Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Other Sellers on Amazon
+ $3.99 shipping
+ $3.75 shipping
+ Free Shipping
The Pianist's Guide to Practical Technique: 111 Technical Studies from Music You Want to Play Paperback – March 5, 2014
Frequently bought together
Customers who bought this item also bought
Customers who viewed this item also viewed
About the Author
Unlike life, playing the piano is easy and doesn’t hurt. This mantra has carried Neil Stannard through what might seem to others like several lifetimes—performing as a collaborative pianist, occasional soloist, symphony bassist and, through it all, a dedicated teacher. He has performed in international venues with such artists as David Shifrin, Hermann Baumann, Eugenia Zuckerman, Leona Mitchell, Clamma Dale and Christiane Edinger, appearing in all 48 of the contiguous United States, across Canada and in many of Europe’s important concert centers from London to Moscow, including Carnegie Hall, the Kennedy Center, the White House, Vienna’s Musikverein, Berlin’s Hochschule and Tchaikovsky Hall in Moscow. He has taken part in the Great Performers at Lincoln Center series, the Berlin Festival, the Vienna Festival, Tage Neue Musik (Bonn), Marlboro and the Newport Festival. After graduating cum laude from the University of Southern California, a scholarship student of Muriel Kerr, Jacob Gimpel and John Crown, he received a Naumberg scholarship to play double bass at the Juilliard School (M.S.), during which time he performed in the American Symphony with Leopold Stokowski and in the Marlboro Festival Orchestra with Pablo Casals (Columbia Records). It was also during this time that he made his New York recital debut at Carnegie Recital Hall as a pianist with violinist Christiane Edinger, leading to a lifetime of exploration at the piano. In the mid 1970s he took part in the first Dorothy Taubman Institute at Rensslaerville, NY, and studied privately for five years with Edna Golandsky. Later, he studied piano on a German government grant with Gerhard Puchelt at the Hochschule für Musik in Berlin, completed a doctorate in piano at the University of Arizona with Nicholas Zumbro and for 13 years taught graduate and undergraduate piano at the University of Texas at El Paso, where he was a tenured professor. He now teaches, writes, paints and attempts to capture the world in photographs in Los Angeles, where he also plays the cello in the Santa Monica Symphony.