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The Paper Garden: An Artist Begins Her Life's Work at 72 Hardcover – April 12, 2011
- Print length397 pages
- LanguageEnglish
- PublisherBloomsbury USA
- Publication dateApril 12, 2011
- Dimensions5.4 x 1.52 x 8.29 inches
- ISBN-101608195236
- ISBN-13978-1608195237
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Review
“An intriguing, evocative aesthetic experience. A lyrical, meditative rumination on art and the blossoming beauty of self that can be the gift of age and love.” ―Kirkus Reviews
“Poet Peacock's hymn to Delany weaves in her own life and discovery of her subject.” ―Publishers Weekly
“If ever a subject and a biographer shared a sensibility, it is the bond between esteemed poet Peacock and the artist Mary Granville Pendarves Delany (1700–1788)… In this lapidary work of creative immersion, Peacock does with words what Delany did with scissors and paper, consummately constructing an indelible portrait of a late-blooming artist, an exalted inquiry into creativity, and a resounding celebration of the ‘power of amazement.'” ―Booklist, starred review
“This book layers Delany's life and work over Peacock's. It is organized by flower ― forget-me-not, thistle, poppy, etc., each a metaphor for a different phase in Delany's life. In this way, the book itself is a complicated, delicate and beautiful collage.” ―Los Angeles Times
“[A] remarkable biography.” ―More
“Affecting and engaging, Peacock's own candor combines with Delany's wit and honesty to prove that it is never too late to make a life for oneself and to be sustained by art. VERDICT: This marvelous 'mosaick' makes an indelible impression.” ―Library Journal, starred review
“[A] fascinating and beautifully made biography … It is filled with wonderfully detailed information about history and art―from the dog wheel that churned butter to the way rag paper was made… [Peacock is] interested in the pathway to art―how Mary's interests in gardening and collecting, and her practice in needlework and painting, laid the groundwork for that moment of revelation… Possessed of a discerning eye, Peacock…lavishes attention on Mary's life, both social and artistic, drenching us in vivid, sensory language as if we were adrift in champagne. The Paper Garden is perfect for the art lover, and for the reader who revels in rich digressive layers that imitate the contours of our lives.” ―Cleveland Plain Dealer
“In this lush, humane book, noted poet Molly Peacock shows a terrific hand for crafting prose as she delves into the life of Mary Delany… Peacock bravely uses her exploration of Delany to sidestep or upend the conventional place of the feminine, the craftsy, the domestic… Just as Delany makes a cosmos out of flowers, Peacock makes a cosmos out of her interest in Delany's world. In a remarkable act of observation, recuperation, and assemblage, Peacock weaves her own collage--cutting between Mary Granville's early life and times, her later flowering into art, and Peacock's own journey as a 21st century sympathizer with Mary's loves and ambitions. What emerges is fascinating both because it is surprisingly and keenly observed… To call this book small or quiet would be somehow to belittle what Peacock has so beautifully magnified and made resonant--the triumph of art as a human pursuit, and the curious webs from which both art and craft spring. This book is not flashy, but it is one of the more beautifully constructed and deeply engrossing books I have read in some time. It is a keen reminder of what the fruits of vivid watching--and passionate living--can offer.” ―Barnes & Noble Review
About the Author
Molly Peacock is the award-winning author of six volumes of poetry, including The Second Blush. Her poems have appeared in the New Yorker, the Paris Review, and the Times Literary Supplement. Among her other works are How to Read a Poem … and Start a Poetry Circle and a memoir, Paradise, Piece by Piece. Peacock, a member of the Spalding University brief residency MFA graduate faculty, is currently the general series editor of The Best Canadian Poetry in English. A transplanted New Yorker, she lives in Toronto.
Product details
- Publisher : Bloomsbury USA; First Edition (April 12, 2011)
- Language : English
- Hardcover : 397 pages
- ISBN-10 : 1608195236
- ISBN-13 : 978-1608195237
- Item Weight : 1.76 pounds
- Dimensions : 5.4 x 1.52 x 8.29 inches
- Best Sellers Rank: #489,789 in Books (See Top 100 in Books)
- #239 in Mixed Media (Books)
- #683 in Artist & Architect Biographies
- #2,185 in Art History (Books)
- Customer Reviews:
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About the author

Molly Peacock is a widely anthologized poet, biographer, memoirist, and New Yorker transplanted to Toronto, her adopted city.
Her newest biography is FLOWER DIARY: IN WHICH MARY HIESTER REID PAINTS, TRAVELS, MARRIES & OPENS A DOOR (ECW Press). “Part memoir, part biography, this is a beautifully written and layered volume that opens its arms wide and encompasses art, domesticity, the intimacy of marriage and of death. Lush and beautifully produced,” Sue Carter wrote in the Toronto Star. This layered memoir and biography examines the balancing act of female creativity and domesticity in the life of Mary Hiester Reid, a painter who produced over three hundred stunning, emotive floral still lifes and landscapes. This lush and beautifully produced treatise also tracks Peacock’s own marriage with the late Joyce scholar Michael Groden.
FLOWER DIARY is a companion of sorts to THE PAPER GARDEN: MRS. DELANY BEGINS HER LIFE’S WORK AT 72, a Canadian bestseller, named a Book of the Year by The Economist, The Globe and Mail, The Irish Times, The London Evening Standard and Booklist, published in the US, UK, Ireland, Australia and New Zealand. “Like her glorious and multilayered collages, Delany is so vivid a character she almost jumps from the page,” Andrea Wulf wrote in The New York Times Book Review.
Molly’s most recent book of poems is THE ANALYST (W.W. Norton & Company) where she takes up a unique task: telling the story of her psychotherapist who survived a stroke by reconnecting with her girlhood talent for painting. Her previous volumes include THE SECOND BLUSH, CORNUCOPIA: NEW & SELECTED POEMS (both from W. W. Norton and Company); TAKE HEART, RAW HEAVEN (both from Random House); and AND LIVE APART (University of Missouri Press). The New York Times Book Review writes: “Ms. Peacock uses rhyme and meter as a way to cut reality into sizeable chunks, the sense of the poem spilling from line to line, breathlessly.” The Washington Post writes: "Rich music follows the beat of Molly Peacock's baton."
Molly ventured into short fiction with ALPHABETIQUE: 26 CHARACTERISTIC FICTIONS magically illustrated by Kara Kosaka, published by McClelland & Stewart. Her memoir, PARADISE, PIECE BY PIECE, about her choice not to have children, is now an e-book. Molly is one of the subjects of Renee McCormick’s documentary, A LIFE WITHOUT CONVENTION, https://vimeo.com/178503153.
As a New Yorker, she helped create Poetry in Motion on the subways and buses; in Toronto she founded THE BEST CANADIAN POETRY IN ENGLISH. Molly lives and works in Toronto, but returns to New York City each spring to teach at the 92nd Street Y.
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The Paper Garden is a book that defies categorization. We should resist the urge to describe this book as genre-busting because that's too limiting. The Paper Garden busts genre-busting. There is thoroughly well-researched history, botany, and biography, as well as Peacock's trademark provocative memoir, grand metaphor, and lush poetry, all woven together so deftly that to attempt anything on its scale will surely vex other prose writers for decades to come. What Peacock accomplishes is nothing short of a layering of so many women's experiences (how many women are mentioned!--Mary Delany, her sister, her aunt, her friends, the author, the author's mother and grandmother, female museum curators/art historians, and so on...) that a commentary on collective consciousness seems to emerge. We begin to realize how so many women's lives are connected through the practice of art, the making of a meal, the loss or fear of losing a partner, the designing of a gown or a garden, the complexities of adult sibling friendship, the smelling of a flower. I've never read a book like it.
Look at the world! Peacock says, "Observation of one thing leads to unobserved revelation of another." And she says it again: "Direct examination leads to indirect epiphany."
With the language and grace of the poet she is, Peacock articulates the importance of practicing an art to "process the material of a life" - and by that she means "love and death and every insect bite in between...". In the book, Molly Peacock invites us to sort through our creative impulses and find the center of such work for ourselves. A great invitation.
Top reviews from other countries
I enjoyed this book so much!
Reviewed in Canada on February 16, 2022
I enjoyed this book so much!
It drastically spoilt the read for me. The parts on Mrs. Delaney were riveting. Also found the writer took too much poetic writers license. She should have just told the story in a straightforward way. Most disappointing.










