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Pixar's Boy Stories: Masculinity in a Postmodern Age Hardcover – March 27, 2014

3.5 3.5 out of 5 stars 5 ratings

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Since Toy Story, its first feature in 1995, Pixar Animation Studios has produced a string of commercial and critical successes including Monsters, Inc.; WALL-E; Finding Nemo; The Incredibles; Cars; and Up. In nearly all of these films, male characters are prominently featured, usually as protagonists. Despite obvious surface differences, these figures often follow similar narratives toward domestic fulfillment and civic engagement. However, these characters are also hypermasculine types whose paths lead to postmodern social roles more revelatory of the current “crisis” that sociologists and others have noted in boy culture.

In Pixar’s Boy Stories: Masculinity in a Postmodern Age, Shannon R. Wooden and Ken Gillam examine how boys become men and how men measure up in films produced by the animation giant. Offering counterintuitive readings of boy culture, this book describes how the films quietly but forcefully reiterate traditional masculine norms in terms of what they praise and what they condemn. Whether toys or ants, monsters or cars, Pixar’s males succeed or fail according to the “boy code,” the relentlessly policed gender standards rampant in American boyhood.

Structured thematically around major issues in contemporary boy culture, the book discusses conformity, hypermasculinity, socialhierarchies, disability, bullying, and an implicit critique of postmodern parenting. Unprecedented in its focus on Pixar and boys in its films, this book offers a valuable perspective to current conversations about gender and cinema. Providing a critical discourse about masculine roles in animated features, Pixar’s Boy Stories will be of interest to scholars of film, media, and gender studies and to parents.
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Written by a husband and wife team, this excellent book deals with the issues surrounding raising boys in a society that seems to offer young men only rigidly defined gender roles. Wooden and Gillam argue that in the postfeminist era, with the collapse of the traditional patriarchy, boys are given conflicting messages by the media–particularly, as discussed in this book, by Pixar animated cartoons. Jammed into roles of either supportive helpmates or macho superheroes, young boys often emulate the exaggerated heroics of Pixar's characters to become, in the words of the authors, 'relentlessly competitive, aggressive, violent and emotionally restricted,' unsure of how to construct themselves in a new social landscape. The authors demonstrate this in detailed readings of Pixar films that, for them, embrace a hypermasculine culture that is both unrealistic and damaging. The parents of two young boys, Wooden and Gillam worry that their sons are not getting the moral, emotional, or social guidance they need from pop culture, and here they argue for ways to counteract Pixar's limited role models. . . .[T]his is an impassioned and deeply felt book, well worth reading. Summing Up: Recommended. Upper-division undergraduates through faculty and professionals. ― Choice Reviews

Pixar's Boy Stories is an important contribution to boyhood and childhood studies. . . .The authors find some interesting patterns in presenting stereotypical jocks and nerds, often overlooked by critics and the general public. The book is well-written and captivating. ―
IRSCL: International Research Society for Children's Literature

About the Author

Shannon R. Wooden is professor of English at Missouri State University, where she teaches British literature, critical theory, disability studies, and literature and medicine.

Ken Gillam is Director of Composition at Missouri State University, where he teaches composition theory and writing pedagogy.

Product details

  • Publisher ‏ : ‎ Rowman & Littlefield Publishers (March 27, 2014)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 198 pages
  • ISBN-10 ‏ : ‎ 1442233583
  • ISBN-13 ‏ : ‎ 978-1442233584
  • Item Weight ‏ : ‎ 15.2 ounces
  • Dimensions ‏ : ‎ 6.38 x 0.75 x 9.24 inches
  • Customer Reviews:
    3.5 3.5 out of 5 stars 5 ratings

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3.5 out of 5 stars
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Top reviews from the United States

  • Reviewed in the United States on November 10, 2020
    A case study in "decide what results you WANT to find, then go find (or even make up) supporting evidence".
    No one with a child - male or female - should take this philosophy seriously.
    One person found this helpful
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  • Reviewed in the United States on April 3, 2021
    Very good book! I read this back when I was in school for an essay I was writing about depictions of masculinity for boys in popular film, and this book was extremely helpful!

    The bad reviews have obviously not bothered to read the book and just hate anything to do with gender studies, topics they do not understand and just spout knee-jerk nonsense at. Read it carefully for yourself and you'll see this book offers a very good look into the messages our children learn from Disney-Pixar.
  • Reviewed in the United States on August 7, 2017
    This book is a good representation of what passes for intellectual thought in gender studies. It begins with a forty-page introduction were the authors cite and pay homage to dozens of gender studies authors that came before them. This reeks of begging to be part of the circle of academic citation that runs rampant today. What follows is 142 pages of citation laden tedious text.
    6 people found this helpful
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  • Reviewed in the United States on April 18, 2018
    As the mother of boys, I am so grateful for the lens the authors hold up to the Pixar catalog. They give voice to certain misgivings that just tickled at the edges of consciousness for me. The analyses of bullying and traditional gender roles are spot on. Solid scholarship here.
    2 people found this helpful
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