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Named a Best Book of the Year by NPR! Named a Notable Book of the Year by the Washington Post!
“Historical fiction at its best!”*
A remarkable novel about J. P. Morgan’s personal librarian, Belle da Costa Greene, the Black American woman who was forced to hide her true identity and pass as white in order to leave a lasting legacy that enriched our nation, from New York Times bestselling authors Marie Benedict and Victoria Christopher Murray.
In her twenties, Belle da Costa Greene is hired by J. P. Morgan to curate a collection of rare manuscripts, books, and artwork for his newly built Pierpont Morgan Library. Belle becomes a fixture in New York City society and one of the most powerful people in the art and book world, known for her impeccable taste and shrewd negotiating for critical works as she helps create a world-class collection.
But Belle has a secret, one she must protect at all costs. She was born not Belle da Costa Greene but Belle Marion Greener. She is the daughter of Richard Greener, the first Black graduate of Harvard and a well-known advocate for equality. Belle’s complexion isn’t dark because of her alleged Portuguese heritage that lets her pass as white—her complexion is dark because she is African American.
The Personal Librarian tells the story of an extraordinary woman, famous for her intellect, style, and wit, and shares the lengths she must go to—for the protection of her family and her legacy—to preserve her carefully crafted white identity in the racist world in which she lives.
- Print length352 pages
- LanguageEnglish
- PublisherBerkley
- Publication dateJune 7, 2022
- Dimensions5.45 x 0.89 x 8.19 inches
- ISBN-100593101545
- ISBN-13978-0593101544
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- How strange is the power of geography and law that we could leave New York City as white people but arrive in Washington, DC, as colored.Highlighted by 2,465 Kindle readers
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Editorial Reviews
Review
—Good Morning America
“Benedict, who is white, and Murray, who is African American, do a good job of depicting the tightrope Belle walked, and her internal conflict from both sides—wanting to adhere to her mother's wishes and move through the world as white even as she longed to show her father she was proud of her race. Like Belle and her employer, Benedict and Murray had almost instant chemistry, and as a result, the book's narrative is seamless...I became hooked.”
—NPR
“A fascinating story!”
—Real Simple
“An extraordinary tale that is both brilliant historical fiction and an important and timely commentary on racism. By holding up an unflinching mirror and illuminating this little-known chapter in American history, these two gifted authors have penned a work that is a must-read.”
—Pam Jenoff, New York Times bestselling author of The Woman with the Blue Star
“A marvel of a story. This unflinching look at one woman’s meteoric rise through New York’s high society is enthralling, lyrical, and rife with danger. Belle’s painful secret and her inspiring courage will capture – and break – your heart. Serious kudos to Benedict and Murray for bringing this true story to life.”
—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
“The Personal Librarian illuminates the extraordinary life of an exceptional, intelligent woman who had to make the impossible choice to live as an imposter or sacrifice everything she’d achieved and deserved. That Belle denied her true identity in order to protect herself and her family from racial persecution speaks not only to her times but also to ours, a hundred years later. All that glitters is not gold. This is a compelling and important story.”
—Therese Anne Fowler, New York Times bestselling author of A Good Neighborhood
“As richly depicted as the lush world of art and literature Belle da Costa Greene presided over…an immersive, sweeping delight as well as an intimate, moving, and powerful portrait of Belle's personal and professional life. An unforgettable, captivating read!”
—Chanel Cleeton, New York Times bestselling author of The Most Beautiful Girl in Cuba
"Meticulously researched, heartbreaking, and inspiring…a fascinating look at a very public figure fighting a deep private battle, whose story still resonates with surprising power and immediacy today."
—Kristin Harmel, New York Times bestselling author of The Book of Lost Names
"An untold story that is simply amazing. It's timely and impactful."
—Brenda Jackson, New York Times bestselling author of Follow Your Heart
"A stunning and timely novel about a woman who, in forging a path for herself, had to battle constantly against the limitations society tried to place upon her due to her gender – and who also had to hide her true identity from a racist world...both a triumph and a fitting tribute to Belle’s courage, her fierce desire to protect her family and her personal struggle to be both the woman she was, and the woman she was not allowed to be."
—Natasha Lester, New York Times bestselling author of The Paris Secret
“An intimate and extraordinary conversation with the past. As Belle da Costa Greene achieves her dreams by forsaking an identity, we wonder if we would or could do the same to irrevocably alter the literary world and our family. A novel abundant with culture, art, literature, and romance—the beauty and recklessness of love are revealed with astonishing clarity.”
—Patti Callahan, New York Times bestselling author of Surviving Savannah
“From the moment I picked up The Personal Librarian, I was in awe of Belle da Costa Greene. My heart went out as she navigated the life she lived and the one she hid…. Belle’s story couldn’t come at a more fitting time as our country faces a united path forward.”
—ReShonda Tate Billingsley, National bestselling author of A Little Bit of Karma
“Upon starting this novel, be prepared to do nothing else until you’ve reached its poignant, reflective end. Through brilliant pacing and with painstaking care, Benedict and Murray paint a vibrant portrait of a woman whose accomplishments, relationships, and secretive history were as complex and intriguing as the collections she helped curate…a timely, provocative read perfect for book clubs. I loved it."
—Kristina McMorris, New York Times bestselling author of Sold on a Monday
"From the opulent gilded age ballrooms of New York, to the fiercely competitive auction houses of Europe, The Personal Librarian is a poignant story of race, class and one woman’s struggle to live authentically.”
—Renée Rosen, Author of The Social Graces
“The story of Belle da Costa Greene is timely, universal, and enduring. Through it, Benedict and Murray raise questions that are as important now as they were a hundred years ago—questions to which a true historical answer may be less important than the fact that we are continuing to face them in contemporary ways.”
—Pittsburgh Post-Gazette
“This fictional account of Greene’s life feels authentic; the authors bring to life not only Belle but all those around her. An excellent piece of historical fiction that many readers will find hard to put down.”
—Library Journal (starred review)
“A powerful take on the accomplishments of J.P. Morgan’s librarian…. Benedict and Murray do a great job capturing Belle’s passion and tenacity as she carves a place for herself in a racist male-dominated society. This does fine justice to a remarkable historical figure.”
—Publishers Weekly
“Every element of this blockbuster historical novel is compelling and revelatory, beginning with the bedazzling protagonist based with awestruck care on Belle da Costa Greene… a novel of enthralling drama, humor, sensuality, and insight. … [a] resounding tale of a brilliant and resilient woman defying sexism, classism, and racism during the brutality of Jim Crow. Benedict and Murray do splendidly right by Belle in this captivating and profoundly enlightening portrayal.”
—Booklist (starred review)
“Kept me intrigued, fascinated, and mesmerized throughout….Everyone should know about the woman who took risks, carved her own path, silenced the naysayers, and forged ahead to becoming one of America’s most prominent librarians in history. Definitely a must-read.”
—The Nerd Daily
"Both a stunning tribute to an amazingly courageous woman and a searingly timely exploration of race relations in America, The Personal Librarian is an extraordinary novel that will have you frantically googling the key figures to learn more. I won’t be ready to part with Belle and her contemporaries for a long time after finishing this one."
—Bookreporter.com
About the Author
Victoria Christopher Murray is an acclaimed author with more than one million books in print. She has written more than twenty novels, including Stand Your Ground, an NAACP Image Award Winner for Outstanding Fiction and a Library Journal Best Book of the Year. She holds an MBA from the NYU Stern School of Business.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
November 28, 1905
Princeton, New Jersey
The Old North bell tolls the hour, and I realize that I'll be late. I long to break into a sprint, my voluminous skirts lifted, my legs flying along the Princeton University pathways. But just as I gather the heavy material, I hear Mama's voice: Belle, be a lady at all times. I sigh; a lady would never run.
I release the fabric and slow down as I weave through Princeton's leafy Gothic landscape, designed to look like Cambridge and Oxford. I know I must do nothing to draw any kind of extra attention. By the time I pass Blair Arch, my stride is quick but acceptable for a lady.
It's been five years since I left our New York City apartment for this sleepy New Jersey college town, and the quiet is still unnerving. On the weekends, I wish I could return to the energy of New York, but the sixty cents for a train ticket is outside our family's budget. So, I send money home instead.
As I duck under a crenellated tower, I moderate my pace so I won't be breathless when I arrive. You are at Princeton University. You must take extra care working at that all-male institution. Be cautious, never do anything to stand out. Even though she's nearly sixty miles away, Mama insinuates herself into my thoughts.
Pushing the heavy oak door slowly to minimize its loud creak, I pad as quietly as my calfskin boots allow, across the marble foyer before I sidle into the office I share with two other librarians. The room is empty, and I exhale in relief. If sweet-natured Miss McKenna saw me arrive late, it would have been of no import, but with hood-eyed, nosy Miss Adams, I could never be certain she wouldn't mention my offense at some future time to our superior.
I remove my coat and hat, careful to smooth my rebellious curly hair back into place. Tucking my somber navy skirt beneath me, I slide onto my chair. Within minutes, the office door flies open, slamming against the wood-paneled wall, and I jump. It is my only dear friend, fellow librarian, and housemate, Gertrude Hyde. As the niece of the esteemed head of purchasing for the library, Charlotte Martins, she can breach the quiet of the library's hallowed halls without fear of repercussions. An ebullient twenty-three-year-old with ginger hair and bright eyes, no one makes me laugh as she does.
"Sorry to make you jump, dear Belle. I guess I owe you two apologies now, instead of the single one I'd intended. First, we abandoned you this morning, which undoubtedly led to your lateness," she says with a mischievous smile and a glance at the wall clock, "and now, I've given you a fright."
"Don't be silly. The fault is mine. I should have put aside that letter to my mother and walked to campus with you and Charlotte. Miss Martins, I mean," I correct myself.
Most days, Charlotte, Gertrude, and I walk together from their large family home on University Drive, where I have a room and share meals with Charlotte, Gertrude, and the rest of their family who live in the house as well. From the first, Charlotte and Gertrude have welcomed me into their home and social circles with warmth and generosity and have provided me with abundant guidance at work. I cannot imagine what my time in Princeton would have been like without them.
"Belle, why are you fussing about what to call Aunt Charlotte? There's nobody in here but you and me," Gertrude mock scolds me.
I don't say what I'm thinking. That Gertrude doesn't need to assess every single moment of every single day against societal standards to ensure her behavior passes muster. She has no need to analyze her words, her walk, her manner, but I do. Even with Gertrude, I must act with care, particularly given the heightened scrutiny in this university town, which operates as if it lies in the segregated South rather than in the supposedly more progressive North.
The distinctive clip of Miss Adams's shoes sounds in the hallway outside my office door, and Gertrude's skirt rustles as she moves to leave. She has as much fondness for my office mate as I do, and she'll skedaddle before she can get locked into a conversation.
Before she exits the office altogether, she turns back to me, whispering, "Are you still free for the philosophy lecture tonight?"
Since Woodrow Wilson assumed the presidency of Princeton University three years ago and instituted all sorts of scholastic reform, the number of lectures open to staff and members of the community has increased. While Gertrude and I revel in being included in the academic life of the campus, I loathe certain of Wilson's other decisions, such as maintaining Princeton as a whites-only university when all the other Ivy League schools have admitted colored folks. But I would never voice aloud these views.
Instead, I say, "Wouldn't miss it for the world."
***
The quiet of the stacks wraps around me like a soft blanket. I relax into the subdued hush of patrons turning pages and the scent of leather bindings. My long days spent in the company of medieval manuscripts and early printed books calm and delight me. Imagining the labors of the first printing press users as they memorialized the English language and broadly disseminated its literature through the meticulous work of placing the type letter by letter, transforming empty pages into beautiful text to inspire worshippers and readers, transports me beyond the limitations of this time and place, just as Papa always believed. To him, the written word could act as an invitation to free thought and the broader world, and nowhere was that more true than in the dawn of the printed word, where—for the first time—that invitation could be made to the masses instead of a select few.
"Miss Greene." I hear a soft voice from beyond the stacks.
Two simple words, but my visitor's modulated tone and distinctive accent give him away, and anyway, I've been waiting for him.
"Good day, Mr. Morgan," I reply, turning in his direction.
Even though I'm talking softly, Miss Scott glances up from the circulation desk with a disapproving scowl. It isn't so much the volume of my speech as the pleasantness of my relationship with the fellow librarian and collection benefactor that vexes her.
While Mr. Junius Morgan is ostensibly a banker, he has generously donated dozens of ancient and medieval manuscripts to the university, which is why he also holds the titular position of associate head librarian. I'm convinced that Miss Scott thinks any sort of relationship between us—even the cordial, professional one we share—is beneath him.
A slight man, with wispy brown hair and a kindly expression behind his circular glasses, materializes. "How are you today, Miss Greene?"
"Well, sir. And yourself?" My tone is professional and reserved. He's twenty minutes later than the time we'd mentioned, and I'd begun to think he'd forgotten about our appointment. But I would never dare mention his tardiness.
"I was going to take a gander at the Virgils, as we discussed yesterday. I wonder if you'd still care to accompany me. Assuming your duties and your interest permit, of course."
Mr. Morgan, whom I think of as Junius in the privacy of my thoughts, knows that my zeal for the library's most valuable collection is nearly as intense as his own and that none of my other tasks will stand in the way of the private viewing he has promised.
We share a passion for the ancient Roman poet Virgil. The library houses fifty-two volumes of his poetry. My discussions with Junius about the dark voyages in The Aeneid and The Odyssey are some of the brightest moments in my days. While Junius admires Odysseus, I identify always with Aeneas, the Trojan refugee who desperately tries to fulfill his destiny in a world that holds no place for him. Aeneas was driven by duty, sacrificing for the good of others.
"I have cleared my schedule, sir." I smile.
"Wonderful. If you'll follow me."
My skirts swish the oak floor as I follow Junius to the small, elegant room where the Virgils are housed. I have to inhale and restrain my foot from tapping as I wait for him to fish out a heavy key ring from his pocket.
Finally, he pushes the door open to reveal the glass cases holding the precious collection of rare books. There are only about one hundred and fifty printed books of Virgil's poetry in existence. These volumes were all printed in the fifteenth century. Most of them have been donated by Junius.
I've seen these books only a few times before, while in the company of the restoration team. This is a holy moment.
Mr. Morgan's voice worms its way into the sanctity of my thoughts. "Would you care to hold my favorite?"
Junius is carrying the Sweynheym and Pannartz copy of Virgil, the rarest of all the books. German clerics Conrad Sweynheym and Arnold Pannartz were two of the first users of the printing press in the fifteenth century, and the book he's proffering is one of their press's very first editions.
"May I?" I ask, incredulous at this opportunity.
"Of course." His eyes are bright behind his spectacles. I suspect it's a thrill for him to share his prize with one who cares equally about it.
I slide the proffered white gloves onto my hands. The book is heavier than I expected. I sit before its open pages. How Papa would have relished this moment. I think of my father, who introduced me to the rarefied world of art and manuscripts when I was only a girl.
One day, the beauty of your mind and the beauty of art will be as one, Papa had said once.
The memory of Papa's words makes me smile as I turn the yellowed pages. I examine the hand-detailed letter T that marks the beginning of a page, marveling at the luster of its gold leaf. I am oblivious to Junius's presence near me until he begins talking.
"I saw my uncle last evening."
Junius doesn't need to identify who his uncle is. Everyone at the library knows he is the nephew of the infamous financier J. P. Morgan, which is exactly why I never mention him. I want Junius to understand that I appreciate him for his erudition alone.
"Ah?" I answer politely, never moving my eyes from the page.
"Yes, at the Grolier Club."
I know the club he speaks of, by reputation anyway. Founded about twenty years ago, in 1884, the private club consists of moneyed bibliophiles whose main aim is to promote the scholarship and collection of books. I would adore a peek behind the closed doors of its Romanesque townhouse on East Thirty-Second Street. But as a woman, I'd never be admitted, and to those men, my gender would not be my only sin.
"Were you attending an interesting lecture?" I attempt to continue making small talk.
"Actually, Miss Greene, it wasn't the lecture that was interesting." Junius's tone contains a quality unusual for him, bordering on playful.
Curious, I turn away from the Virgil. Junius's placid face, always pleasant but always serious, has cracked open wide with a smile. It is a bit disconcerting, and as I lean away a little, I wonder what on earth is going on.
"No?" I ask. "The lecture wasn't good?"
"The lecture was fine, but the most fascinating discussion of the evening was with my uncle about his personal art and manuscript collection. I advise him about it from time to time, as well as the new library he's constructing for it right next door to his home in New York City."
"Oh, yes," I say with a small nod. "Is he considering an intriguing new acquisition?"
Junius pauses for a moment before he answers. "In a manner of speaking, I suppose he is in search of a new acquisition," he says with a knowing chuckle. "I have recommended that he interview you for his newly created post of personal librarian."
Product details
- Publisher : Berkley; Reprint edition (June 7, 2022)
- Language : English
- Paperback : 352 pages
- ISBN-10 : 0593101545
- ISBN-13 : 978-0593101544
- Item Weight : 11.7 ounces
- Dimensions : 5.45 x 0.89 x 8.19 inches
- Best Sellers Rank: #567 in Books (See Top 100 in Books)
- Customer Reviews:
About the authors
Marie Benedict is a lawyer with more than ten years' experience as a litigator at two of the country's premier law firms, who found her calling unearthing the hidden historical stories of women. Her mission is to excavate from the past the most important, complex and fascinating women of history and bring them into the light of present-day where we can finally perceive the breadth of their contributions as well as the insights they bring to modern day issues. She embarked on a new, thematically connected series of historical novels with THE OTHER EINSTEIN, which tells the tale of Albert Einstein's first wife, a physicist herself, and the role she might have played in his theories. The next novel in this series is the USA Today bestselling CARNEGIE'S MAID -- which released in January of 2018 -- and the book that followed is the New York Times bestseller and Barnes & Noble Book Club Pick THE ONLY WOMAN IN THE ROOM, the story of the brilliant inventor Hedy Lamarr, which published in January of 2019. In January of 2020, LADY CLEMENTINE, the story of the incredible Clementine Churchill, was released, and became an international bestseller. Her next novel, the Instant NYTimes and USAToday bestselling THE MYSTERY OF MRS. CHRISTIE, was published on December 29, 2020, and her first co-written book, THE PERSONAL LIBRARIAN, with the talented Victoria Christopher Murray, will be released on June 29, 2021. Writing as Heather Terrell, Marie also published the historical novels The Chrysalis, The Map Thief, and Brigid of Kildare.
Victoria Christopher Murray is the New York Times bestselling author of more than 30 novels. Her novel, The Personal Librarian, which she co-authored with Marie Benedict was an Instant New York Times bestseller and her novel, Stand Your Ground won an NAACP Image Award for Outstanding Literary Work - Fiction. Two of her novels, Lust and Envy have been made into TV movies for Lifetime. Visit her at www.victoriachristophermurray.com.
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Genevieve, Belles' mother, having to create a Portuguese grandmother to disguise their Black heritage was a covert operation for the entire fate of the family. Teaching was the most common and revered profession for blacks during the time period, Belle’s mother was pro advocate for her becoming a teacher while her father envisioned Belle as a historian or arts scholar. It was her father that laid the groundwork for her career as personal librarian to J.P. Morgan. Belle taught herself Latin, and became very knowledgeable in an exclusively male world of art and rare book dealer.
The chapters are short which makes for faster reading. I had moments of elation, sadness, joy, awe and admiration. I asked myself why was Belle a personal librarian and not titled a curator or dealer of antiquities, paintings, manuscripts and artifacts, and did J.P. Morgan feel about Blacks the same way he felt about Jews? The story takes place in 1905-1948 and follows Belle from city to city and country to country.
Belle’s father sides with the views of Booker T. Washington, regarding his strategies with business owners and politicians and Willie DuBoise, in his views on his plans for the advancement of NAACP, in which mirrored his stance. The comparison between Booker T. Washington and W. E. B. DuBois. This was also mentioned in “A Pair of Wings” by Carole Hopson, in which blacks were siding with the philosophy of one or the other to determine their path of equality. It is a true and honest fact that many blacks owe their light skin to the sexual violence inflicted on enslaved black women by their white masters, and chose to pass as white as the best option to enhance their lifestyle for better housing, better jobs and pay, and equality. It meant estrangement from their families.
I was not particularly pleased with Belle's romance with Berenson (a Lithuanian born Jew) whom harbored secrets of his own, as they were involved in a long term relationship. I was conflicted in whether he was truly in love with Belle or was he using her intellect and insights to gain advantages to his own art dealings.
This novel was written during a pandemic, and racial injustice with the murder of George Floyd in 2021 in which the Civil Rights Act in 1883 that ushered in Jim Crow segregation and gave white supremacy and racial discrimination legal cover, the ramifications of which are felt to this day in 2022. There are still few opportunities open to blacks or anyone classified as nonwhite. As of 2022 we are striving to vote the first African American female Judge in the highest court of the land, the Supreme Court, but with much opposition.
Overall, I learned a lot about the are world, travel to other countries during this era, especially for blacks, the culture during the Guilded Age Era, many historical places and people. I will value this read as a learning experience and highly recommend this book to bibliophiles, art historians, and history buffs. I look forward to doing more research into Belle da Costa Greene's life by reading some of the recommended material: "Am Illuminated Life: Belle da Costa Greene's Journey from Prejudice to Privilege" by Heidi Ardizzone, and "The White Problem" by Belle's father, Richard Greener.
I found nothing particularly revelatory about the time period of this book but appreciate the authors’ attention to detail and depth of research required to paint the portrait of at least to me, a little known, but ultimately very important figure in American history. I can’t say that this book kept me enthralled but it did teach me a thing or two.
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