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The Wild Parrots of Telegraph Hill (Special Two-Disc Collector's Edition)
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Filmmaker Judy Irving has created an exemplary documentary simply by paying attention to the details of the world around her subject.
An "engrossing, delightful film" (The Washington Post), The Wild Parrots of Telegraph Hill is the bonafide sleeper theatrical hit of the year. The film's endearing guide is Mark Bittner, an aging bohemian, but the supporting cast members, a rambunctious flock of urban parrots, are the true stars, and their surprisingly humanlike behavior makes for a wondrous and rare experience. The film follows the ups-and-downs of these wild birds within the green niches of San Francisco as Bittner befriends, feeds, and names the members of the flock. Along the way, we meet many unforgettable characters: among them Connor, the grouchy yet lovable outcast of the flock, crying for a mate but luckless in his pursuits, and "the lovers," Picasso and Sophie, inseparable until Sophie is forced into mourning when Picasso disappears. More than a mere birdwatcher, Bittner finds solace in his immersion with these strikingly beautiful creatures - but how will he cope when he's evicted from his sanctuary and forced to live away from the parrots? Packed with romance, comedy and a surprise ending that "makes you feel like you could fly out of the theater" (San Jose Mercury News), The Wild Parrots of Telegraph Hill shows just how wondrously similar the human and animal worlds really can be.
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Ned: There's a scene early on where you ask, "Why don't you cut your hair?" Mark says, "I'm not going to cut my hair until I have a girlfriend." So I wondered, "Will there be a scene at the end where he cuts his hair?" Did you know what was going to happen when you recorded that scene?
Judy: I recorded that close to the beginning of the project. I didn't know how things would end up. As I was editing, I knew what I was doing, though. Like in dramatic films, I wanted to have setups and payoffs throughout the movie. That was one of them. I also wanted folks almost to forget it after it happened.
Ned: I was struck by the narrative quality of Parrots. It’s almost like a fiction film. There’s Connor, the outcast. He's like the tough guy who turns out to have a heart of gold, sticking up for the injured birds as their fellow cherry heads attack them. Then he suffers his apparent tragic demise—like the brother in Slumdog Millionaire.
Judy: Connor was the classic outsider. I didn’t make anything up. The cherry heads didn't like him because of his blue head. Discrimination happens even in the bird world.
Ned: Another part of the story arc was where you create this beautiful world, and then it has to end. Mark has to leave. What's going to happen to the birds?
Judy: That all happened while I was filming. Mark was living in the cottage, and the owners had to ask him to move because it was literally sliding down the hill. I knew that might happen when I started filming. I just hoped I’d get enough shot before he had to go. So his moving became part of the story. But in a documentary you can't control those things. There's no script. That's the risk you take. You just hope events will unfold in a way that makes a good story. I much prefer storyline documentaries to standard “talking heads and b-roll” type documentaries
Ned: In the movie you’re not antagonistic exactly, but you keep asking Mark questions like, how come you don't get a job? Gradually, that changes. There’s more to him than you thought.
Judy: When I first met Mark, I wasn't sure he was movie material, frankly. (Laughs.) After awhile I realized he was a great storyteller, with a good voice and screen presence. I needed to ask the questions that the audience would ask.
Ned: The film is not at all what most people expect it to be.
Judy: Right. And because of the title, a lot of guys aren’t interested in watching it. Then their girlfriends or wives drag them to it, and they’re moved. They find out that it's about much more than just parrots. It's about personality, consciousness, and life and death.
Ned: And love.
Judy: (Laughs.) And love.
Top Customer Reviews
It is a movie about the parrots as much as about Mark. If you can watch this movie and not be convinced of the individuality of the birds' personalities, then you are hopelessly anthropocentric. If you watch Mingus dance and are not convinced he's enjoying the music, or if Connor's story in no way moves you, then you may have become far too limited in your view of the world; a bird's eye view is certainly called for. This is a quirky and lovely story, lovingly told. I did not find the ending to be a surprise, as many did, but agree that it was uplifting.
Congratulations to director Judy Irving. Like the other reviewers, I will buy the DVD because this is one I'll want to see again over time. A-
As the film starts, the flock numbers about 45 birds, cherry-headed conures plus one blue-crowned conure, Conner, and an occasional budgie. It ends around the time Mark Bittner moved away from Telegraph Hill due to renovations. In addition to observing the flock, we hear Bittner recount his life in San Francisco as a bohemian drifter in search of direction, which he finally found in the unlikely form of a flock of displaced parrots. Bittner does most of the talking about the parrots, through interviews and voice-over narration. There are also interviews with his Telegraph Hill neighbors, the curator of birds at San Francisco's Lorikeet Aviary, John Aiken, and a host of people speculating on the flock's origins. By the film's end, the flock included a mitred conure and hybrid offspring, and it's unclear to me how many birds it numbered.Read more ›
Filmmaker Judy Irving captures Bittner's need to do right by the parrots with loving photography and soft-spoken questions. When she asks her most pointed question, "What is the difference between you and the pigeon lady?", Bittner pauses for several beats before finally answering, with some pain, "I don't know." But we do know by then. His feeding the birds might not be any different but his curiosity about them and his drive to protect them distinguishes him. Irving has managed to portray, through Bittner's interactions and thoughts about "his" flock, the individuality of the birds: Mingus, an escaped conure who would rather live inside with Bittner than outside; Connor, the lonely blue-headed conure who inhabits the fringes of the cherry-headed society but who values his freedom over companionship; little nerve-damaged Sophie whose poignant devotion to her mate Picasso is heart-breaking; and, most touching of all, the cripple Tupelo who adores her trips into the garden while cradled in Bittner's hands.Read more ›
Were Mark Bittner's charming camera presence and admirable sympathy and care for the parrots the main focus of "The Wild Parrots of Telegraph Hill," the film would be an interesting documentary on how strongly people can become attached to animals. However, Bittner is only the costar of the film; the real focus is on the parrots themselves. When the movie begins, we see different shots of the parrots flying around San Francisco, moving through downtown, passing by the Golden Gate Bridge, landing on trees, and being fed by Mark. As the movie progresses, we become attached to the parrots in a way that Mark Bittner is attached. We learn the names of some of the parrots, and we get to know their history: whether the parrot has had a mate, how old he/she is, and how long the parrot has been with the flock.Read more ›
Most Recent Customer Reviews
Not a movie for everyone, but animal lovers will appreciate and old hippies will smile.Published 16 days ago by Ron Dragano
Great video for animal lovers. Well made movie. Plus it was good reminiscing with lots of good shots of San Francisco where I have spent alot of time.Published 5 months ago by Donald James
Defective streaming. The film started stuttering after 20 minutes.Published 6 months ago by John Levin
Loved the film version. Purchased this as a gift for a friend who read the book, but likely had no idea of the film. Just mailed it this past Monday. Read morePublished 6 months ago by kathleenap
I thought this was going to be like one of those Gone Wild Cancun videos, but while it includes a modest love story, it is ultimately for the birds.
Only kidding. Read more