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PANASONIC LUMIX GX8 Body Mirrorless 4K Camera Body, Dual I.S. 1.0, 20.3 Megapixels, 3 Inch Touch LCD, DMC-GX8KBODY (USA BLACK)
|Price:||$999.99 & FREE Shipping. Details|
|You Save:||$200.00 (17%)|
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- Capture moments with superb 4K imaging performance in both video and exclusive 4K PHOTO
- Unique, in-body stabilization in combination with select optically stabilized lenses work together for class-leading Dual Image Stabilization results
- Worry-free splash proof / dustproof rugged body. Fast and precise auto focusing tracks the subject
- New 20.3-megapixel sensor achieves Panasonic’s highest image quality
- Over 20 Interchangeable lens options available
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From the manufacturer
Panasonic DMC-GX8KBODY 4K Photo Interchangeable Lens (DSLM) Camera Body
Never again miss that once-in-a-lifetime shot with the Panasonic DMC-GX8. Featuring superb 4K imaging capability in both video and 4K PHOTO, the GX8 lets you shoot 30 frames per second in crystal-clear 4K Ultra HD Video and extract them as individual photos. Choose the one that best captures the moment.
Unique, in-body stabilization technology with select optically stabilized lenses work together for class-leading Dual Image Stabilization while our new 20.3-megapixel sensor achieves Panasonic’s highest image quality.
Need a camera to take along on your outdoor adventures? The GX8 features a worry-free splashproof / dustproof rugged body so it stands up to some of the most challenging environments. Designed for maximum flexibility, the GX8 features over 20 interchangeable lens options.
4K Video and 4K Photo — Capture that moment
That moment you want to remember can occur at any time, and Panasonic’s exclusive 4K photo technology uses 30 frames per second in high resolution 4K Ultra HD Video to extract them as photos. You’ll never miss That moment again.
Note: 4K Photo feature extracts 8-megapixel photo out of a 4K video sequence up to QFHD: 3840 x 2160 pixels, 30 fps, 100Mbit/s.
4K Photo Modes — Free Your Creativity
The 4K Photo function can be used in three different modes, all allowing you to capture that perfect moment at a high burst rate of 30 frames / photos per second:
4K burst shooting 8-megapixel equivalent images extracted from 4K video as long as the shutter button is pressed.
4K Burst S/S (Start/Stop):
4K burst recording as 4K video then play, pause, and extract any frame / photo as an 8-megapixel equivalent image later.
4K pre-burst starts recording one second before and after you press the shutter button. Perfect for unpredictable moments.
4K Video — More Detail Than Full HD
4K video delivers a far more intense viewing experience that is four times larger* than Full HD, resulting in a much higher level of detail.
* Native resolution of 3,840 x 2,160 pixels. When recording videos in 4K, use a card rated as UHS Speed Class 3.
Innovative, Dual-Image Stabilization
The LUMIX GX8 integrates Dual I.S. (Image Stabilizer)* for more effective results. The GX8’s body I.S. works in tandem with the LUMIX lens I.S. for maximum stabilization.
* For photo.
Splashproof / Dustproof Rugged Design
The LUMIX GX8 camera body is composed of a magnesium alloy, full diecast front and rear frame. Tight seals on every joint, dial and button enable splashproof / dustproof performance.
20.3MP Live MOS Sensor
The LUMIX GX8 employs the newly-developed 20.3-megapixel Digital Live MOS Sensor that achieves high-speed bursts, ISO25600 high sensitivity, and a wider dynamic range. Combined with the Venus Engine, the GX8 achieves clear image rendering with minimum noise, even in low-light situations.
A Wide Lineup of LUMIX G Lenses
Panasonic LUMIX G DSLM (Digital Single Lens Mirrorless) cameras offer a wide variety of digital, interchangeable lenses. Many feature Dual I.S. (Image Stabilizer) compatibility when mounted to the LUMIX GX8*. Even those without O.I.S. can be used.
* Firmware update is required for some lenses.
Everything in the Right Place
The LUMIX GX8 features a premium flat body with front/rear dials to control aperture and shutter speed settings. Settings can also be assigned to eight function buttons.* In addition, it is possible to adjust the exposure compensation with a dedicated dial.
* Eight buttons on the body and five buttons on the menu.
Large OLED LVF
The LUMIX GX8 comes with a high-resolution (2,360k-dot), tiltable OLED Live View Finder which affords high visibility thanks to a 10,000:1 contrast ratio and a high 0.77x magnification (35mm camera equivalent). An optional eyecup (DMW-EC3) made of elastic material enhances comfort.
Free-angle OLED Monitor
The 1040k-dot rear monitor boasts tilt & swivel capability, making it more comfortable even for vertical composition. Plus, its touch control allows you to quickly set focus just by touching the subject on the screen.
Fast and Precise AF Tracking
With the new AF Tracking algorithm, not only the color but also the size and motion vector of the target are recognized, enabling the camera to lock on the subject even more securely.
High Speed Auto-Focusing with DFD Technology
Panasonic's Depth-From-Defocus (DFD) Auto Focus (AF) technology* instantly calculates the distance between foreground and background and quickly brings the subject into focus with one fast, continuous movement. This new system results in AF speeds up to 0.07 seconds** and a burst shooting speed with Continuous Auto Focus (AFC) of 6 frames per second.
* Contrast AF with DFD technology works only with Panasonic Micro Four Thirds lenses.
** In AFS, at wide-end with H-FS14140 or H-HS12035 (CIPA).
Focusing in Low Light Conditions — Star Light AF
Low Light Auto Focus makes it possible to focus on subjects more precisely in -4EV low light situations. In addition, the LUMIX GX8 includes a new Starlight AF feature which lets you shoot a starry night sky using auto focus.
Maximum 1/8000 second Fast Shutter Speed
High shutter speed at maximum 1/8000 second enables precise capture of fast-moving subjects, and also allows you to open the aperture in bright outdoor environments. A maximum 1/16000 second with an electronic shutter reduces washouts even under strong sunlight and 1/250 second flash synchronization speed lets you use a fully open aperture even for bright scenes.
RAW File in-Camera Development
The LUMIX GX8 can shoot images in RAW-format and even develop them inside the camera.
|Battery Type||Lithium Ion|
|Compatible Mountings||Micro Four Thirds|
|Display Size||3 inches|
|Effective Still Resolution||20.3 MP|
|External Memory Included||No|
|Flash Memory Type||SDXC;;;|
|Item Dimensions||5.28 x 7.72 x 6.93 inches|
|Item Weight||1.7 pounds|
|Lens Design||Body Only|
|Lithium Battery Energy Content||8.7 Watt Hours|
|Lithium Battery Voltage||7.2 Volts|
|Lithium Battery Weight||1 gram|
|Manufacturer Warranty Description|
|Maximum Shutter Speed||60 seconds|
|Optical Sensor Resolution||20.3 MP|
|Optical Sensor Technology||CMOS|
|Shipping Weight||1.95 pounds|
|Style Name||Camera Body Only|
|Supported Battery Types||Panasonic DMW-BLC12|
|Video Capture Resolution||4k|
|Viewfinder Type||electronic viewfinder|
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|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Screen Size||3 in||3 in||3 in||3 in||3 in||3 in|
|Item Dimensions||7.72 x 6.93 x 5.28 in||7.72 x 6.93 x 5.28 in||5.06 x 2.93 x 3.5 in||4.8 x 1.73 x 2.78 in||4.2 x 1.32 x 2.55 in||3.03 x 4.92 x 3.39 in|
|Item Weight||1.7 lbs||2.35 lbs||1.11 lbs||1.09 lbs||0.8 lb||0.9 lb|
|Optical Sensor Resolution||20.3 megapixels||20.3 megapixels||16 megapixels||16 megapixels||16 megapixels||—|
|Photo Sensor Size||—||micro_four_thirds||micro_four_thirds||—||17.3 x 13.0mm||Four Thirds (17.3 x 13mm)|
|Video Capture Resolution||4k||4k||4k||4k||1920 x 1080 Full HD||3840 x 2160 (30, 25, 24, 20fps) 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps|
|Viewfinder||electronic viewfinder||electronic viewfinder||electronic viewfinder||electronic viewfinder||Flexible LCD||LCD|
Panasonic DMC-GX8KBODY - LUMIX GX8 Interchangeable Lens (DSLM) Camera Body Only - Black. Capture moments with superb 4K imaging performance in both video and exclusive 4K PHOTO.
Top customer reviews
Thus far, within the M43 family of cameras, I am impressed the GX8 with its slightly improved 20 meg sensor and improved stabilization—with a few reservations, explained below. I like shooting with the OMDs as well as Olympus Pens and had been waiting to see if Olympus would replace the aging EP5 with a model that would finally have an integrated view finder, but Panasonic has been ahead on that score as well with its 4K video.
Where the newer OMDs shine is with their better 5 axis image stabilization—for that I definitely prefer the OMD EM5 Mark II over the GX8. The GX8 approaches the new OMDs in stabilization, only if you are using a select number of Panasonic lenses that have built in IS. Right now that includes the Panasonic Nocticron 42.5 f1.2, the 12-35 f.2.8, and the 14-140 f3.6-5.6. According to reports, Panasonic will be adding more with firmware updates in the future to allow some of the older IS lenses to use the dual stabilization feature of the GX8. I have used the GX with the Nocticron 42.5 f1.2 with excellent results in good light. Even with the dual stabilization system on, however, I don’t find it works as well as with the OMD EM5 Mark II for night and low-light shooting. I have also used the GX 8 with the Zuiko 12-40 f2.8 and several Olympus primes. Again, results are excellent in good light, but the GX8’s in-body stabilization by itself is more challenged for night shooting. However, when I tried it with the Panasonic 12-35 mm f2.8 for night shooting, the stabilized image results comes very close to those of the OMDs with 5 axis stabilization. So if you own newer stabilized Panasonic lenses, the results should be very good.
As other reviewers are noting, the GX8 is definitely larger than the GX7. I tried the GX7 but returned it shortly after purchase some time ago. For me, the beefier GX8 and its new grip is preferable to the GX7, but some may not agree. The larger viewfinder is excellent, I like the electronic and silent shutter options, and the slightly improved resolution (but the new 20 meg sensor is not a deal-breaker at over Oly’s 16 meg, at least for me). The DXO sensor ratings have the GX8 at an overall score of 75 and the newer OMDs at 73, which is pretty close. There also are a couple of non-essential features that I really like about the GX8: the panorama mode works really well without having to do post-processing, and the “high-dynamic” filter is great. I find these two modes particularly useful.
Given that I like to be able to carry two bodies when I have the time for more serious shooting, the new GX8 is a keeper, along with the OMD 5 Mark II. If only one suites your pocket book, the choice is more difficult, particularly if you are more invested in Olympus glass. In that case, you may want to stay with the five-axis OMDs.
Improved new 20 Meg Sensor
Great Swivel Touch Screen
Solid Build with Good Grip
Improved Dials (exposure is top, but I wish they had followed the LX100’s pro design)
Stabilization still not as good as new OMDs
Dual Stabilization only works with select Panasonic lenses
Update 11/26/15: I have now been using the GX8 for nearly two months and continue to be very pleased with the camera. I am surprised it hasn't received more attention, especially with the price reductions.
Did I mention the in camera stitching of panorama sequences? I remember when I had to do this teadiously with software on my computer.
In my opinion a range finder style camera is so much more elegant than the bulky mirror reflex style, which was always a necessary compromise. For traveling and comfortable carrying this is the ideal camera body and format, unless you are addicted to 35mm brand vanity or really need the bulky format for professional reasons. I have been a professional photographer all my life, and recently had an exhibit with very large prints for the first time, but people really could not find room on the walls for large prints. I never had that problem in the past with 20x24 and below work. So, in reality, the enlargement detail of a full frame digital camera is a waste most of the time. You may be too young to remember, but before digital we had photographic artwork too, and 35mm for gallery exhibits was only good for small prints. And a great many street and nature photographers did not go beyond their 35mm format, I did all formats then, from 35mm to widely to medium format to view camera to super large format. Yet I am still very pleased with what this new 4/3 format can offer, in terms of portability, ergonomics (the digital full frame 35mm cameras are way bulkier than there film counterparts) and affordability. I am not so much talking about the camera body but about the lenses, tripods and the sheer staggering memory requirements. A modern 35mm DSLR photographer does not travel light anymore. The industry appeals to our brand vanity, and to the desire of the average non professional photographer to appear "professional" at all cost. I simply don't buy into that.
I'm a fitness/lifestyle vlogger, I love going outdoors and have a very active lifestyle and have my camera follow me everywhere I go.
4k along with 1080p/60fps
Fully articulating screen (this was huge in my decision)
I don't like the placement of the I/O, gets in the way of the screen when I'm vlogging.
No way to tell if the camera is recording or not, I feel like this can be addressed with a firmware update, but that's yet to happen.
Can struggle in low light to AF
Most recent customer reviews
Large, bright viewfinder. Still images are very high quality. Video quality is impressive and is particularly good for interview type shooting with...Read more