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Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis 1st Edition

4.7 out of 5 stars 55 customer reviews
ISBN-13: 000-0195313879
ISBN-10: 0195313879
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Product Details

  • Hardcover: 347 pages
  • Publisher: Oxford University Press; 1 edition (January 15, 2008)
  • Language: English
  • ISBN-10: 0195313879
  • ISBN-13: 978-0195313871
  • Product Dimensions: 9.2 x 1.3 x 6.4 inches
  • Shipping Weight: 1.5 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (55 customer reviews)
  • Amazon Best Sellers Rank: #489,691 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By David M. Talbot on February 28, 2008
Format: Hardcover Verified Purchase
Narnia lovers behold this book. Michael Ward's revelatory work is too edifying to ignore. For half a century we read (or had read to us) C.S. Lewis's magnificent Chronicles of Narnia. We love them because they captivate us.

The series has a mystery, however. Disparateness clouds the atmosphere; a lack of thorough artistry found in Lewis's other fiction. Lewis's mind is consistently meticulous and lucid, a chief trait of the medieval authors he taught professionally, and therein lies the secret.

More than allegory, yet nothing obviously more, Planet Narnia contends that Lewis made it so intentionally. Ward argues that each chronicle corresponds to one of the seven planets of medieval astrology. As a whole, they (the chronicles infused with the characteristic traits of the planets) create an atmosphere that is both honest to the human experience and consistent with the loveliness and sovereignty of Christ the Lord. The subtlety, an atmospheric quality, is consistent with Lewis's pneumatology, which maintains that unawareness of the Holy Spirit is a common condition in our human experience. Ward's case focuses on the peculiarities in The Chronicles, of which there are many, like the supposedly discordant appearance of St. Nicholas in The Lion, The Witch, and The Wardrobe. Suddenly they make sense - the jovial saint's laughter resonates like guilt forgiven.

Many critics mistook Lewis for slopping together a menagerie of characters and plots without a guiding principle, argues Ward. Rather, it seems that a combination of an allegorical element teetering the brink of believability and dissatisfaction, a well-known pejorative judgment by J.R.R.
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Format: Hardcover
I have been anticipating reading Michael Ward's full treatment of his audacious thesis since I heard him lecture two years ago, and I must say that my expectations for Planet Narnia have been more than fulfilled. Not only does Ward present a staggering amount of evidence as proof that Lewis has "translated planets into plots" with his seven Narnia books, but he also presents his findings in a graceful and captivating style that one rarely finds in other literary criticism.

A great strength of the book is Ward's commanding grasp of all the works within Lewis' oeuvre. For young students of Lewis such as myself, Planet Narnia provides a taste of Lewis' less-often read essays, criticism, and poetry, as well as glimpses into the currents of thought that run through much of his work. Yet my favorite part of the book is Ward's assessment of the theological messages revealed in the planetary imagery. He succeeds in the same goal Lewis set out for himself in writing the Chronicles - to present the character of God to readers in reanimating and revelatory ways.

Planet Narnia presents so strong an explanation of the Chronicles that I find it hard to imagine anyone finishing the book unconvinced of Lewis' enduring genius, and Ward's remarkable achievement.
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Format: Hardcover
A deeper hidden meaning behind Narnia? "Yeah, right."

That's what I thought -- until I read the book.

Actually, that's not quite true either. I thought this only until I read Ward's FAQ on planetnarnia.com. Call me a sucker, but I think I was already hooked by about question 6. By hooked I don't mean I'd already accepted his theory line and sinker, but I knew I had to get me this book.

Book finally in hand, I decided I'd better start reading with my "skeptic's glasses" firmly in place. If I kept them on, I reasoned, and still came out the other end believing Ward's theory, there must be something to it. Well, my glasses came off about half way through Chapter 1.

Even aside from the content, Ward's clear style, his sincere tone, his obvious love as well as deep knowledge of Lewis's work -- all these contribute to making this fairly academic work very readable and (to me) incredibly interesting.

Ward's work opened my eyes to a whole bunch of stuff I'd never noticed in the Chronicles before. Not to mention the Ransom Trilogy and other of Lewis's writings.

One thing I considered a weakness was how Ward mentions that certain groups of words (say "swift" and "run" in HHB) are used very frequently in one particular Chronicle. But often he doesn't state that those words are not used with that frequency in the other Chronicles, so I wondered whether it proved anything.

I mentioned as much to Ward, who wrote me a helpful and prompt response. He said it's about the atmosphere, and the key thing is the words' context, not their number. "Context is everything," he added. And I guess he's right. (In fact, that's probably one of the main themes of the book.)

But to cut a long short -- this book is one of the most exciting non-fiction works I've read in a long time.
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Format: Hardcover Verified Purchase
I heard Dr. Ward speak back in the summer of 2006, and I was instantly both a fan and a skeptic. His theory about the reason for seven Chronicles of Narnia is fascinating, beautiful, and--so I thought--implausible. But since Dr. Ward was a very compelling speaker (and he's coming to speak at the school where I teach; see his tour schedule at [...] ), I bought the book and am in chapter four at the moment. Wow! I'm more a fan than ever, and barely a skeptic. I've come to the conclusion (like Jim Como) that if Dr. Ward is wrong, it doesn't even matter, because his reading is completely lovely, plausible, useful, scholarly, thorough, and everything else a critic's reading can be. But it's more, too. It seems that he is inside of C. S. Lewis's head, thinking CSL's thoughts after him (if that's not sacrilegious!), quoting from all CSL's works as glibly and facilely as if he wrote them (or more; CSL was notoriously forgetful of his own writings, though of nobody else's), tying together disparate elements with ease and grace. His memory is prodigious, his scholarship impeccible, his writing clear and organized, his case lively and delightful. If Narnia needed any boost in popularity or any raising in the academic mind, here it is!
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