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The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York Hardcover – February 18, 2010
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Deborah Blum, writing with the high style and skill for suspense that is characteristic of the very best mystery fiction, shares the untold story of how poison rocked Jazz Age New York City. In The Poisoner's Handbook Blum draws from highly original research to track the fascinating, perilous days when a pair of forensic scientists began their trailblazing chemical detective work, fighting to end an era when untraceable poisons offered an easy path to the perfect crime.
Drama unfolds case by case as the heroes of The Poisoner's Handbook—chief medical examiner Charles Norris and toxicologist Alexander Gettler—investigate a family mysteriously stricken bald, Barnum and Bailey's Famous Blue Man, factory workers with crumbling bones, a diner serving poisoned pies, and many others. Each case presents a deadly new puzzle and Norris and Gettler work with a creativity that rivals that of the most imaginative murderer, creating revolutionary experiments to tease out even the wiliest compounds from human tissue. Yet in the tricky game of toxins, even science can't always be trusted, as proven when one of Gettler's experiments erroneously sets free a suburban housewife later nicknamed "America's Lucretia Borgia" to continue her nefarious work.
From the vantage of Norris and Gettler's laboratory in the infamous Bellevue Hospital it becomes clear that killers aren't the only toxic threat to New Yorkers. Modern life has created a kind of poison playground, and danger lurks around every corner. Automobiles choke the city streets with carbon monoxide; potent compounds, such as morphine, can be found on store shelves in products ranging from pesticides to cosmetics. Prohibition incites a chemist's war between bootleggers and government chemists while in Gotham's crowded speakeasies each round of cocktails becomes a game of Russian roulette. Norris and Gettler triumph over seemingly unbeatable odds to become the pioneers of forensic chemistry and the gatekeepers of justice during a remarkably deadly time. A beguiling concoction that is equal parts true crime, twentieth-century history, and science thriller, The Poisoner's Handbook is a page-turning account of a forgotten New York.
- Print length336 pages
- LanguageEnglish
- PublisherPenguin Press
- Publication dateFebruary 18, 2010
- Reading age18 years and up
- Dimensions6.5 x 2.12 x 9.3 inches
- ISBN-101594202435
- ISBN-13978-1594202438
- Lexile measure1190
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Editorial Reviews
Amazon.com Review
On a recent radio show, I heard myself telling the host "And carbon monoxide is such a good poison.” We both started laughing--there’s just something about a Pulitzer-prize winning journalist waxing enthusiastic about something so lethal. But then he became curious--“Why?” he asked. “Why do you like it so much?”
These days, as I travel the country talking about The Poisoner’s Handbook, I’m frequently asked that question or variations on it. What’s your favorite poison? What’s the perfect poison? The answer to the latter is that it doesn’t exist--except in the plots of crime novels.
But in reality, poisons really are fascinatingly wicked chemical compounds and many of them have fascinating histories as well. Just between us, then, here’s a list of my personal favorites.
1. Carbon Monoxide (really)--It’s so beautifully simple (just two atoms--one of carbon, one of oxygen) and so amazingly efficient a killer. There’s a story I tell in the book about a murder syndicate trying to kill an amazingly resilient victim. They try everything from serving him poison alcohol to running over him with a car. But in the end, it’s carbon monoxide that does him in.
2. Arsenic--This used to be the murderer’s poison of poisons, so commonly used in the early 19th century that it was nicknamed “the inheritance powder”. It’s also the first poison that forensic scientists really figured out how to detect in a corpse. And it stays in the body for centuries, which is why we keep digging up historic figures like Napoleon or U.S. President Zachary Taylor to check their remains for poison.
3. Radium--I love the fact that this rare radioactive element used to be considered good for your health. It was mixed into medicines, face creams, health drinks in the 1920s. People thought of it like a tiny glowing sun that would give them its power. Boy, were they wrong. The two scientists in my book, Charles Norris and Alexander Gettler, proved in 1928 that the bones of people exposed to radium became radioactive--and stayed that way for years.
4. Nicotine--This was the first plant poison that scientists learned to detect in a human body. Just an incredible case in which a French aristocrat and her husband decided to kill her brother for money. They actually stewed up tobacco leaves in a barn to brew a nicotine potion. And their amateur chemical experiments inspired a very determined professional chemist to hunt them down.
5. Chloroform--Developed for surgical anesthesia in the 19th century, this rapidly became a favorite tool of home invasion robbers. If you read newspapers around the turn of the 20th century, they’re full of accounts of people who answered a knock on the door, only to be knocked out by a chloroform soaked rag. One woman woke up to find her hair shaved off--undoubtedly sold for the lucrative wig trade.
6. Mercury--In its pure state, mercury appears as a bright silver liquid, which scatters into shiny droplets when touched. No wonder it’s nicknamed quicksilver. People used to drink it as a medicine more than 100 years ago. No, they didn’t drop dead. Those silvery balls just slid right through them. Mercury is much more poisonous if it’s mixed with other chemicals and can be absorbed by the body directly. That’s why methylmercury in fish turns out to be so risky a contaminant.
7. Cyanide--One of the most famous of the homicidal poisons and--in my opinion--not a particularly good choice. Yes, it’s amazingly lethal--a teaspoon of the pure stuff can kill in a few minutes. But it’s a violent and obvious death. In early March, in fact, an Ohio doctor was convicted of murder for putting cyanide in his wife’s vitamin supplements.
8. Aconite--A heart-stoppingly deadly natural poison. It forms in ornamental plants that include the blue-flowering monkshood. The ancient Greeks called it “the queen of poisons” and considered it so evil that they believed that it derived from the saliva of Cerberus, the three-headed dog guarding the gates of hell.
9. Silver--Swallowing silver nitrate probably won’t kill you but if you do it long enough it will turn you blue. One of my favorite stories (involving a silver bullet) concerns the Famous Blue Man of Barnum and Bailey’s Circus who was analyzed by one of the heroes of my book, Alexander Gettler.
10. Thallium--Agatha Christie put this poison at the heart of one of her creepiest mysteries, The Pale Horse, and I looked at it terms of a murdered family in real life. An element discovered in the 19th century, it’s a perfect homicidal poison--tasteless and odorless--except for one obvious giveaway--the victim’s hair falls out as a result of the poisoning!
Now that I’ve written this list, I realize I could probably name ten more. But I don’t want to scare you.
--Deborah Blum
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
From Booklist
Review
“Blum illuminates these tales of Norris and Gettler and their era with a dedication and exuberance that reflect the men themselves. Not only is The Poisoner's Handbook as thrilling as any CSI episode, but it also offers something even better: an education in how forensics really works.”—The Washington Post
“Blum, a longtime newspaper writer and now a professor of science journalism at the University of Wisconsin, skillfully explains the chemistry behind Gettler's experiments. Her book is sure to appeal to mystery lovers, science nerds and history buffs. . . .”—Associated Press
“Fast-paced and suspenseful, The Poisoner’s Handbook breathes deadly life into the Roaring Twenties.”—Financial Times
“All the nitty-gritty about death by arsenic, by thallium, by wood alcohol, is here in precise, gruesome detail. It makes for a stomach-turning read. . . . .Ms. Blum’s combination of chemistry and crime fiction creates a vicious, page-turning story that reads more like Raymond Chandler than Madame Curie.”—New York Observer
“In this bubbling beaker of a book, [Blum] mixes up a heady potion offorensic toxicology, history and true crime. . . . The Poisoner's Handbook will getinto your head. You'll find yourself questioning the chemicals in our everyday lives. What's really in our food, cosmetics, pesticides, cleaning supplies, children's toys and pet dinners? This isn't just a good read. It's a summons to study labels, research, think and act.”—Dallas Morning News
“The Poisoner's Handbook succeeds as science, as history, asentertainment and as an argument for the power and purpose of popular science writing.”—Milwaukee Journal-Sentinel
“One thinks of Erik Larson's Devil in the White City . . . a book that gave splendiferously disgusting descriptions of horrible murders and did it so dexterously and intelligently that even readers who wouldn't normally read a true crime book were happily sucked in. Deborah Blum's The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York is that kind of book.”—New Haven Advocate
“Blum has cooked up a delicious, addictive brew: murder, forensic toxicology, New York City in the 20s, the biochemistry ofpoison. I loved this book. I knocked it back in one go and now I want more!”—Mary Roach, author of Bonk: The Curious Coupling of Science and Sex and Stiff: The Curious Lives of Human Cadavers
“The Poisoner's Handbook opens one riveting murder case after another in this chronicle of Jazz Age chemical crimes where the real-life twists and turns are as startlingas anything in fiction. Deborah Blum turns us all into forensic detectives by the end of this expertly written, dramatic page-turner that will transform the way you think about the power of science to threaten and save our lives.”—Matthew Pearl, author of The Last Dickens and The Dante Club
“The Poisoner's Handbook is a wonderfully compelling hybrid of history and science built around eccentric characters. One scene reads like Patricia Cornwell and the next like Oliver Sacks. From movie stars and aristocrats to homicidal grandmothers and entrepreneurial gangsters, from the government's poisoning of alcohol during Prohibition to the dangers of radiation and automobile pollution, Blum follows an amazing array of poignant tragedies through the laboratory of these crusading public servants.—Michael Sims, author of Apollo's Fire and Adam's Navel
“With the pacing and rich characterization of a first-rate suspensenovelist, Blum makes science accessible and fascinating.”—Publishers Weekly, starred review
“Caviar for true-crime fans and science buffs alike.”—Kirkus Reviews
“Formative figures in forensics, Norris and Gettler become fascinatingcrusaders in Blum’s fine depiction of their work in the law-floutingatmosphere of Prohibition-era New York.”—Booklist
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
PROLOGUE
THE POISON GAME
Until the early nineteenth century few tools existed to detect a toxic substance in a corpse. Sometimes investigators deduced poison from the violent sickness that preceded death, or built a case by feeding animals a victim's last meal, but more often than not poisoners walked free. As a result murder by poison flourished. It became so common in eliminating perceived difficulties, such as a wealthy parent who stayed alive too long, that the French nicknamed the metallic element arsenic poudre de succession, the inheritance powder.
The chemical revolution of the 1800s changed the relative ease of such killings. Scientists learned to isolate and identify the basic elements and the chemical compounds that define life on Earth, gradually building a catalog, The Periodic Table of the Elements. In 1804, the elements palladium, cerium, iridium, osmium, and rhodium were discovered; potassium and sodium were isolated in 1807; barium, calcium, magnesium, and strontium in 1808; chlorine in 1810. Once researchers understood individual elements they went on to study them in combination, examining how elements bonded to create exotic compounds and familiar substances, such as the sodiumchlorine combination that creates basic table salt (NaCl).
The pioneering scientists who worked in elemental chemistry weren't thinking about poisons in particular. But others were. In 1814, in the midst of this blaze of discovery, the Spanish chemist Mathieu Orfila published a treatise on poisons and their detection, the first book of its kind. Orfila suspected that metallic poisons like arsenic might be the easiest to detect in the body's tissues and pushed his research in that direction. By the late 1830s the first test for isolating arsenic had been developed. Within a decade more reliable tests had been devised and were being used successfully in criminal prosecutions.
But the very science that made it possible to identify the old poisons, like arsenic, also made available a lethal array of new ones. Morphine was isolated in 1804, the same year that palladium was discovered. In 1819 strychnine was extracted from the seeds of the Asian vomit button tree (Strychnos nux vomica). The lethal compound coniine was isolated from hemlock the same year. Chemists neatly extracted nicotine from tobacco leaves in 1828. Aconitine— described by one toxicologist as "in its pure state, perhaps the most potent poison known"— was found in the beautifully flowering monkshood plant in 1832.
And although researchers had learned to isolate these alkaloids— organic (carbon-based) compounds with some nitrogen mixed in— they had no idea how to find such poisons in human tissue. Orfila himself, conducting one failed attempt after another, worried that it was an impossible task. One exasperated French prosecutor, during a mid-nineteenth-century trial involving a morphine murder, exclaimed: "Henceforth let us tell would be poisoners; do not use metallic poisons for they leave traces. Use plant poisons… Fear nothing; your crime will go unpunished. There is no corpus delecti [physical evidence] for it cannot be found."
So began a deadly cat and mouse game—scientists and poisoners as intellectual adversaries. A gun may be fired in a flash of anger, a rock carelessly hurled, a shovel swung in sudden fury, but a homicidal poisoning requires a calculating intelligence. Unsurprisingly, then, when metallic poisons, such as arsenic, became detectable in bodies, informed killers turned away from them. A survey of poison prosecutions in Britain found that, by the mid-nineteenth century, arsenic killings were decreasing. The trickier plant alkaloids were by then more popular among murderers.
In response, scientists increased their efforts to capture alkaloids in human tissue. Finally, in 1860, a reclusive and single-minded French chemist, Jean Servais Stas, figured out how to isolate nicotine, an alkaloid of the tobacco plant, from a corpse. Other plant poisons soon became more accessible and chemists were able to offer new assistance to criminal investigations. The field of toxicology was becoming something to be reckoned with, especially in Europe.
The knowledge, and the scientific determination, spread across the Atlantic to the United States. The 1896 book Medical Jurisprudence, Forensic Medicine and Toxicology, cowritten by a New York research chemist and a law professor, documented the still-fierce competition between scientists and killers. In one remarkable case in New York, a physician had killed his wife with morphine and then put belladonna drops into her eyes to counter the telltale contraction of her pupils. He was convicted only after Columbia University chemist Rudolph Witthaus, one of the authors of the 1896 text, demonstrated the process to the jury by killing a cat in the courtroom using the same gruesome technique. There was as much showmanship as science, Witthaus admitted; toxicology remained a primitive field of research filled with "questions still unanswerable."
Product details
- Publisher : Penguin Press; First Edition (February 18, 2010)
- Language : English
- Hardcover : 336 pages
- ISBN-10 : 1594202435
- ISBN-13 : 978-1594202438
- Reading age : 18 years and up
- Lexile measure : 1190
- Item Weight : 0.01 ounces
- Dimensions : 6.5 x 2.12 x 9.3 inches
- Best Sellers Rank: #503,584 in Books (See Top 100 in Books)
- #59 in Toxicology (Books)
- #136 in Forensic Medicine (Books)
- #178 in Forensic Science Law
- Customer Reviews:
About the author

Deborah Blum has always considered herself a southerner, although she has no real Southern accent and was born in Illinois (Urbana, 1954). Still, her parents moved to Baton Rouge, Louisiana when she was two, and to Athens, Georgia, when she was twelve. And she has always believed that the Southern culture of story-telling had a real influence on the way she uses narrative in writing about science.
After high school, Blum received a journalism degree from the University of Georgia in 1976, with a double minor in anthropology and political science. She worked for two newspapers in Georgia and one in Florida (St. Petersburg Times) before deciding to become a science writer and going to graduate school at the University of Wisconsin in Madison. A University of Wisconsin fellow, she received her degree in 1982 and moved to California to work for McClatchy newspapers, first in Fresno and then in Sacramento. During her 13 years, at The Sacramento Bee, she won numerous awards for her work, culminating in the 1992 Pulitzer Prize in beat reporting for a series investigating ethical issues in primate research.
The series became her first book, The Monkey Wars (Oxford, 1994), which was named a Library Journal Best Sci-Tech book of the year. Three years later, she published Sex on the Brain: The Biological Differences Between Men and Women (Viking, 1997), which was named a New York Times Notable Book. Her 2002 book, Love at Goon Park: Harry Harlow and the Science of Affection, (Perseus Books) was a finalist for The Los Angeles Times Book Prize. She followed that with Ghost Hunters: William James and the Search for Scientific Proof of Life After Death (Penguin Press, 2006). Her latest book, The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York, will be published in February 2010.
Blum is also the co-editor of a widely used guide to science writing, A Field Guide for Science Writers (Oxford, 2006). She is currently the Helen Firstbrook Franklin Professor of Journalism at the University of Wisconsin-Madison, where she teaches science journalism, creative-non-fiction, magazine writing and investigative reporting. A past-president of the National Association of Science Writers, she currently serves as the North American board member to the World Federation of Science Journalists. She also sits on the board of the Council for the Advancement of Science Writing and on the board of trustees for the Society for Society and the Public.
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Chloroform, wood alchohol, cyanides, the ever popular arsenic, mercury, carbon monoxide, methyl alcohol, radium, ethyl alcohol, and thallium are the book's chapter headings that span 1915-1936.Each element is chemically described, though it is unlikely that a reader lacking chemistry will understand it. The poisoners themselves lack personalities; they have paper-thin characters. The poisonings are unmarked by ingenuity, and the poisons do not stir up one's curiosity. In short, the pleasure drawn by readers of true-crime stories will not be had. The
reader, however, enjoys not only the permeating presence of Doctor Norris's gifted assistant, who will become the famed Dr Gettler, but as well Ms Blum's artful descriptions of the settings of the crimes. Though Norris's medical skills, aggressiveness in protecting his office, and exhausting commitment are sketched by Ms Blum, it is Gettler who fixes the reader's attention.
Gettler enters on stage with the first design of a forensic laboratory. At the beginning of Prohibition, he evaluated methods of detecting wood alcohol in human organs and informed the public that alcohol contained lethal methyl alcohol. It is Gettler who found arsenic in the poisonings of two who ate their last lunches at the Postal Lunch eatery on Liberty Street as did the six who followed at the nearby Shelburne Restaurant. He examined the organs of the latter piece by piece. In the mysterious deaths of an aged couple at the Hotel Margaret, he made exhaustive tests and found cyanide in the husband's lungs caused by fumigators in the hotel. He proved the innocence of a husband, suspected by ill-wishers of the mercuial poisoning of his wealthy wife, by proving that the mercury was in calomel prescribed by her trusted physician. When Standard Oil dismissed its plant workers' deaths with the cynical statement that they had " worked too hard", Gettler proved the cause was the company's use of tetraethyl lead. He found that carbon monoxide deaths can appear to be caused by carbon dioxide.
In a public riveting case, longshoreman Francesca Travia cut a woman's body in half, kicked half into the East River, leaving half in his kitchen where the police found it. Gettler found that carboxyhemoglobin was in her blood, leading him to conclude that she was dead before Travia picked up his knife. They had been drunk, he fell asleep, and when he awoke she was dead, causing him to fear that he had killed her and driving him to kick half of her into the river as a police officer approached him. He was acquitted of murder and convicted of dismembering a dead body, proving to an awe struck public the usefulness of this new science called forensic toxicology. In the sensational Ruth Snyder-Judd Gray murder case of the twenties, Gettler's chemical analysis stripped defendant Gray of his claim of self-defense by proving that a suffocating combination of alcohol and chloroform dispatched Gray's victim.
Gettler proved that radium caused the horrific deaths of young women who painted dials on watches. When a father's wife and four children died in about a period of five weeks, Gettler proved that thallium, unconnected with the husband but connected with his wife, had caused the deaths when she was deranged by the Depression. Gettler proved the government's incredible use of lethal ethyl alcohol and other additives to dissuade people from drinking did so. It killed them. His research into the effects of alcohol extended more than five years and used about six thousand brains. Working with brain tissues, he was able to use a scale of drunkeness to establish intoxication at the time of death. One could spend hours reviewing his work papers and identifying his influence on the generations of toxicologists he had trained.
Dr Gettler died in 1968, having been New York City's chief toxicologist and Professor of Chemistry at New York University. When he retired as chief toxicologist in 1959, he estimated that he had analyzed more than 100,000 bodies. Of him it was said that he was the "father of toxicology and forensic chemistry". All of his early tests had been done during what toxicologists call the period of "wet chemistry", the world of test tubes and Bunsen burners, beakers and body parts. Today, if electricity failed in a toxicological laboratory, toxicologists could not work. Ironically, they would be standing about helplessly, surrounded by technology based on the foundation of Dr Gettler's work, the doctor who, when he was a poor young man who had graduated from the College of the City of New York, worked for three years as a ticket agent on the 39th Street, Brookyn-to-Battery ferry boat where he arranged to work from midnight to 8 a.m. in order that he might enroll in Columbia University's graduate school for an advanced degree. Little could he have known that modern technology would include high-performance liquid chromatography, the widely applied methodology in toxicology used for the unequivocal identification of most drugs. Indeed, little could he have known, standing on that night time ferry collecting tickets, that his name and fomidable reputation would be found in that gold standard work, Casarett and Doull's Toxicology, 7th ed., c.31, p. 1255 (2008), the forensic parts of which defense counsel might find of interest in cross-examining a toxicologist.
Gettler's obsessiveness tagged along to the end when, in his last interview, he said, "I keep asking myself, have I done everything right?", a question that would have arched the eyebrows of a number of jurors, to say nothing of at least three executioners.
The book is divided into generally chronological chapters with intriguing titles such as "Chloroform 1915" and "Thallium 1935", with topics within each chapter such as "The Strange Deaths of Fremont and Anne Jackson." They are used as introductions into the deliberate use of specific poisons for murder through agents that are used for legitimate purposes but have an unanticipated deadly side effects. The case of Madame Curie and the hidden effect of Radium is an example.
The author gives gives an excellent layman's level explanation of the various toxic agents and then expands it into the effects, both unanticipated and deliberate, of those agents. For example, the "glow in the dark" dials of wristwatches glowed because they were coated with radium. The women who painted the dials were instructed kept the points of their brushes sharp by licking them. Months or years later, most of them developed bone cancer.
We have read of prohibition "rum runners" racing across Lake Huron to to deliver whiskey or of neighborhood production of "bathtub gin". But Ms. Blum's excellent discussion of the industrial level production of ersatz "whiskey" using deadly Methyl or wood alcohol distilled from other products, resulting in a catastrophic increase in the numbers of alcohol related deaths, was a total surprise. Even more astounding was the government's response of actually increasing the amount of these deadly alcohols with prominent warnings that they could not be successfully distilled. This lead to an "arms race" between government and bootlegger chemists as well as what was essentially a marketing campaign by bootleggers that their product was "pure."
In summary, a very engaging retelling of the early days of scientific pathology and forensic medicine. My hope is that there is a second book forthcoming ("Forensic Medicine - the Battle Continues?" ) covering WWII, LSD and on through Meth and Heroin.











