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Playing in the Dark: Whiteness and the Literary Imagination Paperback – July 27, 1993
by
Toni Morrison
(Author)
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Toni Morrison
(Author)
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Print length91 pages
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LanguageEnglish
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PublisherVintage
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Publication dateJuly 27, 1993
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Dimensions5.17 x 0.33 x 7.97 inches
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ISBN-100679745424
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ISBN-13978-0679745426
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Lexile measure1260L
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Editorial Reviews
From Publishers Weekly
Novelist Morrison takes a turn as a literary critic, examining the American literary imagination and finding it obsessed with the white/black polarity.
Copyright 1993 Reed Business Information, Inc.
Copyright 1993 Reed Business Information, Inc.
Review
"A profound redefinition of American cultural identity."--Philadelphia Inquirer
"By going for the American literary jugular...she places her arguments...at the very heart of contemporary public conversation about what it is to be authentically and originally American. [She] boldly...reimagines and remaps the possibility of America." --Chicago Tribune
"Toni Morrison is the closest thing the country has to a national writer." --The New York Times Book Review
"By going for the American literary jugular...she places her arguments...at the very heart of contemporary public conversation about what it is to be authentically and originally American. [She] boldly...reimagines and remaps the possibility of America." --Chicago Tribune
"Toni Morrison is the closest thing the country has to a national writer." --The New York Times Book Review
From the Publisher
"A profound redefinition of American cultural identity."--Philadelphia Inquirer
From the Inside Flap
Prize-winning author of Beloved and Jazz now gives us a learned, stylish, and immensely persuasive work of literary criticism that promises to change the way we read American literature even as it opens a new chapter in the American dialogue on race.
Toni Morrison's brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. She shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires.
Written with the artistic vision that has earned Toni Morrison a pre-eminent place in modern letters, Playing in the Dark will be avidly read by Morrison admirers as well as by students, critics, and scholars of America
Toni Morrison's brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. She shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires.
Written with the artistic vision that has earned Toni Morrison a pre-eminent place in modern letters, Playing in the Dark will be avidly read by Morrison admirers as well as by students, critics, and scholars of America
From the Back Cover
The Pulitzer Prize-winning author of "Beloved and "Jazz now gives us a learned, stylish, and immensely persuasive work of literary criticism that promises to change the way we read American literature even as it opens a new chapter in the American dialogue on race.
Toni Morrison's brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. She shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly "unfree--and that came to serve white authors as embodiments of their own fears and desires.
Written with the artistic vision that has earned Toni Morrison a pre-eminent place in modern letters, Playing in the Dark will be avidly read by Morrison admirers as well as by students, critics, and scholars of American literature.
"By going for the American literary jugular...she places her arguments...at the very heart of contemporary public conversation about what it is to be authentically and originally American. [She] boldly...reimagines and remaps the possibility of America."
"--Chicago Tribune
"Toni Morrison is the closest thing the country has to a national writer."
"The New York Times Book Review
Toni Morrison's brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. She shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly "unfree--and that came to serve white authors as embodiments of their own fears and desires.
Written with the artistic vision that has earned Toni Morrison a pre-eminent place in modern letters, Playing in the Dark will be avidly read by Morrison admirers as well as by students, critics, and scholars of American literature.
"By going for the American literary jugular...she places her arguments...at the very heart of contemporary public conversation about what it is to be authentically and originally American. [She] boldly...reimagines and remaps the possibility of America."
"--Chicago Tribune
"Toni Morrison is the closest thing the country has to a national writer."
"The New York Times Book Review
About the Author
Toni Morrison is the author of eleven novels, from The Bluest Eye (1970) to God Help the Child (2015). She received the National Book Critics Circle Award, the Pulitzer Prize, and in 1993 she was awarded the Nobel Prize in Literature. She died in 2019.
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Product details
- Publisher : Vintage; Reprint edition (July 27, 1993)
- Language : English
- Paperback : 91 pages
- ISBN-10 : 0679745424
- ISBN-13 : 978-0679745426
- Lexile measure : 1260L
- Item Weight : 4.5 ounces
- Dimensions : 5.17 x 0.33 x 7.97 inches
- Best Sellers Rank: #27,858 in Books (See Top 100 in Books)
- Customer Reviews:
Customer reviews
4.8 out of 5 stars
4.8 out of 5
425 global ratings
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Top reviews from the United States
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Reviewed in the United States on August 20, 2019
Verified Purchase
Toni Morrison did nothing short of blow my mind with this book. It’s a short read, but SO MUCH IS SAID that one feels full and completely submerged in her analysis throughout the book. One of the most interesting reads I’ve come across in a long time. Highly recommend, not only for supporters and admirers of Toni, but anyone interested in the unspoken complexities of American Literature and the dynamics of American culture in a historical context.
10 people found this helpful
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Reviewed in the United States on June 29, 2019
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I love Toni Morrison. I love her fiction. This is not fiction, however, it's a lecture. I've head (and read) hundreds of lectures, seldom any as incomprehensible as this one. I was going to quote two lines and ask you what they meant. But really, just let the book fall open anywhere. The best part of this is the cover photograph of Morrison. Gorgeous.
12 people found this helpful
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Reviewed in the United States on June 29, 2020
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Love this analysis of American Literature. Morrison expertly breaks down American Literary classics and obscure texts to reveal the presence of the "other" which she calls American Africanism. Her claim is that this presence is apparent in most if not all American literature regardless of whether there are raced characters or not. She provides a lens for examining American Literature that renders the texts more complex and more relevant for further study. Personally, I find her reading of Huck Finn alone is worth makes this text exemplary.
2 people found this helpful
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5.0 out of 5 stars
This is an excellent starting point for a conversation white writers of fiction ...
Reviewed in the United States on March 12, 2017Verified Purchase
After reading this, follow it up with her lectures at Harvard (on YouTube) as well as Claudia Rankine's The Racial Imaginary. This is an excellent starting point for a conversation white writers of fiction and poetry need to have with themselves and their perceptions of "the cannon."
19 people found this helpful
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Reviewed in the United States on May 19, 2019
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I first read an excerpt of this particular work by Morrison in an American Literature course I took in college. Ever since then, I’ve been increasingly intrigued by her prose, as well as her own literary theory.
This is a short work but it’s a great read; exploring dense questions that are still being constructed and reconstructed today.
This is a short work but it’s a great read; exploring dense questions that are still being constructed and reconstructed today.
5 people found this helpful
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Reviewed in the United States on December 28, 2018
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a must read
3 people found this helpful
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Reviewed in the United States on March 5, 2020
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Morrison writes in a very different voice when she’s being professorial, which she is in this book. But her point is both thought-provoking and timely, given the recent controversy over American Dirt.
One person found this helpful
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Reviewed in the United States on July 19, 2017
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Morrison is a master of fiction, of literary criticism, & of the analysis of racially-motivated/biased behavior. This collection of essays reflects each one of the aforementioned skills. Love everything she puts a pen or keyboard stroke to. She is a treasure. This is a resource I come back to over and over again!
5 people found this helpful
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Top reviews from other countries
Archyateaslug
4.0 out of 5 stars
Illuminating collection of essays
Reviewed in the United Kingdom on September 12, 2018Verified Purchase
A short work containing versions of three lectures originally delivered at Harvard in 1990; in which Toni Morrison discusses the significance of the ‘black’ presence on the ‘white’ literary imagination. Her discussion draws on close readings of work by a range of American writers including: Willa Cather’s ‘Sapphira and the Slave Girl’, Hemingway’s ‘To Have and Have Not’, Twain’s ‘Huckleberry Finn’. Her textual analysis, combined with her wider insights into literature produced in a ‘racialised’ society, makes for illuminating reading: for instance on the significance of the ‘othering’ of the African-American in ‘white’ literature, often appearing (or assumed) as the ‘enslaved’ figure representing the ‘not-free’ and the ‘not me’ against which notions of 'universal' liberty are constructed. Her discussion of specific texts such as Cather’s novel are particularly striking.
One person found this helpful
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Pete Kalu
5.0 out of 5 stars
So much to think about in this book, a ...
Reviewed in the United Kingdom on June 20, 2017Verified Purchase
So much to think about in this book, a game-changer when it comes to reader theory esp her writerly approach to answering knotty questions on raciailised societies as reflected in US literature.
Cliente Amazon
4.0 out of 5 stars
ottimo acquisto
Reviewed in Italy on December 28, 2015Verified Purchase
il libro è in ottime condizioni ed è arrivato entro il tempo previsto.
per quanto riguarda il contenuto, questo saggio scritto direttamente da Morrison mi è stato di vero aiuto per la stesura della mia tesi riguardante la letteratura afro-americana.
per quanto riguarda il contenuto, questo saggio scritto direttamente da Morrison mi è stato di vero aiuto per la stesura della mia tesi riguardante la letteratura afro-americana.
Pirjo Ahokas
5.0 out of 5 stars
Five Stars
Reviewed in the United Kingdom on July 13, 2014Verified Purchase
Perfect½
allan govedo
5.0 out of 5 stars
Five Stars
Reviewed in the United Kingdom on March 9, 2015Verified Purchase
Thank you
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