---|---|
| Min Shutter Speed | 1/8000 seconds |
| Exposure Control Type | aperture-priority, shutter-speed-priority, manual-and-automatic |
| Metering Description | Center-Weighted Average, Multiple, Spot |
| Shooting Modes | Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color, Sunshine |
| Viewfinder Type | Electronic |
|---|---|
| Screen Size | 3.2 Inches |
| Display Type | LCD |
| Display Fixture Type | Articulating |
| Mfg Warranty Description Labor | 1 Year |
|---|---|
| Manufacturer Warranty Description Parts | 1 Year |
| Model Name | Panasonic Lumix GH5 |
|---|---|
| Brand | Panasonic |
| Model Number | DC-GH5 |
| Customer Reviews |
4.8 out of 5 stars |
| Best Sellers Rank | #79,711 in Electronics (See Top 100 in Electronics) #136 in Mirrorless Cameras |
| Number of Items | 1 |
| Color | Black |
| Included Components | body cap, hot shoe cover, shoulder strap, dvd, Camera, battery charger, battery, usb cable, hdmi cable lock |
| Upper Temperature Rating | 40 Degrees Celsius |
| Assembly Required | No |
| Processor Description | venus engine |
| Item Dimensions LxWxH | 5.83 x 7.56 x 6.14 inches |
|---|---|
| Item Weight | 1.6 Pounds |
Warranty & Support
Feedback
From the manufacturer
Panasonic LUMIX DC-GH5KBODY
Why settle for photo only?
You won't with the Panasonic LUMIX GH5. The pro photo / 4K video camera built on the next-generation mirrorless (ILC) interchangeable lens camera standard [Micro Four Thirds] pioneered by Panasonic.
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20.3 Megapixels
With the high-performance 20.3MP Digital Live MOS sensor that is low-pass filterless, you can confidently capture super-sharp images with a high-dynamic range that are artifact free.
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4K 60p/50p Smooth Quality Video
Record smooth 4K 60p/50p (QFHD 4K: 3840 x 2160 / MOV or MP4) video with excellent motion compensation plus slow down footage inside your timeline without losing detail.
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4:2:2 10-Bit Internal Recording
Game changing internal 4:2:2 10-bit 4K video recording renders all the subtleties of graduated skies, sunsets and more without the banding so prone to 8-bit.
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6K 30fps / 4K 60 FPS Photo Burst
6K Photo mode at 30fps captures perfect moments at a ~18-megapixel resolution. 4K Photo mode at 60fps freezes even faster motion, a feat not possible in conventional DSLRs.
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5-Axis Dual I.S. 2.0 Eliminates Blur
The GH5 nearly eliminates body and lens shake in both photo and 4K video recording. Its 5-axis Body I.S. corrects all lenses, including classic lenses not equipped with O.I.S.
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2 SD Card Slots. 3 Modes.
Increase capacity and efficiency with Relay mode to swap a full card for an empty one. Backup to record continuously on one card while recording on the other. Simultaneous to duplicate on both.
Pinnacle of Perfection
The experts agree. The award-winning LUMIX GH5 mirrorless 4K camera is tops!
Inside the Box
Includes LUMIX GH5 camera body, cable holder, hot shoe cover, battery, battery charger, camera body cap, shoulder strap, USB connection cable, AC cable, basic owner's manual (English and Spanish), Quick Start Guide, 6K/4K Photo Quick Start Guide, product registration card.
Compare to other LUMIX
20.3MP | Sensor Size | 25.2 MP |
| | 4:2:2 10bit interval | |
C4K/4K 60P/50P | | |
| | Unlimited Recording | |
5-stop | Dual I.S. 2 | 7.5-stop |
Free-angle | LCD | Tilt & Free-angle |
725g | Weight | 823g |
20.3MP | Sensor Size | 20.3 MP |
| | 4:2:2 10bit interval | |
C4K/4K 60P/50P | ||
| | Unlimited Recording | |
5-stop | Dual I.S. 2 | 6.5-stop |
Free-angle | LCD | Free-angle |
725g | Weight | 727g |
20.3MP | Sensor Size | 10.2 MP |
| | 4:2:2 10bit interval | |
C4K/4K 60P/50P | ||
| | Unlimited Recording | |
5-stop | Dual I.S. 2 | No |
Free-angle | LCD | Free-angle |
725g | Weight | 660g |
Read about our customers' top-rated cameras and lenses on our review pages: Compact System Cameras, Lenses
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviewed in the United States on April 4, 2017
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Top reviews
Top reviews from the United States
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I run a small video production company, and for years I have used the GH4 for capturing high quality video. The problem is that every video shoot also requires several high quality/professional photographs. While the GH4 excelled in capturing video as a true camera it always came up short. As a result, I was always forced to lug my Nikon D750 around with me. I would travel with two cameras, and two sets of lenses. Occasionally, I would substitute the Nikon for my Fujix100T or I would substitute the GH4 for my Osmo Pro (recently it has been more of the later).
What I need... want... would love .... is camera to do all of it. I guess I could invest in the FF Sony, but the idea of investing in a 3rd set of lenses doesn't exactly excite me. At some point.... either the video on the Olympus will come up... or the photo stills on the Panasonic will improve...right? Based on my tests - I think the GH5 will become my Holy Grail of cameras. I have 0% doubt that it will perform for video (and my the couple of tests I have run look very favorable), but my worry was IQ. The new 20.3MP resolution has me hopeful that the GH5 will become my one camera for all purposes.
Photos - Again - I will update this as time goes on
- The upgraded sensor seems to make a large difference.In the photos I attached the 1st picture was taken at ISO 400 while the rest were at ISO 1600. Frankly, I always got nervous taking my GH4 above ISO 800 the noise and grain really started to become noticeable. The GH5 looks very usable at ISO 1600 ( I need to check ISO 3200 a little closer). For full disclosure the ISO 1600 shots were taken with the Panasonic Leica f1.2 42.5mm gem of a lens.
This is a good point for a tangent,. The reason why i like the MFT format (in addition to the cameras being physically smaller) there are some very excellent lenses out there. I would stack the Olymous Zuiko lenses up against the branded Nikon lenses any day of the week. In addition, ignoring the difference in focal length my Panasonic/Leica f1.2 42.5 rivals my Otus f1.4 55mm for my Nikon (plus it has vibration reduction AND autofocus - eat your heart out Sigma). These high quality lenses are smaller and cost less than their full frame rivals to boot. Now there are some poor lenses too, but if you are willing to pay a little more I have found all of the Panny/Leica and Olympus Zuiko lenses to be very, very good.
Other notes -
- If you shoot in RAW and use Lightroom you will have to update to 6.9.
- The autofocus really is improved. It is very fast on the point.
- Has the ability to do focus stacking - I haven't tried this yet - but it is a very interesting function.
- Shooting manual is a breeze - I am not sure why Nikon can't copy Panasonic's focus peaking, but if they could... they should. I mentioned I owned the Otus f1.4 55mm.... that lenses would be soooooo much more useful if Nikon offered a similar type of focus peaking.
- Low light performance - others may disagree, but I do think that it is better than the GH4. I have very good stills at ISO 1600. However, this might be a counter-intuitive since Panasonic is using the same sized sensor but increasing the resolution. In order for the camera to have better low light performance and higher resolution would require either significantly better algorithms and/or improvements on the actual sensor gathers the light.
- Button placement and layout are still very solid. it is easy to navigate WB and ISO settings without moving your eyes (much more difficult on my Nikon D750).
- No built in flash. Honestly, I can not remember the last time I used a built in flash.
- The camera is not too much larger than the GH4, but it is noticeably heavier. This camera is dense, and while it still has an advantage over my full frame it's losing ground here.
Video-
- My early footage is excellent. The continuous autofocus is improved (although I do need to run a lot more tests on this one). I loved shooting footage with my GH4, but I usually filmed in manual focus. I never fully trusted the GH4 autofocus - it seemed to spend too much time searching.
- The ability to shoot at 180 FPS (you have first select a variable frame rate to get into this menu).
- Out of the box it will allow you to record 10 bit straight to SD card (I recommend the new high transfer rate cards).
- Image stability - I am very excited for the improvements - but I definitely need to do a lot of testing to see how it really performs.
- In short... for video the GH5 will do everything that GH4 will do, but it adds the ability to capture 10 bit footage directly to a SD card, offers weather protection, and in-body stabilization
- The screen and viewfinder are excellent.
Final Verdict - Again, I will have to update this review - there is MUCH still to be covered (especially for video). However, the early results are very promising and I do believe that Panasonic has made a significant improvement in IQ over the GH4. I may be naive, but I just ASSUMED it would be great for video (minor improvements in the GH4 would have helped maintain its status). The GH5 is roughly double the price of the GH4 so you will need to understand if the photo improvements and the upgrades in video are really worth it to you. For me... it is a no-brainer.... and I am optimistic that for now on I will be carrying just one camera with me!
5 Stars
Reviewed in the United States 🇺🇸 on April 4, 2017
I run a small video production company, and for years I have used the GH4 for capturing high quality video. The problem is that every video shoot also requires several high quality/professional photographs. While the GH4 excelled in capturing video as a true camera it always came up short. As a result, I was always forced to lug my Nikon D750 around with me. I would travel with two cameras, and two sets of lenses. Occasionally, I would substitute the Nikon for my Fujix100T or I would substitute the GH4 for my Osmo Pro (recently it has been more of the later).
What I need... want... would love .... is camera to do all of it. I guess I could invest in the FF Sony, but the idea of investing in a 3rd set of lenses doesn't exactly excite me. At some point.... either the video on the Olympus will come up... or the photo stills on the Panasonic will improve...right? Based on my tests - I think the GH5 will become my Holy Grail of cameras. I have 0% doubt that it will perform for video (and my the couple of tests I have run look very favorable), but my worry was IQ. The new 20.3MP resolution has me hopeful that the GH5 will become my one camera for all purposes.
Photos - Again - I will update this as time goes on
- The upgraded sensor seems to make a large difference.In the photos I attached the 1st picture was taken at ISO 400 while the rest were at ISO 1600. Frankly, I always got nervous taking my GH4 above ISO 800 the noise and grain really started to become noticeable. The GH5 looks very usable at ISO 1600 ( I need to check ISO 3200 a little closer). For full disclosure the ISO 1600 shots were taken with the Panasonic Leica f1.2 42.5mm gem of a lens.
This is a good point for a tangent,. The reason why i like the MFT format (in addition to the cameras being physically smaller) there are some very excellent lenses out there. I would stack the Olymous Zuiko lenses up against the branded Nikon lenses any day of the week. In addition, ignoring the difference in focal length my Panasonic/Leica f1.2 42.5 rivals my Otus f1.4 55mm for my Nikon (plus it has vibration reduction AND autofocus - eat your heart out Sigma). These high quality lenses are smaller and cost less than their full frame rivals to boot. Now there are some poor lenses too, but if you are willing to pay a little more I have found all of the Panny/Leica and Olympus Zuiko lenses to be very, very good.
Other notes -
- If you shoot in RAW and use Lightroom you will have to update to 6.9.
- The autofocus really is improved. It is very fast on the point.
- Has the ability to do focus stacking - I haven't tried this yet - but it is a very interesting function.
- Shooting manual is a breeze - I am not sure why Nikon can't copy Panasonic's focus peaking, but if they could... they should. I mentioned I owned the Otus f1.4 55mm.... that lenses would be soooooo much more useful if Nikon offered a similar type of focus peaking.
- Low light performance - others may disagree, but I do think that it is better than the GH4. I have very good stills at ISO 1600. However, this might be a counter-intuitive since Panasonic is using the same sized sensor but increasing the resolution. In order for the camera to have better low light performance and higher resolution would require either significantly better algorithms and/or improvements on the actual sensor gathers the light.
- Button placement and layout are still very solid. it is easy to navigate WB and ISO settings without moving your eyes (much more difficult on my Nikon D750).
- No built in flash. Honestly, I can not remember the last time I used a built in flash.
- The camera is not too much larger than the GH4, but it is noticeably heavier. This camera is dense, and while it still has an advantage over my full frame it's losing ground here.
Video-
- My early footage is excellent. The continuous autofocus is improved (although I do need to run a lot more tests on this one). I loved shooting footage with my GH4, but I usually filmed in manual focus. I never fully trusted the GH4 autofocus - it seemed to spend too much time searching.
- The ability to shoot at 180 FPS (you have first select a variable frame rate to get into this menu).
- Out of the box it will allow you to record 10 bit straight to SD card (I recommend the new high transfer rate cards).
- Image stability - I am very excited for the improvements - but I definitely need to do a lot of testing to see how it really performs.
- In short... for video the GH5 will do everything that GH4 will do, but it adds the ability to capture 10 bit footage directly to a SD card, offers weather protection, and in-body stabilization
- The screen and viewfinder are excellent.
Final Verdict - Again, I will have to update this review - there is MUCH still to be covered (especially for video). However, the early results are very promising and I do believe that Panasonic has made a significant improvement in IQ over the GH4. I may be naive, but I just ASSUMED it would be great for video (minor improvements in the GH4 would have helped maintain its status). The GH5 is roughly double the price of the GH4 so you will need to understand if the photo improvements and the upgrades in video are really worth it to you. For me... it is a no-brainer.... and I am optimistic that for now on I will be carrying just one camera with me!
5 Stars
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The biggest issue with this camera in my opinion is its autofocus. The GH5 uses contrast-based AF rather than phase-detection AF, which is simply not as good. It works, and in a lot of situations it works well. But there have also been a number of situations I've found myself in where I've seen and felt firsthand how the camera can struggle to determine and achieve focus, as well as reviewing my recordings in post and coming across footage that I thought was in proper focus when filming but wasn't. There are a number of different autofocus modes, many of which are good and I think their inclusion of these modes helps to offset some of the drawbacks of their contrast-based AF. Still, don't expect this camera to autofocus as well as a Canon or Sony, because in my experience their AF technology is far superior. But the autofocus in the GH5 is totally usable, especially if you're around the prosumer level in the video realm. If you're a professional, to be completely honest you'll probably need the more advanced AF that you'd find on a Canon or Sony body.
There are plenty of complaints or negatives about the autofocus, but since the v2.4 firmware, it's greatly improved. While it can't compete with dual-pixel focussing, it can still hold its own and has many other merits over similarly priced bodies.
2020 Update: It's been a year since my review and my rating stands. I've found some things I'd wish this camera did, but doesn't (eg. charge or self-power over the USB-C connector, or the function to use it as a webcam - a vital tool for COVID-times), and many things that this camera DOES but the competition still has troubles doing in their latest and greatest models (such as not overheating when filming in 4K!) This is still a video powerhouse in 2020 and the still-photo capabilities are solid for the price.




































