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The Painted Bird Paperback – January 1, 1977
Jerzy Kosinski (Author) Find all the books, read about the author, and more. See search results for this author |
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- LanguageEnglish
- PublisherBantam 1977
- Publication dateJanuary 1, 1977
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Product details
- ASIN : B000WV582W
- Publisher : Bantam 1977 (January 1, 1977)
- Language : English
- Item Weight : 4 ounces
- Best Sellers Rank: #2,446,252 in Books (See Top 100 in Books)
- #20,066 in War Fiction (Books)
- #111,836 in Literary Fiction (Books)
- Customer Reviews:
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While the book takes place in occupied Poland during WWII, this book is not about WWII. It is not a book about the Holocaust: indeed, "Jewishness" plays at best a trivial role in the book, and the camps but a minor role. Nor is this book an indictment of Nazi Germany: if it were it seems rather odd that an SS officer is one of the kinder people toward the boy (the unnamed, main character of the book). But then it is entirely false to the book itself to try to read it as an historical narrative.
_The Painted Bird_ is, rather, a mythic tale, in many ways told in the nature of a European fairy tale. It is the story of a mythic hero cast by circumstances outside his control into a symbolic "journey through hell": beginning in what to all purposes are medieval peasant villages, then moving loosely through time into the larger "village" that is the communism of the Russian liberators. (But not moving "historically" through time; in this strange world there is no past or present; just the mythic now.) The question here is not whether the boy will survive the journey or be killed: the question is whether he will emerge the mythic hero on the other side of the journey, or fail and become lost, permanently, in the dark otherworld. To that end, there are two, primary, greatly inter-related energies within the book. The first is that which goes to painting the Bosch-like (not my phrase, but a good one) vision of hell. The second lies in the philosophies of being that the boy encounters, that he learns directly or indirectly through those individuals he meets on his journey. It is through these philosophies of being that the boy seeks not only the means to endure the physical difficulties of his journey, but more importantly -- and here we get to the central conflict of the book -- the means to maintain his individuality against the cruelties of cultural groups that at its core cannot tolerate individuality. It is a book about painted birds, yes, birds that are destroyed by the flock because they are different. But it is also a book about how the birds get painted in the first place. Most importantly, it is a book about psychical individuality.
The book is wholly a literary work: well conceived and designed and very well crafted. Yes, the violence is to the extreme, but it is well used to the end of pulling the book out of an historical world and into a mythic world. (Even within the violence and sex one can find mythic, fairy tale, and old-world-religious thematics.) If you can enter this work removing it from the discourse of Holocaust literature that tried to claim the book as its own, you will discover quite an aesthetic, literary experience. _The Painted Bird_ is literature of a higher caliber, and it deserves to be preserved and praised as such.
To note: I use the idea of the mythic hero with the intention of the connection being made to such works as Jospeh Campbell's _The Hero with a Thousand Faces_. The more I think about _The Painted Bird_, the more resonance I find between the journey of Kosinki's boy and the mythic journey as described by Campbell. Those energies go all the more to the symbolic and literary value of the work.
Also to note, it is worth getting the second edition of the book (the current edition) so as to have the Afterward, written a decade after the original publication. In my edition the Afterward comes first in the text. I would recommend not reading it until after you have finished the book. In truth, the afterward is mostly about the reception of the book, not the book itself. As such, it may create false ideas that might be brought into the book. However, once you have read the book, the Afterward easily slips into its rightful context.
Top reviews from other countries

OK I was very young and impressionable and the read had a profound effect on myself and many of my generation.
The book, when read today, still has the same effect---- its horrific, sexy, gory, disgusting, sickening in parts and conveys a warped, nihilistic aspect of life purportedly experienced and written by Kosinski during the 2nd World War.
The events depicted are far worse than anything I've read about or seen in a modern post-apocalyptic novel or film.
I suspect that much of the content is based on the actual experiences of survivors of that period, probably Polish and Russian, and not first hand suffering as claimed by the author. That claim discredited his work immensely and he committed suicide a few short years after publication, before we could really understand his rationale after the dust had settled so to speak.
A magnificent work, but I could never recommend it to a wide audience.
There is a film coming out in 2019 some 50 years plus since the novel was first published (I had expected a film in the free 'n easy 1970's but it didn't happen). Some walked out of the theatre when shown at a film festival, while others gave the film a standing ovation, so the composition, whether written, audio or now on film, will always be controversial.
I also have the audio version of the book, 10 hours on 9 cd's. As powerful as the image taken from 'The Last Judgement' from Hieronymus Bosch, an oil on panel painting sometimes used on the cover of the novel.


Reviewed in the United Kingdom on March 6, 2018
OK I was very young and impressionable and the read had a profound effect on myself and many of my generation.
The book, when read today, still has the same effect---- its horrific, sexy, gory, disgusting, sickening in parts and conveys a warped, nihilistic aspect of life purportedly experienced and written by Kosinski during the 2nd World War.
The events depicted are far worse than anything I've read about or seen in a modern post-apocalyptic novel or film.
I suspect that much of the content is based on the actual experiences of survivors of that period, probably Polish and Russian, and not first hand suffering as claimed by the author. That claim discredited his work immensely and he committed suicide a few short years after publication, before we could really understand his rationale after the dust had settled so to speak.
A magnificent work, but I could never recommend it to a wide audience.
There is a film coming out in 2019 some 50 years plus since the novel was first published (I had expected a film in the free 'n easy 1970's but it didn't happen). Some walked out of the theatre when shown at a film festival, while others gave the film a standing ovation, so the composition, whether written, audio or now on film, will always be controversial.
I also have the audio version of the book, 10 hours on 9 cd's. As powerful as the image taken from 'The Last Judgement' from Hieronymus Bosch, an oil on panel painting sometimes used on the cover of the novel.



I read up on the author before starting to read it and I would advise anyone thinking of purchasing it to do the same
quite a dark chap

It had to stop reading few times as it was a bit too much for me but i have managed to complete it in 5 days.
Its definitely a weird classic.
