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Photographing Children Photo Workshop Paperback – August 9, 2011
| Ginny Felch (Author) Find all the books, read about the author, and more. See search results for this author |
Family photography continues to be a major field of professional digital photography, while amateur moms are the fastest growing segment of digital camera owners. No matter your level of expertise, you’ll benefit from the invaluable advice featured in this new edition. Updated with new photos and revised text to cover the latest technologies, this inspirational book offers critical assistance with photographing children in portrait or candid situations, natural environments or structured interiors, and any variety of lighting. You’ll find practical techniques as well as artistic guidance to capture a photo that radiates the innocence and magic of childhood.
- Offers a strong understanding of photography’s fundamentals and explains how they are crucial to capturing memorable images of children
- Covers all the latest equipment and technology including mobile phones and HD video, and details how to capture fantastic images no matter the medium
- Instructs you on how to effectively photograph children in a variety of situations, lighting, environments, weather, etc.
- Shares insider advice on how to take frame-worthy photos of children that emanate the magic of childhood
Photographing Children Photo Workshop, Second Edition shows you how to sharpen your observation skills and involve your subjects so you can take memorable photos of children that will last for generations.
Photos from the Book
ISO 400, f/2.5, 1/2000 second
(Click on photo to zoom) ISO 200, f 4.5. 1/250 second; some blurring of background added in post-production
(Click on photo to zoom) ISO 400, f 4.2, 1/400 second; some blurring of background added in post-production
(Click on photo to zoom)
From the Author: Five Tips for Photographing Children
1. Try to find a very simple and uncluttered background so that the children stand out. If your eyes don't go to their faces and skin, you'll know your composition/background needs cleaning up (and NOT with Photoshop, but with more observing eyes before you click the shutter!).
2. Avoid using the flash and try to learn to see light quality and direction. That way you'll avoid the "deer in the headlights" look and will be able to see the roundness and softness of skin and features. If you must use a flash, learn how to cut the intensity WAY down so that it is more of a "fill-flash."
3. Keep an eye out for natural poses that you see your child in every day so that you begin to appreciate them and feel less need to POSE them. Sometimes that means catching them spontaneously when they aren't aware that you are there with a camera.
4. Learn to appreciate expressions that aren't necessarily big smiles. If you convey that you are not looking for smiles, they might be less likely to feel obliged! Psychologically, as parents, we want our children to look happy, but all expressions are precious to capture and behold. That way you will have an day-to-day story of your children in all manner of moods, expressions and behaviors! You will really appreciate that as you look back over a child's life.
5. All photography, including photography of children, is about learning to see light and composition better to improve the impact of the photograph. Once you have done that, photographs of your children will dazzle! By all means, have fun learning and improving because that, too, will show in your images.
- Print length304 pages
- LanguageEnglish
- PublisherWiley
- Publication dateAugust 9, 2011
- Dimensions7.42 x 0.78 x 9.2 inches
- ISBN-101118024532
- ISBN-13978-1118024539
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Editorial Reviews
From the Back Cover
This book is not about photographic technology, although it provides what you need to know. Rather, it is about inspiration — identifying and trusting your own vision for your photographs; honing your perspective, your sense of timing, your personal interpretations. Here's where you'll learn to put aside any fear of the technology and concentrate on seeing and capturing those perfect moments that preserve the uniqueness of every child.
Seek out your own inner child and let that guide your interaction with your subjects
Learn to find and develop your own personal style
See how to change the mood by changing the light
Know how to compose photos effectively without compromising spontaneity
When editing your images, focus on your vision
About the Author
Product details
- Publisher : Wiley; 2nd edition (August 9, 2011)
- Language : English
- Paperback : 304 pages
- ISBN-10 : 1118024532
- ISBN-13 : 978-1118024539
- Item Weight : 1.77 pounds
- Dimensions : 7.42 x 0.78 x 9.2 inches
- Best Sellers Rank: #1,429,927 in Books (See Top 100 in Books)
- #82 in Children's Photography
- #1,289 in Photography Reference (Books)
- Customer Reviews:
About the author

As a child growing up in the fifties, I was given a Brownie camera by my father, a newspaper publisher in New England. I remember feeling encouraged by his kind compliments about my sensitivity and composition.
The beauty and nostalgia of New England as well as my mother's eclectic eye for beauty and her appreciation of art and design, were gifts which contributed to my developing eye. While I was an outwardly friendly and social young person, I cherished solitude and daydreaming and entertaining fantasies of motherhood. Perhaps these were the seeds of what would come forth in my imagery.
As a young mother, I was trained as a wedding photographer after years of studying black and white photography. Later, my love for children, spurred by my experiences with my son Zachary, led to an inspired career creating childrens' portraits.
Along this journey, as I exhibited and lectured my way to becoming a Master of Photography through Professional Photographers of America, I was fortunate enough to have been coached by some of the great photographers: Marie Cossindas, Morley Baer, Ruth Bernhard, Robert Farber, Sara Moon, and Josef Karsh.
What motivates me always is the moody and sculptural effect of natural light on a myriad of subjects, creating a sense of place or feeling of timelessness.
I have recently established a digital darkroom, always hoping to avoid what I consider Photoshop cliche, when the effects are obvious. Recently I have been experimenting with photographing appealing textures and surfaces and blending them with an original photograph.This is a spontaneous and intuitive process which has endless possibilities. Another great advantage of my darkroom is the ability to use textured fine art papers and archival inks.
Above all, I seek beauty.
"Beauty has a dignity and poise that takes us beyond our smallness and negativity; beauty brings us in to remembrance. Beauty is the bridge between the real and the ideal. Not everything is beautiful; yet when we develop a graceful and gracious eye, we can find beauty in the most unexpected places." - John O'Donohue
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