OK
Customers Also Bought Items By
Are you an author?
Author Updates
Scott marshals compelling evidence that the deep state is now partly institutionalized in non-accountable intelligence agencies like the CIA and NSA, but it also extends its reach to private corporations like Booz Allen Hamilton and SAIC, to which 70 percent of intelligence budgets are outsourced. Behind these public and private institutions is the influence of Wall Street bankers and lawyers, allied with international oil companies beyond the reach of domestic law. Undoubtedly the political consensus about America’s global role has evolved, but if we want to restore the country’s traditional constitutional framework, it is important to see the role of particular cabals—such as the Project for the New American Century—and how they have repeatedly used the secret powers and network of Continuity of Government (COG) planning to implement change. Yet the author sees the deep state polarized between an establishment and a counter-establishment in a chaotic situation that may actually prove more hopeful for U.S. democracy.
On November 22, 1963, President John F. Kennedy was gunned down in Dallas by Lee Harvey Oswald. Shortly after, Oswald himself was killed. These events led many to believe there was a far greater plan at work, with a secret cabal of powerful men manipulating the public and shaping US policies both at home and abroad for their own interests.
But no one could imagine how right they were.
Beneath the orderly façade of the American government, there lies a complex network, only partly structural, linking Wall Street influence, corrupt bureaucracy, and the military-industrial complex. Here lies the true power of the American empire. This behind-the-scenes web is unelected, unaccountable, and immune to popular resistance. Peter Dale Scott calls this entity the deep state, and he has made it his life’s work to write the history of those who manipulate our government from the shadows. Since the aftermath of World War II, the deep state’s power has grown unchecked, and nowhere has it been more apparent than that day at Dealey Plaza.
In this landmark volume, Scott traces how culpable elements in the CIA and FBI helped prepare for the assassination, and how the deep state continues to influence our politics today.
As timely and important as ever in the current chaotic political climate, Dallas ’63 is a reality-shattering, frightening exposé not of those who govern us—but of those who govern those who govern us.
An important analysis into the causes of war and the long-lasting effects that major events in American history can have on foreign and military policies, The War Conspiracy is a must-read book for students of American history and foreign policy, and anyone interested in the ways that domestic tragedies can be used to manipulate the country’s direction.
First published in 1972, this edition of The War Conspiracy is fully updated for the twenty-first century and includes two lengthy additional essays, one on the transition in Vietnam policy in the wake of the Kennedy assassination, and the other discussing the many parallels between that 1963 event and the attacks of 9/11.
Deep Politics on Oswald, Mexico, and Cuba, originally published in 1995, narrows the focus of Scott’s earlier Deep Politics and the Death of JFK. Scott delivers the most detailed treatment yet of the mysterious sojourn of Lee Harvey Oswald (or someone using his name) to Mexico City in the fall of 1963. Was this trip a key aspect of the framing of Oswald, was it an approved intelligence operation, or was it perhaps both?
It is now known that allegations of Communist conspiracy in the wake of the JFK assassination, emanating mostly from Mexico City, caused Lyndon Johnson to put together a “blue ribbon commission” to investigate what happened in Dallas. Scott explains through meticulous research and analysis exactly why LBJ would want the Warren Commission to rush to a conclusion, and the far-reaching political ramifications of the commission’s public findings.
Scott’s analysis suggests the evidence from Mexico City was part of a frame-up, making Deep Politics on Oswald, Mexico, and Cuba an essential piece of research and analysis, shedding new light on the Communist conspiracy allegations behind the JFK assassination.
"Not since Robert Duncan's Ground Work and before that William Carlos Williams' Paterson has New Directions published a long poem as important as Coming to Jakarta!" —James Laughlin
A devastating revelation of violence, exploitation, and corrupt politics, Coming to Jakarta derives its title from the role played by the CIA, banks, and oil companies in the 1965 slaughter of more than half a million Indonesians. A former Canadian diplomat and now a scholar at the University of California, Peter Dale Scott has said that the poem "is triggered by what we know of the bloody Indonesian massacre… However it is not so much a narrative of exotic foreign murder as one person’s account of what it is like to live in the 20th century, possessing enough access to information and power to feel guilty about global human oppression, but not enough to deal with it. The usual result is a kind of daily schizophrenia by which we desensitize ourselves to our own responses to what we read in the newspapers. The psychic self-alienation which ensues makes integrative poetry difficult but necessary." With a brilliant use of collage, placing the political against the personal––childhood acquaintances are among the darkly powerful figures––Scott works in the tradition of Pound’s Cantos, but his substance is completely his own.
A study at many levels of Scott’s long poem Coming to Jakarta, a book-length response to a midlife crisis triggered in part by the author’s initial inability to share his knowledge and horror about American involvement in the great Indonesian massacre of 1965. Interviews with Ng supply fuller information about the poem’s discussions of: a) how this psychological trauma led to an explorations of violence in American society and then, after a key recognition, in the poet himself; b) the poem's look at east-west relations through the lens of the yin-yang, spiritual-secular doubleness of the human condition; c) how the process of writing the poem led to the recovery of memories too threatening at first to be retained by his normal presentational self, and d) the mystery of right action, guided by the Bhagavad Gita and the maxim in the Gospel of Thomas that "If you bring forth what is within you, what you bring forth will save you.”
Led by the interviews to greater self-awareness, Scott then analyses his poem as also an elegy, not just for the dead in Indonesia, but “for the passing of the Sixties era, when so many of us imagined that a Movement might achieve major changes for a better America.” Subsequent chapters develop how human doubleness can lead to an inner tension between the needs of politics and the needs of poetry, and how some poetry can serve as a non-violent higher politics, contributing to the evolution of human culture and thus our “second nature.”
The book also reproduces a Scott prose essay, inspired by the poem, on the U.S. involvement in and support for the 1965 massacre. It then discusses how this essay was translated into Indonesian and officially banned by the Indonesian dictatorship, and how ultimately it and the poem helped inspire the ground-breaking films of Josh Oppenheimer that have led to the first official discussions in Indonesia of what happened in 1965.