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Poking a Dead Frog: Conversations with Today’s Top Comedy Writers Paperback – June 24, 2014
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—A.V. Club, The Onion
“A fascinating look into the ways stand-up comedians, directors, and even short stories authors write funny….An absolute must.”
“A greater look into the craft and business of comedy writing than you can find anywhere else….A comedy nerd bible.”
“Filled with intelligent conversations… Even if you're not interested in a comedy writing career, at least you'll get great suggestions for your Netflix queue.”
—NPR, 2014’s “Great Reads”
“[A] pleasingly thick work, born to be well thumbed.”
—Los Angeles Times
“[Mike Sacks’] conversations with humorists poke at some fundamental concepts of comedy without chloroforming any frogs. More revealingly, the book examines what kind of person comes to make a living putting funny words on paper.”
—Wall Street Journal
“Short chapters offering ‘Ultraspecific Comedic Knowledge’…should be of particular interest to anyone thinking about pursuing a career in comedy. The longer interviews should be of interest to pretty much anybody.”
—The New York Times Book Review
“The true usefulness of Poking a Dead Frog to an aspiring comedy writer is in its clear-eyed picture of the gritty inner workings of the comedy industry….Reading about how a joke goes from the mind of a writer to an episode of Community is like watching a magician reveal his secrets: Sure, it dispels some of the magic, but it inspires new reverence for the real skill that went into producing the effect.”
“An effort to understand what elicits the guffaw [and] an investigation of the comedic mind and how it works…. Poking a Dead Frog also surprises as a how-to-get-in-the-business kind of book, a thread that holds valid entertainment value….Amid these [stories of] wild successes, we get insights into what is funny, why it is funny, and just how hard it is to write the perfect joke….If you have members of your family who dream of being a comedy writer, give them this book.”
“Unusually insightful…Sacks teases deep wisdom from comedy titans.”
“[These] intimate discussions of comedy in all its forms are engaging, and Sacks's obvious passion is contagious. Whether writers themselves or just fans of funny, humor-loving readers will relish Poking a Dead Frog.”
“Fascinating interviews with some comedic heavy hitters…full of great moments that are funny, thought provoking, and poignant. If a casual humor enthusiast can appreciate the work this much, the book is going to be snapped up by comedy writers and aficionados.”
—Library Journal, starred review
“[An] excellent book…[Sacks] once again displays his ability to get fascinating and honest interviews from comic luminaries.”
“If you’re a fan of funny — and who isn’t? — you’re sure to find something of interest in Sacks’ follow-up to And Here’s the Kicker.”
—New York Post
“No one generates more interesting, revealing, entertaining interviews than Mike Sacks. His love and knowledge of comedy are apparent, and, as a result, the fascinating and sometimes tight-lipped comedy greats open up to him in ways they rarely do. Poking a Dead Frog is a classic.”
—Bob Odenkirk, co-creator of Mr. Show and former writer, Saturday Night Live
“This book is what I really look forward to in a book about humor: rich with words and humor, and funny stories with words. Thank you for your time.”
“These interviews go to dark depths and offer useful, applicable insight into how excellent comedy is written. If you read it, you're going to be better at writing comedy and may even wind up in a position where you can take jobs away from the younger interviewees. I specify the younger interview subjects because some of the older ones will die soon.”
“I wish I'd had a book like this when I was trying to break in. Also, a book on personal hygiene.”
—Jack Handey, author of Deep Thoughts and The Stench of Honolulu
“There are few better interviewers than Mike Sacks. Poking a Dead Frog is a must-read for any comedy nerd or fan of pop culture history.”
—Dana Brown, Vanity Fair
About the Author
- ASIN : 0143123785
- Publisher : Penguin Books (June 24, 2014)
- Language : English
- Paperback : 480 pages
- ISBN-10 : 9780143123781
- ISBN-13 : 978-0143123781
- Item Weight : 14.4 ounces
- Dimensions : 5.5 x 1.2 x 8.4 inches
- Best Sellers Rank: #179,512 in Books (See Top 100 in Books)
- Customer Reviews:
About the author
Top reviews from the United States
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It's tempting to want to write comedy because the experts make it look deceptively easy. But after reading "Poking
a Dead Frog" it becomes clear that writing the funny words that seem to have been just tossed off casually hide a lot of hard work.
Just as deceptively easy is the art of interviewing, and Mike Sack's skills as an interviewer may soon make him as famous as some of the people he interviews. Mike Sack's research is meticulous, his style candid, and his questions intelligent and thoughtful. His passion for the subject of comedy writing is obvious.
I highly recommend reading "Poking a Dead Frog." The book is not only an education in what it takes to be a successful comedy writer,
but also an example of how a gifted interviewer can make all the difference. By treating his subjects with respect and asking the right questions, he gets honest and open answers.
This is not a shill. I've been struggling with stand-up and comedy routines for a long time and this book with the various interviews is better than anything on the subject I've read in 25 years. If you don't get the dog reference look at Jan 1973 National Lampoon. Good luck!
There are as many answers as there are interviews in this book. I was interested to find comparisons between the writers, such as: be extremely personal, and bust your ass. Not only will comedy writers love this book, the advice contained within applies to writers of all stripes. A joke is, after all, a super compressed story. And several of the interviewees have a literary slant, my favorites being George Saunders, Bruce Jay Friedman and Mike Schur. You can tell these lucky unfortunates are both intellectual and neurotic. Therein lies the beauty.
Mike Sacks has clearly put in his research. His interviews read like something out of the Paris Review, only about comedy. I know from Brad Listi's podcast that Mike has at least a twenty hour talk with the comedians, which allows the conversations to delve deeply into craft, hard work, luck and inspiration. Sacks is interested in comedy’s history as well. The talks with older writers are gold. It’s fun to trace the comic lineage from The Lonely Guy’s Book of Life to Seinfeld to The Office.
One thread that has changed since Sacks’ last book is the widespread use of the Internet as a means to launch a comedy career. The democracy is exciting, but one thing is for sure, being funny is hard work.
Top reviews from other countries
L'ouvrage vaut pour ses anecdotes, ses scoops, ses réflexions sur l'écriture comique. Il en ressort un profil-type de l'auteur "comique" : déterminé, travailleur, adaptable, en perpétuelle recherche, mais aussi socialement décalé (voire inadapté). Bref un métier à éviter, sauf si on ne peut pas faire autrement : cette idée revient souvent dans les conversations.
La disponibilité des produits culturels dont il est question ici : livres, films, séries TV, émissions d'humour, etc. permet au lecteur de consulter ou d'acheter des œuvres dont il n'avait jamais entendu parler. Mais le lecteur français constate que certaines production ont franchi avec succès l'Atlantique ou la Manche : Les Simpsons, The Office, les Monty Python, Mel Brooks, Borat, etc. Dans d'autres cas, l'humour ne semble pas particulièrement adapté au goût hexagonal : je pense par exemple aux "talk-show" d'un Johnny Carson ou plus récemment d'un David Letterman ou Conan O'Brien, ainsi qu'à l'émission "Saturday Night Live", des institutions aux US mais inconnues (ou presque) ici.
Les interviews sont (gentiment) subversives et souvent intéressantes. Les questions sont toujours un peu les mêmes (le parcours, les influences, les conseils, les pratiques professionnelles). Je suis resté sur ma faim quand il s'est agi, pour Mike Sacks et ses interlocuteurs, de discuter de certains sujets : je pense en particulier à la quasi-absence de femmes dans cet univers (et parmi les auteurs interrogés). Cela méritait autre chose que les propos convenus tenus ici par les auteurs (y compris féminins).
Une lecture très agréable pour celles et ceux qui s'intéressent aux dessous du mécanisme de l'écriture comique. Un assez bon niveau d'anglais est requis à mon avis, de même qu'une certaine connaissance de la culture populaire américaine et britannique.