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Parisians: An Adventure History of Paris Hardcover – April 26, 2010
| Graham Robb (Author) Find all the books, read about the author, and more. See search results for this author |
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The secrets of the City of Light, revealed in the lives of the great, the near-great, and the forgotten―by the author of the acclaimed The Discovery of France.
This is the Paris you never knew. From the Revolution to the present, Graham Robb has distilled a series of astonishing true narratives, all stranger than fiction, of the lives of the great, the near-great, and the forgotten.A young artillery lieutenant, strolling through the Palais-Royal, observes disapprovingly the courtesans plying their trade. A particular woman catches his eye; nature takes its course. Later that night Napoleon Bonaparte writes a meticulous account of his first sexual encounter. A well-dressed woman, fleeing the Louvre, takes a wrong turn and loses her way in the nameless streets of the Left Bank. For want of a map―there were no reliable ones at the time―Marie-Antoinette will go to the guillotine.
Baudelaire, the photographer Marville, Baron Haussmann, the real-life Mimi of La Boheme, Proust, Adolf Hitler touring the occupied capital in the company of his generals, Charles de Gaulle (who is suspected of having faked an assassination attempt in Notre Dame)―these and many more are Robb’s cast of characters, and the settings range from the quarries and catacombs beneath the streets to the grand monuments to the appalling suburbs ringing the city today. The result is a resonant, intimate history with the power of a great novel. 16 pages of illustrations
- Print length496 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateApril 26, 2010
- Dimensions6.5 x 1.4 x 9.6 inches
- ISBN-100393067246
- ISBN-13978-0393067248
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Review
― Dwight Garner, The New York Times
"Robb, in employing the techniques of the novelist, animates his characters mainly for 'the pleasure of thinking about Paris.' That pleasure is also the reader's."
― Brenda Wineapple, The New York Times Book Review
"Ingenious...Marvelously entertaining, boundlessly energetic and original...This book is the sort of triumph that we have no right to expect to come from anyone in the steady way that Robb's masterly books come from him."
― Philip Hensher, Daily Telegraph
"A superior historical guidebook for the unhurried traveler, and altogether a book to savor."
― The Independent
"Graham Robb's new book is so richly pleasurable that you feel it might emit a warm glow if you left it in a dark room. Essentially it is a collection of true stories, culled from Robb's insatiable historical reading and lit by his imagination. He has the passion of a naturalist displaying a wall of rare butterflies or a cabinet of exotic corals, but his specimens are all human and walked the streets of Paris at some point between the French revolution and now...[A] generous and humane book."
― John Carey, The Times [London]
From the Back Cover
A New York Times Notable Book of the Year
A Slate Best Book of the Year
A Publishers Weekly Best Book of the Year
Winner of the Royal Society of Literature Ondaatje Prize
“Rid your mind of the idea―suggested by the title―that this is an ordinary book.”―Literary Review
“An exhilarating account of how the geographical entity that has become ‘France’ emerged out of the jumbled mosaic of its unconnected parts.”―The Independent
“Brilliant. Robb, who writes beautifully, . . . has accomplished quite a feat. He has reintroduced France to itself.”―New York Times
“Scintillating and resourceful.”―Harper’s
“For his meticulous research, [Robb] deserves a standing ovation . . . to paraphrase Proust, this is a priceless glimpse into history.”―Seattle Times
About the Author
From The Washington Post
The French word flâneur refers to one who thoughtfully strolls the boulevards, appreciating, observing without destination or at least with no urgent need to arrive. Two elegant new books follow in the long tradition of Parisian flânerie. In "Yvon's Paris," Robert Stevens's exhibition-in-a-book, the French photographer Yvon (Pierre Yves Petit) comes across as the ideal flâneur, a loiterer who happens to have brought along his camera. The English writer Graham Robb presents an equally relaxed persona in "Parisians," like a weekend tour guide who never mentions that he happens to be a famous authority on the history of Paris.
"Yvon's Paris" offers dozens of glorious photographs, many filling two pages -- flat paper magically alive with moments stolen from time: flower sellers, bargemen, weary blinkered horses, a boating party in the Bois de Boulogne. Yvon's masterful framing and atmospheric perspective can turn the Palais du Luxembourg ghostly behind the garden trees or contrive a lively photo from the sight of a man perched atop an extendable ladder to water flowers in the Tuileries. In Yvon's peek down an alley in Montmartre, a struggling tree becomes a symbol of tenacity, but what matters is the touchable history of crumbling brick and the wrought iron lamp-post stenciled on the air. The photos seem to start between the wars and go into the 1950s -- Yvon lived from 1886 to 1969 -- but Stevens merely identifies sights and ignores dates, an omission that undermines the value of such a retrospective.
Obsessed with atmosphere and texture, Yvon avoided midday glare, choosing instead to capture fleeting moments at dawn and dusk or on rainy days. Oblique lighting caresses every marble muscle and lunar pockmark in the gargoyles that, from atop Notre Dame, contemplate flâneurs below on sinful Earth. These photos may remind you of Boris Kaufman's delicious cinematography in Jean Vigo's 1934 film "L'Atalante." "Poetic realism," the term often applied to that movie, also describes Yvon's photographs.
Robb's new book deserves the same label. Internationally acclaimed for "The Discovery of France" and his biographies of Rimbaud, Balzac and Hugo, he is an encyclopedia of French history. But this is no ordinary history book. Although the form varies -- one chapter, for example, is presented as a film script -- the book is a series of character portraits in chronological order, evolving into a rich and layered history of one of the great mythological cities of the world.
Robb's and Yvon's work stand congenially together. For one thing, Robb writes brilliantly about photography. In conjuring photographer Charles Marville, Robb could be describing Yvon: "He feels quite at home in a city devoid of people, at the hour when the sun shines for no one but himself and his assistant." Elsewhere Robb says of a photo, "Here at the dawn of the visible past, the buildings look almost radiant in their grime, as though they haven't yet learned how to pose for a camera."
I could not possibly have read Robb's novel-like opening chapter, about the young Napoleon's first arrival in Paris and his encounter with a prostitute, without turning the page immediately to see where Robb would take me next. When Louis XVI and Marie-Antoinette try to flee their palace for refuge in Vincennes, Robb manages to make three different points with their experience of getting lost in the labyrinth of medieval streets: the royal family's disconnection from the lives of the not-yet-citizens around them, the unplanned organic growth of the ancient and literally unmapped city, and the cinematic ironies of history.
Robb's gift for analogy is pitch-perfect. He writes of Proust's initial disappointment with the théâtrophone, which permitted subscribers to listen to opera over the new telephone lines: "A live performance of Pelléas et Mélisande reached him like something precious that had been smashed and sullied by the post." This simile opens the way for Robb to inhabit Proust's imagination during moments of static: "Yet without that intermittency, the remote performance would have lost its power: his memory would not have been forced to rush about the orchestra pit, playing every instrument, until the musicians returned from nowhere."
Charles Dickens once complained that an essay lacked "the elegant play of fancy." Robb could never be accused of this shortcoming. His fancy plays across Parisian history, darting down every alley and into the minds of kings, novelists and painters.
One of Yvon's photos immortalized an early morning on the Place du Tertre in Montmartre. Both the man sweeping the gutter and the youngster watching him are blurry from movement, their features forgotten by time, while behind them the white-pastry façade of Sacré Coeur basilica stands tall and firm. Robb's words and Yvon's photographs beautifully remind us that our own fleeting lives are the motion lost in slow exposures.
Reviewed by Michael Sims
Copyright 2010, The Washington Post. All Rights Reserved.
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Product details
- Publisher : W. W. Norton & Company; 1st Edition (April 26, 2010)
- Language : English
- Hardcover : 496 pages
- ISBN-10 : 0393067246
- ISBN-13 : 978-0393067248
- Item Weight : 1.87 pounds
- Dimensions : 6.5 x 1.4 x 9.6 inches
- Best Sellers Rank: #322,902 in Books (See Top 100 in Books)
- #750 in French History (Books)
- Customer Reviews:
About the author

Graham Robb, whose recent books include "The Discovery of France" and "Parisians," has published widely in French literature and history. His biographies of Balzac, Victor Hugo, and Rimbaud have won critical acclaim and were selected as New York Times Editor’s Choices for best books of the year. Robb lives in Oxford, England.
Customer reviews
Top reviews from the United States
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It is a series of 20 vignettes, all, as the title would have it, concerning Parisians, or those who did some serious passing through. Robb's style varied among the vignettes, but one technique he used a few times I found impressive. Who is he talking about? He uses pronouns to tell the story, and drops a few hints as to the identity of the person along the way. In the first vignette, entitled "One Night at the Palais-Royal" which, regrettably, I have only known as a Metro stop, concerns Napoleon losing his virginity at the age of 18, thanks to some professional assistance. Only a couple pages before the end, when Robb mentioned his work on Corsica, did I suspect it was Napoleon. The one technique I thought was not working was the screenplay "Lovers of Saint-Germain-des-Prés." But I learned of Juliette Greco, a singer still with us at 87, her relationship with Miles Davis, and how she had been called "the muse of existentialism." The Café de Flore, and Hotel La Louisiane were scripted in, and resonated to one who has been accused of having his mouth stuffed full of Sartre (but only in my wild and crazy youth.)
As my subject title indicates, it is a panoramic view of Paris, aptly conveyed by the cover: the famous, and the not so famous. "The Man Who Saved Paris" concerns the engineer, Charles-Axel Guillaumot, who in the late 1700's, resolved the subsidence problems in the city (some were rather dramatic) since the city was built, rather haphazardly, on old quarries and mines. There was the story of Vidocq, a criminal who became the head cop at the Surete, and still played both sides. Charles Marville was the first photographer of Paris, preceding the better known Eugene Atget by 30 years. Robb traces the photographic history of the square, Saint-Andres-des-Arts, not far from where Boul Mich hits the Seine. Baudelaire and Jack Kerouac were one-time residents. The author also tells the story of Henry Munger, who wrote "La Vie de Bohemie," and his muse, a 25 year old "flower girl." "The Notre-Dame Equation" was a Pychonesque romp, featuring an intriguing mixture of religious symbolism at Notre Dame cathedral, obscure alchemist tracks, and some very hard science from the Curies, and the atomic bomb. Whew!
There are a couple of stories about the Nazi occupation, including the deportation of Jews through Drancy, and another on Hitler's one and only visit to France, before there was even a ceasefire. Did DeGaulle fake an assassination attempt on himself immediately after the Nazi occupation is one intriguing question raised in another story, and there seems to be no question that Mitterrand DID fake one against himself, in 1962, the subject of yet another story. The story of the soixante-huitards, the student revolt of 1968 is also deftly handled in another vignette. Literature also provides the basis for stories on Madame Zola and Marcel Proust. The latter once said that he did not write novels that could be read "between one (Metro) station and the next." A bit of British understatement, that. Then Robb describes how Metro riders would be so engrossed in his novels that they would miss their Metro stop. Could that have been possible in the pre-Twitter age?
The most heartbreaking was the one that touched me personally, and is entitled "Sarko, Bouna, and Zyed." It concerns life in the "banlieue" the suburbs that ring Paris with dreadful high-rise where so many immigrants are "stored." The latter names in the title were immigrant kids, with their heads full of images of Zidane and Thierry Henry, coming home from soccer, taking a short-cut, chased by the police, and sought refuge in an electrical high-tension substation where they electrocuted themselves, setting off riots that rocked France. Sarko is Nicolas Sarkozy, then Minister of Interior, and later, for five years, the President of France. He went to the banlieue, and used THAT word, a word that I had learned only five years earlier. My daughter, age 15 at the time, in a boarding school at Sophia Antipolis, was attacked, along with some fellow students, in a "town v. gown" sort of affair. She later had to testify in Court concerning the incident. She told me on the phone that the perpetrators were the "racaille." A word I had to look up, and stored away, with a fair translation being "scum." The same explosive word Sarko used, and may have earned him the Presidency. Robb tells the story well.
More lightheartedly, for a bicyclist, he ends with a story about "cols" (passes through the mountains or hills), and his efforts to have the Club of 100 Cols have its "Ethics, Reflection and Proposal Committee" recognize a "col" in Paris. All the stories come with an impressive bibliography, that Robb has mastered well. He has also written several biographies, on Balzac, Hugo, Mallarme, and Rimbaud that now appear must reads. 6-stars for this essential work for any Francophile.
Top reviews from other countries
The style of writing which varies from anecdotal to factual confused me at first.
That being said it was full of information, which whilst not necessarily applicable to todays Paris makes for interesting reading if you have been or intend going there.







