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Patton (Cinema Classics Collection)
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| Genre | Documentary/Biography, Military & War/Drama |
| Format | Multiple Formats, Color, NTSC, Special Edition |
| Contributor | Stephen Young, Ladislas Farago, Carey Loftin, Frank McCarthy, Pat Zurica, James Edwards, Karl Malden, Frank Caffey, Omar N. Bradley, Morgan Paull, Franklin J. Schaffner, George C. Scott, Michael Strong, Albert Dumortier, Bill Hickman, Francis Ford Coppola, Karl Michael Vogler, Frank Latimore, Fred J. Koenekamp, Edmund H. North See more |
| Language | Arabic, English, French, German, Russian |
| Runtime | 2 hours and 52 minutes |
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Product Description
Product Description
Flamboyant Gen. George S. Patton receives accolades and censure as he fights World War II. Oscars for best picture, director Franklin J. Schaffner, actor Scott.
Set Contains:
Released in 2006 as part of Fox's Cinema Classics Collection, this deluxe two-disc set of Patton is a worthy replacement for all previous DVD releases of Franklin J. Schaffner's Oscar®-winning film. All of the bonus features from Fox's previous DVD release are included here: Patton is presented with superior image and sound quality (it was one of only two features shot in the "Dimension 150" 70-millimeter format; the anamorphic 2.35:1 aspect ratio of previous DVDs has now been corrected to 2.20:1), and the 50-minute documentary "The Making of Patton: A Tribute to Franklin J. Schaffner" remains a thorough examination of the film's production, including abundant behind-the-scenes footage, camera tests, and 1997 interviews with producer Frank McCarthy, composer Jerry Goldsmith, cinematographer Fred Koenkamp, Fox executive Richard Zanuck, and others including Oliver Stone, who makes the controversial assertion that several viewings of Patton led President Richard Nixon's decision to bomb Cambodia during the Vietnam War (in turn leading to the genocidal rise of the Khmer Rouge). The combination of archival footage and interviews results in a concise examination of Schaffner's career as a much-admired "gentleman's gentleman," and the film (along with Planet of the Apes) that he'll best be remembered for.
The new features are even better. On Disc 1, Patton cowriter Francis Ford Coppola provides an interesting introduction, explaining how (as a military school dropout in his mid-20s) he was assigned to write the film, feeling it necessary to satisfy audiences by addressing all aspects of Gen. George S. Patton's volatile and contradictory nature. Coppola's feature-length commentary goes further in explaining his approach to the screenplay, including the now-classic opening speech, which Fox executives originally disliked, leading to Coppola's dismissal and the hiring of cowriter Edmund H. North. The commentary loses momentum in mid-film, but Coppola livens up during the film's final hour and recalls plenty of relevant details about his original screenplay, along with anecdotes about the production and cordial acknowledgements of North's contributions. Disc 2 opens with "History Through the Lens: Patton--A Rebel Revisited," an excellent 90-minute documentary that thoroughly compares the film to the facts of Patton's career, arriving at the conclusion (supported by Patton's own descendents) that the film is a remarkably accurate depiction of Patton's larger-than-life persona. The 46-minute documentary "Patton's Ghost Corps" is a riveting, sometimes heartbreaking celebration of the 94th Infantry in Patton's XX Corps, who were abandoned in Germany while Patton pursued glory on other fronts. Many were unnecessarily killed, and in interviews taped in 2005, surviving members of the 94th understandably hold Patton responsible while expressing complex feelings (praise, damnation, and everything in between) for Patton's brand of leadership. It's obvious that many of these brave men are still haunted by their battlefield memories. Disc 2 is rounded out by two photo galleries: The production gallery is accompanied by Jerry Goldsmith's complete Oscar®-nominated score, and the behind-the-scenes gallery is accompanied by a 53-minute audio essay (carried over from the previous DVD release) in which Patton scholar Charles M. Province thoroughly explores the film's historical accuracy, along with authoritative biographical details about Patton's life and military career. Both educational and entertaining, all of these features make this Cinema Classics edition of Patton an essential edition to anyone's war-movie collection.--Jeff Shannon
Product details
- Aspect Ratio : 2.35:1
- Is Discontinued By Manufacturer : No
- MPAA rating : PG (Parental Guidance Suggested)
- Product Dimensions : 0.6 x 5.3 x 7.5 inches; 2.4 Ounces
- Item model number : 2233469
- Director : Franklin J. Schaffner
- Media Format : Multiple Formats, Color, NTSC, Special Edition
- Run time : 2 hours and 52 minutes
- Release date : May 23, 2006
- Actors : George C. Scott, Karl Malden, Stephen Young, Michael Strong, Carey Loftin
- Dubbed: : French, Spanish
- Subtitles: : English, Spanish
- Producers : Frank Caffey, Frank McCarthy
- Language : English (Dolby Digital 2.1), French (Dolby Digital 1.0), Unqualified, English (Dolby Digital 5.0), Spanish (Dolby Digital 1.0)
- Studio : 20th Century Fox
- ASIN : B000EHSVS2
- Writers : Edmund H. North, Francis Ford Coppola, Ladislas Farago, Omar N. Bradley
- Number of discs : 2
- Best Sellers Rank: #40,524 in Movies & TV (See Top 100 in Movies & TV)
- #745 in Military & War (Movies & TV)
- #5,008 in Action & Adventure DVDs
- #8,459 in Drama DVDs
- Customer Reviews:
Customer reviews
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Learn more how customers reviews work on AmazonReviewed in the United States on June 9, 2016
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I first saw this movie in Atlanta shortly after its release in 1970. It was not my idea – it was my girlfriend’s at the time – she thought it would be a teaching lesson on what the “military mind” was like (admittedly, I felt no need to go, having just had an in-depth almost two-year tutorial in what that mind was like). No question, George C. Scott is a great actor. I’ve admired his performance as General Buck Turgidson in “Dr. Strangelove.” (“Come on, Mr. President, you’re not going to fault an entire program because of one little mistake”?) “Patton” commences with Scott, standing in front of an enormous American flag, with his swagger, riding boots and baton, making the above quoted statements during a time when I knew we had lost our first war, though it would take another five years to make it official.
After a brief time in Morocco, the scene shifts to “policing up” the battlefield at the Kasserine Pass in Tunisia. It had been a significant defeat for the Americans, who were poorly led, riding in tanks called “purple heart boxes” because one piece of shrapnel, and the gasoline explodes (shortly thereafter, the Americans shifted to tanks powered by diesel, a considerably less volatile means of propulsion). Karl Malden seemed typecast to play Omar Bradley, “the G.I.’s general,” as Ernie Pyle dubbed him. Bradley and Patton would have an odd couple relationship throughout the war: Patton’s swagger and bravado to Bradley’s self-effacing humility; each seemed to need the other. At the Kasserine battlefield both were 2-star generals.
In numerous ways Patton was an anachronism. He hated the 20th century, wrote poetry, believed in reincarnation. A VMI grad. He knows his history, at one point stopping the jeep from going to the present-day battlefield to look at the terrain where three Roman legions attacked and defeated the Carthaginians. “I was there,” he proclaimed. Preparing for battle, he read Rommel’s book. And there was the stupidity of standing in the middle of the street firing his 45 at a German dive bomber.
After victory in North Africa over the Axis forces, the movie follows the rest of Patton’s on again, off again career during the Second World War. There is the invasion of Sicily, and the rivalry with British Field Marshall Montgomery on who would take Messina first. Patton did, and at the cost of GI lives. Ike relieved him of his command and forced him to publicly apologize to his troops for having slapped a GI in the hospital who was suffering from shell shock. Patton had loudly proclaimed he was a yellow bas… Patton was used as a “decoy” for the D-Day invasion, assigned so that Hitler would think the American main thrust would be at Calais. Later he would play a vital role leading very real American troops with armor when they broke out of the St. Lo salient and quickly liberated Paris. He would also play the essential role in relieving the 101st Airborne when they were trapped at Bastogne, in Belgium, during the Battle of the Bulge, when the Germans counterattacked during the winter of 1944. After the war, he hated the Russians, even causing scene at diplomatic functions. Much like General Turgidson did in Dr. Strangelove. The movie did not cover his death, during the occupation of Germany, in December 1945, caused by a car wreck, but provided that slight hint, which has helped fuel conspiracy theories, that he had “served his purpose.”
Like a ball of yarn, the threads of my life have been entangled with Patton’s, even though he died the year before I was born. For an entire year, the tank that was named in his honor, the M 48A-3, was my home. Diesel-powered, for sure. The condition that so upset Patton, a soldier being “shell shocked,” now has a new name, familiar to many by its initials, PTSD. Dr. Robert J. Lifton, a Psychiatrist, was the driving force behind establishing PTSD as a recognized medical diagnosis. In his book, “Home from the War,” Dr. Lifton said that his work with Sp5 Dwight H. Johnson was instrumental in establishing that diagnosis. Sp5 Johnson was in my unit, the 1/69th Armor, and was the only crew member of five tanks that were caught in an ambush on the road to Dak To, in January 1968, who was neither killed nor wounded. For his actions that day, Sp5 Johnson was awarded the Medal of Honor.
Race relations again (appropriately) are featured in the news. As for Patton’s views, Wikipedia provides the following quote, from a letter that Patton had written home to his wife: “Individually they were good soldiers, but I expressed my belief at the time, and have never found the necessity of changing it, that a colored soldier cannot think fast enough to fight in armor.”
Sp5 Johnson, who died in 1971, in a robbery of a convenience store, was, as is the current expression, a person of color. As his mother said: “Sometimes I think Skip just grew tired of life and needed someone else to pull the trigger.”
In the entire movie, the only person of color was Patton’s orderly. 4-stars for the movie.
Patton is a 1969 American epic biographical war film about U.S. General George S. Patton during World War II. It stars George C. Scott as Patton and Karl Malden as General Omar Bradley.
Regardless of how one feels about Patton as a whole the efforts taken to create it are worthy of some much due credit. Its release could not have been possible without the tenacity of producer Frank McCarthy - a former journalist who rose to the rank of Brigadier General during World War II and knew Patton in real life in addition to admiring him. McCarthy first proposed the idea of making this film in 1951, but it wouldn't be until 19 years later that Patton's family (who initially opposed the movie) would sign on and the resources needed to create this film would be made available.
The scant nature of these supplies was due in part to the United States Army and the Department of Defense (DOD) refusing to cooperate with McCarthy's Vision. In the 1960s McCarthy discovered a large quantity of surplus military hardware in Spain, and the acquisition and utilization of these would mean ;Patton’ could be made without the support of the aforementioned DOD. Soon after 20th Century Fox paid Ladislas Farago $75,000 for the rights of his book titled Patton: Ordeal and Triumph and Omar Bradley $90,000 for the rights to one of his (A Soldier's Story). These publications were then used by the then fresh-nosed screenwriter known as Francis Cappello to write ‘Patton’s script and became the basis of this film despite initially being considered too long and too exhaustive.
As with any film based off of real life there are some inaccuracies in McCarthy's portrayal of Patton, but the good news is that none of these are considered heinously vaporous or unnecessarily inflated. Patton's role during some battles is overstated such as the one in which allied sources claimed victory over the Afrika Corps while the effect of his command during others (IE: The Liberation of Sicily) is depicted with earnestness. Other factors affecting Pattons’ choices and management are noted as being exaggerated (like the long-standing rivalry between Patton and Montgomery), but even these elements capture the essence of a man who has heavily tied his sense of pride and security to his military-related duties and responsibilities. Capella could have potentially spoke to assets that make Patton more 𝒅𝒊𝒔𝒕𝒊𝒏𝒈𝒖𝒊𝒔𝒉𝒂𝒃𝒍𝒆 from other military personnel explicitly, but it is likely that my inability to make inferences about his reverence and behaviors is due to my distinct lack of military related experience
When giving consideration to the context in which ‘Patton’ occurs the ability for to act as a character study of sorts naturally shows itself. This is most obvious when reflecting on behavior some would - consider inappropriate by moderate standards - like when Patton slaps a traumatized and inconsolable soldier who is showing no sign of physical ailment and berates him as a coward - and the aftermath of this is necessary for understanding the cultural shifts and sanctions navigated on top of the pressures that come with authority on Patton’s scale. Some more personalized Insight regarding Patton’s feelings could have also been included, but the paradoxical existence of one plagued by traditionalism and war-torn expectations is more than enough for audience members to chew on at their own pace. Optimistic but realistic, dubitable but indisputable: Scott’s performance elevates Patton’s reputation above snap judgments and faltering impressions.
(Side note: Interestingly enough, Patton’s use of profanity in this film is considered both accurate and misplaced. It is true that he used profane language at times to get his point across (so he was much more than choosy about cursing), but the instances it is used here allowed ‘Patton’ to maintain a PG rating.)
As an aside, I absolutely love that humor is included without undermining the seriousness of ‘Patton’s subject matter. The best example of this is one of which Patton is being assured by Coningham that German aircrafts are no longer a threat where they are meeting and quite literally a split second after an airstrike occurs above. The pseudo ‘I-told-you-so’ moment afterwards is pure gold, and if occurring in any other context might be considerably hilarious.
‘Patton’ certainly doesn't satiate my desire for biographical dramas in the sense that I feel intimately connected to its title character, but the impact of his unorthodox methods comes through even if done in a relatively and repeatedly roundabout way. All things considered you can't put a price on meaningful and effective leadership, and if Patton’s story isn't a testament to that then I don't really know what is.
Top reviews from other countries
It is a long film but the action and dialogue does not diminish. An incredible film.
Again, great quality second hand DVD from the seller and arrived before scheduled.






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