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The Paintings of Joan Mitchell Paperback – June 30, 2002
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From Library Journal
Sandra Rothenberg, Framingham State Coll. Lib., MA
Copyright 2002 Reed Business Information, Inc.
Copyright © American Library Association. All rights reserved
Top Customer Reviews
Like Ellen Landau's large-scale monograph on Jackson Pollock, you wonder why a book of this quality is available so inexpensively. Someone must have done too long a print run initially. Take advantage. When you look at the prices of the Kertess or Bernstock monographs on Joan Mitchell, you realize this is a screaming bargain, not to be missed.
I recommended this book for any person who love the beauty of color, life and paint, and for painters who want to learn what means the freedom of action and think.
Thank you and excuse my english.
I recommend buying the Whitney Museum book. It is inexpensive and is comprehensive.
Joan Mitchell, not often found in general art books, none-the-less imposes a powerful presence in the tapestry of american art. Overshadowed by masculine icons the likes of Pollack, de Kooning, Kline. Mitchell brought a strong feminine bravura to the abstract expressionist genre.
This lovely book celebrates the Whitney museum's 2002 - 2004 exhibtion. The paintings presented here sweep through the decades from her establishing herself during the 1950's - 60's through her mature visual paraphrasing of the 80's.
Delicate energetic masterpieces are beautifully brought forth in 88 full page color plates. An embodying text follows her life from marginalized artist to a forefront figure strong in both expression and lifestyle.
The book is not just a beautifully executed catalogue of a major exhibition in 2003/2004 of Mitchell's work ( with excellent reproductions!) but the extensive well-written and scholarly essay by Jane Livingston provides a wonderful introduction to Mitchell as a artist and a person. Cajori's documentary was made shortly before Mitchell's death, and provides extra depth and color to the book.
I was especially touched by Mitchell's repeated refusal to "explain" her works; as an abstract painter, she prefers to let her glorious colorful paintings speak for themselves, and to leave it to the individual viewers to decide what her art means to them