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Panic 2012: The Sublime and Terrifying Inside Story of Obama's Final Campaign (A BuzzFeed/Bl ue Rider Press Book) Kindle Edition
- LanguageEnglish
- PublisherBlue Rider Press
- Publication dateJanuary 15, 2013
- File size861 KB
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Product details
- ASIN : B00AR48WB8
- Publisher : Blue Rider Press (January 15, 2013)
- Publication date : January 15, 2013
- Language : English
- File size : 861 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 149 pages
- Best Sellers Rank: #484,478 in Kindle Store (See Top 100 in Kindle Store)
- #160 in Campaigns & Elections
- #533 in Elections
- #636 in Political History (Kindle Store)
- Customer Reviews:
About the author

Michael Hastings was a contributing editor to Rolling Stone and a correspondent at large for BuzzFeed. Before that he worked for Newsweek, where he rose to prominence covering the wars in Iraq and Afghanistan. He was the recipient of the 2010 George Polk Award for his Rolling Stone magazine story "The Runaway General." Hastings was the author of critically praised three books: I Lost My Love in Baghdad: A Modern War Story, Panic 2012: The Sublime and Terrifying Inside Story of Obama’s Last Campaign and the New York Times bestseller The Operators: The Wild and Terrifying Inside Story of America’s War in Afghanistan, which was optioned for film by Brad Pitt’s Plan B Productions. In 2010, he was named one of Huffington Post's Game Changers of the year. In 2009, his story Obama's War, published in GQ, was selected for the Best American Political Writing 2009 anthology. Hastings died in 2013, and was posthumously honored with the Norman Mailer Award for Emerging Journalist. His novel The Last Magazine (Blue Rider Press) will be released on June 17, 2014.
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Accordingly, the first-person account of Hastings' experience inside the bubble of Obama's re-election campaign was highly anticipated. Hell, it even had the endorsement of Glenn Greenwald, possibly the greatest analyst of American politics we have out there.
So the book is a pastiche of hit or miss, with the hits making this quick read well worthwhile. Hastings made it obvious that he wasn't into the Buzzfeed assignment of hanging out with the slobbering, pro-Obama press corps who shadowed the president everywhere on the campaign. In a terrific, candid moment, Hastings basically says he's slumming with this assignment. "I told [a war vet] how campaign reporting was for me a kind of methadone, a weak substitute, but that I could take what I could get." Brilliant analogy, but also highly confessional. Hastings was so-not-into this assignment at the outset.
But he learned how to get into it.
He admits at the end: "Obama's America. I love it here." He also confesses to being utterly charmed by Obama when the president came out for an "off-the-record" encounter with the press corps at an Orlando hotel. "I was riding high . . . Cool! I'd called my close friends and told them about it; my wife, detecting a kind of lovesickness, mocked me __ you are so in the tank now . . . Yes I was, . . . and the tank was feeling pretty good, 82 degrees and breezy near the beach."
In "Panic," Romney is painted as this weird, out-of-touch doof who makes misstep after misstep. So confident is the campaign in their man, that there's almost no panic in "Panic." The fawning presstitutes surrounding Hastings is really more of a public relations crew that insulates Obama from bad press.
Where Hastings is at his very best is when he indelicately mocks the slobbering, lazy, party-hungry WH press corps following Obama's barnstorming tour. Reporters "lose their minds when they're around Obama," he reports. He mocks an unnamed Wall Street Journal reporter (shh, it's Laura Meckler) for whipping out a Obama-looking sock puppet at the secret Orlando meet-the-press event and speaking in a squeaky puppet voice to ask him for an exclusive interview. That drunken encounter was supposed to be "off-the-record," but Hastings reported it on Buzzfeed. Awesome stuff.
Hastings also tangles with Ed Henry, the toothless head of the White House Press Corps Association, who threatens to kick him off the campaign tour for actually reporting that the Orlando event took place. (Apparently, the fact that it happened AT ALL WAS OFF-THE-RECORD, not just anything that was said. How despicable is our mainstream WH press corps these days, anyway? With the possible exceptions of Jake Tapper and AP's Matthew Lee, they are all spineless elitists, desperate not to lose their invitations to the Annual White House Press Correspondents' dinner with the president.)
The most compelling part of the book occurs two days after Obama is elected, and Hastings confronts Chicago Mayor Rahm Emanuel on the $30 million he raised for an Obama SuperPAC. After some mildly tough questioning, Emanuel seizes Hastings' arm violently, stares menacingly into Hastings' eyes and growls menacingly, "I'm gonna be clear. You guys (at Rolling Stone) have screwed two professional people and one of them is the President of the United States." When Emanuel tries to intimidate Hastings, the fiery reporter lashes back: "You guys shouldn't have escalated in Afghanistan. . . Four Americans died there last week, buddy."
Name one other reporter in the country who would have mocked Emanuel as "buddy?" You can't, and that's why anything that Michael Hastings writes must immediately be consumed. He confesses to MSNBC's Martin Bashir that he wouldn't have asked Obama on the campaign trail about "drones or personal liberties" -- but that thought wouldn't even cross the minds of most of the useless stenographers of the mainstream press who sit in first class on the plane for the reporters. Hastings is the best we have, and though the ecosystem he was in wouldn't permit him to be himself, at his personal best, he gives us the best we're going to get.
I only wish Buzzfeed Ben had assigned him to cover the Ron Paul campaign. With all the diry tricks and voter fraud, what an interesting book Michael Hastings would have actually produced, something that would have taken full advantage of his brilliant journalistic skills . . .
It's a fun read, with plenty of behind-the-scenes anecdotes collected in one lengthy format. Hastings' accounts of his often contentious relations with fellow journalists and Obama campaign officials are entertaining and snarkily told. His reporting - a lot of which his endnotes explain was compiled by and credited to other journalists - gives a good, broad overview of the last couple months of the Obama campaign, when things looked good for his reelection, then horrible, then okay, then unsure, until the victory that with hindsight looks inevitable - I mean, President Romney? Really? Just three months later, that seems so silly.
Hastings is at his best when he goes after everyone with his brand of lacerating humor. He describes Press Secretary Jay Carney as a "regime collaborator," which is just so over-the-top and meanspirited and original - and appropriate. Carney, a former Time reporter, crossed over to the bigtime of politics, so if he's not a "collaborator," what is he?
The biggest flaw is there's not enough in the book of what makes Hastings work so fun to read. In The Operators , which I also liked, he related point-by-point conversations with exquisite detail - he looked bad, they looked bad, everybody looked bad. But it was honest, and that gave it value.
Here, he often starts what could be an equally great scene, but doesn't go far enough. He tries to crash a dinner of campaign officials (Jon Favreau, Samantha Powers, others) and is turned away - rudely? Politely? He leaves it out, unfortunately.
The book switches between first-person scenes, and after-the-fact reporting, a style he also used in The Operators . In that book, I preferred the first-person parts, but in "Panic 2012," I thought the more objective reported scenes were a little stronger.
Flaws aside, this is ideal for the format. If I'd paid $25 for a hardcover, it might have seemed a little wanting, but I felt good value here. It was a good, quick - but not trifling - read for a flu-ridden day.
If Richard Ben Cramer's What It Takes: The Way to the White House or Hunter Thompson's Fear and Loathing on the Campaign Trail '72 are 10 of 10s on the campaign book scale, this is a solid 7, with reservations for its level of comprehensiveness. That is a price for speed, but the flipside is all these events are still in reader's minds, which makes the narrative a lot more compelling.
This book will be surpassed in months to come. Other reporters, with more access and time will do a better job at retelling this story. The key word is "retelling." Hastings got there first with this entertaining campaign narrative that will satisfy a lot of appetites.

