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Portnoy's Complaint Paperback – September 20, 1994
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Philip Roth
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Print length289 pages
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LanguageEnglish
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PublisherVintage
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Publication dateSeptember 20, 1994
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Dimensions5.19 x 0.6 x 7.98 inches
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ISBN-100679756450
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ISBN-13978-0679756453
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Editorial Reviews
From Publishers Weekly
Copyright 1994 Reed Business Information, Inc.
Review
"Deliciously funny...absurd and exuberant, wild and uproarious... a brilliantly vivid reading experience."--New York Times Book Review
"Simply one of the two or three funniest works in American fiction." —Chicago Sun-Times
"Touching as well as hilariously lewd.... Roth is vibrantly talented...as marvelous a mimic and fantasist as has been produced by the most verbal group in human history." —Alfred Kazin, New York Review of Books
From the Inside Flap
With a new Afterword by the author for the 25th Anniversary edition.
From the Back Cover
With a new Afterword by the author for the 25th Anniversary edition.
About the Author
In 1997 Philip Roth won the Pulitzer Prize for American Pastoral. In 1998 he received the National Medal of Arts at the White House and in 2002 the highest award of the American Academy of Arts and Letters, the Gold Medal in Fiction. He twice won the National Book Award and the National Book Critics Circle Award. He won the PEN/Faulkner Award three times. In 2005 The Plot Against America received the Society of American Historians’ Prize for “the outstanding historical novel on an American theme for 2003–2004.” Roth received PEN’s two most prestigious awards: in 2006 the PEN/Nabokov Award and in 2007 the PEN/Bellow Award for achievement in American fiction. In 2011 he received the National Humanities Medal at the White House, and was later named the fourth recipient of the Man Booker International Prize. He died in 2018.
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Product details
- Publisher : Vintage; Reprint edition (September 20, 1994)
- Language : English
- Paperback : 289 pages
- ISBN-10 : 0679756450
- ISBN-13 : 978-0679756453
- Item Weight : 7.2 ounces
- Dimensions : 5.19 x 0.6 x 7.98 inches
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Best Sellers Rank:
#17,986 in Books (See Top 100 in Books)
- #75 in Literary Criticism & Theory
- #83 in Jewish Literature & Fiction
- #458 in Contemporary Literature & Fiction
- Customer Reviews:
Customer reviews
Top reviews from the United States
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I ended up laughing out loud and waking my wife.
Loved the book. Especially the nostalgia and sense of being there, real-time, New Jersey in the late ‘60s. Immersive.
But Portnoy's "complaint" is the demonic level of despair he has inherited from his Jewish upbringing, and his Jewishness. Stretched out on the psychoanalytical couch he shrieks this despair (he complains!) in what can be read as high comedy or execrable whine, or both.
I found the sexual elements crass and very nearly inconsequential counterpoints to the horripilating description of family life. His portraits of mother, father, extended family, and a whole host of subsequent girlfriends, as well as his own self-portrait simply make the skin crawl.
Like "the Monkey" and others I craved some demonstration of love from Portnoy but there there were all too few perhaps deluded glimmers. Perhaps that is the point of the relentless sexual aggression and sense of degradation. I liked his girlfriends, don't know what it says about me. I wanted to see them treated better while recognising literature has its imperatives.
Oddly I read this book over forty years ago as a coy Irish teenage boy but could remember nothing about it, nothing, not even the frenzied sexual gymnastry, which should have lived forever with the Irish teenager I was. Returning to it I am certainly more alive to the broader chemistry, the familial degradation and the essential struggle to the sexual death with Portnoy's own inescapable Jewishness. This latter is really what the novel is about.
Perhaps the most remarkable thing about Portnoy's Complaint is having to acknowledge that written today it would be unpublishable; to begin with it would be considered far too sexually violent and mysogynistic. Writers, especially male ones, who want to write with this intensity of sexual feeling, will soon have to resort to illicit or pornographic presses, as did their counterparts of a century ago. But don't worry, we will always have "Fifty Shades of Grey".
I was torn between three and four stars for this review. While quite early in the novel I felt I did not want to spend time with the people there, I do have to acknowledge the manic intensity and inventiveness of Roth's writing, and his well-earned status as a superior writer. It is not a novel I particularly liked or will reread but I do recognise its value. So four stars it is.
Alexander Portnoy is, at times, completely annoying, yet there is something in his complaint that evokes a degree of sympathy and, for some, empathy. Sure, he's got more than enough to make even Freud's head spin, but he isn't wholly detestable. Roth writes this character so convincingly that I imagine the Doctor's reactions as he is sitting there listening to Portnoy ramble on. The issues involved in growing up Jewish dominate the novel, but there are multiple fascinating themes co-occurring as Portnoy's story develops.
If you don't mind reading about penises and vaginas on every page and can tolerate an often abundant usage of Caps to emphasize Portnoy's mental duress, you should consider picking up this witty and thought-evoking read.
Top reviews from other countries
So what did I learn through my patient listening? There was some interesting stuff. Identity was a big thing. Much of the book is informed by what is to be Jewish, even though it’s also about trying to escape such labels. If I could get a word in edgeways I would have said that was interesting.
Even more interesting was the idea of guilt. Alex lives in a society which trains you to be obedient through arbitrary rules, often dietary. The idea is that when the time comes to follow rules that are really important, you’ll be ready. But by then you’ve been so confused by arbitrary regulations, and so bruised by capricious punishment, that it’s hard to tell the difference between valid and ridiculous restrictions.
So, that was thought-provoking. But why am I saying these things? This narrator wasn’t waiting for me to say anything. I was there to listen, not offer an opinion. That summed up a feeling around the book that I didn’t enjoy. Portnoy was so self involved. On one occasion he is amazed that a young woman is upset when he breaks up with her, because it’s really only his feelings that count. You can enjoy the quick-fire anecdotes, and laugh at the scandalous humour, but after a while you want to put the book down and talk to someone less self centred - someone who might actually ask your opinion:
“How’s that Philip Roth book you’re reading?”
“Well, thanks for asking. In my view, it’s funny, unsettling, sometimes nauseating, often interesting, and highly self regarding.”





























