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Pop Goes the Weasel (Alex Cross) Mass Market Paperback – October 1, 2000
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Rookie cop Tana Larsson must track a killer—but can she survive the wild and frozen dark? Learn More
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A series of killings in the forgotten, crime-infested ghettos of southeast D.C. has sent Cross and his 6'9" 250-pound partner, John Sampson, in search of the "Jane Doe" killer. However, their racist, tyrannical boss George Pitman orders them to stay out of the southeast and investigate the high-profile murder of a wealthy white man. Cross already has suspicions that the murders are linked, but when Sampson's ex turns up in an abandoned southeast warehouse kicked to death, the two detectives carry on with their original investigation. Meanwhile, Cross's longtime love, Christine (Cat and Mouse), has taken prominence in his life, and it looks as if the two will finally get hitched--with one glitch: Cross puts everything he loves in jeopardy as he obsessively goes after the Weasel.
Akin to a slick Hollywood action flick, Pop Goes the Weasel doesn't have time for meaningful character development or thoughtful moral analysis. And it doesn't need to. Its winning formula is based on short scenes (chapters average about 3 pages), addictive plot progression, and mean dialogue: "Sampson sighed and said, 'I think her tongue is stapled inside the other girl. I'm pretty sure that's it, Alex. The Weasel stapled them together.' I looked at the two girls and shook my head. 'I don't think so. A staple, even a surgical one, would come apart on the tongue's surface.... Crazy glue would work." --Rebekah Warren --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Top Customer Reviews
The killer is a well respected foreign dignitary who also has a passion for role playing games. He, along with three others throughout the world are members of an exclusive game called the four horsemen. How Cross comes to his identity and possible capture is a series of non stop chills. The ending may not be as topsy turvy and dramatic as other Patterson books, but some surprises do change the complexion of future Cross novels.
Patterson sticks to his format here. The positive aspect is that his fans know the characters and enjoy their continuing saga. Sampson has developed into the type of figure that would be extraordinary in his own book. The negative aspect is that some of Cross's statements and the details of his family life are a bit worn on the faithful Patterson fan. As a result, the Alex Cross novels could use an injection of freshness. Therefore the novel was a bit shy of the better Cross chapters.
Overall the book has a quick flow and only sputters in some of the chapters that surround Alex's relationship with Christine. The villain is devious but also falls short of a Gary Soneji or Jack and Jill. The plot is better than average and I am still left wanting more Alex Cross. A no brainer four star piece of fiction.
From the beginning, the reader knows who the killer is. He is none other than urbane, British diplomat, Geoffrey Shafer, who is playing a macabre, role playing game through the internet with some of his former buddies from British intelligence. His role, appropriately enough, is "Death". The problem is that for Shafer it is no longer a game. It is an obsession.
Meanwhile, Detective Alex Cross and his long time main squeeze, Christine, have decided to get married, despite his relentless pursuit of "The Weasel". Just before they actually do so, however, this diabolical fiend creates a serious hitch in their wedding plans. Cross carries on, as "The Weasel" plays a cat and mouse game with him. There are a number of surprising moves and countermoves, though it seems that Detective Cross is always on the receiving end.
Unfortunately, while the book starts out with a bang, it sort of ends with a whimper. The author simply fails to realize the promise inherent in the book. The resolution of the issue involving his fiancee, Christine, is simply unrealistic. The final ending, however, with regards to Shafer is somewhat intriguing, as it leaves open the possibility of a sequel with this most intriguing killer.
This audiobook is made most engrossing by the virtuoso reading by narrator Michael Kramer. He is simply superlative. He takes this book and makes it come alive. While the content of the book rates about a strong three, Michael Kramer's reading rates a high five, which is why I am awarding this audiobook four stars.
Most Recent Customer Reviews
REVIEW FOR THE WRITER
Pop Goes The Weasel differs from most thrillers in that Patterson reveals his protagonist from Prologue page 1 (also in review back page). Read more
This was a Great book. It was Unpredictable and suspenseful. I am Looking forward to the next book in the series.Published 6 days ago by Deborah L. Gard
Traumatized killer...flawed hero cop...dramatic showdown. These books are like paint by numbers. New age Mills and Boone...easy to consume and forget.Published 15 days ago by Liz
He’s 44 years old and bored with his trophy wife and three kids, but British agent Geoffrey Shafer is not just the typical middle-aged man facing a mid-life crisis. Read morePublished 25 days ago by Scrapple8
Unbe!ievable. What an ending. Very impressive and terryfing. Great. Never expect anything less from James Patterson. The young and new Stephen kingPublished 1 month ago by yeni
I give this book five stars exciting to the very end. Each and every page holds you on the edge of your seat. It keeps you up late at night and up throughout the day.Published 1 month ago by shirley green