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The Philip Roth We Don't Know: Sex, Race, and Autobiography Hardcover – September 14, 2021

2.9 2.9 out of 5 stars 4 ratings

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Let it be said, Philip Roth was never uncontroversial. From his first book, Roth scandalized literary society as he questioned Jewish identity and sexual politics in postwar America. Scrutiny and fierce rebukes of the renowned author, for everything from chauvinism to anti-Semitism, followed him his entire career. But the public discussions of race and gender and the role of personal history in fiction have deepened in the new millennium. In his latest book, Jacques Berlinerblau offers a critical new perspective on Roth’s work by exploring it in the era of autofiction, highly charged racial reckonings, and the #MeToo movement.

The Philip Roth We Don’t Know poses provocative new questions about the author of Portnoy’s Complaint, The Human Stain, and the Zuckerman trilogy first by revisiting the long-running argument about Roth’s misogyny within the context of #MeToo, considering the most current perceptions of artists accused of sexual impropriety and the works they create, and so resituating the Roth debates. Berlinerblau also examines Roth’s work in the context of race, revealing how it often trafficked in stereotypes, and explores Roth’s six-decade preoccupation with unstable selves, questioning how this fictional emphasis on fractured personalities may speak to the author’s own mental state. Throughout, Berlinerblau confronts the critics of Roth ―as well as his defenders, many of whom were uncritical friends of the famous author―arguing that the man taught us all to doubt "pastorals," whether in life or in our intellectual discourse.


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Editorial Reviews

Review

[A] fresh account of the literary legacy of the award-winning and controversial author.... Intriguing new perspectives on a contentious writer.

Kirkus Reviews

Despite long-standing attention paid Roth by literary critics, theorists, and commentators, The Philip Roth We Don’t Know is a startlingly refreshing and astoundingly comprehensive intervention in the field known as Roth studies. Berlinerblau asks that we take the long view, one that is rich in nuance, vigorous in its attention to broader trends and experiences, and one that doesn’t shy away from asking difficult, challenging, and even painful questions.

-- Jessica Lang, Baruch College of CUNY, author of Textual Silence: Unreadability and the Holocaust

Provocative and original, The Philip Roth We Don’t Know interrogates the life and works of Roth in light of the #MeToo movement and, in so doing, provides a contemporary context for discussing Roth during these changing times.

-- Aimee Pozorski, Central Connecticut State University

Berlinerblau’s method of reverse biography is fascinating.

Publishers Weekly

The Philip Roth We Don’t Know is not so much reverse biography as a forward-looking argument. It affirms the enduring value of an astonishingly inventive author even Gen Z can know and admire.

Forward

Berlinerblau, of Georgetown University, Washington, who has published papers on Roth and lectured on his work for three decades, said: 'The thing I learnt about Roth in looking through this material is how much time he spent networking, scratching people’s backs, placing his people in positions, voting for them.'... Ultimately, Berlinerblau said, it is all the more surprising because Roth was such 'a magnificent writer.'

The Guardian

There is a definite need for a book that grapples with Roth’s reputation in the #MeToo era. A literary figure of towering repute and prodigious output, Roth wrote books that constantly portrayed toxic masculinity, the male gaze, date rape, and emotional, physical, and sexual abuse.... [T]here is a ready market for a book pondering why he still matters.

Library Journal

[A] thought­ful, time­ly explo­ration by Jacques Berlinerblau. In The Philip Roth We Don’t Know, he attempts to X‑ray Roth’s fic­tion while assess­ing his lega­cy. Will Roth’s rep­u­ta­tion sur­vive #MeToo? Should it? To answer, Berliner­bau reads Roth foren­si­cal­ly. His project is sim­ple yet ambitious: read­ing Roth rig­or­ous­ly and map­ping his obsessions.

Jewish Book Council

Berlinerblau introduces readers to an intriguing theme: what happens to a writer’s legacy when his output runs headlong into a worldwide social movement? Part of what makes this book exciting for readers, no matter where one sits on the Philip Roth fan/critic spectrum, is that it addresses a question that has yet to be answered.

Studies in American Jewish Literature

Review

[A] fresh account of the literary legacy of the award-winning and controversial author.... Intriguing new perspectives on a contentious writer.



Berlinerblau’s method of reverse biography is fascinating.



The Philip Roth We Don’t Know is not so much reverse biography as a forward-looking argument. It affirms the enduring value of an astonishingly inventive author even Gen Z can know and admire.



Berlinerblau, of Georgetown University, Washington, who has published papers on Roth and lectured on his work for three decades, said: 'The thing I learnt about Roth in looking through this material is how much time he spent networking, scratching people’s backs, placing his people in positions, voting for them.'... Ultimately, Berlinerblau said, it is all the more surprising because Roth was such 'a magnificent writer.'



There is a definite need for a book that grapples with Roth’s reputation in the #MeToo era. A literary figure of towering repute and prodigious output, Roth wrote books that constantly portrayed toxic masculinity, the male gaze, date rape, and emotional, physical, and sexual abuse.... [T]here is a ready market for a book pondering why he still matters.



[A] thought­ful, time­ly explo­ration by Jacques Berlinerblau. In The Philip Roth We Don’t Know, he attempts to X‑ray Roth’s fic­tion while assess­ing his lega­cy. Will Roth’s rep­u­ta­tion sur­vive #MeToo? Should it? To answer, Berliner­bau reads Roth foren­si­cal­ly. His project is sim­ple yet ambitious: read­ing Roth rig­or­ous­ly and map­ping his obsessions.



Berlinerblau introduces readers to an intriguing theme: what happens to a writer’s legacy when his output runs headlong into a worldwide social movement? Part of what makes this book exciting for readers, no matter where one sits on the Philip Roth fan/critic spectrum, is that it addresses a question that has yet to be answered.

Product details

  • Publisher ‏ : ‎ University of Virginia Press (September 14, 2021)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 240 pages
  • ISBN-10 ‏ : ‎ 0813946611
  • ISBN-13 ‏ : ‎ 978-0813946610
  • Item Weight ‏ : ‎ 1 pounds
  • Dimensions ‏ : ‎ 6 x 1.25 x 9 inches
  • Customer Reviews:
    2.9 2.9 out of 5 stars 4 ratings

About the author

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Jacques Berlinerblau
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Jacques Berlinerblau (jberlinerblau.com) is a Professor of Jewish Civilization at Georgetown University. He possesses separate doctorates in ancient languages and literatures and theoretical sociology. He publishes research about secularism, literature, religion and politics, and African-American and Jewish-American relations. The author of 10 scholarly books, he also has written for, appeared on, or had his work discussed in The New York Times, The Washington Post, The Economist, Salon, The Guardian, The New Republic, The Nation, NPR, Tablet, Commentary, The Forward, The Jerusalem Post, Haaretz, Canadian Broadcast Network, The Chronicle of Higher Education, Al-Jazeera, PBS, MSNBC, CBS, CBC, TF1, AFP, and CNN. His twitter handle is @Berlinerblau

Customer reviews

2.9 out of 5 stars
4 global ratings

Top reviews from the United States

Reviewed in the United States on October 6, 2021
I learned about this book through listening to an interview with him, and I appreciate how he encourages us to critically engage with art. Thanks for a great read!
Reviewed in the United States on September 23, 2021
Since Nadel's and Bailey's Roth biographies preceded this book by many months, it was already outdated before it was published. Berlinerblau's constant harping on the need for biographers to do this or that regarding Roth's views on race, misogyny, and the self naturally leads one to wonder how he feels about the 1450 combined pages of biography that have beaten him to the punch.

That said, this book is disappointing in other ways. Of its 230 pages, only 120 are actual text, leaving us 47 pages of footnotes, many of which are unnecessary (some paragraphs have a footnote after every sentence, flocks of them inhabiting the pages like rogue numerals), 30 pages of works cited, an index, abbreviations, acknowledgements, and an 8-page appendix consisting of charts of African-Americans and Age-Dissimilar Romances in Roth's various works.

We've read over and over the stories about Roth's use of race and his possible "misuse" of women characters. There's nothing new that comes to light here. And while the comments on the autobiographic self/selves have some interest, it's a theme that Roth himself has discussed over and over in his books, truly the elephant in the room. There's also some specious reasoning and dubious conclusions here. Discussing the possible influence on Roth of Charles Horton Cooley's theory of the "Looking Glass Self," Berlinerblau states: "I suspect, but cannot prove, that Roth was familiar with Cooley's thesis. Were I a biographer, I'd consult my subject's college and graduate transcripts to see if he studied sociology or social psychology in the 1950s." It doesn't require a biographer to do such a piece of research, which might have been done using the two research assistants and the 26 months during which the author prepared and wrote this book.

In short, this is all very familiar ground to Roth readers who have read Bailey's or Nadel's book, and haven't had their head in the sand during the Bailey publication fiasco. On the contrary, this is a Roth we already know very well indeed.
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Top reviews from other countries

JAK
1.0 out of 5 stars awful
Reviewed in Canada on June 23, 2022
written by someone with an axe to grind, pseudo-scholarship at best