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Paying for It Hardcover – May 10, 2011
| Chester Brown (Author) Find all the books, read about the author, and more. See search results for this author |
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A CONTEMPORARY DEFENSE OF THE WORLD'S OLDEST PROFESSION
Chester Brown has never shied away from tackling controversial subjects in his work. In his 1992 book, The Playboy, he explored his personal history with pornography. His bestselling 2003 graphic novel, Louis Riel, was a biographical examination of an extreme political figure. The book won wide acclaim and cemented Brown's reputation as a true innovator.
Paying for It is a natural progression for Brown as it combines the personal and sexual aspects of his autobiographical work with the polemical drive of Louis Riel. Brown calmly lays out the facts of how he became not only a willing participant in but a vocal proponent of one of the world's most hot-button topics―prostitution. While this may appear overly sensational and just plain implausible to some, Brown's story stands for itself. Paying for It offers an entirely contemporary exploration of sex work―from the timid john who rides his bike to his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice, to the modern-day transactions complete with online reviews, seemingly willing participants, and clean apartments devoid of clichéd street corners, drugs, or pimps.
Complete with a surprise ending, Paying for It provides endless debate and conversation about sex work and will be the most talkedabout graphic novel of 2011.
- Print length292 pages
- LanguageEnglish
- PublisherDrawn and Quarterly
- Publication dateMay 10, 2011
- Dimensions5.95 x 1.27 x 7.78 inches
- ISBN-101770460489
- ISBN-13978-1770460485
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Review
“It has the thoroughness of a history book yet reads with the personalized vision of a novel.” ―Time on Louis Riel
“If you love to read a gripping story, if you are awed by the talent of an artist, then look no further:Chester Brown's Louis Riel is comix history in the making, and with it, history never looked so good.” ―The Globe and Mail Book Review on Louis Riel
About the Author
Chester Brown lives in Toronto, where he ran for Parliament in the general election as a member of the Libertarian Party of Canada.
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Product details
- Publisher : Drawn and Quarterly; First Edition (May 10, 2011)
- Language : English
- Hardcover : 292 pages
- ISBN-10 : 1770460489
- ISBN-13 : 978-1770460485
- Item Weight : 1.46 pounds
- Dimensions : 5.95 x 1.27 x 7.78 inches
- Best Sellers Rank: #1,692,672 in Books (See Top 100 in Books)
- #306 in Drawn & Quarterly Comic & Graphic Novels
- #3,048 in Literary Graphic Novels (Books)
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Reviewed in the United States on November 22, 2015
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Brown is dispassionate but clearly happy with his decision to outsource his sexual needs, feeling that sex and girlfriends do not go together well for him. The text alternates visits to various escorts with discussions with his male friends and ex-girlfriends about the advantages of his chosen sexual lifestyle. He is well-read on the politics of sex workers and takes a Libertarian position condemning the present laws restricting or outlawing sex work.
The body of the book is preceded by an Introduction by Robert Crumb who calls it Mr. Brown's best work. At the end of the book there are 50 pages of Appendices and Notes that go into much deeper detail than the narrative of the book permitted. I would say that he makes as good an argument for unregulated prostitution as you will find in the popular literature.
The illustrations are unique in that Brown attempts to draw the women as they were in actuality (breast size, body type, etc.) and I found it amusing that he changed the prostitutes names even though they were fake names to begin with. Although I see why he did it - to protect their identities from anyone who may be reading the book. A lot of common scams with prostitution are depicted in the cartoons, such as the "bait and switch", which is when a girl uses a fake/outdated picture or inaccurately describes herself over the phone and then shows up at your door.
Overall, it was a quick read. I found myself agreeing with most of his philosophies during the actual illustrated portion of the book, but in the appendix of the book he uses a lot of far-fetched examples (homosexual relationships, the possibility of a "gay gene", futuristic sex in 2080, etc) to get his point across. If you're interested in the sex for money business I'd give this book a look.
The author has very little emotional affect--one of his closest friends, who is a character in the comic strip, writes in the afterword "The truth is, Chester seems to have a very limited emotional range compared to most people. There does seem to be something wrong with him. He's definitely an oddball. That said, he is also the kindest, gentlest and most deeply thoughtful oddball I know." He writes about these women as if they were merely useful only in terms of satisfying his sexual drive, while at the same time he remains loyal to his prostitutes, for the most part. And he actually falls for one of them toward the end, although "falls for" may be a bit too strong. He speaks about most of these women almost exclusively in terms of their relative attractiveness and he seems to prefer women half his age or less, breast size optional, weight below average. Nonetheless, you get a surprisingly human sense of the women after you get into the book, and you certainly have to admire Brown's honesty and straightforwardness. I'd recommend this for its sheer originality, as well as for Brown's healthy disdain for political correctness.
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So when I looked him up thinking that it's been a few years since Louis Riel, I was pleasantly surprised that he had another book completed, Paying For It, but even more surprised that he'd gone back to memoir and that it turns out it's about his personal history with prostitutes.
And that's part of why this book is so interesting - it makes you learn something about yourself even if, like me, you're a grown up and think you have a fixed world view. A comics artist I respect not only going with hookers but also proud of it? And then I thought why is that a bad thing? It's probably because part of our culture often shames those people who are famous and having affairs but oftentimes those people are married already - Chester Brown isn't.
As I read the book I realised there is another side to prostitution. It's not all street walkers and junkies, there's a civilised way of hiring a prostitute. Chester Brown shows this as well as the humanity of all the prostitutes he's been with, challenging the reader's (certainly mine) view that all prostitutes have sad lives and that people who hire them are sad themselves. Brown certainly isn't a damaged person with issues and self-hatred and neither are the prostitutes in the book. And why is it anybody's business besides theirs? If a man wants to pay a woman to have sex with him, who is anyone to say that it's wrong?
The book makes the case for legalised prostitution as well as another side to this complex and intriguing person that is Chester Brown. The artwork is wonderful as always and the book, despite having an agenda, is always entertaining and never overburdens the reader with the impression that the author is standing on a soapbox, droning on. But if you want to read more on the subject Brown has included a number of appendices at the back of the book that develops a number of arguments presented in the graphic novel.
Once again I've picked up a Chester Brown book and once again I set it down, completed, a better person having read it. If this is your first time experiencing this artist then my only question is - what took you so long? My next words would be - good choice. "Paying for It" is a fantastic and vital book which hopefully influences peoples' opinions in a positive way all the while never forgetting why people pick up books to start with - for a good read.
His journey begins when his Jerry Springer-esque relationship with his girlfriend leads him to question the socially-accepted ideal of romantic love. I was about to say he became 'jaded' or 'cynical' but I'm not sure the intrinsic value-judgments these words imply are applicable here, since he thinks his decision through in rather a clinical fashion. He decides he doesn't agree with romantic relationships & concludes that the best solution for reconciling his needs with his opinions is to simply pay for sex.
This graphic novel recounts these dalliances, as well as conversations in which he justifies himself to his friends. The 50-page afterword primarily consists of arguments in favour of legalisation of the oldest profession. In this sense, Paying For It is rather one-sided - his friends & the girls are given a voice but aside from Seth's response to his portrayal in the afterword, their words are ultimately filtered through Chet.
What fascinates me about this work is not only its ability to make the reader challenge their preconceptions but also that so much is ambiguous & down to opinion that everyone will take something different from it. While Chet tries to teach us about the reality behind our assumptions & the perceived sleaze, I felt we ultimately - probably unintentionally - learn more about Chet than we do about anything else.
Yet it's ironically because of Chet's honesty that this strip is not entirely open. For instance, we learn very little about a girl who becomes particularly significant to him because when he tells her he's working on this book, she responds by saying that she doesn't want to be a major part of it. Chet himself admits it's a pity because he is unable to demonstrate just how intimate his relationships with the girls became but it's admirable that he is respectful of their wishes to the extent that he allows it to slightly impede his work.
And what a compelling work it is - shockingly honest & in places, frustratingly enigmatic; thus a lot like a lover itself. It's also of sociological importance since while many books like the infamous Secret Diary of a Call Girl have been written by the girls themselves, I'm not aware of any others which have been written by the 'johns'.
It's the sort of book you want to lend to friends so you can discuss it with them, as I imagine everyone will take away something very different. After all, I was left with the opposite impression from the one which the author intended - that of a (surprisingly) superficially affectionate but intrinsically hollow, 'quick-fix' industry which, in Seth's words, "just seems sad to me."
The book has also made me wondering about the meaning of romantic love in our society.
What else can I say? I think that the title says it all. Can't recommend enough!







