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Perspective! for Comic Book Artists: How to Achieve a Professional Look in your Artwork Paperback – October 1, 1997
| David Chelsea (Author) Find all the books, read about the author, and more. See search results for this author |
| Price | New from | Used from |
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- Print length176 pages
- LanguageEnglish
- PublisherWatson-Guptill
- Publication dateOctober 1, 1997
- Dimensions7.05 x 0.48 x 9.98 inches
- ISBN-100823005674
- ISBN-13978-0823005673
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Product details
- Publisher : Watson-Guptill; NO-VALUE edition (October 1, 1997)
- Language : English
- Paperback : 176 pages
- ISBN-10 : 0823005674
- ISBN-13 : 978-0823005673
- Item Weight : 15.4 ounces
- Dimensions : 7.05 x 0.48 x 9.98 inches
- Best Sellers Rank: #450,703 in Books (See Top 100 in Books)
- #85 in How to Create Comics
- #382 in Comics & Manga Coloring Books for Grown-Ups
- #389 in Art Encyclopedias
- Customer Reviews:
About the authors

David Chelsea was born in Portland Oregon. A published commercial artist since the age of twelve, David has drawn comics and illustrations for numerous publications and is the author of the graphic novels David Chelsea In Love, Welcome To The Zone, Snow Angel, and the how-to books Perspective! For Comic Book Artists, Extreme Perspective! For Artists, and Perspective In Action. In recent years David has taken up the challenge devised by Scott McCloud, to draw an entire 24 page comic within 24 hours, a record seventeen times, and the first 12 of these stories have been collected in two volumes by Dark Horse, Everybody Gets It Wrong! and Sleepless. David's 16th 24 Hour Comic session is the subject of the documentary 24 Hour Comic, directed by Milan Erceg.
David's work on perspective stems from a lifelong interest. He has lectured on the subject at numerous institutions including The University Of Oregon, Pacific Northwest College of Art and Seattles's Gage Academy Of Art. Years ago, David devised his own six point perspective method for painting on spherical objects such as globes and bowling balls, and his spherical paintings are in many private collections.
David lives in Portland's historic Irvington's district with his wife Eve and daughter Rebecca.

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TO THE AUTHOR PLEASE WRITE BOOK TWO AND IF POSSIBLE BOOK THREE THE WORLD DESERVES THIS KIND OF EXCELLENT THOUROUGHNESS!
But understand 'for comic book artists' means that you are already attempting to draw comics, you are NOT completely new to drawing or attempting perspective!
This is a book for people that want to ADVANCE their knowledge of perspective! And for those people this book progresses from basic concepts to advanced concepts, with a cartoon author teaching a carton cartoonist that needs help with perspective.
Now I have had other books on perspective, and this book is better at explaining clearly and also helping an artist understand how to APPLY perspectives to drawings in the real world.
Now myself, I had to get David Chelsea's 'EXTREME PERSPECTIVE' for comic book artists to answer a question I hoped this book would answer (now that the desk is in perspective, how do I draw the three pieces of paper scattered at different angles on the desk - in perspective?).
But now I have both books I'm happy as a clam and whenever I forget something I can return to these books for the answer!
I think the two books together could just about cover it for anyone really trying to learn and understand perspective. When you can't figure out what an author says, it helps to read another author's explanation of the same subject, and these two complement each other well.
With Vertical and Horizontal lines drawn in,
it really illustrates what Perspective is.
But attempting to draw perspective in art
is difficult to begin with, and this book is
NOT for Amateur Nights. The art lines drawn
here can really make you dizzy. It is a struggle
to keep up with it, unless one does tons of
practice. I am a cartoonist and I tried it, and
I had to back off and give my eyes a rest. This
book is complete, and interesting to study, but
some pages may go over your head to attempt to
grasp. This book is for serious people, not
Amateur Nights. You really have to put your head
into it, to get it right. But this book illustrates
the Blueprint of perspective better than other books
I've seen. If this book does not melt your brain, then
try book "MAKING COMICS" by Scott Mc Cloud. It is the
better drawing book.----- Luisa Felix
This is a fantastic book on perspective. It was recommended to me by an artist friend, and I in turn recommended it to a college art teacher I to help her with students who were having a hard time with the subject matter.
It goes over everything you could ever want to know about perspective in wonderful, glorious, humorously illustrated detail. The material is approachable, it doesn't seem daunting, academic, overly precise or mathematic. I'd recommend it to every artist, and I think every artist can learning something from it, not just those drawing comic books.
Top reviews from other countries
Perspective is arguably the most reviled of the things I teach as it is a complicated process to new artists that takes a while to wrap your head around. Previously I have looked into Scott Robertson's How to Draw which, although it is an excellent book, can be pretty impenetrable to a newbie artist before being recommended this one.
Fittingly it is written as a comic and for me explains more complicated aspects of perspective such as the picture plane, cone of vision and measuring distances within your art in very simple terms. The book covers the three primary perspectives and the fact that each statement comes with a supporting illustration really helps to hammer home the points made.
If you are having trouble getting your head around perspective or having trouble communicating perspective ideas to other people I cannot recommend this book enough.
The book does have some nice, informative info. However, I think the clarity is a little hit and miss in places. Sometimes I found it quite difficult to understand what the author was talking about. It is worth a buy because it does teach some good stuff, but be prepared to be irritated









