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The Painted Veil Paperback – November 14, 2006
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The Painted Veil is a beautifully written affirmation of the human capacity to grow, to change, and to forgive.
- Print length246 pages
- LanguageEnglish
- PublisherVintage
- Publication dateNovember 14, 2006
- Dimensions7.16 x 5.52 x 0.57 inches
- ISBN-100307277771
- ISBN-13978-0307277770
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Excerpt. © Reprinted by permission. All rights reserved.
She gave a startled cry.
"What's the matter?" he asked.
Notwithstanding the darkness of the shuttered room he saw her face on a sudden distraught with terror.
"Some one just tried the door."
"Well, perhaps it was the amah, or one of the boys."
"They never come at this time. They know I always sleep after tiffin."
"Who else could it be?"
"Walter," she whispered, her lips trembling.
She pointed to his shoes. He tried to put them on, but his nervousness, for her alarm was affecting him, made him clumsy, and besides, they were on the tight side. With a faint gasp of impatience she gave him a shoe horn. She slipped into a kimono and in her bare feet went over to her dressing-table. Her hair was shingled and with a comb she had repaired its disorder before he had laced his second shoe. She handed him his coat.
"How shall I get out?"
"You'd better wait a bit. I'll look out and see that it's all right."
"It can't possibly be Walter. He doesn't leave the laboratory till five."
"Who is it then?"
They spoke in whispers now. She was quaking. It occurred to him that in an emergency she would lose her head and on a sudden he felt angry with her. If it wasn't safe why the devil had she said it was? She caught her breath and put her hand on his arm. He followed the direction of her glance. They stood facing the windows that led out on the verandah. They were shuttered and the shutters were bolted. They saw the white china knob of the handle slowly turn. They had heard no one walk along the verandah. It was terrifying to see that silent motion. A minute passed and there was no sound. Then, with the ghastliness of the supernatural, in the same stealthy, noiseless, and horrifying manner, they saw the white china knob of the handle at the other window turn also. It was so frightening that Kitty, her nerves failing her, opened her mouth to scream; but, seeing what she was going to do, he swiftly put his hand over it and her cry was smothered in his fingers.
Silence. She leaned against him, her knees shaking, and he was afraid she would faint. Frowning, his jaw set, he carried her to the bed and sat her down upon it. She was as white as the sheet and notwithstanding his tan his cheeks were pale too. He stood by her side looking with fascinated gaze at the china knob. They did not speak. Then he saw that she was crying.
"For God's sake don't do that," he whispered irritably. "If we're in for it we're in for it. We shall just have to brazen it out."
She looked for her handkerchief and knowing what she wanted he gave her her bag.
"Where's your topee?"
"I left it downstairs."
"Oh, my God!"
"I say, you must pull yourself together. It's a hundred to one it wasn't Walter. Why on earth should he come back at this hour? He never does come home in the middle of the day, does he?"
"Never."
"I'll bet you anything you like it was amah."
She gave him the shadow of a smile. His rich, caressing voice reassured her and she took his hand and affectionately pressed it. He gave her a moment to collect herself.
"Look here, we can't stay here for ever," he said then. "Do you feel up to going out on the verandah and having a look?"
"I don't think I can stand."
"Have you got any brandy in here?"
She shook her head. A frown for an instant darkened his brow, he was growing impatient, he did not quite know what to do. Suddenly she clutched his hand more tightly.
"Suppose he's waiting there?"
He forced his lips to smile and his voice retained the gentle, persuasive tone the effect of which he was so fully conscious of.
"That's not very likely. Have a little pluck, Kitty. How can it possibly be your husband? If he'd come in and seen a strange topee in the hall and come upstairs and found your room locked, surely he would have made some sort of row. It must have been one of the servants. Only a Chinese would turn a handle in that way."
She did feel more herself now.
"It's not very pleasant even if it was only the amah."
"She can be squared and if necessary I'll put the fear of God into her. There are not many advantages in being a government official, but you may as well get what you can out of it."
He must be right. She stood up and turning to him stretched out her arms: he took her in his and kissed her on the lips. It was such rapture that it was pain. She adored him. He released her and she went to the window. She slid back the bolt and opening the shutter a little looked out. There was not a soul. She slipped on to the verandah, looked into her husband's dressing-room and then into her own sitting-room. Both were empty. She went back to the bedroom and beckoned to him.
"Nobody."
"I believe the whole thing was an optical delusion."
"Don't laugh. I was terrified. Go into my sitting-room and sit down. I'll put on my stockings and some shoes."
2
He did as she bade and in five minutes she joined him. He was smoking a cigarette.
"I say, could I have a brandy and soda?"
"Yes, I'll ring."
"I don't think it would hurt you by the look of things."
They waited in silence for the boy to answer. She gave the order.
"Ring up the laboratory and ask if Walter is there," she said then. "They won't know your voice."
He took up the receiver and asked for the number. He inquired whether Dr. Fane was in. He put down the receiver.
"He hasn't been in since tiffin," he told her. "Ask the boy whether he has been here."
"I daren't. It'll look so funny if he has and I didn't see him."
The boy brought the drinks and Townsend helped himself. When he offered her some she shook her head.
"What's to be done if it was Walter?" she asked.
"Perhaps he wouldn't care."
"Walter?"
Her tone was incredulous.
"It's always struck me he was rather shy. Some men can't bear scenes, you know. He's got sense enough to know that there's nothing to be gained by making a scandal. I don't believe for a minute it was Walter, but even if it was, my impression is that he'll do nothing. I think he'll ignore it."
She reflected for a moment.
"He's awfully in love with me."
"Well, that's all to the good. You'll get round him."
He gave her that charming smile of his which she had always found so irresistible. It was a slow smile which started in his clear blue eyes and traveled by perceptible degrees to his shapely mouth. He had small white even teeth. It was a very sensual smile and it made her heart melt in her body.
"I don't very much care," she said, with a flash of gaiety. "It was worth it."
"It was my fault."
"Why did you come? I was amazed to see you."
"I couldn't resist it."
"You dear."
She leaned a little towards him, her dark and shining eyes gazing passionately into his, her mouth a little open with desire, and he put his arms round her. She abandoned herself with a sigh of ecstasy to their shelter.
"You know you can always count on me," he said.
"I'm so happy with you. I wish I could make you as happy as you make me."
"You're not frightened any more?"
"I hate Walter," she answered.
He did not quite know what to say to this, so he kissed her. Her face was very soft against his.
But he took her wrist on which was a little gold watch and looked at the time.
"Do you know what I must do now?"
"Bolt?" she smiled.
He nodded. For one instant she clung to him more closely, but she felt his desire to go, and she released him.
"It's shameful the way you neglect your work. Be off with you."
He could never resist the temptation to flirt.
"You seem in a devil of a hurry to get rid of me," he said lightly.
"You know that I hate to let you go."
Her answer was low and deep and serious. He gave a flattered laugh.
"Don't worry your pretty little head about our mysterious visitor. I'm quite sure it was the amah. And if there's any trouble I guarantee to get you out of it."
"Have you had a lot of experience?"
His smile was amused and complacent.
"No, but I flatter myself that I've got a head screwed on my shoulders."
3
She went out on to the verandah and watched him leave the house. He waved his hand to her. It gave her a little thrill as she looked at him; he was forty-one, but he had the lithe figure and the springing step of a boy.
The verandah was in shadow; and lazily, her heart at ease with satisfied love, she lingered. Their house stood in the Happy Valley, on the side of the hill, for they could not afford to live on the more eligible but expensive Peak. But her abstracted gaze scarcely noticed the blue sea and the crowded shipping in the harbor. She could think only of her lover.
Of course it was stupid to behave as they had done that afternoon, but if he wanted her how could she be prudent? He had come two or three times after tiffin, when in the heat of the day no one thought of stirring out, and not even the boys had seen him come and go. It was very difficult at Hong Kong. She hated the Chinese city and it made her nervous to go into the filthy little house off the Victoria Road in which they were in the habit of meeting. It was a curio dealer's; and the Chinese who were sitting about stared at her unpleasantly; she hated the ingratiating smile of the old man who took her to the back of the shop and then up a dark flight of stairs. The room into which he led her was frowsy and the large wooden bed against the wall made her shudder.
"This is dreadfully sordid, isn't it?" she said to Charlie the first time she met him there.
"It was till you came in," he answered.
Of course the moment he took her in his arms she forgot everything.
Oh, how hateful it was that she wasn't free, that they both weren't free! She didn't like his wife. Kitty's wandering thoughts dwelt now for a moment on Dorothy Townsend. How unfortunate to be called Dorothy! It dated you. She was thirty-eight at least. But Charlie never spoke of her. Of course he didn't care for her; she bored him to death. But he was a gentleman. Kitty smiled with affectionate irony: it was just like him, silly old thing; he might be unfaithful to her, but he would never allow a word in disparagement of her to cross his lips. She was a tallish woman, taller than Kitty, neither stout nor thin, with a good deal of pale brown hair; she could never have been pretty with anything but the prettiness of youth; her features were good enough without being remarkable and her blue eyes were cold. She had a skin that you would never look at twice and no color in her cheeks. And she dressed like-well, like what she was, the wife of the Assistant Colonial Secretary at Hong Kong. Kitty smiled and gave her shoulders a faint shrug.
Of course no one could deny that Dorothy Townsend had a pleasant voice. She was a wonderful mother, Charlie always said that of her, and she was what Kitty's mother called a gentlewoman. But Kitty did not like her. She did not like her casual manner; and the politeness with which she treated you when you were there, to tea or dinner, was exasperating because you could not but feel how little interest she took in you. The fact was, Kitty supposed, that she cared for nothing but her children: there were two boys at school in England, and another boy of six whom she was going to take home next year. Her face was a mask. She smiled and in her pleasant, well-mannered way said the things that were expected of her; but for all her cordiality held you at a distance. She had a few intimate friends in the Colony and they greatly admired her. Kitty wondered whether Mrs. Townsend thought her a little common. She flushed. After all there was no reason for her to put on airs. It was true that her father had been a Colonial Governor and of course it was very grand while it lasted-every one stood up when you entered a room and men took off their hats to you as you passed in your car-but what could be more insignificant than a Colonial Governor when he had retired? Dorothy Townsend's father lived on a pension in a small house at Earl's Court. Kitty's mother would think it a dreadful bore if she asked her to call. Kitty's father, Bernard Garstin, was a K.C. and there was no reason why he should not be made a judge one of these days. Anyhow they lived in South Kensington.
4
Kitty, coming to Hong Kong on her marriage, had found it hard to reconcile herself to the fact that her social position was determined by her husband's occupation. Of course every one had been very kind and for two or three months they had gone out to parties almost every night; when they dined at Government House the Governor took her in as a bride; but she had understood quickly that as the wife of the Government bacteriologist she was of no particular consequence. It made her angry.
"It's too absurd," she told her husband. "Why, there's hardly any one here that one would bother about for five minutes at home. Mother wouldn't dream of asking any of them to dine at our house."
"You mustn't let it worry you," he answered. "It doesn't really matter, you know."
"Of course it doesn't matter, it only shows how stupid they are, but it is rather funny when you think of all the people who used to come to our house at home that here we should be treated like dirt."
"From a social standpoint the man of science does not exist," he smiled.
Product details
- Publisher : Vintage (November 14, 2006)
- Language : English
- Paperback : 246 pages
- ISBN-10 : 0307277771
- ISBN-13 : 978-0307277770
- Item Weight : 1 pounds
- Dimensions : 7.16 x 5.52 x 0.57 inches
- Best Sellers Rank: #235,376 in Books (See Top 100 in Books)
- #2,325 in British & Irish Literature & Fiction
- #6,285 in Classic Literature & Fiction
- #19,875 in Historical Fiction (Books)
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The entire book is beautifully and tightly written, using what I would categorize as “classical” language, but in a style that is simple and easy to understand. Maugham did a fantastic job telling the story of how the main character Kitty Fane’s adulterous affair and the aftermath of it causes her to re-assess and make changes in her life that she never thought possible. In all honesty, from the beginning of the story to the very end, I did not like Kitty one bit. I felt she was silly and foolish (and vain, immature, self-centered, etc.) and even when she “changes for the better” later on, I still couldn’t bring myself to like her. No doubt that Kitty grew a lot after her experiences in China, but I actually still saw a bit of the same characteristics in her, albeit to a much lesser degree. As I was reading, my feelings towards Kitty went from despising her in the beginning to pitying her later on in the story (the pity comes from acknowledgement of the fact that, in a sense, part of her plight truly WAS due to societal conventions and how she was raised).
Since I read this book for one of my book clubs, I don’t intend to write a long review on it, as I prefer to save more in-depth analysis for when we discuss the book. However, for anyone who may be considering whether to read this book or not, my response is a wholehearted YES! The amount of ground that Maugham was able to cover – love, betrayal, redemption, society norms and conventions, culture, marriage and relationships, religion, gender roles and stereotypes, class structure, etc. – in such a short book (my Kindle version was less than 200 pages) is not only astounding but also extremely rare. Don’t let the “classic” label fool you into thinking this will be a difficult book to get through because it definitely won’t be – this book is an easy read, yet still invokes much insight into numerous topics that are still relevant today.
Lastly, I know there was a movie adaptation of this book that came out around 10 years ago, but I actually don’t plan on watching it, at least not any time soon. I’m very particular when it comes to book to movie/tv series adaptations, especially ones that turn out to be very different from the book due to changes made by the producers/directors. I don’t want my memory of the book to be ruined if I end up disliking the movie’s interpretation of the story/characters.
(Read in January 2017)
In addition to “The Razor’s Edge”, I had also read all 91 (not-so-) short stories by Maugham, and I can’t think of a single one that left me less than satisfied.
The author himself provides a clue in the introduction: “I think this is the only novel I have written in which I started from a story rather than from a character…” Maybe this explains why Maugham’s descriptive powers and psychological penetration (his usual strong points) do not cohere into a fully satisfying whole.
I’m nitpicking. As a friend of mine used to say, "we are talking about Mount Olympus". This is one of the greatest authors in English literature and he is always worth reading, even when not at his best. By all means read this book, but make sure you read "The Razor's Edge", the short stories and "Of Human Bondage" first.
Through a wide array of characters, Maugham explores the nature of human relationships. There a parental relationships where parents are overbearing and judgmental. Kitty, the protagonist of this novel, has such a relationship with her mother. She eventually marries just to escape her mother's judgments and criticisms. There are also unexamined relationships that are taken for granted and only later are seen in a new light. Such is the case with Kitty and her father. He is a judge and ample supporter for his family. Yet he is a status symbol for her mother and a source of income and support for Kitty. It isn't until Kitty gains in maturity and painful experiences that she eventually is able to even begin a genuine relationship with her father. Social roles of parent, child, mother, son, daughter, and father may often provide a social matrix for interaction but subtle violence and disregard and neglect may characterize the relationships that are seen to the outside world as loving and in fact those who dispense emotional violence and those who absorb emotional violence may never grasp the reality in which they are stuck, and thus characterize their relationships to family as loving when in fact, love is not present.
Growing up in such a home, Kitty seems oblivious to the compromise she creates when she agrees to marry a socially awkward but highly intelligent bacteriologist. He falls for her but she never really reciprocates with the emotional depth of her husband. She is young and self-absorbed and shallow in many ways, yet he loves her.
But Kitty has never given herself fully to another person, she has never been infatuated, she has never been out of control and in constant pain when she is away from her lover. Unfortunately for Kitty, she falls for a married diplomat who is highly self serving and manipulative. Charlie Townsend begins to dominate her every thought and she becomes lost in day-dreams of marriage to Charlie far away from the real world of their marriages. The ancient Greeks believed Jupiter gives mankind wisdom through painful experiences and Kitty is about to be educated. Having discovered that his wife is having an affair with Charlie Townsend, Dr. Walter Fane, is inwardly heart broken but he display a highly controlled exterior. He offers Kitty an ultimatum which has been carefully thought through for it helps reveal to Kitty how shallow is her relationship with Charlie. Walter insists that Kitty join him in a distant city which is being ravaged by cholera. She has no choice but to follow him. Yet this experience is the critical experience of her life as well as Walter's life.
Kitty meets a minor ugly alcoholic British official, Waddington, who eventually becomes her intimate friend and one of her guides toward herself. Waddington quickly picks up that the Fane's relationship is a disaster and he helps Kitty find meaning in her life as an aide in a French Catholic orphanage. He also gradually introduces her to Taoism and the concept of desire and connection being the source of much human pain and suffering. Kitty gradually goes through multiple stages of grief and anger to begin forgetting Charlie Townsend.
At the French Orphanage, Kitty also begins to grow and change in character as she cares for Chinese orphans and interacts with the highly spiritual nuns. Kitty observes that the nuns act calm and loving and gentle and supportive of all humans in all their interactions, but she sees that they are not attached. They are not emotionally bound to the children they serve, there love is a spiritual grace and transference from God to the children. They are willing conduit between God and suffering mankind. Thus they are able to love and let go, they care and then forget, moving onward to the next suffering soul. In this regard Maugham is certainly connecting the sublime nature of Christian non-attachment to the Buddhist and Taoist philosophies of detachment from the world. Kitty has several transcendental experiences, sometimes evoked by great beauty in the natural world or in vast vistas of man's interaction with nature.
Thus Maugham does something outstanding. He conveys how a person may grow in character by pain and self examination as well as how a person learns to integrate or experience the mystery, the unification with the unknown, the wordless and thoughtless mind of God that changes perception.
But like relationships, ever changing and growing, the transcendental experience is never complete or present at all times. Kitty longs for the serenity of the nuns, their spiritual and emotional centeredness, but finds that just like relationships, our glimpses into the mind of God are ever changing.
Maugham has selected to show us that a shallow self absorbed young woman can begin to glimpse the mystery of existence, the flow of pain and desire and attachment out of the human heart. Like the Buddha, she sees a corpse in the road, the reminder of our temporary status on this earth.
The test comes as Kitty realizes that Walter is in pain and that he must forgive her to move beyond the pain. She has moved and grown greatly if she now can empathize with Walter to the point that she sees fully his pain and sees the way beyond his pain. Just as Walter saw her infatuation with Charlie and the steps needed to reveal Charlie's lack of character to Kitty, she now sees that Walter has a broken heart and in his heart bears pain and anger, but more importantly, he is now willing yet to move beyond the pain and anger and move into a state of forgiveness. Kitty has reached the point of maturity that she wants this forgiveness, not for herself but for Walter. She has moved beyond herself absorption, her self definitions, and her own perceptions and like the compassionate Buddha, she sees into Walter's heart and knows how she must be healed.
Unfortunately, life is not predictable and Walter falls deathly ill with cholera. As he dies she urges him to forgive her, something that she needs but also something that she clearly sees that he also needs.
The resolution of the novel shows Kitty dealing with the consequences of her choices, the recognition of her own human frailty and needs, the separation from her mother's bonds, and the initiation of a genuine relationship with her father.
This is an outstanding work of literature, unwinding a profound and complex theme, revealing the nature of relationship to the self, to others, to the Tao beyond. No small achievement.
Top reviews from other countries
I recall this author WSM being promoted to us at school in the early fifties but can only recall readin The Moon and Sixpence
The Painted Veil is well-contrived story expertly written. I was sorry that it did not continue to the next stage of her life. This is not a thriller but one wanted to keep on reading next chapter after next chapter. A good read, but no longer modern. That aspect is good in that it is not adorned with coarse language of the sort which spoils otherwise decent reads









