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Persuasion (Complete Classics) Audio CD – Audiobook, CD

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Editorial Reviews

Amazon.com Review

Anne Elliot, heroine of Austen's last novel, did something we can all relate to: Long ago, she let the love of her life get away. In this case, she had allowed herself to be persuaded by a trusted family friend that the young man she loved wasn't an adequate match, social stationwise, and that Anne could do better. The novel opens some seven years after Anne sent her beau packing, and she's still alone. But then the guy she never stopped loving comes back from the sea. As always, Austen's storytelling is so confident, you can't help but allow yourself to be taken on the enjoyable journey. --This text refers to the Audible Audio Edition edition.

From Publishers Weekly

Starred Review. Stevenson has read all of Austen's novels for audiobook, in abridged or unabridged versions, and her experience shows in this delightful production. Though dominated by the intelligent, sweet voice of Anne Elliot—the least favored but most worthy of three daughters in a family with an old name but declining fortunes—Stevenson provides other characters with memorable voices as well. She reads Anne's haughty father's lines with a mixture of stuffiness and bluster, and Anne's sisters are portrayed with a hilariously flighty, breathy register that makes Austen's contempt for them palpable. Anne's voice is mostly measured and reasonable—an expression of her strong mind and spirit—but Stevenson imbues her speech with wonderful shades of passion as Anne is reacquainted with Capt. Wentworth, whom she has continued to love despite being forced, years before, to reject him over status issues. Listening to Stevenson, as Anne, describe a sudden encounter with Wentworth, one hardly needs Austen's description of how Anne grows faint—Stevenson's perfectly judged and deeply felt reading has already shown that she must have. Even those who have read Austen's novels will find themselves loving this book all over again with Stevenson's evocative rendition ringing richly in their ears. (Apr.)
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Product Details

  • Series: Complete Classics
  • Audio CD: 7 pages
  • Publisher: Naxos Audiobooks; Unabridged edition (February 1, 2007)
  • Language: English
  • ISBN-10: 9626344369
  • ISBN-13: 978-9626344361
  • Product Dimensions: 5.7 x 2 x 5.1 inches
  • Shipping Weight: 14.1 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (1,538 customer reviews)
  • Amazon Best Sellers Rank: #1,464,824 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By Jana L.Perskie HALL OF FAMETOP 500 REVIEWERVINE VOICE on July 11, 2005
Format: Paperback
"Persuasion" is a great literary work, and, to my mind, Jane Austen's finest book. This was her final completed novel before her death, and was published posthumously. As is often the case with Ms. Austen's fiction, "Persuasion" deals with the social issues of the times and paints a fascinating portrait of Regency England, especially when dealing with the class system. Rigid social barriers existed - and everyone wanted to marry "up" to a higher station - and, of course, into wealth. This is also a very poignant and passionate story of love, disappointment, loss and redemption. The point Austen makes here, is that one should not ever be persuaded to abandon core values and beliefs, especially for ignoble goals. There are consequences, always.

Gillian Beer writes a fascinating Introduction in this Penguin Classic Edition, in which she discusses Miss Austen's portrayal of the double-edged nature of persuasion. This complete and unabridged edition also contains a biography of the author, an Afterword, a new chronology and full textual notes.

Sir Walter Elliot, Lord of Kellynch Hall, is an extravagant, self-aggrandizing snob, and a bit of a dandy to boot. He has been a widower for many years and spends money beyond his means to increase his social stature. His eldest daughter, who he dotes on, is as conceited and spoiled as he is. The youngest daughter, Anne, is an intelligent, sensitive, capable and unassuming woman in her late twenties when the story opens. She had been quite pretty at one time, but life's disappointments have taken their toll and her looks are fading. She and her sister are both spinsters. Anne had once been very much in love with a young, and as yet untried, navel officer.
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Format: Mass Market Paperback
This book is one of my favorites of all time. Many people dislike it or don't like it as much when compared to Pride and Prejudice or Emma, but there are many reasons why Persuasion should not be compared to Austen's other novels. This novel was the last one that Austen wrote before she died. It is a more mature novel, dealing with many issues not found in Austen's previous novels. One reason why people find faults with the book is that Anne Elliot, the heroine, is not as spunky or witty as an Elizabeth Bennett or an Emma Woodhouse. There is not so much wit flowing in the dialogue between characters, or even dialogue in general. But these differences between the novels make this one so unique.
It is a novel of second chances. Anne Elliot, no longer in the bloom of youth, is a grown woman of 27 or 28 years. Eight years ago she had been happily in love with a handsome man named Frederick Wentworth. But, unfortunately, due to his financial status, and Anne under the influence of her family and close friend, was forced to reject his marriage proposal and they parted ways. But now, he is within her closest circle once again. Circumstances led to Anne staying with her married sister, Mrs. Muskgrove, while her own house was being let to Wentworth's sister and husband. Wentworth visits his sister and on calling on the Muskgroves finds Anne among them. Anne finds Wentworth, not only looking as good as he ever did, but is now Captain Wentworth, who has made his fortune. Wentworth, still angry with Anne over being rejected, causes him to treat Anne very cooly. But over many weeks of contact here and there, you catch on that Captain Wentworth isn't all that oblivious to Anne anymore, because of all the little 'glimpses' he throws at Anne. The tension between the two is amazing.
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Format: Mass Market Paperback
I approached this book somewhat warily, knowing that Northanger Abbey was to some degree a satirical take on the immense popularity of Gothic romances such as Ann Radcliffe's The Mysteries of Udolpho, a book I dearly love. Happily, Austen's means of poking fun at Gothic horror literature are far from mean-spirited and, as a matter of fact, can be delightfully humorous indeed. Her heroine, Catherine Morland, is by no means the type of heroine to be found in the giant tomes of Radcliffe and her indulgent imitators, as Austen tells her reading audience directly from the very start. "Almost attractive" on a good day, this unintellectual tomboy has reached her fifteenth year without inspiring a young man's fancy, nor would she be able to delight him with musical skill or even draw his profile in her secret notebooks if she had. Having encountered no strangers who would prove to be a lord or prince in disguise, her heroic ambitions seem stymied at best until fate steps in and grants her a stay of several weeks in the delightful town of Bath. Making her transition from naïve girl to equally naïve young lady, Catherine almost immediately falls quite in love with young Henry Tilney, while at the same time she becomes intimate friends with an older young lady named Isabella, whose inconstancy as both friend and intended beloved of Catherine's own brother eventually brings her much pain. To her intense delight, however, Catherine is invited by General Tilney, Henry's father, to spend some few weeks in his home, Northanger Abbey. Her joy at spending such private time in the company of her beloved and new best friend Eleanor Tilney is immense, but equally exciting to her is the chance to spend time in a mysterious former abbey of the sort she has read so much about.Read more ›
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