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The Poet X Paperback – April 7, 2020
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Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award!
Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth.
Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.
But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.
With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems.
Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.
“Crackles with energy and snaps with authenticity and voice.” —Justina Ireland, author of Dread Nation
“An incredibly potent debut.” —Jason Reynolds, author of the National Book Award Finalist Ghost
“Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.” —Ibi Zoboi, author of American Street
This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8.
Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!
- Print length384 pages
- LanguageEnglish
- PublisherQuill Tree Books
- Publication dateApril 7, 2020
- Grade level8 - 9
- Reading age13 - 17 years
- Dimensions5.31 x 0.86 x 8 inches
- ISBN-100062662813
- ISBN-13978-0062662811
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- And I think about all the things we could be if we were never told our bodies were not built for them.Highlighted by 2,175 Kindle readers
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From the Publisher
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The Poet X | With the Fire on High | Clap When You Land | Inheritance | |
Read all the books from bestselling, award-winning author and poet Elizabeth Acevedo! | Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award! | A dazzling novel about a girl with talent, pride, and a drive to feed the soul that keeps her fire burning bright. | A novel-in-verse brimming with grief and love about the devastation of loss, the difficulty of forgiveness, and the bittersweet bonds that shape our lives. | A treasured illustrated poem with full-color illustrations by artist Andrea Pippins |
Editorial Reviews
Review
“The force and intensity behind her words practically pushes them off the page, resulting in a verse novel that is felt as much as it is heard. This is a book from the heart, and for the heart.” — New York Times Book Review
“A story that will slam the power of poetry and love back into your heart.” — Laurie Halse Anderson, author of Speak and Chains
“Crackles with energy and snaps with authenticity and voice. Every poem in this stunningly addictive and deliciously rhythmic verse novel begs to be read aloud. Xiomara is a protagonist who readers will cheer for at every turn. As X might say, Acevedo’s got bars. Don’t pass this one by.” — Justina Ireland, author of Dread Nation
“In The Poet X, Acevedo skillfully sculpts powerful, self-contained poems into a masterpiece of a story, and has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.” — Ibi Zoboi, author of American Street
“Though vivid with detail about family, love, and culture, The Poet X is more of an exploration of when the poet becomes the poem... Acevedo delivers an incredibly potent debut.” — Jason Reynolds, author of National Book Award Finalist Ghost
“A glorious achievement. This is a story about what it means to be a writer and how to survive when it feels like the whole world’s turned against you.” — Daniel José Older, author of the Shadowshaper Cypher series
“A powerful, heartwarming tale of a girl not afraid to reach out and figure out her place in the world.” — Booklist
★ “Themes as diverse as growing up first-generation American, Latinx culture, sizeism, music, burgeoning sexuality, and the power of the written and spoken word are all explored with nuance. Poignant and real, beautiful and intense.” — Kirkus Reviews (starred review)
★ “Debut novelist Acevedo’s free verse gives Xiomara’s coming-of-age story an undeniable pull, its emotionally charged bluntness reflecting her determination and strength. At its heart, this is a complex and sometimes painful exploration of love in its many forms, with Xiomara’s growing love for herself reigning supreme.” — Publishers Weekly (starred review)
★ “In nearly every poem, there is at least one universal truth about adolescence, family, gender, race, religion, or sexuality that will have readers either nodding in grateful acknowledgment or blinking away tears.” — Horn Book (starred review)
★ “The Poet X is beautiful and true—a splendid debut.” — Shelf Awareness (starred review)
“Acevedo plays with language, form, and space in a way that commands attention, pulling readers from one emotional extreme to the next without pause or remorse... Readers will applaud Xiomara as she journeys from a place of cautious defensiveness to being confident in the power of her voice.” — Bulletin of the Center for Children’s Books
★ “Acevedo’s poetry is skillfully and gorgeously crafted, each verse can be savored on its own, but together they create a portrait of a young poet sure to resonate with readers long after the book’s end.” — School Library Journal (starred review)
“The Poet X is beautiful and true—a splendid debut.” — School Library Journal (starred review)
About the Author
ELIZABETH ACEVEDO is the New York Times-bestselling author of The Poet X, which won the National Book Award for Young People’s Literature, the Michael L. Printz Award, the Pura Belpré Award, the Carnegie medal, the Boston Globe–Horn Book Award, and the Walter Award. She is also the author of With the Fire on High—which was named a best book of the year by the New York Public Library, NPR, Publishers Weekly, and School Library Journal—and Clap When You Land, which was a Boston Globe–Horn Book Honor book and a Kirkus finalist. She holds a BA in Performing Arts from The George Washington University and an MFA in Creative Writing from the University of Maryland. Acevedo has been a fellow of Cave Canem, Cantomundo, and a participant in the Callaloo Writer’s Workshops. She is a National Poetry Slam Champion, and resides in Washington, DC with her loves.
Product details
- Publisher : Quill Tree Books; Reprint edition (April 7, 2020)
- Language : English
- Paperback : 384 pages
- ISBN-10 : 0062662813
- ISBN-13 : 978-0062662811
- Reading age : 13 - 17 years
- Grade level : 8 - 9
- Item Weight : 10.4 ounces
- Dimensions : 5.31 x 0.86 x 8 inches
- Best Sellers Rank: #2,046 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

ELIZABETH ACEVEDO is the author of Clap When You Land, With the Fire on High and The Poet X, which won the National Book Award for Young People’s Literature, the Michael L. Printz Award, the Pura Belpré Award, the Boston Globe–Horn Book Award, and the Walter Award, amongst many others. She is a National Poetry Slam champion and holds an MFA in creative writing from the University of Maryland. Acevedo lives with her family in Washington, DC. You can find out more about her at www.acevedowrites.com.
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Reviewed in the United States on March 27, 2019
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It’s tempting to comb through Elizabeth Acevedo’s first novel for clues about exactly how autobiographical this story is. Much certainly jibes with Acevedo’s story: an Afro-Latina teen, raised by Dominican immigrant parents, who moves away from her childhood religion and embraces performance poetry at New York’s legendary Nuyorican Café. But as with most autobiographical fiction, that misses the point. It matters because it’s ultimately about us, and the struggles we and the author face together.
Xiomara collects her thoughts about Harlem life and adolescence in the journal her brother bought her. She never intended to create literature; her thoughts just coalesce into poetry. She desperately wants to live peacefully and be normal. But such desires don’t gel when she’s pulled between two poles: the working-class Manhattan which measures success in outcomes, even for teens, and her mother’s devout Catholicism, which manifests in an urgent desire to see Xiomara finish confirmation.
An English teacher at Xiomara’s high school is organizing a performance poetry club. Xiomara feels vaguely tempted. But meetings happen on Tuesday afternoons, directly opposite Confirmation Class, which Mamí explains is not optional. Poetry gives Xiomara some level of control which her working-class home life doesn’t allow. Still, throughout the fall semester of her sophomore year, she prefers to avoid conflict, and attends Confirmation with her BFF, even as she feels tension building up inside.
Acevedo, in creating Xiomara’s poetic voice, avoids the most common mistakes teenage poets make: the deliberate obscurantism of Shakespeareanism, or way-cool fake Beatnik patter. Xiomara instead has a natural, easy voice, one clearly designed for stage performance. Some of the poems which comprise this novel-in-verse have a hip-hop rhythm, and others resemble more a free-verse tide. But we never feel, as with some apprentice poets, like we’re reading a crossword puzzle clue that needs decoded.
Instead, as slam poets do, Xiomara simply invites audiences into her experience, which she’s heightened through poetry. Slam, if you’ve never participated, tends to reward personal confession and the tentative investigation of personal struggle. It also discourages pat answers, which this novel does too, never reaching for the simple moral often favored in schoolbook poetry. Like slam poets everywhere, Xiomara exposes personal struggles, baring her heart. She wouldn’t dare shut that book after opening it.
Her struggles will seem familiar to Acevedo’s teenage audience, or adults who’ve been teenagers. Xiomara’s parents have visions for her: her aggressive Mamí has scripted a religious homemaker life, while her more passive Papí wants… something, nobody knows what, since he never speaks up. Xiomara herself has the first glimmerings of interest in boys, an interest piqued when her biology lab partner, Aman (the symbolism is unsubtle), becomes the first non-relative to encourage her poetry.
So Xiomara performs her first and second acts of teenage rebellion: she starts seeing Aman on the sly, while ditching Confirmation Class to attend poetry club. That’s two activities which violate her mother’s tightly written script. We know trouble is brewing, but Xiomara starts discovering some components of her own identity. As anybody who’s ever passed through teenage rebellion already knows, Mamí will eventually discover Xiomara’s hastily organized ruses. It’s only a matter of time.
By writing in poetry, Acevedo permits Xiomara to speak from the heart. No time spent describing physical environment or other characters’ facial expressions, unless she wants to; instead, Xiomara cuts directly to the emotional freight of each moment and each encounter. That’s what poetry does, or anyway should do: it strips off everything except what matters, here and now, turning every experience into the purest form of language to convey what’s happening, inside, right now.
Sadly, this verse novel probably deals too directly with controversial topics for actual classroom use: public schools are notoriously conflict-averse. It also has some intermittent PG-13-rated language and mild adolescent sexuality. But for home study and for ambitious readers, Acevedo has created a story that teenagers, and their parents, will find wholly relatable. I’d recommend pairing it with Walter Dean Myers’ Monster, which deals with similar themes and settings. Strongly recommended for bold, independent-minded teens.
It’s really hard to explain. I understand everything I read, with amazing clarity but I’ve never focused in, really looked at the words used in every single sentence in a book until The Poet X.
Of course I’ve analyzed literature and poetry for school work, and I read words out loud of course, but if I think about words on the page, The Poet X, made me think about the economy of words, and the precision with which to use them.
The whole book is poetry, told in narrative, about Xiomara, a Dominican girl growing up in a strict home, trying to find her voice. She uses this book as her journal so readers gain insight to her as she writes her feelings down about her family, religion, growing up, boys, and poetry.
Acevedo has a powerful way of expressing the thoughts and feelings of a girl growing up in a stifling home. Of a girl growing up in a body she has no control over. She’s got so many powerful poems in this book.
My favorite is “Unhide-able” because Xiomara is trying to come to terms with her body in a house that wants her to cover up her body, in a neighbor that wants to catcall her body, in a generation that wants to speak out about her body and the jealousy that comes along with it. She writes:
“I am I unhide-able.
Taller than even my father, with what Mami has always said / was “a little too much body for such a young girl.” / I am the baby fat that settles into D cups and swinging hips / so that the boys who called me a whale in middle school / now ask me to send them pictures of myself in a thong.
The other girls call me conceited. Ho. Thot. Fast. / When your body takes up more room then your voice / you are always the target of well-aimed rumors, / which is why I let my knuckles talk for me. / Which is why I learned to shrug when I name was replaced by insults.
I’ve forced my skin just as thick as I am” (7).
So many women go through this same thing. So many teenagers and women alike just have to take this kind of criticism and this kind of rumor gossip mill stuff and Xio captures it perfectly here in this one poem. Xio learns to shrug the gossip off, like many of us do, but at 16 --- what kind of message is she internalizing?
At the climax of the book, Xio writes, “The world is almost peaceful / when you stop trying / to understand it” (223). It’s so powerful, right? Acevedo has such a gift for language. If you’ve never heard any of her actual spoken word, please do yourself a favor and go now. She’s so amazing.
The story Acevedo weaves through her poetry is one about self acceptance more than anything but it takes a huge family detonation to come about. That hit home for me. I think it does for a lot of people. It’s so relatable and honest. It’s hard to find out what we’re meant to be when we aren’t allowed to be ourselves, right? I think Acevedo captures that so well in this book.
Do yourselves a favor. Get this book. Binge it. You’ll thank me.
Top reviews from other countries

Good points
The poems really connected me as a reader to the thought processes of Xio. I felt everything she felt (the good, the bad and the ugly) and really got a sense of her as a person.
A great feminist message! So much of the book deals with body shaming and guilt surrounding your body. Xio is conditioned to be shamed by her lips, her breasts, her curves. society. As if women are there for male pleasure alone. That our bodies are automatically there to be objectified and there for someone else's sexual gratification. She is taught to hide herself away because she is tempting. She is taught that liking boys is a sin. She is trained to feel guilt from something that is not her fault and has to develop a thick skin to deal with it.
But along the way Xio develops feelings for a boy in her school named Aman. He's by no means perfect or a white knight type character. But with him she begins to explore her sexuality in a really subtle and gentle way. And sees that she is not a sin or a temptress because she wants to kiss a boy, because she wants to touch him, to hold his hand. It's very beautifully written in the book but my absolute favourite moment between Xio and Aman occurs in Part 3 in a sequence of poems entitled; 'And I Also Know', 'Tangled', 'The Next Move' and 'There Are Words'. They are poems about love, lust, consent, trust, slut shaming and many similar issues related to the rape culture mindset that seems to be insidiously pervasive in the psyche of our society. And I really love the way this book is talking about that topic in a way that is quite subtle but hugely important for teens especially to understand. It shows that it's not your fault, that you are not guilty because of how you look, dress, act etc. And it shows that you can say both yes and no and neither choice is wrong.
The less good points
Because of how this book is conceived as poems from Xio's viewpoint it's a very insular reading experience. While it's beautifully intimate and the connection we as readers can make with Xio is incredibly moving, it does mean that we do not get to relate to the supporting cast in the same fashion. Stories around those characters remain unsatisfactorily unresolved as opposed to beautifully open ended. I would have loved to have seen more of where her Twin's storyline was headed and how his being <spoiler>gay</spoiler> would ultimately have impacted on family life. Also, I'm not sure about this whole let's call him Twin and not actually by his given name Xavier. Seemed a bit off putting to me.
But mostly I think the singular viewpoint of the book did a great disservice to Xio's mother. She was an incredibly interesting character and we really only got very brief snippets of the things that affected her, of what made her tick and never truly uncovered the root cause of her seeming unhappiness with her daughter. It is alluded to that her mum seems to have developed her guilt and shame about love and sex because she was pressured into marriage when really what she wanted was to be celibate or to be a nun. And it just would have been great to see these two strong female characters meet somewhere in the middle with greater clarity about where their mother-daughter relationship was heading rather than the neatly tied up ending we got.
Some of the poems just were okay... The difficulty with using poetry to further a plot is that sometimes you struggle to create linking passages between events and at times the poems just didn't feel all that poetic. If this was a book of poetry then they all certainly would not have made the cut. Some in particular (Ants, I Am No Ant) made me want to run for the hills with their overly stylised formatting and I wasn't a fan of many of the haikus. They just felt more like exercises in haiku writing than bonafide poetry to me.
The plot... What plot??? Was there a plot?? Well if there was one it was signposted so much along the way that it just plodded along in incredibly predictable fashion.
So there seems to have been a trade off with this book because of the poetry format: the format lends itself to truly connecting with the MC but feeling short-changed by the character development of the supporting cast and the absence of a really great plot. And sometimes the poems feel perfunctory rather than truly moving...
An enjoyable reading experience but I'm hovering around the three and a half star rating

The Poet X is a tale told in poetry and it is powerful and touching. I have to admit that this style of poetry is a little bit hit and miss for me, particularly in written form, but I felt that the author really did capture the pent up emotions and stresses of this teenage girl on the boundary of becoming an adult. Acevedo uses the tight format of the slam poetry beautifully, painting vibrant pictures in very few words.
The Poet X takes us deep into the heart of what it is to be an uncertain teenager, trying to come to terms with her sexuality, her body and the expectations that society has set for her. If that was all it was, I would likely have walked away disappointed, but Acevedo also examines religion, society and cultures in a stark, sometimes unforgiving light. Xiomara's concern that her poetry isn't about the bigger things like politics and the state of the world in unfounded, the poetry is deeply and inherently personal but it is so much more than that. Within the verses, a light is shined on a variety of issues such as how women are viewed by organised religion.
All in all this is a clever, heart-felt and sometimes uncomfortable collection that doesn't shy away from theological issues, whilst also being immensely personal and I suspect autobiographical. Even if this form of poetry isn't normally your 'thing', I would still recommend giving it a shot.

The story is about Xiamora. It is about being a teenager. It is about being of Dominican descent and what is expected of her. It is about being a girl in a world that favours the male. Mostly, it is about growing up with these life conditions and trying to find your own place and not the one that is expected by her extremely religious mother.
My heart broke so many times when I read this story. As a reader, you feel the claustrophobia that Xiamora feels. How the world is both so big and so small at the same time.
The Poet X is amazing. Read it now.
The Poet X by Elizabeth Acevedo is available now.

𝓪𝓷𝓭 𝓲𝓶 𝓼𝓸 𝓰𝓵𝓪𝓭 𝓱𝓮𝓼 𝓬𝓱𝓪𝓷𝓰𝓮𝓭 𝓽𝓱𝓮 𝓼𝓾𝓫𝓳𝓮𝓬𝓽.
𝓽𝓱𝓪𝓽 𝓲 𝓪𝓷𝓼𝔀𝓮𝓻 𝓫𝓮𝓯𝓸𝓻𝓮 𝓲 𝓽𝓱𝓲𝓷𝓴.
“𝓘𝓶 𝓳𝓾𝓼𝓽 𝓪 𝔀𝓻𝓲𝓽𝓮𝓻… 𝓫𝓾𝓽 𝓶𝓪𝔂𝓫𝓮 𝓲𝓭 𝓫𝓮 𝓽𝓱𝓮 𝓟𝓸𝓮𝓽 𝓧.“
Elizabeth Acevedo
I think I may have found a new favourite author. Some of the best writing I have ever read. Her words pull on my heart strings that most writing has never accomplished before. Elizabeth Acevedo is a genius with words. Her books should be read by everyone worldwide.
’… 𝔀𝓸𝓻𝓭𝓼 𝓰𝓲𝓿𝓮 𝓹𝓮𝓸𝓹𝓵𝓮 𝓹𝓮𝓻𝓶𝓲𝓼𝓼𝓲𝓸𝓷 𝓽𝓸 𝓫𝓮 𝓽𝓱𝓮𝓲𝓻 𝓯𝓾𝓵𝓵𝓮𝓼𝓽 𝓼𝓮𝓵𝓯. 𝓐𝓷𝓭 𝓪𝓻𝓮𝓷𝓽 𝓽𝓱𝓮𝓼𝓮 𝓽𝓱𝓮 𝓹𝓸𝓮𝓶𝓼
𝓲 𝓶𝓸𝓼𝓽 𝓷𝓮𝓮𝓭𝓮𝓭 𝓽𝓸 𝓱𝓮𝓪𝓻 𝓶𝓸𝓻𝓮?’
The Poet X follows Xiomara, who is always having to abide by her mothers strict religious rules. Wanting to be free, she is having to sneak around that any other teenage girl would do. But that’s not freedom. The only way she can relive herself of her overwhelming emotions is by writing in her journal. However, it’s not any kind of writing, it’s poetry, and Xiomara is really good at it. She loves poetry. It’s her release, a way to express herself without anyone hearing or seeing.
When she is offered to join a poetry club, she is overcome with joy. A place where she can share her beloved work. Unfortunately poetry club clashes with church, and there is no way she can miss church. Miss church and she must feel her mothers wrath, and that’s something she does not want.
This beautiful novel follows Xiomara through the struggles of wanting to live a normal teenage life, boys, parties and definitely not confined to a church and God. Throughout these struggles she finds solace in her poetry and is reading to share her work with the world, with help from her friends.
I hope Acevedo releases more novels in verse in the coming years, because I need them all.


Reviewed in the United Kingdom 🇬🇧 on July 17, 2020
𝓪𝓷𝓭 𝓲𝓶 𝓼𝓸 𝓰𝓵𝓪𝓭 𝓱𝓮𝓼 𝓬𝓱𝓪𝓷𝓰𝓮𝓭 𝓽𝓱𝓮 𝓼𝓾𝓫𝓳𝓮𝓬𝓽.
𝓽𝓱𝓪𝓽 𝓲 𝓪𝓷𝓼𝔀𝓮𝓻 𝓫𝓮𝓯𝓸𝓻𝓮 𝓲 𝓽𝓱𝓲𝓷𝓴.
“𝓘𝓶 𝓳𝓾𝓼𝓽 𝓪 𝔀𝓻𝓲𝓽𝓮𝓻… 𝓫𝓾𝓽 𝓶𝓪𝔂𝓫𝓮 𝓲𝓭 𝓫𝓮 𝓽𝓱𝓮 𝓟𝓸𝓮𝓽 𝓧.“
Elizabeth Acevedo
I think I may have found a new favourite author. Some of the best writing I have ever read. Her words pull on my heart strings that most writing has never accomplished before. Elizabeth Acevedo is a genius with words. Her books should be read by everyone worldwide.
’… 𝔀𝓸𝓻𝓭𝓼 𝓰𝓲𝓿𝓮 𝓹𝓮𝓸𝓹𝓵𝓮 𝓹𝓮𝓻𝓶𝓲𝓼𝓼𝓲𝓸𝓷 𝓽𝓸 𝓫𝓮 𝓽𝓱𝓮𝓲𝓻 𝓯𝓾𝓵𝓵𝓮𝓼𝓽 𝓼𝓮𝓵𝓯. 𝓐𝓷𝓭 𝓪𝓻𝓮𝓷𝓽 𝓽𝓱𝓮𝓼𝓮 𝓽𝓱𝓮 𝓹𝓸𝓮𝓶𝓼
𝓲 𝓶𝓸𝓼𝓽 𝓷𝓮𝓮𝓭𝓮𝓭 𝓽𝓸 𝓱𝓮𝓪𝓻 𝓶𝓸𝓻𝓮?’
The Poet X follows Xiomara, who is always having to abide by her mothers strict religious rules. Wanting to be free, she is having to sneak around that any other teenage girl would do. But that’s not freedom. The only way she can relive herself of her overwhelming emotions is by writing in her journal. However, it’s not any kind of writing, it’s poetry, and Xiomara is really good at it. She loves poetry. It’s her release, a way to express herself without anyone hearing or seeing.
When she is offered to join a poetry club, she is overcome with joy. A place where she can share her beloved work. Unfortunately poetry club clashes with church, and there is no way she can miss church. Miss church and she must feel her mothers wrath, and that’s something she does not want.
This beautiful novel follows Xiomara through the struggles of wanting to live a normal teenage life, boys, parties and definitely not confined to a church and God. Throughout these struggles she finds solace in her poetry and is reading to share her work with the world, with help from her friends.
I hope Acevedo releases more novels in verse in the coming years, because I need them all.


I received a free copy of this book from NetGalley in exchange for a fair and honest review.