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Pleasure Activism: The Politics of Feeling Good (Emergent Strategy Book 1) Kindle Edition
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How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Editor adrienne maree brown finds the answer in something she calls "Pleasure Activism," a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition, including Audre Lourde's invitation to use the erotic as power and Toni Cade Bambara's exhortation that we make the revolution irresistible, the contributors to this volume take up the challenge to rethink the ground rules of activism. Writers including Cara Page of the Astraea Lesbian Foundation For Justice, Sonya Renee Taylor, founder of This Body Is Not an Apology, and author Alexis Pauline Gumbs cover a wide array of subjects—from sex work to climate change, from race and gender to sex and drugs—they create new narratives about how politics can feel good and how what feels good always has a complex politics of its own.
Building on the success of her popular Emergent Strategy, brown launches a new series of the same name with this volume, bringing readers books that explore experimental, expansive, and innovative ways to meet the challenges that face our world today. Books that find the opportunity in every crisis!
- LanguageEnglish
- PublisherAK Press
- Publication dateMarch 19, 2019
- File size5284 KB
- Pleasure Activism: The Politics of Feeling Good (Emergent Strategy Book 1)
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Editorial Reviews
Excerpt. © Reprinted by permission. All rights reserved.
Welcome to the Pleasure Dome.
I first read the words “pleasure-dome” in a Samuel Taylor Coleridge poem, the rest of which I promptly forgot. But the image of a massive space dedicated to the exploration of pleasure planted itself in my young mind; I thought, “Yes, I want that.”
Years later I came across Audre Lorde’s life-changing essay “Uses of the Erotic: Erotic as Power,” in which she taught us what she had learned about the ways the power of the Erotic makes us “give up, of necessity, being satisfied with suffering, and self-negation.” Lorde made me look deeply at my life to find the “yes” inside of me, inside of the communities I love and work with, inside our species. I became attuned to the ways erotic and other pleasures shaped and healed me. I reflected on how my experiences with sex had opened doors to loving my body in spite of what society had taught me about big Black girls being undesirable, and how my experiences of deep political alignment with people who wanted to collaborate had taught me more than years of battling with people who wanted to dominate me.
I began to make decisions about whether I wanted to do things in my life and in the movements I am part of by checking in for my orgasmic yes. To feel for that resistance inside, the small place in my gut that knows before I do that something is not a fit for me and will not increase my aliveness. This exploration led me to some core questions that have shaped my work:
What would I be doing with my time and energy if I made decisions based on a feeling of deep, erotic yes?
How do I find balance in the things that give me pleasure, especially the things that tend to be misunderstood and manipulated by racialized capitalism, such as drugs, sex, drank, sugar?
How would we organize and move our communities if we shifted to focus on what we long for and love, rather than what we are negatively reacting to?
Is it possible for justice and pleasure to feel the same way in our collective body?
Over the years some of my work has been directly in the realm of pleasure, but even as I facilitate movements for social and environmental transformation, I always prioritize how people feel—is it a pleasure to be with each other, does the agenda/space allow for aliveness and joy, is there a “yes” at the center of the work? There are so many things that are violent, offensive, unbearable. Your embodied “no” is so justified—but I don’t think it moves us forward. “Yes” has a future.
At the same time, I’ve been tuned into pop culture and the ways ideas and norms move from the margins and movements into the realms of music, movies, television, books, and other arts, as well as humor, food, travel—even gossip. We can examine what gives us pleasure by observing those spaces. Beyoncé albums give many of us a feeling of power in claiming pleasure. Comparing Dave Chappelle and Louis C.K. as comedians speaking on class, race, gender, and sexuality can give us insight into where the culture is in terms of trans acceptance and solidarity and tangible diversity. Musical artists Tunde Olaniran and Mother Cyborg inspire us to reflect on how they can be so radically pleasing just by being themselves.
A quick glance at pop culture shows us that we get pleasure from violence and dominance, public shaming, trolling, being righteous together, knowing other people’s private pain, over indulgence, and the accumulation of material things. And those of us explicitly working to grow justice and liberation in the world are not immune to these things; we pick and choose what compromises we make, where we indulge, and where we hold standards.
I think there is a fertile ground for learning how we align pleasure with our values, decolonize our bodies and longings, and get into a practice of saying “yes” together, deriving our collective power from our felt sense of pleasure.
We’re going to start learning together. This is a space to ask shameless questions, love what we love and explore why, cultivate our interest in radical love and pleasure, and nourish the “yes” in each of us.
--This text refers to the paperback edition.About the Author
adrienne maree brown is the author of Emergent Strategy: Shaping Change, Changing Worlds and co-editor of Octavia's Brood: Science Fiction from Social Justice Movements. She is a social justice facilitator focused on black liberation, a doula/healer, and a pleasure activist. adrienne lives in Detroit
--This text refers to the paperback edition.Review
“[brown] demonstrates how we can tap into our emotional and erotic desires to organize against oppression.” —Colorlines
“adrienne maree brown...continues to stake her claim as one of our most critical thinkers and strategists by intentionally combining the power of story-telling with practical applications to help readers conjure their own definition of pleasure and how it is inextricably linked to every part of our existence.” —Monica Simpson, SisterSong Women of Color Reproductive Justice Collective
"adrienne marie brown is back, again dropping wisdom about alternative ways to live at this deeply fucked-up moment ... Let this book be the best Valentine’s Day gift you’ve ever given yourself." —Vice/Broadly
“adrienne maree brown dives deep, head first, into a fast swirling pool of pleasure-related topics. She swims her way from one end of the pool to the other with some help from her body-wise, experienced, friends. This book is all at once so cool, and so hot, with a rainbow of glorious compleXXXities. Pleasure Activism is bound to make a huge splash!” —Annie Sprinkle, author of Explorer’s Guide to Planet Orgasm—For Every Body
“Engaging with politics and social justice issues, whether it's climate change, race, or gender, can feel like work (and it is). Adrienne maree brown makes the case that you can feel good while doing so ... [Pleasure Activism] will challenge you to rethink your approach to changing the world.” —Mashable
"Pleasure Activism is an invitation to know ourselves and be in conversation with the desire of our lustful imaginations... [I]t makes our personal liberation irresistible." —Jasmine Burnett, activist and anti-oppression consultant
"adrienne maree brown elucidates a philosophy of Pleasure Activism to transform individuals and so the world. Her explicit instructions encourage orgasms of the body, mind and spirit. First, in support of our own authentic lives, then so that we can live in loving community with others. It’s like a wise and juicy black goddess reopened Eden and said, 'Okay, everybody, let’s try this again.'" —Veronica Vera, author & founder of Miss Vera’s Finishing School For Boys Who Want to Be Girls
--This text refers to the paperback edition.Product details
- ASIN : B07CBCZSCY
- Publisher : AK Press (March 19, 2019)
- Publication date : March 19, 2019
- Language : English
- File size : 5284 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 405 pages
- Best Sellers Rank: #202,735 in Kindle Store (See Top 100 in Kindle Store)
- #87 in Feminist Theory (Kindle Store)
- #197 in Sexuality (Kindle Store)
- #322 in General Sexual Health
- Customer Reviews:
About the authors

Leah Lakshmi Piepzna-Samarasinha is a queer disabled femme writer and performer of Burgher/Tamil Sri Lankan and Irish/Roma ascent. The author of the acclaimed memoir Dirty River, the Lambda Award-winning poetry book Love Cake and Consensual Genocide, and co-editor of The Revolution Starts At Home: Confronting Intimate Violence in Activist Communities, her writing has also been widely anthologized She is the co-founder of Mangos With Chili, North America's touring queer and trans people of colour cabaret, and is a lead artist with the disability justice incubator Sins Invalid.

adrienne maree brown, co-editor of Octavia’s Brood: Science Fiction from Social Justice Movements and author of Emergent Strategy: Shaping Change, Changing Worlds, is a social justice facilitator, healer, and doula living in Detroit.

micha cárdenas, PhD, is an artist and Associate Professor of Critical Race & Ethnic Studies and Performance, Play & Design, at the University of California, Santa Cruz, where she directs the Critical Realities Studio. Her book, Poetic Operations: Trans of Color Art in Digital Media (Duke 2022), won the Gloria Anzaldúa Book Prize in 2022 from the National Women's Studies Association. cárdenas’ co-authored book The Transreal: Political Aesthetics of Crossing Realities (2012) was published by Atropos Press. Her artwork has been described as “a seminal milestone for artistic engagement in VR” by the Spike art journal in Berlin. She is a first generation Colombian American, born in Miami.
cárdenas is an artist who was the winner of the 2022 Anonymous Was a Woman Award, the 2020 Impact Award from Indiecade and the 2016 Creative Award from the Gender Justice League. She was the recipient of the inaugural Otherwise Fellowship in 2014, a fellowship to provide support and recognition for the new voices in science fiction who are making visible the forces that are changing our view of gender today.
She is a member of the artist collective Electronic Disturbance Theater 2.0. Her solo and collaborative artworks have been presented in museums, galleries, and biennials including Tangled Arts and Disability in Toronto (2022), the Gallatin Galleries, New York (2022), the Toronto International Film Festival Lightbox (2022), The Stamp Galery (2022), Transmediale (2021), the alt_cph Copenhagen Biennial (2020), Thessaloniki Biennial (2019), Museum of Contemporary Art, Chicago (2018); House of Electronic Arts Basel (2018); Zeppelin Museum Friedrichshafen (2018); Henry Art Gallery (2017); the Museum of Modern Art, New York (2015); ZKM Center for Art and Media, Karlsruhe (2014); the Art Gallery of Ontario, Toronto (2014); Los Angeles Contemporary Exhibitions (2011); Centro Cultural del Bosque, Mexico City (2015); CECUT, Centro Cultural Tijuana, Mexico (2009); the Zero1 Biennial, San Jose, CA (2012); and the California Biennial, Newport Beach, CA (2010). She has given keynote talks at the Allied Media Conference, the Association of Internet Researchers, the Digital Gender Conference at Umea University in Sweden, the Dark Side of the Digital Conference, and the Vera List Center at the New School in New York. She is a member of the editorial boards for Art Journal and Art Journal Open.
cardenas’ poetry has appeared in the anthologies Troubling the Line, The &Now Awards 3, Trans Bodies, Trans Selves and Writing the Walls Down. She has published book chapters in Plants, Androids and Operators – A Post-Media Handbook, Gender Outlaws: The Next Generation, Queer Geographies, The Critical Digital Studies Reader and the Feminist and Queer Information Studies Reader. Her articles have been published in Transgender Studies Quarterly, GLQ, CTheory, the Media-N Journal, the Ada Journal of Gender, New Media and Technology, The Journal of Popular Music Studies, and the AI & Society Journal, as well as the magazines Mute, No More Potlucks, and Make/Shift Magazine.
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El libro reune una serie de escritos cortos (que muchas veces incluyen tareitas para quien lee), especialmente ensayos (propios y ajenos), entrevistas y hasta poemas, que hablan desde miles de diversas visiones sobre el placer. El placer en toda su diversidad y complejidad; el placer como fin último del activismo (las políticas y relaciones de poder que nos permiten sentirnos bien), y como guía básica de la acción colectiva (activismo dotado de experiencias placenteras).
otado de experiencias placenteras).
Es refrescante, en medio de tanta lucha desde el miedo, la seriedad, la angustia y la rabia, escuchar voces que nos llaman a construir movimientos desde el erotismo (el abrazo profundo a la vida y el reconocimiento del cuerpo), desde el amor radical, la amistad profunda, el gozo y la risa.
Jamás había logrado entender de una forma tan clara a lo 'queer', al feminismo diverso. Super recomendado
Top reviews from other countries
And also, there is a depth of knowledge, understanding and real clarity in the vision she is bringing. It's a book that is ahead of its time. I definitly didn't understand it all.














