$75.98 + $3.99 shipping
Only 1 left in stock.
Ships from and sold by twinskmg123.
FREE Shipping on orders over $49. Details
Used: Very Good | Details
Condition: Used: Very Good
Comment: VHS- Tape & sleeve in very good condition, tested & plays good.
Other Sellers on Amazon
Add to Cart
$74.98
+ $3.99 shipping
Sold by: Eli 2000
Add to Cart
$77.50
+ $3.99 shipping
Sold by: newbrite
Have one to sell? Sell on Amazon

Performance [VHS]

4.3 out of 5 stars 124 customer reviews

Watch Instantly with Rent Buy

Geek Boutique 2016 Geek Boutique HQP

$75.98 + $3.99 shipping Only 1 left in stock. Ships from and sold by twinskmg123.


Product Details

  • Actors: James Fox, Mick Jagger, Anita Pallenberg, Michèle Breton, Ann Sidney
  • Directors: Nicolas Roeg, Donald Cammell
  • Writers: Donald Cammell
  • Producers: David Cammell, Sanford Lieberson
  • Format: Color, HiFi Sound, NTSC
  • Rated:
    X
    Mature Audiences Only
  • Number of tapes: 1
  • Studio: Warner Home Video
  • VHS Release Date: March 24, 1995
  • Run Time: 105 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (124 customer reviews)
  • ASIN: 6300269094
  • Amazon Best Sellers Rank: #256,922 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

This extraordinary 1970 British film marked the directorial debut of cinematographer Nicolas Roeg (working with Donald Cammell). James Fox portrays a London gangster who has to hide away for awhile and ends up staying with a fading rock star (Mick Jagger). The latter recognizes something of his old, daring self in the violent criminal, and after pushing open the boundaries of the hood's experience with psychedelics, the two men begin to intertwine as one. The film is an exciting pool of ideas about real and presumed power, about the mysteries of "performance" as a pressing outward toward an abandonment of identity and embrace of revelation. Beneath it all, however, is Roeg and Cammell's suspicion that the worlds of these two men--pop shaman and underworld soldier--are not dissimilar in their self-serving goals. --Tom Keogh

Customer Reviews

Top Customer Reviews

By Tracy Hodson VINE VOICE on March 16, 2005
Verified Purchase
Every time I hear Quentin Tarrantino claim to have invented non-linear story-telling, I want to scream. Nicolas Roeg (who photographed and co-directed) went on to make many, many non-linear films, starting with this one in 1969, as did many other directors from the 70's up to now (Steven Soderbergh, Terrence Mallick, to name just two), so please, Quentin, shut up. "Performance" was perhaps the most influential film in my own development as a director; film is a sculptural medium, and never illustrated more so than in this brilliant piece film which moves through time and space so gracefully, or jarringly, as required, while exploring identity, performance (of all sorts), spirituality, freedom from the prevailing standards of society--I could go on for pages, but will spare you. It can be found on video tape, mostly in "used" bins, and as it was shot in regular 35mm, you don't miss much of the frame, as it's close to your TV's format anyway.

Shot mostly hand-held, with Roeg using dissolves, double-exposures, color alteration, freeze-frames, and other Optical Printing techniques, as well as stunning sound design, the mind is assaulted by an abundance of images that you just have to sit back and absorb and allow them to tie themselves together later, when you have time to think about it. In order to tie characters and relationships together, one will start a sentence while another, in an entirely different place and situation, will finish it. This is used to both connective and ironic effect. "Performance" also contains the first "Rock Video" and a Rap Song (in 1969) by a group of drumming poets.
Read more ›
15 Comments 112 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: VHS Tape
Donald Cammell
"If Performance does not upset audiences," he explained, "then it is nothing."
My friend Neil and I have been waiting for some time to see this film at the cinema. It hasn't been widely available on video for some time and has not yet been released on DVD.
So we were overjoyed to see it was being shown at the Electric Cinema a wonderful recently revamped cinema in Notting Hill Gate, not a hundred yards from Powis Square, one of the main locations in the film.
Performance was financed by Warner Brothers in the late 60's, though it was not released for two years after its completion due to WB demanding recuts and probably hoping the whole sordid little film would be forgotten about.
Thankfully it wasn't, and has over the years become something important and special to many people.
Performance starts as a seemingly straightforward East end gangster film, typical of the period. However when Chas, played to perfection by James Fox, takes refuge in the bohemian lair that is Turners (Jagger) Powis Square townhouse, the pace and the feel of the film change dramatically.
Turner is a retired rock icon who is wallowing in in a filthy corner of his psyche while he decides whether to try and recapture his mojo or continue his hermit like existence. However the hermit tag only applies to Turners lack of contact with fresh air, not many hermits have two pretty free spirits in the form of Pherber (Anita Pallenberg ) and Lucy (Michele Breton) roaming naked around their self imposed prisons.
Pallenberg is the wild blonde who was probably didn't find it too hard to get into character, at the time of filming she was actually Keith Richards's girlfriend, and tales of a jealous Richards watching over the set are abound.
Read more ›
4 Comments 42 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
By A Customer on August 23, 1999
Format: VHS Tape
One of the most astonishing movies of all time. In a nutshell, 'Performance' tells the story of London gangster Chas Delvin (James Fox), on the run from his old associates for an unauthorised murder. He hides out in the house of reclusive rock star Turner (Mick Jagger), who introduces Delvin to his bizarre world of sex, drugs, black magic and rock n' roll. The movie is packed with amazing performances all round, particularly from James Fox. The script by Donald Cammell is great and the direction by Cammell & Nicolas Roeg is superb. While obviously a product of the sixties the film has aged fairly well. It raises interesting and timeless questions about identity and duality. This film is very strange and very graphic. It does not make much sense at first, in fact it is a movie which demands to be seen more than once. Certainly once you see this movie it will stay with you.
Comment 19 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: VHS Tape
This is one film where the legend does not obscure the brilliance of the plot, the direction of the scenes, and the players....the players with the famous goings on inside and outside the shoot. The cast was not only acting but actually doing the drugs and sex portrayed on the screen. The film pretty much destroyed everyone who worked on it except Mick and Keith and the Stones. Anita Palenberg was incoherent for years afterwards, James Fox underwent a religious experience and ceased acting for a decade, one actor became a heroin dealer, another committed suicide, another committed murder and became a junkie before he died young. Stephen Davis (in his book "Old Gods Almost Dead") says that when the original Cammell and Roeg print was shown to the Warner executives, one's wife vomited and the whole audience left the screening room before the film ended. The true legend of the rock hard, satanic Rolling Stones was born when the band survived both Performance and the only live murder ever included in a movie during the Altamont Festival (shown in the film "Gimme Shelter").
While you watch the film, remember that Keith Richards is waiting outside in his Bentley (writing You Got The Silver) while Anita (his girlfriend) seduces Mick (his best friend) for real on the closed set. The way I heard the story, when Cammell called the scene, to the amazement of the crew, they kept going through orgasm. Keith refused to give Cammell the newly recorded Let It Bleed songs for the soundtrack because of all this.....he told friends he knew that if he was on the set and saw Mick, the Stones would have been history....but the band was his life so he just waited it all out.
The studio shut down production and then refused to release the censored film for several years.
Read more ›
3 Comments 89 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Recent Customer Reviews




twinskmg123 Privacy Statement twinskmg123 Shipping Information twinskmg123 Returns & Exchanges