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Pandemonium: A Novel Paperback – August 26, 2008
| Daryl Gregory (Author) Find all the books, read about the author, and more. See search results for this author |
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As a boy, Del Pierce is possessed by the Hellion, an entity whose mischief-making can be deadly. With the help of Del’s family and a caring psychiatrist, the demon is exorcised . . . or is it? Years later, following a car accident, the Hellion is back, trapped inside Del’s head and clamoring to get out.
Del’s quest for help leads him to Valis, an entity possessing the science fiction writer formerly known as Philip K. Dick; to Mother Mariette, a nun who inspires decidedly unchaste feelings; and to the Human League, a secret society devoted to the extermination of demons. All believe that Del holds the key to the plague of possession–and its solution. But for Del, the cure may be worse than the disease.
“Look out, Lethem! Daryl Gregory mixes pop culture and pathos, flavoring it with Philip K. Dick. Pandemonium possesses every quality you want in a great novel, and the good news is it’s only his debut.”
–Charles Coleman Finlay, Hugo and Nebula Award-nominated author of The Prodigal Troll
- Print length304 pages
- LanguageEnglish
- PublisherDel Rey
- Publication dateAugust 26, 2008
- Dimensions5.5 x 0.7 x 8.2 inches
- ISBN-100345501160
- ISBN-13978-0345501165
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From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Copyright 2008 Bookmarks Publishing LLC
Excerpt. © Reprinted by permission. All rights reserved.
The woman next to me said, It’s the Kamikaze. Someone else said, No, it’s the Painter—the Painter or the Fat Boy.
The river of people leaving the gates had log-jammed against a line of cops, and rumor rippled back through the crowd. A demon had possessed a man, and O’Hare security had sealed off the concourse between the gates and baggage claim. Reactions varied from exasperation to excitement. It was another travel delay, but at least it was an interesting delay.
I could see nothing beyond the end of the crowd but the cops’ blue shoulders and the cavernous space of the United terminal. We couldn’t go back: we’d just come through security, and more travelers were filling in behind us. There was nothing to do but wait for the demon to finish its business.
I dropped my blue nylon duffel bag between my feet and sat astride it, surrounded by a forest of legs and luggage. The scraping sensation in my head, quiet since morning, started up again. I stared at my shoes and tried to take clarifying breaths. My last doctor was big on clarifying breaths—that, and heavy meds.
I was tired. I’d been traveling all day, flying standby and catching one flight for every three, portaging the duffel through three airports, three sets of security shakedowns. At least I wasn’t Japanese. Those poor bastards were practically strip-searched at every gate.
Someone backed into me, stumbled, and moved aside. I looked up, and the crowd shifted backward like spooked cattle. A path opened through the bodies, and suddenly I was alone in the middle of an aisle with the possessed man running toward me.
He was naked to the waist, his skinny chest and arms coated with gray dust, eyes wide and happy. He grinned, his mouth making words I couldn’t hear. I got out of his way, leaving my bag in the middle of the floor.
He veered suddenly toward a popcorn vendor cart. Parents yanked children out of his way; people scattered. The crowd’s mood had lurched from morbid curiosity to outright fear. A demon five hundred yards away was a lot different than one in your face.
He grabbed the cart by its handles and tipped it easily with the cartoon strength of the possessed. Someone screamed. The glass case shattered. Yellow popcorn blossomed into the air, and a metal pan bounced off the tile and rolled away like a hubcap.
The possessed man cackled and began to scoop up the popcorn, ignoring the shards of glass. He rose into a squat, arms full, and winked at me conspiratorially. His hands were bloody. He staggered back the way he’d come, hunched over his load. The cop let him pass without making a move.
What else could he do? He couldn’t shoot the guy. It wasn’t his fault, and if they obstructed him the demon might get pissed, jump to someone else (like a cop with a gun), and start hurting people. Nothing to do but keep the gawkers back and wait for it to burn itself out.
I picked up my bag and walked forward—plenty of room at the front of the line now—until I’d reached the temporary barrier, a ribbon of nylon strung between plastic posts. There was no one between me and the demon but a line of cops.
The United terminal was an art deco cathedral of steel and glass, shining ribs arcing under blue glass. I’d always liked it. The demon, trailing puffs of popcorn, shuffled to the middle of the concourse, stopped between the Starbucks and the shrine to the Kamikaze, and opened his arms. The popcorn spread over the marble with a susurrant huff.
He surveyed the mess for a moment, and then began to dance. He crushed the popcorn beneath his glossy black shoes. He paused, then danced again. When he was satisfied he dropped to hands and knees and began pushing the yellow powder into the borders of his sand painting, his collage, his sculpture—whatever the hell it was.
What it was, though, was a farm: a quaint white farmhouse, a red silo and barn, a line of trees, wide open fields. The farmhouse was powdered detergent or sugar or salt; the silo bits of red plastic and glass that could have been plucked from smashed exit signs; the trees cunningly arranged candy wrappers and strips of Styrofoam from coffee cups and junk food packages. The crumbled popcorn became the edge of a wheat field. The picture was simultaneously naturalistic and hazily distorted, a landscape seen through waves of heat.
The demon began to add details. I sat down on my duffel and watched him work. He fiddled with the shards of red glass to suggest the warp of barn wood; gently blew the white powder into the ghosts of gutters and window frames; scraped his shoe heel against the marble to create a smudge above the house that could have been a cloud or a large bird. The longer he worked, the more familiar the scene became. I’d never seen the place before—at least, I didn’t remember ever seeing a farm like this—but the picture was so relentlessly quaint, so Norman Rockwell, that maybe it was the idea of the farm that I recognized. The Jungians thought demons were archetypes from the collective unconscious. Perhaps the subject matter of archetypal artists was archetypes.
And then he abruptly stood and walked away, not even glancing back at the finished picture. The man took maybe a dozen steps, and then collapsed. No one moved for perhaps a minute.
Finally a cop edged forward, his hand on his nightstick, and asked the man questions I couldn’t catch. The man looked up, frightened. The cop helped him to his feet, and the man looked at his cut hands, then around at the crowds. The cop put an arm around his shoulder and led him away.
. . .
“Del!”
Lew, My Very Bigger Brother, bellowing from the other end of the atrium. His wife, Amra, shook her head in mock embarrassment. This was part of their shtick: Lew was loud and embarrassing, Amra was socially appropriate.
Lew met me halfway across the floor and grabbed me in a hug, his gut hitting me like a basketball. He’d always been bigger than me, but now he was six inches taller and a hundred pounds heavier. “Jesus Christ!” he said. “What took you so long? The board said your flight got in an hour ago.” His beard was bushier than when I’d last seen him a year and a half ago, but it had still failed to colonize the barren patches between ear and chin.
“Sorry about that—something about four bags of heroin up my ass. Hey, Amra.”
“Hello, Del.”
I hugged her briefly. She smelled good as always. She’d cut her long, shiny black hair into something short and professional.
Lew grabbed the strap from my shoulder and tried to take it from me. “I got it,” I said.
“Come on, you look like you haven’t slept in a week.” He yanked it from me. “Shit, this is heavy. How many more bags do you got?”
“That’s it.”
“What are you, a fuckin’ hobo? Okay, we have to take a shuttle to the parking garage. Follow me.” He charged ahead with the duffel on his back.
“Did you hear there was a demon in the airport?” Amra said.
“I was there. They wouldn’t let us out of the terminal until he was gone. So what happened to the Cher hair?”
“Oh . . .” She made a gesture like shooing a fly. “Too much. You saw it? Which one was it—not the Kamikaze?” The news tracked them by name, like hurricanes. Most people went their whole lives without seeing one in person. I’d seen five—six, counting today’s. I’m lucky that way.
“The Painter, I think. At least, it was making a picture.”
Lew glanced back, gave Amra a look. He wanted her to stop talking about it. “Probably a faker,” Lew said. “There’s a possession conference going on downtown next week. The town’ll be full of posers.”
“I don’t think this guy was faking,” I said. That mad grin. That wink. “Afterward he was just crushed. Totally confused.”
“I wonder if he even knows how to draw,” Amra said.
The tram dropped us at a far parking lot, and then we shivered in the wind while Lew unlocked the car and loaded my duffel into the tiny trunk.
It was new, a bulbous silver Audi that looked futuristic and fast. I thought of my own car, crumpled like a beer can, and tried not to be jealous. The Audi was too small for Lew anyway. He enveloped the steering wheel, elbows out, like he was steering with his stomach. His seat was pushed all the way back, so I sat behind Amra. Lew flew down 294, swearing at drivers and juking between lanes. I should have been used to Lew’s driving by then, but the speed and erratic turns had me gripping the back of Amra’s seat. I grew up in the suburbs, but every time I came back to Chicago I experienced traffic shock. We were forty minutes from downtown, and there were four crammed lanes on each side of the road, and everyone moving at 70 mph. It was worse than Denver.
“So what have you been doing with yourself?” Lew asked. “You don’t call, you don’t write, you don’t send flowers . . .”
“We missed you at Christmas,” Amra said.
“See, Lew? From Amra, that actually means she missed me at Christmas. From you or Mom that would have meant ‘How could you have let us down like that?’ ”
“Then she said it wrong.”
They’d only been married for a year and a half, but they’d been dating on and off—mostly on—since college. “So when are you guys going to settle down and make Mom some multiracial grandbabies? The Cyclops has gotta be demanding a little baby action.”
Amra groaned. “Do you have to call her that? And you’re changing the subject.”
“Yeah,” Lew said. “Back to your faults as a son and brother. What have you been up to?”
“Well, that’s a funny story.”
Lew glanced at me in the rearview mirror. Amra turned in her seat to face me, frowning in concern.
“Jeez, guys.” I forced a smile. “Can you at least let me segue into this?”
“What is it?” Amra said.
“It’s not a big deal. I had a car accident in November, went through a guardrail in the snow, and then—”
Lew snorted in surprise. “Were you drunk?”
“Fuck you. The road was icy, and I just hit the curve too fast and lost control. I went through the rail, and then the car started flipping.” My gut tightened, remembering that jolt. My vision had gone dark as I struck the rail, and I’d felt myself pitching forward, as if I were being sucked into a black well. “I ended up at the bottom of a ravine, upside down, and I couldn’t get my seatbelt undone.” I left out the caved-in roof, the icy water running through the car, my blind panic. “I just hung there until the cops got me out.”
“Weren’t you hurt?” Amra asked.
I shrugged. “My arms were scraped up, and my back was killing me, but that turned out to be just a pulled muscle. They kept me in the hospital for a day, and then they let me go. And afterward . . . well, all in all I was pretty lucky.”
“Lucky?” Lew said. “Why do people say that? You get a tumor, and if it turns out that you can operate on it, people say, gee, that was lucky. No, lucky is not getting cancer. Lucky is not getting cancer, then finding ten bucks in your shoe.”
“Are you done?” Amra said.
“He totaled his car. He’s not that lucky.”
Amra shook her head. “You were about to say something else, Del. What happened after the accident?”
“Yeah, afterward.” I suddenly regretted bringing it up. I’d thought I could practice on Lew and Amra, get ready for the main event with Mom. Amra looked at me expectantly.
Product details
- Publisher : Del Rey (August 26, 2008)
- Language : English
- Paperback : 304 pages
- ISBN-10 : 0345501160
- ISBN-13 : 978-0345501165
- Item Weight : 9.4 ounces
- Dimensions : 5.5 x 0.7 x 8.2 inches
- Best Sellers Rank: #1,439,831 in Books (See Top 100 in Books)
- #6,711 in Dystopian Fiction
- #8,645 in Occult Fiction
- #38,794 in Paranormal & Urban Fantasy (Books)
- Customer Reviews:
About the author

Daryl Gregory is an award-winning writer of genre-mixing novels, stories, and comics. His latest novel, SPOONBENDERS, about a down-on-their-luck family with psychic powers, was published by Knopf in June, 2017, and is being developed for television by Paramount and Anonymous Content.
His recent work includes the young adult novel HARRISON SQUARED (Tor, March 2015), a Locus Award finalist which will be reissued by Tor Teen in 2018, along with two sequels. The novella WE ARE ALL COMPLETELY FINE won the World Fantasy award and the Shirley Jackson award, was a finalist for the Nebula, Sturgeon, and Locus awards, and is in development for television by Universal Cable Productions.
His SF novel AFTERPARTY was an NPR and Kirkus Best Fiction book of 2014, and a finalist for the Campbell and the Lambda Literary awards. His first novel, PANDEMONIUM, won the Crawford award and was a finalist for the World Fantasy award. His other novels are THE DEVIL'S ALPHABET (a Philip K. Dick award finalist) and RAISING STONY MAYHALL (a Library Journal best SF book of the year).
Many of his short stories are collected in UNPOSSIBLE AND OTHER STORIES, which was named one of the best books of 2011 by Publishers Weekly. He wrote the choose-you-own-adventure -style video game, "Flatline", for 3 Minute Games. His comics work includes the sereies "Legenderry: Green Hornet," "Planet of the Apes," "Dracula: The Company of Monsters" (co-written with Kurt Busiek), and the graphic novel "The Secret Battles of Genghis Khan."
He lives and writes full-time in Oakland, California.
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Top reviews from the United States
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Demons disrupt the lives of the people they possess, and they have disrupted American lives in general. The assassination of Eisenhower by the Kamikaze and the televised execution of OJ Simpson by the Truth after OJ's "not guilty" verdict have left a mark on the American soul. Also, apparently, Eisenhower's premature death catapulted Nixon into office, who instituted a war on demons, with concentration camps, and something unspecified but apparently awful about Japan.
Del is a survivor of the Hellion. As a child, he was possessed by the Hellion. Although it seems that he was released, he's not sure that the Hellion ever really left, and he wants a cure.
That premise puts Del on the road, and we see something of this strange world, with conferences on demon possession, and groupies who have bit more interest in possession than is reasonable, and fringe groups who have their own strange theories and defenses against demons.
There were a couple of features that captivated me.
First, was the cameo from a certain science fiction writer named "Phil," who did not die in 1983, when he became possessed by the demon VALIS. Likewise, the brainless argument about how to pronounce "Van Vogt" has to warm the heart of any long term science fiction fan.
Second, I liked the chapters which featured backstories of some of these strange demonic avatars or cultural projections. The stories were almost worthwhile as standalone stories.
Third, I like books where I am intrigued enough to fact check the author. In that regard, I liked the elements involving Carl Jung and Jungianism - it seems that we haven't seen stories involving the "collective unconscious" in decades. The references to the Red Book interested me enough to look it up and find out that there really was a Red Book.
Fourth, I liked the idea of a science floundering about with something it can't explain. The variety of theories and the efforts to quantify and postulate in terms of materialism rang true.
The story was engaging and well-written. It introduced characters I cared about and had a resolution that worked. I thought the logic and mythology of this strange world was captivating and intriguing.
The issue has become immediate for Del, Pandemonium's first person narrator. At age six, Del was taken over by a demon called Hellion (kind of a scary, more dangerous, version of Dennis the Menace). Though he seemed to make a full recovery, recent events suggest that the demon never left. The story follows Del's efforts to get to the root of his problem through to its ultimate resolution.
Demonic possession is well outside my usual reading beat, but this book seemed to be attracting a lot of positive attention, so I thought I'd give it a shot. Overall verdict: I thought "Pandemonium" was a fairly decent story. Though the execution didn't always match the brilliance of the premise, the book is intelligent and funny - particularly impressive for a debut novel.
Strengths:
# Daryl Gregory writes well.
# Pacing was good.
# Decent plot with a reasonably satisfactory resolution.
# COMPLETELY VAMPIRE-FREE!!!
# PALINDROMES!!!
# It's short.
# It's great fun.
Weaknesses:
# The alternate reality that is the setting for the story is not particularly convincing.
# The development is a little perfunctory - Gregory keeps a tight focus on Del's story arc and doesn't really explore his premise beyond what he needs to resolve Del's situation.
# At times the exposition was a little too oblique - key plot developments were not always clear, or details were blurred.
# The little in-joke references to Philip K Dick, AE van Vogt, and the like may delight SciFi aficionados, but they sailed right over my ignorant head.
Even if this is not your usual genre, "Pandemonium" is well worth your attention.
Top reviews from other countries
Pandemonium is a novel set in a world exactly like ours, except for one thing – possession is real, and can happen to anyone. The story’s protagonist Del, experiences one such possession in his childhood, after a swimming accident. Now many years later, Del is involved in a car crash and the demon – known as the Hellion – is back inside his head. Del struggles with this other being fighting for dominance inside his own head. Del also struggles with having no recollection of his night time wanderings (or wolfing out, as he labels it) in which the demon is most active. Pandemonium follows Del in his search for someone who can help him be free of the Hellion inside his head.
Review:
The premise alone for this book blew me away. Imagine living in a world where at any moment a being could take over your whole person and force you to do whatever it likes? Firstly although on goodreads and Amazon the book is pegged as a horror, Pandemonium does not really fall into any particular genre. There are elements of science fiction, horror and a few other things besides. I’d recommend it to readers who enjoy alternative histories, the work of Philip K. Dick and anyone who loves a puzzle as this book kept me guessing right to the very end.
The story opens with Del in an airport, witnessing a possession taking place in another passenger. This moment for me felt incredibly realistic as the demon now in control of the man starts making a picture on the floor using materials around the airport – being possessed by the demon known as ‘the painter.’ The people around him have no choice but to stand around him, the police have cordoned off the area, and people begin to grumble about the delay – as they would do in everyday life. These little snapshots of people in the background made the story feel incredibly realistic. Most notable are the conferences on possession, the scientific experiments and the protests – these all make it seem like demon possession is something that could easily happen in our world.
Author Charles Coleman Finlay states “Look out, Lethem! Daryl Gregory mixes pop culture and pathos, flavoring it with Philip K. Dick. Pandemonium possesses every quality you want in a great novel, and the good news is it’s only his debut.” This is something I really loved. I’m a massive science fiction fan, and the pop culture references are just great, Philip K. Dick is featured, being possessed by a demon himself. There are lots of comic book references, which adds to the mixing pot to make a wonderful story.
One thing I must mention before I round off, is that in between the chapters there are little short stories, snippets of accounts of people who have witnessed possessions. It gives you an insight into the different demons in the world, the way they behave and how you can recognise them. I really loved this, it gives you a greater insight into how the possession occurs and why they behave. My favourite had to be the ‘Little Angel’ a demon who possesses little girls, an eerie Shirley Temple type figure, who visits hospitals and bestows the kiss of death on patients.
This is Gregory’s debut novel, and has since published several other novels. Pandemonium is the sort of story that makes you want to run to the nearest bookshop and buy everything he’s ever written (and I suggest you do!) Pandemonium is an exceptionally clever book with moments of great humour, as well as great sadness, and although at times you are not always clear what is happening, it all adds to the suspense of the ending. There is a great twist near the end, but my lips are sealed – I would not want to spoil it! Gregory leaves little hints along the way, and on finishing I found the urge to start from the beginning again, just to see if I could pick up on all the little breadcrumbs. I immensely enjoyed Pandemonium and I sincerely look forward to reading more of Gregory’s work.
Del Pierce kehrt von Colorado in seine Heimat Chicago zu seiner Mutter und seinem Bruder zurück. Sein bisheriges Leben war nicht gerade ein Erfolg, aber er kam zurecht. Bis zu jenem Zeitpunkt, an dem der Dämon, der ihn bereits früher besessen hat, wieder in ihn fährt. Als kleiner Junge wurde er von "Hellion" übernommen, einem wilden, unbändigen Dämon, der für Del und sein Umfeld in seiner völligen Rücksichtslosigkeit eine Gefahr war. Genauso unerklärlich wie er aufgetaucht war, verschwand er damals wieder, aber nun ist er scheinbar wieder zurück und Del kommt nicht mehr zur Ruhe. In Chicago erhofft er sich, Hilfe für sein Problem zu finden und endlich geheilt zu werden. Auf seiner Suche trifft er unter anderem auf den Science-Fiction Autor Philip K. Dick, der von einem Dämon namens Valis besessen ist, auf Mutter Mariette, eine Nonne, die sich einen Namen als Exorzistin gemacht hat, und auf die so genannte Human League, die die Dämonen mit allen Mitteln vom Angesicht der Erde fegen will. Del ahnt es noch nicht, aber sein besonderes Schicksal bringt sein Leben in Gefahr.
PANDEMONIUM behandelt eine ganze Fülle von Themen: Es geht um Comicbücher, natürlich um Dämonen, um den freien Willen und seine Unterdrückung, um das Unterbewusstsein und um die Definition der eigenen Identität.
Del ist ein sympathischer Hauptcharakter und sein Kampf gegen den Dämon in seinem Kopf ist packend geschildert. Seine Verzweiflung ist deutlich spürbar, ebenso wie die Verzweiflung seiner Familie, die ihm nur helfen will, aber nicht so recht weiß, wie sie es anpacken soll. Auch seine Beziehung zu Mutter Mariette ist sehr interessant geschildert. Verzweifelt erhofft er sich, dass sie ihn retten kann, aber die schroffe Nonne macht es ihm nicht einfach, und die Anziehung, die die Frau auf ihn ausübt, verkompliziert die Lage weiter. Die zahlreichen Nebenfiguren, auf die Del während seiner Odyssee trifft, sind ebenfalls sehr sympathisch und facettenreich gezeichnet.
Dels Geschichte schreitet temporeich und geradlinig voran und im Verlauf des Romans gibt es doch einige Überraschungen. Das Ende ist bittersüß und insgesamt sehr befriedigend.
Sehr interessant fand ich die Dämonen, die in PANDEMONIUM auftreten. Die Archetypen sind eine ganz neue Interpretation eines doch sehr stark verwendeten Themas und die Idee, dass wirklich jeder zu jeder Zeit Opfer eines solchen Dämons sein kann, ist ebenfalls spannend. Man muss dabei jedoch beachten, dass PANDEMONIUM überhaupt gar nichts mit Urban Fantasy zu tun hat.
Insgesamt hat mir PANDEMONIUM sehr gut gefallen. Mein einziger Kritikpunkt an dem Roman sind die teilweise sehr abrupten Szenenwechsel, die manchmal auf den ersten Blick nicht zu erkennen sind, aber ansonsten gibt es an dem Roman nichts auszusetzen. Sehr empfehlenswert.









