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Physical Graffiti (Super Deluxe Edition Box CD & LP) Box set, Original recording remastered

4.7 out of 5 stars 1,038 customer reviews

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Audio CD, Box set, Original recording remastered, February 24, 2015
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Editorial Reviews

Certified 16x platinum in the U.S., the commercial success of Physical Graffiti was equaled by its critical reception. Generally regarded as one of the greatest double albums of all time, the original 15 tracks represent a creative tour de force that explores the band’s dynamic musical range, from the driving rock of “Custard Pie” and acoustic arrangement of “Bron-Y-Aur Stomp” to the Eastern raga of “Kashmir” and funky groove of “Trampled Under Foot.”

Led Zeppelin’s sixth album, newly remastered, and including an additional CD and LP featuring a previously unreleased studio outtakes. Super Deluxe Edition Box Set Includes:

• CD1 &2: Original album newly remastered in vinyl replica sleeves
• CD3: Companion disc with previously unreleased studio outtakes in a new sleeve
• Vinyl 1 & 2: Original album newly remastered in single sleeves replicating the original album on 180 gram vinyl
• Vinyl 23: Companion audio on one LP ( 180 gram vinyl ) in a new sleeve featuring negative artwork based on the original album artwork, and featuring previously unreleased studio outtakes
• HD Download card with the original album and companion audio @ 96/24
• LP sized, individually numbered, high quality print of the original album cover
• Album-size hardback book (96 pages)

Track Listings

Disc: 1

  1. Custard Pie
  2. The Rover
  3. In My Time Of Dying
  4. Houses Of The Holy
  5. Trampled Under Foot
  6. Kashmir

Disc: 2

  1. In The Light
  2. Bron-Yr-Aur - Yr
  3. Down By The Seaside
  4. Ten Years Gone
  5. Night Flight
  6. The Wanton Song
  7. Boogie With Stu
  8. Black Country Woman
  9. Sick Again

Disc: 3

  1. Brandy & Coke (Trampled Under Foot) [Initial/Rough Mix] - Initial Rough Mix)
  2. Sick Again (Early Version)
  3. In My Time Of Dying (Initial / Rough Mix)
  4. Houses Of The Holy (Rough Mix With Overdubs)
  5. Everybody Makes It Through (In The Light) [Early Version/In Transit]
  6. Boogie With Stu (Sunset Sound Mix)
  7. Driving Through Kashmir (Kashmir Rough Orchestra Mix)

Disc: 4

  1. Houses Of The Holy
  2. Trampled Under Foot
  3. In My Time Of Dying

Disc: 5

  1. Night Flight
  2. Bron-Yr-Aur
  3. Down By The Seaside
  4. Ten Years Gone
  5. Sick Again

Disc: 6

  1. Brandy & Coke (Trampled Under Foot) [Initial/Rough Mix]
  2. Everybody Makes It Through (In The Light) [Early Version/In Transit]
  3. In My Time Of Dying (Initial / Rough Mix)
  4. Driving Through Kashmir (Kashmir Rough Orchestra Mix)


Product Details

  • Audio CD (February 24, 2015)
  • Deluxe Edition edition
  • Number of Discs: 6
  • Format: Box set, Original recording remastered
  • Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
  • Label: Atlantic Catalog Group
  • ASIN: B00RUT3A38
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (1,038 customer reviews)
  • Amazon Best Sellers Rank: #21,601 in Music (See Top 100 in Music)

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Customer Reviews

Top Customer Reviews

A Kid's Review on February 9, 2006
Format: Audio CD
As a 12 year old girl who loves Led Zeppelin (and gets a lot of grief for it from her friends!) I'd have to say that this is my favorite Led Zeppelin album, with Zoso as a very close second favorite. Some favorite tracks: Custard Pie, Trampled Underfoot, Kashmir, In the Light, Night Flight
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Format: Audio CD
Containing some of Zeppelin's very best tracks, "Physical Graffiti" is definitely worth the price of two discs. Like most double albums, it can get a little excessive... but if you've purchased their first 4 albums and still can't get enough, this is a must have! "Kashmir" is essential by itself and possibly the best song the group ever recorded... a majestic epic that fuses rock, blues, and middle eastern influnces... all the things Zep is known to do best! Then there's the blistering "Trampled Under Foot" which has one of Page's best riffs of all time and a funky clavinet played by the multi-talented John Paul Jones. Plant is in top form on the spiritual catharsis of "In My Time of Dying" with John Bonham providing the raw energy all the way through.
Disc one is more consistent, but disc two offers a wide variety of gems such as the building ballad "Ten Years Gone" which offers some of Robert's best lyrics to date, the fun old-timey feel of "Boogie With Stu", the countrified acoustic track "Black Country Woman", and the wild "Wanton Song". Many of these tracks have the feel of b-sides (which is essentially what they were) and makes them even more fun to listen to.
One of the few double LPs to truly be worth purchasing (along with the Beatles White Album, Stevie Wonder's Songs In the Key of Life, George Harrison's All Things Must Pass, and Pink Floyd's The Wall), Physical Graffiti is the high water mark of Led Zeppelin's career.
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Format: Audio CD
Wow. As Zeppelin's most ambitious statement, and their first and only double album, Physical Graffiti would hypothetically be a contender for greatest rock album of all time it it weren't for Zoso (Not that I'm complaining or anything! :-))
Custard Pie is blues on speed, while being squashed under the skillful wah-wah pedal of Jimmy Page.
The Rover simply rocks. It combines headbanging with flair in a musical statement that is hard to overestimate.
In My Time of Dying contains some of the best spitfire-blues slide guitar you'll ever hear.
Houses of The Holy is a great, catchy pop-rock song that just makes you wanna get up and get your schwerve on.
Trampled Under Foot is pure, 100%, unfiltered headbanging enjoyment.
Jimmy Page & Robert Plant both agree that "Kashmir" was their greatest work. I say they're just being humble about "Stairway to Heaven", but Kashmir is a close second. (Man, Puffy really pissed me off when he did "Come With Me"! Ruined a great song! (Yeah I know Jimmy helped him, but I think Jimmy was just trying to expose a new generation of listeners to Zeppelin, which is honorable))
In The Light has two distinct moods: A peaceful, glorious side, and a dark, foreboding, heavy metal side. These two moods throw you back and forth until you're dizzy, which is a good thing.
Bron-Y-Aur is an acoustic track kinda hidden amidst greatness, but it's actually Jimmy Page's best perfomance on this album! As a guitarist, trust me. This is NOT an easy song to play! Very pretty, too.
Down By The Seaside is a really peaceful little song, with really cretive use of a tremolo effect on Page's guitar. Gets you in the mood for the next two songs.
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Format: Audio CD
If you can understand sheet music and are attempting to master any instrument (from a cello to a tuba) you might want to take a look at the scripts for this album. You'll be devistated! Also, if you are interested in making an album and happen to own a studio, you might find a listen to Physical Graffiti to provide a very instructive statement the limits of how complex mixing and multi-tracking get.

Sure, a few tracks on the ablum: Custard Pie and Trampled Under Foot, are probably the best embodiment of the blues-rock Zep-sound that most people are familiar with, but after those tracks, the album turns into a zen statment on overindulgence. Normally, I might agree that musical overkill is a bad thing, but there's a right time and place for everything; and within the framework of this album, overkill becomes baroque. I argue that only Zep could pull this off.

Beginning with Kashmir, the album lays track upon track until many songs (ie: In the Light, Ten Years Gone) are orchestrated with somtimes 7 or 8 different guitar tracks and 3 or 4 different bass tracks. Bach himself might be proud of such hefty orchestration. Throw in JPJ's keyboards, along with several exotic instruments such as mellotrons and vibrophones, and you've got yourself a saturated hard-rock symphony. Many of the songs, such as Kashmir, In The Light, and Ten Years Gone, are very cerebral, creating a soothing Indian Raga-like effect, while others sustain a hectic Occidental pace (ie: Rover, Night Flight) but are never abrasive to the ear.

I feel that the overall album gets a bum rap sometimes, because many people would prefer to hear the more concise and abbreviated sound associated with the pentatonic riffs of earlier Led-days (ie: Whole Lotta' Love, Heartbreaker).
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