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Comment: This book has already been loved by someone else. It MIGHT have some wear and tear on the edges, have some markings in it, or be an ex-library book. Over-all it's still a good book at a great price! (if it is supposed to contain a CD or access code, that may be missing)
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People of the Book: A Novel Paperback – December 30, 2008

4.3 out of 5 stars 1,001 customer reviews

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Editorial Reviews

Amazon.com Review

Amazon Best of the Month, January 2008: One of the earliest Jewish religious volumes to be illuminated with images, the Sarajevo Haggadah survived centuries of purges and wars thanks to people of all faiths who risked their lives to safeguard it. Geraldine Brooks, the Pulitzer Prize-winning author of March, has turned the intriguing but sparely detailed history of this precious volume into an emotionally rich, thrilling fictionalization that retraces its turbulent journey. In the hands of Hanna Heath, an impassioned rare-book expert restoring the manuscript in 1996 Sarajevo, it yields clues to its guardians and whereabouts: an insect wing, a wine stain, salt crystals, and a white hair. While readers experience crucial moments in the book's history through a series of fascinating, fleshed-out short stories, Hanna pursues its secrets scientifically, and finds that some interests will still risk everything in the name of protecting this treasure. A complex love story, thrilling mystery, vivid history lesson, and celebration of the enduring power of ideas, People of the Book will surely be hailed as one of the best of 2008. --Mari Malcolm

--This text refers to the Hardcover edition.

From Publishers Weekly

Reading Geraldine Brooks's remarkable debut novel, Year of Wonders, or more recently March, which won the Pulitzer Prize, it would be easy to forget that she grew up in Australia and worked as a journalist. Now in her dazzling new novel, People of the Book, Brooks allows both her native land and current events to play a larger role while still continuing to mine the historical material that speaks so ardently to her imagination. Late one night in the city of Sydney, Hanna Heath, a rare book conservator, gets a phone call. The Sarajevo Haggadah, which disappeared during the siege in 1992, has been found, and Hanna has been invited by the U.N. to report on its condition. Missing documents and art works (as Dan Brown and Lev Grossman, among others, have demonstrated) are endlessly appealing, and from this inviting premise Brooks spins her story in two directions. In the present, we follow the resolutely independent Hanna through her thrilling first encounter with the beautifully illustrated codex and her discovery of the tiny signs-a white hair, an insect wing, missing clasps, a drop of salt, a wine stain-that will help her to discover its provenance. Along with the book she also meets its savior, a Muslim librarian named Karaman. Their romance offers both predictable pleasures and genuine surprises, as does the other main relationship in Hanna's life: her fraught connection with her mother. In the other strand of the narrative we learn, moving backward through time, how the codex came to be lost and found, and made. From the opening section, set in Sarajevo in 1940, to the final section, set in Seville in 1480, these narratives show Brooks writing at her very best. With equal authority she depicts the struggles of a young girl to escape the Nazis, a duel of wits between an inquisitor and a rabbi living in the Venice ghetto, and a girl's passionate relationship with her mistress in a harem. Like the illustrations in the Haggadah, each of these sections transports the reader to a fully realized, vividly peopled world. And each gives a glimpse of both the long history of anti-Semitism and of the struggle of women toward the independence that Hanna, despite her mother's lectures, tends to take for granted. Brooks is too good a novelist to belabor her political messages, but her depiction of the Haggadah bringing together Jews, Christians and Muslims could not be more timely. Her gift for storytelling, happily, is timeless. Copyright 2007 Publishers Weekly. --This text refers to the Hardcover edition.

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Product Details

  • Paperback: 372 pages
  • Publisher: Penguin Books; Reprint edition (December 30, 2008)
  • Language: English
  • ISBN-10: 0143115006
  • ISBN-13: 978-0143115007
  • Product Dimensions: 5.1 x 0.7 x 7.8 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (1,001 customer reviews)
  • Amazon Best Sellers Rank: #12,659 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Hardcover
Id been waiting for this book since I read the excerpt in the New Yorker last month. It didn't disappoint. The vignettes of each time period were expertly done, all of the characters well drawn, the history as timely as today. The love of books, history, art come through very well through the entire book. The horrors of the past and how they keep repeating themselves was very well expressed without being hammered into the reader. Given my track record with this author (I didn't care for her other two fiction books, tho I do love her non fiction), I was very very impressed.

Two things that are keeping this from being a five star for me. There was too much about Hanna. Her character obviously is important, but the whole love affair, her problems with her mother, all of that could easily have been taken out. And that last chapter sounded like something from a Mission Impossible movie, and was totally unnecessary.

The other thing was the ommission of Leila's meeting with Sula's son, in Israel. This is described in the article but for some reason was left out of the book. Its a beautiful and moving moment, and needed to be there.

That being said, I'd recommend this book to anyone looking for an excellent read.
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Format: Hardcover
In 1996, as rare book expert Dr. Hanna Heath examines the Sarajevo Haggadah, an illuminated Hebrew manuscript from 15th century Spain, she carefully removes a series of artifacts that, under laboratory examination, will offer insight into the remarkable journey of this unusual text. Having survived the Serb-Bosnian war, the haggadah yields precious clues that allow Hanna to reconstruct the attrition of time: the fragment of an insect wing, an apparent wine stain, a white hair, salt crystals. It requires all of Heath's considerable skills to trace the evidence through the centuries to the book's origin. One of the earliest illuminated Hebrew books to feature figurative art, this haggadah has been repressed by medieval Jews for religious concerns. Perhaps made in mid-4th century Spain, when Jews, Christian and Muslims peacefully coexisted, the manuscript begins its troubled journey in the Spanish Inquisition and expulsion of the Jews from Spain in 1492.

An Australian, Dr. Heath embraces the acerbic wit of her culture, clumsy at the communication skills so easily wielded by others; of a more contemplative nature, she is devoted to the historic value of the volumes she restores. Troubled by a chronic antagonism with her neurosurgeon mother, the young woman has built a life around her work in compensation. Meanwhile, Hannah's romantic curiosity is piqued by the enigmatic man assisting her at the museum in Sarajevo, widower Dr. Ozrem Karaman, his infant son profoundly brain-injured and wife killed in the war's crossfire. Her emotions in turmoil, Hanna's natural impulse is to soothe Ozrem's pain; unfortunately, she cannot forestall the inevitable or alter fate. Hannah turns to her work- for Hanna, books speak to objectifiable history, while feelings are impossible to confine.
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Format: Hardcover
"The People of the Book," by Geraldine Brooks, opens in Sarajevo in 1996. Under the watchful eyes of bank security guards, Bosnian police officers, two United Nations peacekeepers, and an official UN observer, a thirty-year-old Aussie named Hanna Heath has been hired to perform an exacting task. She is about to examine a precious fifteenth century codex, the Sarajevo Haggadah, "one of the rarest and most mysterious volumes in the world." Hanna's impressive qualifications include honors degrees in chemistry and Near Eastern languages as well as a PhD in fine art conservation, which as she patiently explains, is very different from book restoration. She knows her materials intimately: calf's intestine, pigments, gold leaf, and parchment are some of the tools of her trade. The Haggadah, which was created in medieval Spain, is "a lavishly illuminated Hebrew manuscript made at a time when Jewish belief was firmly against illustrations of any kind."

The book first came to light in 1894. After passing through many hands, it disappeared in 1992, when the Sarajevo siege began. After four years, it suddenly reappears and an Israeli expert, Amitai Yomtov, awakens Hannah at two o'clock in the morning to tell her the exciting news. Most scholars believed that the book had been stolen or destroyed during the fighting. It turns out that the head of the museum library in Sarajevo, Ozren Karaman, placed the Haggadah in a safe-deposit box for safekeeping. "Can you imagine, Channah?" Amitai exclaims. "A Muslim, risking his neck to save a Jewish book." Now, UN officials want an expert to inspect the Haggadah for signs of damage.

Although she is technically proficient and has written many highly-regarded papers in her field, Hanna brings something extra to the table.
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Format: Hardcover
Every year at Passover, Jews around the world gather for a festive meal at which they are commanded to retell the epochal story of the Exodus from Egypt. The text for that retelling is known as the "haggadah," the root of which is the Hebrew verb "to tell." Today, it is estimated that there are more than 3,000 versions of this book, a compendium of biblical excerpts, rabbinic commentary, stories and poems. In her emotionally resonant new novel, Geraldine Brooks spins an intricate and moving tale of one of them, the Sarajevo Haggadah, and its stirring, almost miraculous, story of survival.

The true story of the haggadah's narrow escapes from destruction, chronicled in a December 3, 2007 New Yorker article by Brooks (featuring a color reproduction of one of the haggadah's striking illustrations), is so fantastic it seems almost impossible to fictionalize it. But what Brooks does so convincingly is what empathetic historical novelists do best --- offer us rich insights into the interior lives of both real and fictional characters that reveal the human drama behind a fact-based story. As one of the book's characters reminds us, "a book is more than the sum of its materials. It is an artifact of the human mind and hand."

The novel opens in the spring of 1996, after the Bosnia hostilities have ceased, leaving the city of Sarajevo a shattered remnant of its former self. Hanna Heath, a brash young conservator of medieval manuscripts from Australia, is summoned to the National Museum of Bosnia to restore the 15th century codex, featuring 34 pages of striking illuminations.
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