You have got to be kidding! I don't care how well written this is, I wanted pictures of this flamboyant man in all of his phases. They will undoubtedly be deftly described in the book, but come on! What is the world were you thinking? Something akin to being too scholarly for such frivolity? Poppycock!
The good news is that it sent me in search of visual stimulation which was found elsewhere on Amazon.
Add to book club
Loading your book clubs
There was a problem loading your book clubs. Please try again.
Not in a club?
Learn more
Join or create book clubs
Choose books together
Track your books
Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club that’s right for you for free.
Flip to back
Flip to front
Follow the Authors
Something went wrong. Please try your request again later.
OK
Persona: A Biography of Yukio Mishima (NONE) Hardcover – January 1, 2013
by
Naoki Inose
(Author),
Hiroaki Sato
(Contributor)
|
Naoki Inose
(Author)
Find all the books, read about the author, and more.
See search results for this author
Are you an author?
Learn about Author Central
|
|
Hiroaki Sato
(Contributor)
Find all the books, read about the author, and more.
See search results for this author
Are you an author?
Learn about Author Central
|
-
Print length864 pages
-
LanguageEnglish
-
PublisherStone Bridge Press
-
Publication dateJanuary 1, 2013
-
Dimensions6 x 2 x 9 inches
-
ISBN-101611720087
-
ISBN-13978-1611720082
"The Light Through the Leaves" by Glendy Vanderah
Go on a powerful journey of forgiveness and healing with The Light Through the Leaves, a transcendent novel of love, loss, and self-discovery. | Learn more
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
-
Apple
-
Android
-
Windows Phone
-
Android
|
Download to your computer
|
Kindle Cloud Reader
|
Customers who viewed this item also viewed
Page 1 of 1 Start overPage 1 of 1
Mishima, Aesthetic Terrorist: An Intellectual PortraitPaperback
Mishima: A BiographyPaperback
The Life and Death of Yukio MishimaPaperback
Persona: A Biography of Yukio MishimaNaoki InosePaperback
Confessions of a MaskPaperback
The Madness and Perversion of Yukio MishimaJerry PivenHardcover
Get everything you need
Page 1 of 1 Start overPage 1 of 1
Customers who bought this item also bought
Page 1 of 1 Start overPage 1 of 1
Editorial Reviews
Review
"Mr. Sato has performed something of a miracle in skillfully and patiently adding layer after layer of information, both about the writer and the social and political context in which he worked, in order to give us not only a comprehensible account of the novelist’s complex personal vicissitudes but what is in effect a trenchant commentary on the history of cultural and political life in postwar Japan. . . . Persona now joins a very small group of studies that succeed in portraying, rather than simply sketching, the life of an iconic figure in modern Japanese culture."J. Thomas Rimer, Professor Emeritus of Japanese Literature, Theatre, and Art at University of Pittsburgh
"This is a whale of a bookboth unusually massive and extremely informative and stimulating. . . . Those who are interested in the brilliantly gifted writer of mid-20th century Japan who is its subject will learn much from this volume, and should be stimulated to go back and read, or re-read, what Yukio Mishima has left us."Paul McCarthy, The Japan Times
"From this biography the reader gains a great sense of the milieu from which Mishima arose, the approaches he took in his cutting-edge writing, and his increased fascination with conservative, hypermasculine Japanese traditions... this is an essential addition to all collections with a strong emphasis on world literature and Japanese history, and for English-reading students of 20th-century Japanese literature."Library Journal, November 2012
"Naoki Inose's biography is immensely detailed and punctilious and not easy reading for a foreigner not versed in Japanese culture and history... but does show him to have been an extraordinary man, in many respects a sympathetic one, and a writer of extraordinary range... I hope that this biography revives interest in the best of his novels, especially in the tetralogy. "Wall Street Journal, December 2012
"Personais a book about Japan itself, as filtered through the life of one of its perhaps most important creations.... If Japan truly represents the Occident and the Orient as so many would have us believe, it’s because of icons like the talented, tragic Mishima."Will Eells, Three Percent
"Mishima's life and his many interests... make for fascinating reading, and Persona is a riveting account."M.A. Orthofer, The Complete Review
"Persona deftly reveals to us the actual man and writer who willingly traded his life for a legend: Yukio Mishima. Lurching forward vivid drama by drama and then backtracking to provide us with context, the biography opens up a whole epoch of sexual, literary, and artistic creativity, guiding us through the fiction, the friendships, and the passions that ultimately made Mishima Mishima." poet Forrest Gander, 2012 Pulitzer Prize finalist
"This is a whale of a bookboth unusually massive and extremely informative and stimulating. . . . Those who are interested in the brilliantly gifted writer of mid-20th century Japan who is its subject will learn much from this volume, and should be stimulated to go back and read, or re-read, what Yukio Mishima has left us."Paul McCarthy, The Japan Times
"From this biography the reader gains a great sense of the milieu from which Mishima arose, the approaches he took in his cutting-edge writing, and his increased fascination with conservative, hypermasculine Japanese traditions... this is an essential addition to all collections with a strong emphasis on world literature and Japanese history, and for English-reading students of 20th-century Japanese literature."Library Journal, November 2012
"Naoki Inose's biography is immensely detailed and punctilious and not easy reading for a foreigner not versed in Japanese culture and history... but does show him to have been an extraordinary man, in many respects a sympathetic one, and a writer of extraordinary range... I hope that this biography revives interest in the best of his novels, especially in the tetralogy. "Wall Street Journal, December 2012
"Personais a book about Japan itself, as filtered through the life of one of its perhaps most important creations.... If Japan truly represents the Occident and the Orient as so many would have us believe, it’s because of icons like the talented, tragic Mishima."Will Eells, Three Percent
"Mishima's life and his many interests... make for fascinating reading, and Persona is a riveting account."M.A. Orthofer, The Complete Review
"Persona deftly reveals to us the actual man and writer who willingly traded his life for a legend: Yukio Mishima. Lurching forward vivid drama by drama and then backtracking to provide us with context, the biography opens up a whole epoch of sexual, literary, and artistic creativity, guiding us through the fiction, the friendships, and the passions that ultimately made Mishima Mishima." poet Forrest Gander, 2012 Pulitzer Prize finalist
About the Author
Naoki Inose: Naoki Inose is a prize-winning Japanese author and vice governor of Tokyo.
Hiroaki Sato: Hiroaki Sato is a prize-winning translator of classical and modern Japanese poetry into English. He has also translated Mishimas novel, Silk and Insight, and his dramas, My Friend Hitler and Other Plays. Since 2000 Sato has written a monthly Japan Times column, ?The View from New York. Since 1998, he has been an adjunct at the University of Massachusetts Amherst.
Hiroaki Sato: Hiroaki Sato is a prize-winning translator of classical and modern Japanese poetry into English. He has also translated Mishimas novel, Silk and Insight, and his dramas, My Friend Hitler and Other Plays. Since 2000 Sato has written a monthly Japan Times column, ?The View from New York. Since 1998, he has been an adjunct at the University of Massachusetts Amherst.
Tell the Publisher!
I'd like to read this book on Kindle
Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.
I'd like to read this book on Kindle
Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.
Product details
- Publisher : Stone Bridge Press (January 1, 2013)
- Language : English
- Hardcover : 864 pages
- ISBN-10 : 1611720087
- ISBN-13 : 978-1611720082
- Item Weight : 2.84 pounds
- Dimensions : 6 x 2 x 9 inches
-
Best Sellers Rank:
#2,469,140 in Books (See Top 100 in Books)
- #307 in Japanese Literary Criticism (Books)
- #465 in Historical Japan Biographies
- #3,634 in Customs & Traditions Social Sciences
- Customer Reviews:
Customer reviews
4.5 out of 5 stars
4.5 out of 5
15 global ratings
How are ratings calculated?
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness.
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Reviewed in the United States on January 5, 2020
Verified Purchase
Reviewed in the United States on January 17, 2019
Verified Purchase
Excelent Book
Reviewed in the United States on November 23, 2014
Verified Purchase
This is a GREAT work of scholarship and makes me aware of how much of Yukio Mishima's work is still yet to be translated. If you like Yukio Mishima's work this is a must read. High marks all round!
One person found this helpful
Report abuse
Reviewed in the United States on January 14, 2013
Verified Purchase
Persona: A Biography of Yukio Mishima (Berkeley: Stone Bridge Press, 2012), written by Neoki Inose with Hiroki Sato, is a superb addition to our understanding of Japan’s most renown prose writer, poet, dramatist, and cultural commentator.
The physical description of this 852 page creation deserves comment. There are few books in which I resist scribbling my multiple and detailed impressions, but this is one. I admit washing my hands before handling the book and take care in turning the pages.
The cover art is exceptionally pleasing, showing a samurai sword blade plucking off one petal of a red rose, surrounded with ghostly grey on black images of falling rose petals. It is a perfect understanding of Mishima’s pursuit of the “Divine Spirit” of Japan through the twins of aristocratic samurai dedication and the softer bed of Japanese art, poetry, and emersion in death.
Removing the soft cover, the reader sees a more stark representation of the samurai blade on a hazy black hard cover background, matching perfectly the blade position seen on the soft cover. In short, what we have is a beautifully written and visually illustrated account of one of the most influential Asian writers and social commentators of the last century. And, he was productively Machiavellian in personality, with a narcissist lifestyle, somewhat callous in his personal interactions, lacking empathy with those who opposed him, manipulative, and low in fear. He was also a risk-taker and highly sensual, with startling obsessions about his place in history.
The authors trace all of their statements and analyses through original sources from Mishima’s insatiable and productive life. We also see how he was seen by his contemporaries and those outside his immediate sphere. The notes, references, and index offer a deep platform of personal and contextual information.
The biography is much too long and detailed for most readers, but it serves as a coherent circumference of the thoughts and innumerable contributions of a life grounded in Japan’s ritualized beginnings and a nation’s attempt to extend its power, only to see it all crash in fiery defeat in World War II.
Mishima was born in 1925, traveled widely, and, by design, died in 1970 by an almost unbelievable self-disembowment and immediate decapitation by aids in downtown Tokyo.
Reaching backward in time and mood, he chose the simple solution to life described by the great samurai teacher, Yamamoto Tsunetomo, writing in his Hagakure (“Hidden in Foliage”), who said, “The way of the warrior, I’ve found, is to die.” The death was meaningful only if it occurred in battle or by honorable suicide (seppuku).
Mishima’s observation on death by seppuku that shaped his life is seen in a passage spoken by a character in one of his publications, Golden Death.
Art is an embodiment of sexual desire. Artistic
pleasure is a kind of physiological or sexual
pleasure. Therefore, art is not something
spiritual but something wholly sensual. [So,
the final proposition may be summed up:]
The ultimate of sensual creation can only lie
in one’s aesthetic death.
Inose and Sato idealize the seppuku by Mishima by observing after his death that:
Twenty inches of the intestine came out. It
was a magnificent seppuku.
This is not the moment to try to describe Mishima’s Machiavellian nature, his numerous artistic and political contributions, but only to say that Yokio Mishima lived an exemplary life in many ways, trying unsuccessfully to purify and draw Japan back to its foundations and the Divine Sprit of Japan, eschewing the invasion of Western modernity and materialism as solutions to military nationalism that brought Japan to its knees in 1945, and which gave into the Western influences thereafter.
More detailed observations on Persona and the life force of Mishima appear soon in [...], when we consider the importance for people of the United States who are interested in returning to the principles of our Founding Fathers that brought them greatness. Indeed, the story of Mishima parallels events we now witness at home, which is one powerful reason to read 852 pages.
The physical description of this 852 page creation deserves comment. There are few books in which I resist scribbling my multiple and detailed impressions, but this is one. I admit washing my hands before handling the book and take care in turning the pages.
The cover art is exceptionally pleasing, showing a samurai sword blade plucking off one petal of a red rose, surrounded with ghostly grey on black images of falling rose petals. It is a perfect understanding of Mishima’s pursuit of the “Divine Spirit” of Japan through the twins of aristocratic samurai dedication and the softer bed of Japanese art, poetry, and emersion in death.
Removing the soft cover, the reader sees a more stark representation of the samurai blade on a hazy black hard cover background, matching perfectly the blade position seen on the soft cover. In short, what we have is a beautifully written and visually illustrated account of one of the most influential Asian writers and social commentators of the last century. And, he was productively Machiavellian in personality, with a narcissist lifestyle, somewhat callous in his personal interactions, lacking empathy with those who opposed him, manipulative, and low in fear. He was also a risk-taker and highly sensual, with startling obsessions about his place in history.
The authors trace all of their statements and analyses through original sources from Mishima’s insatiable and productive life. We also see how he was seen by his contemporaries and those outside his immediate sphere. The notes, references, and index offer a deep platform of personal and contextual information.
The biography is much too long and detailed for most readers, but it serves as a coherent circumference of the thoughts and innumerable contributions of a life grounded in Japan’s ritualized beginnings and a nation’s attempt to extend its power, only to see it all crash in fiery defeat in World War II.
Mishima was born in 1925, traveled widely, and, by design, died in 1970 by an almost unbelievable self-disembowment and immediate decapitation by aids in downtown Tokyo.
Reaching backward in time and mood, he chose the simple solution to life described by the great samurai teacher, Yamamoto Tsunetomo, writing in his Hagakure (“Hidden in Foliage”), who said, “The way of the warrior, I’ve found, is to die.” The death was meaningful only if it occurred in battle or by honorable suicide (seppuku).
Mishima’s observation on death by seppuku that shaped his life is seen in a passage spoken by a character in one of his publications, Golden Death.
Art is an embodiment of sexual desire. Artistic
pleasure is a kind of physiological or sexual
pleasure. Therefore, art is not something
spiritual but something wholly sensual. [So,
the final proposition may be summed up:]
The ultimate of sensual creation can only lie
in one’s aesthetic death.
Inose and Sato idealize the seppuku by Mishima by observing after his death that:
Twenty inches of the intestine came out. It
was a magnificent seppuku.
This is not the moment to try to describe Mishima’s Machiavellian nature, his numerous artistic and political contributions, but only to say that Yokio Mishima lived an exemplary life in many ways, trying unsuccessfully to purify and draw Japan back to its foundations and the Divine Sprit of Japan, eschewing the invasion of Western modernity and materialism as solutions to military nationalism that brought Japan to its knees in 1945, and which gave into the Western influences thereafter.
More detailed observations on Persona and the life force of Mishima appear soon in [...], when we consider the importance for people of the United States who are interested in returning to the principles of our Founding Fathers that brought them greatness. Indeed, the story of Mishima parallels events we now witness at home, which is one powerful reason to read 852 pages.
4 people found this helpful
Report abuse
Reviewed in the United States on February 22, 2013
My introduction to Japanese literature was through Yukio Mishima's tetralogy The Sea of Fertility. Ever since, I have been fascinated by his life and works. It has been nearly forty years since a major biography on Mishima has been released in English. I was very excited when I learned that Stone Bridge Press would be releasing Persona: A Biography of Yukio Mishima by Naoki Inose and Hiroaki Sato at the end of 2012. The English-language edition is actually an updated and expanded version of Inose's 1995 Japanese Mishima biography Persona: Mishima Yukio den. Sato was primarily responsible for the adaptation, expansion, and translation of the English-language edition of Persona. It is a mighty tome. With over 850 pages, Persona promised to be the most comprehensive and complete biography of Mishima available in English.
Yukio Mishima, the pen name of Kimitake Hiraoka was born on January 14, 1925 to Azusa and Shizue Hiraoka. His upbringing was a bit peculiar--his controlling grandmother snatching him away from his parents. As a child he often struggled with health issues, but exhibited an intellectual precociousness and a talent for writing at a young age. Mishima would eventually become one of the preeminent and most visible authors of his day. He was also an extremely prolific writer, responsible for creating thirty-four novels, more than one hundred seventy short stories, close to seventy plays, six hundred sixty poems, and numerous essays, articles, and other works. Many of Mishima's writings have been translated, but only a fraction of his total output is available in English. He was also involved in the film industry, served as a subject and model for photographers, and was active in martial arts and bodybuilding. Later in life, becoming more politically active, he was a vocal supporter of the Tennō system in Japan. Mishima ended it all in a shocking act of ritual suicide on November 25, 1970.
Persona really is the most comprehensive single-volume work on Mishima currently available in English. However, in part due to its length, it is difficult to recommend the biography as a introductory resource. Before attempting to read Persona, it is useful to have a least some basic understanding of Mishima and Japanese history in general. Persona isn't strictly just a biography of Mishima--it places him within a greater context of economic, bureaucratic, political, literary, and cultural Japanese history. While Mishima always remains an important touchstone, frequently Persona uses him a launching point to address other aspects of Japanese history as a whole. Occasionally the authors seem to wander off on tangents that aren't directly related, but Mishima and his enormous personality are always there in the background even when they're not at the forefront of the work.
Although Persona generally follows a chronological progression, beginning with Mishima's family history and background and ending with his suicide and its aftermath, the biography is organized more by subject and theme. The authors do not limit themselves to adhering to a rigid timeline, which allows them to bring together related material more efficiently. In addition to the main text, Persona also includes notes, an extensive bibliography, and a thorough index. Though its length may be daunting and it's not always a particularly easy read, Persona really is an incredibly complete Mishima biography. Addressing both Mishima's public and private personas, it delves into areas of his personal life (including his sexuality) which I haven't seen as thoroughly explored in English before. While not a biography for the casual reader, reading Persona is well worth the effort for someone with an established interest in Mishima and Japanese history.
Yukio Mishima, the pen name of Kimitake Hiraoka was born on January 14, 1925 to Azusa and Shizue Hiraoka. His upbringing was a bit peculiar--his controlling grandmother snatching him away from his parents. As a child he often struggled with health issues, but exhibited an intellectual precociousness and a talent for writing at a young age. Mishima would eventually become one of the preeminent and most visible authors of his day. He was also an extremely prolific writer, responsible for creating thirty-four novels, more than one hundred seventy short stories, close to seventy plays, six hundred sixty poems, and numerous essays, articles, and other works. Many of Mishima's writings have been translated, but only a fraction of his total output is available in English. He was also involved in the film industry, served as a subject and model for photographers, and was active in martial arts and bodybuilding. Later in life, becoming more politically active, he was a vocal supporter of the Tennō system in Japan. Mishima ended it all in a shocking act of ritual suicide on November 25, 1970.
Persona really is the most comprehensive single-volume work on Mishima currently available in English. However, in part due to its length, it is difficult to recommend the biography as a introductory resource. Before attempting to read Persona, it is useful to have a least some basic understanding of Mishima and Japanese history in general. Persona isn't strictly just a biography of Mishima--it places him within a greater context of economic, bureaucratic, political, literary, and cultural Japanese history. While Mishima always remains an important touchstone, frequently Persona uses him a launching point to address other aspects of Japanese history as a whole. Occasionally the authors seem to wander off on tangents that aren't directly related, but Mishima and his enormous personality are always there in the background even when they're not at the forefront of the work.
Although Persona generally follows a chronological progression, beginning with Mishima's family history and background and ending with his suicide and its aftermath, the biography is organized more by subject and theme. The authors do not limit themselves to adhering to a rigid timeline, which allows them to bring together related material more efficiently. In addition to the main text, Persona also includes notes, an extensive bibliography, and a thorough index. Though its length may be daunting and it's not always a particularly easy read, Persona really is an incredibly complete Mishima biography. Addressing both Mishima's public and private personas, it delves into areas of his personal life (including his sexuality) which I haven't seen as thoroughly explored in English before. While not a biography for the casual reader, reading Persona is well worth the effort for someone with an established interest in Mishima and Japanese history.
10 people found this helpful
Report abuse
Reviewed in the United States on January 19, 2013
I agree with Thiessen for the most part. Maybe there are some mistakes here--HITOKIRI is usually translated as MANSLAYER, for instance--but the overall effect is excellent and very detailed. The translation of KARAKKAZE YARO as WINDBLOWN DUDE is the best yet, though I hate the word "dude." There's much new information here and Mishima seems more human than usual--he did get drunk more than once in his life, we learn. People not familiar with Mishima will have trouble with the writing but critics and fans will be mesmerized. It's not easy reading but it's well worthwhile. The lack of any photographs is a drawback--one had hoped to see some new ones--but we can't have everything. Anyway, if you like Mishima you should like this book. In over 800 pages there are bound to be a few mistakes but those are minor quibbles in the overall grandeur of this work. Jerry Piven's The Madness and Perversion of Yukio Mishima is still the best critical psychobiography of Mishima and his works but this new book is a long-awaited treasure.
8 people found this helpful
Report abuse
Top reviews from other countries
Miketang
5.0 out of 5 stars
Perfect condition
Reviewed in the United Kingdom on December 9, 2019Verified Purchase
Perfect condition and I am looking forward to reading this book about a fascinating woman and brilliant writer and the milieu in Japan within which she grew and lived. My only minor complaint would be the lack of illustrations which I think does bring a character to life. A single image is worth many words.
Ms A Cleminson
5.0 out of 5 stars
Very pleased with the order
Reviewed in the United Kingdom on July 7, 2014Verified Purchase
Arrived as stated. Very pleased with the order.
M.A
5.0 out of 5 stars
OK
Reviewed in Japan on March 28, 2013Verified Purchase
:-)....................................
What other items do customers buy after viewing this item?
Page 1 of 1 Start overPage 1 of 1


