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The Poseidon Adventure [Blu-ray]
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| Genre | Action & Adventure |
| Format | Multiple Formats, Blu-ray, DTS Surround Sound, NTSC, Subtitled, Widescreen |
| Contributor | Pamela Sue Martin, Leslie Nielsen, Red Buttons, Erik Nelson, Jan Arvan, Sheila Mathews, Eric Shea, Ernest Borgnine, Arthur O'Connell, Fred Sadoff, David Sharpe, Jack Albertson, Gene Hackman, Shelley Winters, Byron Webster, Stella Stevens, Bob Hastings, Roddy McDowall, John Crawford, Carol Lynley, Irwin Allen, Ronald Neame See more |
| Language | English |
| Runtime | 2 hours and 52 minutes |
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Product Description
One of the most gripping disaster films of all time follows ten survivors as they struggle to escape from an ocean liner capsized by a tidal wave. Suspenseful terror, combined with the victims' intimate and personal stories, results in compelling and heart-stopping drama. Nine ACADEMY AWARD Nominations* - including a Win for Visual Effects - make this film a true classic.
Product details
- Aspect Ratio : 2.35:1
- Is Discontinued By Manufacturer : No
- MPAA rating : PG (Parental Guidance Suggested)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.4 Ounces
- Item model number : 24543808619
- Director : Ronald Neame, Irwin Allen
- Media Format : Multiple Formats, Blu-ray, DTS Surround Sound, NTSC, Subtitled, Widescreen
- Run time : 2 hours and 52 minutes
- Release date : October 9, 2012
- Actors : Gene Hackman, Ernest Borgnine, Red Buttons, Carol Lynley, Roddy McDowall
- Dubbed: : French, Spanish
- Subtitles: : English, French, Spanish
- Producers : Irwin Allen
- Language : Unqualified (DTS-HD High Res Audio)
- Studio : 20th Century Fox
- ASIN : B007RFJCN2
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #11,222 in Movies & TV (See Top 100 in Movies & TV)
- #1,370 in Action & Adventure Blu-ray Discs
- Customer Reviews:
Customer reviews
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Learn more how customers reviews work on AmazonReviewed in the United States on June 11, 2018
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Ronald Neame’s disaster thriller The Poseidon Adventure (1972) is a very entertaining movie full of steel beams and flooding water. I found it takes about a half hour to really find its pace as it starts off with tons of slower character introductions, but you do at least begin to care about most of the main cast. Neame’s direction is gripping once the disaster occurs as the threat of rising water is ever present and falling debris a constant fear. I found myself lost in the frantic chaos and scared panic. The Poseidon Adventures flows into riveting action and keeps ebbing until the bitter end.
I do not think The Poseidon Adventure comes close to the masterful direction and compelling writing of Robert Wise’s The Hindenburg (1975), which I feel remains the greatest disaster epic ever made. But, The Poseidon Adventure is entertaining and I think most viewers will find enjoyment out of the largely good acting and intimidating scenarios. The dangerous events should keep any audience thrilled until it’s gone. Water and infighting being the enemy is an interesting concept unto itself.
John Williams’ score is engaging with his usual symphonic flair of sounds sweeping over all the action. I like the main theme here, but it does feel very 1970’s hippie love theme rather than music for a disaster thriller. The production design for the cruise ship is impressive as everything looks real and practical. The metal pipes, grates, and beams scattered everywhere make for great dangerous objects. The dining hall is a fun sequence of death in the beginning. The finale in the engine room filled with fire is also a cool change of pace.
I rather like the writing as these characters are very round and developed. They have their own motivations, development, and personalities without feeling like they simply exist to live and die on screen for 2 hours. Gene Hackman is gripping and inspiring as the fiery and resourceful Reverend Scott. His impassioned sermons are fascinating and motivational speeches of self-improvement. Hackman entertains you with his leadership and proactive ideas to the very end. I really wanted Hackman to get off that cruise ship alive as he sacrifices so much and puts up with endless adversity.
Likewise, I love Shelley Winters as Belle Rosen. Her portly physique costs her much ridicule, but her kind heart and helpful performance is as fun as she is endearing. What an actress Shelley Winters was; I’m grateful we got so many wonderful roles from her. Furthermore, Jack Albertson is great as Winters’ adoring and supporting husband Manny Rosen too. I felt quite sorry for him as he’s easily one of the most sympathetic figures here.
Ernest Borgnine is hilarious as the screaming cop Rogo, who serves as both muscle and devil’s advocate to everything Hackman suggests. He delivers a moving speech at the end with some serious sad acting in his facial expressions. I liked the mean spirited and hopeless nature of both Borgnine’s character and his wife’s lady played by the sultry and stunning Stella Stevens. She is really gorgeous here, but she’s only present to serve as eye candy in underwear.
On the other hand, Roddy McDowall is nice as the boat guide Acres, even if he is short lived on screen. Red Buttons is really likable and helpful as James Martin. He is relatable as he tries desperately to aid the hysterical Nonnie Parry, played by the dull and pretty Carol Lynley, who is just awful here. She overacts every scene and is clearly in The Poseidon Adventure to sing the theme and look hot.
Leslie Nielsen is really good as The Captain, but he gets hardly any screen time unfortunately. Eric Shea is great as the boat knowledgeable Robin Shelby, but he gets annoying quickly as many child actors do. I should mention that the lovely Pamela Sue Martin is excellent as the frightened and forward thinking Susan Shelby. She should have been given much more screen time as she’s a much better actress here than half the cast.
In all, Gene Hackman and Shelley Winters are working overtime giving outstanding acting performances in this silly wet thriller. Although, much of the cast is just fine, the thrills of the sinking cruise ship is enough to entertain me throughout The Poseidon Adventure.
The Irwin Allen movie itself is an exciting adventure and features an all-star cast as they try and work their way from the top of the ship to the bottom, after it gets knocked over by a huge tidal wave on New Year's Eve, and is floating upside down. This movie is credited to starting the "disaster" genre and it really is amazing to watch considering the limitations of special effects during that time. There is not a moment where the viewer does not believe that these people are in fact on a ship and that it is under water. Amazing!
THE POSEIDON ADVENTURE is presented in wide-screen and looks fantastic! The movie with optional commentary by director Ronald Neame, and stars Pamela Sue Martin, Stella Stevens and Carol Lynley. The second DVD gives you lots of extras:
****** DVD 2 EXTRAS ******
"AMC Backstory" - 24:55-minutes
Behind-the-scenes special on how the story got off the ground and how it almost got shelved. There are interviews with cast like Stella Stevens, Ernest Borgnine, Red Buttons, Roddy McDowall (1995) and others and shows behind-the-scenes footage.
"Cast Looks Back" - 05:35-minutes
Cast members Buttons, Stevens, Lynley, Martin (I believe these were done in 2005), and McDowall (1995) provide memories of the shooting and how they knew the movie was going to be a hit.
"Falling Up With Ernie" - 04:08-minutes
Entertaining interview with actor Ernie Orsatti who played "Terry" and is the actor/stuntman who took the iconic fall from the table and crashed through the sky lamp.
"Writer Stirling Silliphant" - 09:14-minutes
Other screen writers discuss Silliphant's work as the Poseidon Adventure's screen writer and his work on other disaster films like The Towering Inferno (Special Edition) .
"Heroes Of Poseidon" - 09:47-minutes
Writers discuss the movie's storyline and the allegory to the bible. It's an interesting take on the storyline and viewers will have a new way of looking at the movie.
"The Morning After" - 08:53-minutes
Song writer Al Kasha, vocalist Maureen McGovern, cast member Carol Lynley, and session vocalist Renee Armand, whose voice is heard in the movie as Lynley's singing voice, talk about the Oscar winning song.
"RMS Queen Mary" - 06:22-minutes
Lackluster narration of the ship and how author Gallico was on the Queen Mary years before and got the idea for the book, "The Poseidon Adventure." Although interesting, the monotone narration makes this the least thrilling of all the featurettes.
"Conversations With Director Ronald Neame" - collection of three interviews with the director:
-- "Sinking The Ship" 03:19-minutes - how the director made it appear that the ship was sinking and the actors being covered with water.
-- "Generation Of Fans" 03:12-minutes - how the movie is garnering new fans with each generation.
-- "Turning Over The Ship" 02:17-minutes - how the filmmakers made the passengers seem as though they were falling and tumbling inside the ship.
"Vintage Promo Material"
-- "1972 Featurette" 09:51-minutes - Vintage featurettes showing behind-the-scenes and interviews, back then, with cast members.
-- 2 Trailers and 1 for "The Towering Inferno."
"America Cinematographer" 43-page reprint of the magazine article on the making of.
Galleries
Story Board Comparison
I highly recommend this set even though you don't get the postcards or the booklet. The movie is great and the cast is fantastic, so definitely pick up a copy!
Top reviews from other countries
The starting point of the story is relatively simple: To escape poverty, a widow and four of her five sons move to Milan, where the fifth has just got engaged to Ginetta (Claudia Cardinale), a middle-class girl. They plan to be accommodated by the in-laws, who refuse for lack of space. They end up in a slum, in the basement of an ABR building.
All the brothers are looking for work: Simone (excellent Renato Salvatori), Rocco (Alain Delon, touched by grace), Ciro and Luca (both more discreet). Simone becomes a boxer at the local club and aims for a professional career. He falls in love with Nadia (bright Annie Girardot), a 25-year-old prostitute who will never love him. She will finally fall in love with his brother Rocco, the same one who will be much more skillful with gloves in hand on the ring, leading Simone, jealous, into a black rage. But Rocco refuses any confrontation with his brother. As such, a terrible scene censored and reintegrated into this new version is the turning point of the film.
However, to reduce “Rocco and his brothers” to this opposition between the two brothers would be to ignore Visconti’s cinematographic mastery. Thus, through the prism of this a priori Manichaean history, the director explores a plurality of social and political themes: the uprooting of a family from the south to the north of Italy, the living conditions of the industrial proletariat, the ambition, family honour and the hope of social elevation. A landscape of violence where the infinite tenderness of one and the bestial brutality of the other are opposed. Failed boxer, unhappy lover, Simone sinks into delinquency and crime: theft, rape, prostitution and murder.
Every time, Rocco covers him and pays for him. In the end, he’s as guilty as his brother. Doesn’t he shout it himself at the end?
Ciro sums up the essential theme of the film’s morality when he explains to Luca that Rocco is a saint, that he forgives everything, always, and that’s exactly what he shouldn’t have done with Simone. I totally share Ciro’s point of view: Rocco is as guilty as Simone, both are linked in the tragedy. Wherever and at all times, in the face of repeated and more and more brutal criminality, forgiveness and tolerance are not the answer; they only make things worse. A lesson that is still on today.
Sublimated by a masterful photography and a perfectly balanced and restored black and white, the film unfolds a succession of photographic frames of extraordinary beauty and complexity (The shots of Salvatori and Girardot in their embrace or Delon and Girardot on the roof of the Duomo of Milan are among the most beautiful of this long film). To make the picture complete, there is added the nostalgia for the abandoned land, the “land of olive trees”, where Rocco dreams of returning.
Only reservation: I remain a little doubtful about the overplaying of the Greek actress who plays the mamma, she comes on much too strong.
In fine, “Rocco and His Brothers” is a very Christian film: “If you get hit on the right cheek, turn the other one again. ” But Visconti shows us at the same time the damage caused by masochistic guilt and by angelism in the face of indiscriminate and bestial violence. Finally, it illustrates the weight of the chains imposed on us by our family origins.
吹替が勝手に字幕に替わる、と言う人が多いのでレビューしました。
★結論から言うと、単品の通常盤DVD・ブルーレイの吹替は全て途中で字幕に切り替わります。通常盤の吹替は1991年放送のテレビ朝日吹替版で、本編約95分の放送だった為、残り22分は吹替音声が無かったからです。
★ノーカットになったテレ朝吹替版をソフトで観るには上記の「吹替の帝王BOX」ブルーレイを買うしかありません。こちらのテレ朝吹替版は2014年WOWOWさんが22分を追加録音し放送した「WOWOW吹替補完版」バージョンです。BOXにはこれを含め存在するポセイドン・アドベンチャー(以下、ポセイドン)の吹替全5種が収録されており、TBS吹替版・LD吹替版・BS-TBS吹替版は幸運にもノーカット制作だった為、日本テレビ吹替版以外の4種は字幕に切り替わらないノーカット吹替版です。
テレ朝WOWOW吹替補完版は2018年発売のこのBOXが初収録なので、それ以前に発売された単品DVD・BDには一部が字幕の95分尺のテレ朝吹替版しか収録されてない訳です。
★価格差は通常盤が¥1000〜¥4000台に対し吹替の帝王BOXは¥8000弱(オフ価格で¥6000〜¥7000台)。
BOX買いが嫌な人は、先月2019年6月にスターチャンネルさんでノーカットの吹替4種が放送されたので(BS-TBS吹替版は2018年末から数回放送されてます)、そちらへ再放送の問い合わせやリクエストをするのも良いと思います。
★通常盤ブルーレイのレビューも吹替の帝王BOXのレビューも「形式:Blu-ray」と表示されるので、吹替の帝王BOXのノーカット吹替のレビューを通常盤のレビューと勘違いする人が多いと思います。こういう同じ映画のソフトのレビューを全部ひとくくりで載せるAmazonさんの載せ方が悪いのですが。
1991年、何を隠そう私がポセイドンを初めて観たのがテレ朝吹替版の本放送でした。消化ホースで坂の通路を昇るシーンの「ロゴ、ロゴ、ロゴって」「私たちは似てるんですよ」、ローゼン夫人(シェリー・ウィンタース)が亡くなり「神よ、どうしてこの人を…」「旦那には何て…」「何も言わなくていい」、山場の「俺のリンダを!」「ロゴ……後を頼むぞ!」。録画しませんでしたが言い回しの数々が強烈に焼き付き、今もポセイドンと言うと私はまずテレ朝版の台詞が脳内再生されます。
1993年、レンタルビデオの字幕で観た時も面白さは変わらず、ポセイドンは吹替でも字幕でも素晴らしい、私の十指に入る揺るぎない映画になりました。VHSソフトは高価なのでWOWOWさんに加入して字幕版放送を録画し、会社の先輩に貸したら「転覆するまでが長い」と言われたり(笑)。当時の私は洋画は字幕派でしたが、テレ朝版の思い出は忘れ得ぬ記憶として心に残っていました。1999年にセリエAを観る為スカパーへ加入し、2000年にWOWOWさんは解約しました。
2005年、レンタル店でポセイドンのDVDを見つけ、パッケージ裏に吹替の記述があり磯部勉、坂口芳貞…とあるのを見て「あのテレ朝吹替版が収録されている!」。しかし、その下をよく読むと…吹替の音源の無い部分は字幕スーパーになっております…云々の小さい注意書きが。私が初めてTVの洋画吹替はカット版で制作されている事を知った瞬間でした。
「嫌だ」私はDVDを元のレンタル棚に戻しました。「あの吹替が途中で切れるのは嫌だ。これは違う、やり方が違う」。私には一部字幕で観る選択肢は始めからありませんでした。あの素晴らしい思い出が壊されたようで、なぜ追加録音しないのか、なぜ日本放送版をそのまま収録しないのか、それがぐるぐる頭をかけ廻りました。私は、穴だらけの醜い姿になった吹替に、声が切れ切れになり血が通わなくなった彼らに会いたくなかったのです。
その後、私が大好きな昔の海外ドラマも一部字幕の吹替DVDが出て〝全てのTV吹替がカット版が常識〟と知り、一部字幕の吹替ソフトが大嫌いになりました。TV吹替版は〝商品〟のカテゴリーでの使用を全く前提にせず〝放送〟のカテゴリーでのみ使用する放送時間枠内の「番組」として作られる事、TV吹替収録は高額の二次使用料を払わねばならずソフトメーカーはなかなか追加録音の予算がまかなえない事、海外系大手メーカーはオリジナル版の権利しか無く(コロンビア映画の親会社のソニーさんや日本の独立系メーカーはまた別)権利元の許可無しの日本放送版収録は著作権侵害になる事も知りました。
頭で理解しても心が納得出来ず、吹替が切れないソフトだけ調べて買ったり借りるようになりました。レンタル店でポセイドンのDVDを嫌な目でスルーし続け「何とかしてくれ!」。悶々とする日々が続きました。
2014年12月7日、TVガイドの翌日の番組欄の「ポセイドン・アドベンチャー〔吹替補完版〕」の文字に反応し、電話でWOWOWさんに問い合わせると2014年2月放送した〝テレ朝版を追加録音した物〟の再放送で、今回のあと再放送予定は無いとの事!。私は即、受付嬢に再契約を頼み14年ぶりにWOWOWさんに再加入しました。放送が早朝なので間に合うか心配でしたが無事、深夜から映り2014年12月8日朝、私は録画しながらあのテレ朝版に23年ぶりに再会しました。
「私のポセイドン・アドベンチャーが帰って来た……!!」目柱が熱くなりました。マーチン(レッド・バトンズ)の故・富山敬さんの追加部分代役の飛田展男さんのところは違和感がありますが、それは些細な事。何より再び、それもノーカットで観れたこの喜び。しかも引退された吉田理保子さんまでがちゃんとリンダ(ステラ・スティーヴンス)の追加録音に参加されている!…感無量でした。「WOWOWさん、ありがとう、ありがとう」私は馬鹿みたいに、観ながら画面に何度もお礼を言いました。
この録画をダビングしたBDは私の宝物です。吹替の帝王BOXを買った今も、大事にしまってあります。
90年代、ディズニーアニメ以外の洋画は字幕版一辺倒だったWOWOWさんが今、不定期ながら昔のTV吹替版をノーカットにして放送しているのは不思議な感覚なのですが、それに私が救われたのも何かの巡り合わせなのかと思います。その後、ポセイドンBS-TBS吹替版は本放送・再放送とも録画鑑賞し、2017年のポセイドンTBS吹替版の再放送を観る為ムービープラスさんに加入しました。
2018年、遂にテレ朝吹替補完版がこの「吹替の帝王BOX」に収録されました。「通常盤DVD・ブルーレイも吹替補完版に差し替えて欲しい」と言う人が多いと思いますが、ソフトの規格(仕様に関しての権利や契約の基準)というのは一度決定するとそれが継続され、途中変更が難しいそうです。なのでこうした新たな規格のソフトを立ち上げ、あらためて収録となる訳です。
私も通常盤を差し替えて欲しいですが、20世紀FOXさんは公式吹替版が信条のディズニー社と合併しTV吹替版を扱えなくなる可能性が出ており、テレ朝吹替補完版のソフト収録はこのBOXが最初で最後かも知れません。BOXのみでもカット版でなく吹替補完版を収録し、ソフトに残してくれたFOXさんの心遣いに感謝します。
私がポセイドンを初めて観たのがテレ朝版なら、一部字幕吹替ソフトが大嫌いになったきっかけもテレ朝版。そして吹替補完版で長年の溜飲を下げたのもテレ朝版。私には切っても切れない、一生心に焼き付いた吹替版です。
TBS吹替版が心に焼き付いた人は後年の吹替版を観ると「エイカーズじゃなくてエイクレス」と言うでしょうし、BS-TBS吹替版が心に焼き付いた人は故・石塚運昇さんの声でCSIのホレイショが浮かぶでしょう。そして「オリジナル俳優の声で観るのが一番」と字幕版が心に焼き付いた人も。
そうやって観た人それぞれに、心に焼き付いた「私のポセイドン・アドベンチャー」がいます。この「吹替の帝王BOX」にはそういう各世代がポセイドンと過ごした思い出や幸せが詰まっています(字幕版が心に焼き付いた人達の中でも、劇場公開時やVHS時等の字幕の違いの拘りがあるかも知れませんが)。
★このBOXで惜しむらくは、日テレ吹替版が一部字幕な事です。日テレ版は小林勝彦さん、藤岡重慶さんら多くの声優が亡くなられており、他の吹替の帝王も一部字幕が多いのでそれはわかるのです。わかるのですが、私は観れないので似た声の方で追加録音して欲しかった…。
私は一部字幕とノーカットの吹替が同時収録のソフトもよほどノーカット吹替が観たい物しか買わず、一部字幕の吹替のほうは再生しません。持っているのも今回のポセイドンBOXを含め四つのみです。今回買ったのはテレ朝吹替補完版をどうしてもソフトで永久保存したいのと、未見のLD吹替版が観たかったからです。吹替5種のうち4種までがノーカットなだけでも奇跡的なのはわかってますが買った以上、星ひとつ減らした不満点を書かない訳にいきません。
発売前にFOXさんへ駄目元で日テレ版に追加録音か吹替完全版機能(BDに搭載可能の吹替の無い箇所をスキップする機能)搭載のお願いをメールで出しましたが、スキップ機能はまだ日本の独立系メーカーしか採用しておらず、やはり無理だったようです。この「買いたい吹替だけを選んで買えない」のが吹替の帝王の弱点です。しかしこういう企画が無ければ全種の吹替が商品化されないのも事実。それは理解してますのでFOXさんに恨みは無いです。
日テレ吹替版が「私のポセイドン・アドベンチャー」の皆さん、気を悪くする事を書いて本当に御免なさい。私は日テレ吹替版が嫌いなんじゃないんです、このソフトの一部字幕の仕様が嫌いなだけです。観る観ないはその人の自由、一部字幕を気にしない人はどんどん観て下さい。
頑固ですみませんが私の中では未だ「やり方が違う」ままなのです。重慶さんのロゴ(アーネスト・ボーグナイン)は観たいですが、このBOXの日テレ版は一生再生しません。そんな姿になってまで会いたくありません。望み薄ですが一部字幕の無い放送を待ちます。
★なお吹替の帝王BOXのディスクにメインメニューが無く、入れると勝手に本編が再生(本編終了後にもまた頭から自動再生)される点・映像特典が無く値段が高い点については、吹替5種を二次使用する転用料がかなり高額だったと思いますので、私はやむなしと納得しています。
ふだん一部字幕の吹替入りソフトのレビューは書きませんが、吹替の帝王BOX発売後、テレ朝吹替版に思い入れのあるレビューを書いた人がいないのが寂しかった(笑)のと、ポセイドンの通常盤ソフトの吹替が一部字幕なのを知らない人が多いので、老婆心ながらレビューさせて頂きました。
私のように一部字幕の吹替は絶対観ないと決めている人間はそういませんから、極端なレビュー内容にご批判のある人もいるでしょうが、これは私の性分・生き方なので変えられません。ただTV吹替の事情を知らない人に「TV吹替版を収録したソフトは吹替が途中で切れないほうが珍しい」という事が伝われば幸いです。
※思い入れが強過ぎ長文になった事をお詫びします。長々と最後までお読み頂き、ありがとうございました。
One of the most gripping disaster films of all time follows ten survivors as they struggle to escape from an ocean liner capsized by a tidal wave. Suspenseful terror and combined with the victims' intimate and personal stories - results in compelling and heart-stopping drama. Nine ACADEMY AWARD® Nominations and a win for Best Visual Effects make this film a true classic.
FILM FACT: Awards and Nominations: Academy Awards®: Won: Best Original Song "The Morning After” for Al Kasha and Joel Hirschhorn. Nominated: Best Supporting Actress for Shelley Winters. Nominated: Best Production Design for Raphael Bretton and William J. Creber. Nominated: Best Original Score for John Williams. Nominated: Best Costume Design for Paul Zastupnevich. Best Sound for Herman Lewis and Theodore Soderberg. Nominated: Best Cinematography for Harold E. Stine. Nominated: Best Film Editing for Harold F. Kress. BAFTA® Awards: Won: Best Actor for Gene Hackman. Nominated: Best Supporting Actress for Shelley Winters. Golden Globe® Awards: Nominated: Best Original Score for John Williams. Nominated: Best Original Song "The Morning After” for Al Kasha and Joel Hirschhorn. Nominated: Best Motion Picture for a Drama for Irwin Allen. Motion Picture Sound Editors Award: Nominated: Best Sound Editing.
Cast: Gene Hackman, Ernest Borgnine, Red Buttons, Carol Lynley, Roddy McDowall, Stella Stevens, Shelley Winters, Jack Albertson, Pamela Sue Martin, Arthur O'Connell, Eric Shea, Fred Sadoff, Sheila Allen, Jan Arvan, Byron Webster, John Crawford, Bob Hastings, Erik L. Nelson, Leslie Nielsen, Phil Adams (uncredited), Charles Bateman (uncredited), Craig Chudy (uncredited), Ronn Cragg (uncredited), Jimmy Cross (uncredited), Jim Galante (uncredited), Bob Golden (uncredited), Maurice Marsac (uncredited), Ernie F. Orsatti (uncredited), Victor Paul (uncredited), Frieda Rentie (uncredited), George Sawaya (uncredited), Paul Stader (uncredited), Mark Tulin (uncredited) and Waddy Wachtel (uncredited)
Directors: Ronald Neame and Irwin Allen (uncredited)
Producer: Irwin Allen, Sherrill C. Corwin, Sidney Marshall and Steve Broidy
Screenplay: Stirling Silliphant, Wendell Mayes and Paul Gallico (novel)
Composer: John Williams
Cinematography: Harold E. Stine
Video Resolution: 1080p [Color By Deluxe]
Aspect Ratio: 2.35:1 [Panavision]
Audio: English: 4.0 HD-DTS Master Audio, Spanish: Dolby Digital Mono, French: Dolby Digital Mono, Castilian: Dolby Digital Mono, German: Dolby Digital Mono, Italian: Dolby Digital Mono and Polish: 5.1 Dolby Digital
Subtitles: English SDH, French, Spanish, Portuguese, German, Italian, Bulgarian, Cantonese, Danish, Dutch, Filipino (Tagalog), Finnish, Greek, Hebrew, Icelandic, Indonesian, Korean, Mandarin (Simplified), Mandarin (Traditional), Norwegian, Polish, Russian and Swedish SDH
Running Time: 117 minutes
Region: All Regions
Number of discs: 1
Studio: 20th Century Fox Home Entertainment
Andrew's Blu-ray Review: An opening title card informs us that the ship Poseidon was lost at sea on a voyage from New York to Athens; "only a handful" survived. Now, instead of just being introduced to the main characters, the viewer begins to wonder which ones will be alive at the end. Mr. Rogo [Ernest Borgnine] is a New York cop taking his first real vacation with his wife, Linda (Stella Stevens), who's self-conscious because she's a former hooker and thinks she spotted a former client among the ship's crew. Belle and Manny Rosen [Shelley Winters and Jack Albertson] used to run a hardware store, but now they're retiring to Israel where a two-year-old grandson awaits their doting attention. Another shopkeeper, a haberdasher named Martin [Red Buttons], is obsessed with staying healthy and living a long life, but has never found the time for a relationship. A teenaged girl named Susan [Pamela Sue Martin] is traveling with her younger brother, Robin [Eric Shea], to join their parents; the kid is a nautical enthusiast who keeps bugging the crew for tours, thereby picking up information that will shortly prove useful. A ship's steward, Acres [Roddy McDowall], is taken with a singer, Nonnie [Carol Lynley], who will be performing at the New Year's Eve bash later that night, where Acres will be on duty.
The rest of the film is nothing more than the struggle to reach their destination past increasingly hazardous obstacles, as tempers flare, the doomed ship continues to break apart and the onrushing sea pursues them like a predator. Without ever reaching Africa, Rev. Scott has found his calling. "I've seen it!" he exclaims to the others, after he's returned from a scouting mission to locate the engine room, and Hackman delivers the line with messianic fervour. Hackman's performance is a key ingredient in Poseidon, because Rev. Scott could easily have been a caricature. Ultimately, though, Poseidon works because of the simplicity of its nightmarish scenario. There are no conspiratorial subplots about building codes, cost-cutting, greed or other human elements in the disaster. Even the brief argument between the ship's captain and the owner's representative about safety measures is a red herring, because nothing could have secured the ship against the wall of water that capsized it. The film inflicts an unimaginable, unforeseeable disaster on a random group of individuals, and then we watch how the survivors react. Forty years later, it's still scary stuff.
Blu-ray Video Quality – 20th Century Fox's 1080p encoded image quality of `The Poseidon Adventure' looks absolutely terrific. The source materials are in excellent shape and faithfully restored, and the image is beautifully detailed with rich, saturated colours, deep and solid blacks, and a sense of depth that is essential to conveying the sheer scale of the production. Compression artefacts, banding, artificial sharpening and other defects that would militate against a recommendation were nowhere to be seen. Fox has been on the front lines of experimenting with ways to make the appearance of older films acceptable to a generation used to contemporary "cleanliness" in their video experience, and the results have often been controversial. Overall it has stood the test of time and Fox has done a brilliant job and any youngsters viewing this Blu-ray will think it has been made in 2014.
Blu-ray Audio Quality – The 4.0 DTS-HD Master Audio track appears to contain the film's original "four-track stereo" mix, which predates Dolby Surround and its variations (which wouldn't be available until the following decades). Almost all of the sound occurs in the front three speakers with only occasional effects or reinforcement from the mono rear channel. The discrete centre channel aids in preserving the clarity of dialogue, especially as the noise of the ship's deterioration increases, and the stereo separation between the front mains contributes a welcome sense of dimensionality as the survivor's work their way through the various spaces and past increasingly challenging obstacles. The dynamic range is respectable but limited at both the bottom and the top; so that explosions that routinely rock the capsized vessel won't do much for your subwoofer and the high notes of John Williams' memorable score. Still, given the vintage of the production, the track sounds quite good.
Blu-ray Special Features and Extras:
Audio Commentary: Commentary by Director Ronald Neame: Ronald Neame was in his early 60s when he directed The Poseidon Adventure and his early 90s when he recorded this commentary and sadly passed away in 2010 at age 99. Still, you'd never guess his age from the quality of this presentation, which is sharp, insightful and full of interesting detail. Ronald Neame's memory was no doubt kept fresh through invitations to address biennial conventions of the Poseidon fan club that met aboard the Queen Mary, where he and his wife would be put up in the Royal Suite, but his critical faculties are equally sharp, as he routinely points out lines of dialogue he wishes he'd changed, edits he would do differently today and directorial choices about which he's had second thoughts (notably, he'd like to tone down the intensity of the conflict between Gene Hackman's Scott and Ernest Borgnine's Rogo). Ronald Neame's observations on the relation between producer and director and on the changing role of the camera's "eye" in 20th Century cinema are invaluable.
Audio Commentary: Commentary by Actors Pamela Sue Martin, Stella Stevens and Carol Lynley: As is often the case with group commentaries, the three actresses have too much fun reminiscing and talking over each other to provide an informative commentary. In the latter half of the movie, pauses become frequent.
Special Feature: Hollywood Backstories: The Poseidon Adventure [2000] [25:09] The AMC series produced some excellent features on classic films, and this particular episode on `The Poseidon Adventure' is a fine example. Using both contemporary footage and new interviews from 1995, it describes how the Poseidon was green lit, nearly cancelled, rescued at the last minute and went on to become a classic.
Special Features: The Cast Looks Back [2006] [5:42] The interviewees include Sheila Allen (Irwin Allen's widow, who played the ship's nurse), Red Buttons, Carol Lynley, Pamela Sue Martin, Roddy McDowall, Stella Stevens and James Radford (consultant).
Special Feature: Falling Up with Ernie [2006] [4:10] Ernie Orsatti recalls how he was hired on Poseidon as an actor, but was suddenly plucked from the crowd by director Ronald Neame to perform the film's most famous stunt: the fall into a huge pane of glass.
Special Feature: The Writer: Stirling Silliphant [9:16] Recollections of, and tributes to, Poseidon's screenwriters by assorted friends and colleagues.
Special Feature: The Heroes of the Poseidon [2006] [9:53] A quasi-allegorical interpretation of the film that pushes every possible Christian element in the story to the breaking point and beyond. Contributors of this special feature included Christopher Heard, Stella Stevens and John Vogel.
Special Feature: The Morning After Story [9:00] Co-writer Al Kasha with Joel Hirschhorn describes writing the film's Oscar-winning theme song. Additional observations are supplied by Maureen McGovern, whose recording became the standard edition, Carol Lynley who performed the song in the film, and Renée Armand who recorded the demo and ended up dubbing Carol Lynley in the finished film.
Special Feature: R.M.S. Queen Mary [2006] [6:25] A brief overview of the majestic ocean liner, which both inspired Gallico's original novel and provided a template and locations for the film.
Special Feature: Conversations with Ronald Neame [2006] [8:51] Sinking Corridor: How the shot of Reverend Scott and Robin running along the flooding corridor was done, and how the negative ended up submerged in water and was nearly ruined. Also included is Generations of Fans: Fan mail. Turning Over the Ship: Combining hydraulics with camera angles.
Special Feature: Galleries: Marketing Posters and other assorted ads, Publicity: Publicity stills, Behind-the-Scenes: On-set photos and many featuring director Ronald Neames, plus concept sketches for costumes.
Special Feature: Storyboard Comparisons [6:53] Ship Capsises, The Vertical Shaft and Saving Reverend Scott.
Special Feature: Vintage Promotional Material: Original 1972 Feature [10:01] Teaser Trailer [1:38] Short and to the point. Original Trailer [3:17] Over twice the length of the teaser but less effective.
Finally, `The Poseidon Adventure' has definitely aged well both in its technical attributes and its storytelling perspective. Its admirable screenplay, direction, and acting performances allow its long list of potential survivors to really grow as significant characters in a disaster tale that is straightforward but challenging to assemble. Its human elements and action-packed presentation justify both its box office success and critical acclaim and that is why I am so glad I have now added this classic blockbuster movie disaster to my Blu-ray Collection and of course they could not be able to make this type of film today, especially without all the CGI effects, as it would cost double the amount of money to make today and if you have not seen this film, then you will be missing something that is totally unique and you will be stunned by what you view and you will be a nervous wreck by the end of the film. Highly Recommended!
Andrew C. Miller – Your Ultimate No.1 Film Aficionado
Le Cinema Paradiso
United Kingdom
You have to watch it carefully, stage by stage to get the full effect of it. Excellent product. Thanks

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