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The Power Paperback – Illustrated, January 8, 2019
| Naomi Alderman (Author) Find all the books, read about the author, and more. See search results for this author |
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In The Power, the world is a recognizable place: there's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; a tough London girl from a tricky family.
But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power: they can cause agonizing pain and even death. And, with this small twist of nature, the world drastically resets. From award-winning author Naomi Alderman, The Power is speculative fiction at its most ambitious and provocative, at once taking us on a thrilling journey to an alternate reality, and exposing our own world in bold and surprising ways.
"Captivating, fierce, and unsettling...I was riveted by every page. Alderman's prose is immersive and, well, electric." —New York Times Book Review
- Print length400 pages
- LanguageEnglish
- PublisherBack Bay Books
- Publication dateJanuary 8, 2019
- Dimensions5.65 x 1.35 x 8.25 inches
- ISBN-100316547603
- ISBN-13978-0316547604
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Editorial Reviews
Review
"Electrifying! Shocking! Will knock your socks off! Then you'll think twice, about everything."―Margaret Atwood
"Magnificent. I'm agog. I'm several gogs. Smart and scary and sad but true. It's a classic, in the way that it's hard to imagine it ever wasn't there."―Joss Whedon
"Alderman has written our era's Handmaid's Tale, and, like Margaret Atwood's classic, The Power is one of those essential feminist works that terrifies and illuminates, enrages and encourages....This book sparks with such electric satire that you should read it wearing insulated gloves."―Ron Charles, Washington Post
"Narratively complex, philosophically searching, and gorgeously rendered."―Lisa Shea, Elle
"Fierce and unsettling...Through immersive prose and a riveting plot, Alderman explores how power corrupts everyone: those who gain it, and those resisting its loss."―Radhika Jones, New York Times Book Review
"Richly imagined, ambitious, and propulsively written."―Sophie Gilbert, The Atlantic
"Alderman's writing is beautiful, and her intelligence seems almost limitless. She also has a pitch-dark sense of humor that she wields perfectly."―Michael Schaub, NPR
"Alderman's tilted dystopia is a smartly layered place of slippery slopes and moral ambiguities, a fitting folktale for strange times."―Leah Greenblatt, Entertainment Weekly
"I was riveted by every page. Alderman's prose is immersive and, well, electric, and I felt a closed circuit humming between the book and me as I read."―Amal El-Mohtar, New York Times Book Review
"An instant classic of speculative fiction... Smart, readable and joyously achieved."
―Justine Jordan, Guardian
"Bold and disturbing...it's not just a book of the moment. The Power is a major innovation in the overlapping genres of feminist dystopia/utopia, science fiction, and speculative fiction."―Elaine Showalter, New York Review of Books
"Fans of speculative fiction (see also: Margaret Atwood and Ben Marcus) about empowered youth will be struck by Alderman's speedy and thorough inhabitation of a world just different enough from ours to jolt the imagination. Mothers, lock up your boys."―Sloane Crosley, Vanity Fair
"Alderman has the daring and good sense to eschew go-girl uplift in favor of terrifying and complex dystopia."―Boris Kachka, Vulture/ New York Magazine
"A suspenseful thrill ride filled with deep, contrasting female leads on a scaffolding of philosophical questions about how different men and women are at heart....Reminiscent of the work of Alderman's mentor Margaret Atwood, The Power is perfect for book clubs, where readers will undoubtedly debate the finer points of nature versus nurture."―Jaclyn Fulwood, Shelf Awareness
"The Power is stupendous. It's gorgeously written, endlessly exciting, fun, and frightening."
―Ayelet Waldman, author of A Really Good Day
"The Hunger Games crossed with The Handmaid's Tale."
―Cosmopolitan
"What starts out as a fantasy of female empowerment deepens and darkens into an interrogation of power itself, its uses and abuses and what it does to the people who have it... Alderman's breakout work."
―Claire Armitstead, Guardian
"Outstanding... Alderman imagines a world much like ours, with one difference: teenage girls suddenly have the ability to electrocute people. This is the perfect read if you've been itching for something to get you through to season two of The Handmaid's Tale."―Melissa Ragsdale, Bustle
"The Power is at once as streamlined as a 90-minute action film and as weirdly resonant as one of Atwood's own early fictions... Alderman has conducted a brilliant thought experiment in the nature of power itself...Turning the world inside out, she reveals how one of the greatest hallmarks of power is the chance to create a mythology around how that power was used."―John Freeman, Boston Globe
"This is a thriller that terrifies and leaves behind a lingering tingle that's part discomfort and part exhilaration. Easy to read, hard to put down, difficult to forget."―Cory Doctorow, Boing Boing
"The Power is a subtly funny, lyrical and utterly subversive vision of an impossible future. As all the best visionaries do, Alderman shines a penetrating and yet merciful light on to our present and the so many cruelties in which we may be complicit."―A.L. Kennedy
"Please, please, PLEASE read Naomi Alderman's The Power. It'll crack your brain open in all the right ways. Such an important, timely book."
―Literary Death Match
"Audaciously depict[s]...the most extreme results of a movement that seeks rather than interrogates power: That if feminism has become a means for domination, it has lost its way."―Bridget Read, Vogue
"Ingenious....Deserves to be read by every woman (and, for that matter, every man)."
―Francesca Steele, The Times UK
"A page-turning thriller and timely exploration of gender roles, censorship and repressive political regimes, The Power is a must-read for today's times."―Lauren Bufferd, BookPage
"Gripping and disturbing, it pushes the reader -- even the confidently feminist reader -- to question the assumptions underlying many of the mechanisms that drive relationships between women and men."
―Harper's Bazaar UK
"Alderman's storytelling is visceral and brave; you'll stay up all night reading after a thousand deals with the clock that you'll put it down after just a few more pages. Gleeful, intelligent, clever, and unflinching, The Power is the kind of book to keep a person going."―Fiona Zublin, Ozy
"A searing critique of how power is used in a world in which a long-oppressed class can suddenly fight back."―Renay Williams, Barnes & Noble Blog
"By gleefully replacing the protocols of one gender with another, Alderman has created a thrilling narrative stuffed with provocative scenarios and thought experiments. The Power is a blast."
―Suzi Feay, Financial Times UK
"When we say that The Power is profoundly disturbing and you may well want to argue with it as you read, we mean that in a good way."
―SFX, Five Stars
About the Author
Alderman was selected for Granta's once-a-decade list of Best of Young British Novelists and was chosen by Margaret Atwood as part of the Rolex Mentor and Protégé Arts Initiative. She is the cocreator and lead writer of the bestselling smartphone audio adventure app Zombies, Run! She contributes regularly to The Guardian and presents Science Stories on BBC Radio 4. She lives in London.
Product details
- Publisher : Back Bay Books; Illustrated edition (January 8, 2019)
- Language : English
- Paperback : 400 pages
- ISBN-10 : 0316547603
- ISBN-13 : 978-0316547604
- Item Weight : 12 ounces
- Dimensions : 5.65 x 1.35 x 8.25 inches
- Best Sellers Rank: #19,784 in Books (See Top 100 in Books)
- #174 in Dystopian Fiction
- #287 in Post-Apocalyptic Science Fiction (Books)
- #1,421 in Literary Fiction (Books)
- Customer Reviews:
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Learn more how customers reviews work on AmazonReviewed in the United States on May 19, 2020
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The storyline in this book basically takes one from the patriarchal and misogynistic society of our world into the opposite of that. Seeing things from this perspective might be novel or revelatory for those who don’t see the veins of sexism already ingrained into everything (I thought the reversal of misogyny in the letters in the beginning and end was a cool way to emphasize what life is like for a woman especially in relation to men of influence or authority.) But to me, it was overall unimaginative and uninspiring. It seems that perhaps there is a point being made about how power itself corrupts anyone, no matter the gender, and will always do so, no matter who is in power. But it still managed to feel like the same story, different day. I wanted so much more for this book. I was disappointed as it seemed like the energy and potential of the idea presented in the beginning was lost somewhere along the way when the women chose to use power the same way men have and do, instead of a creative re-imagining of power dynamics or any other way besides the same old violent and heartless grab for power by sociopaths. Near the end it was unsatisfying to be led to conclude that people would just always be taking turns oppressing eachother for millennia depending on who had evolved more advantageously.
I did enjoy some special moments in the thoughts and psychology of some of the main characters and their interactions. And I appreciate the bit on how history is written by those in power, and how beliefs or ways of life that entire civilizations are built on can be misunderstood (or re-interpreted by those who are invested in a certain interpretation) through the tiny pieces left behind. And I appreciate the attempt to bring awareness to realities of the oppressed across the globe and how inequality harms everyone.
This is definitely a highly imaginative, ambitious novel. I confess that I had a bit of a love-hate relationship while reading it. Some of it made me wonder about human nature in a way that was not positive, at least not by the standard set in this book. The issue of gender relative to power was certainly food for thought. I found parts of it difficult to reconcile with my understanding of woman in a general sense. Still, it is a novel well worth reading.
Top reviews from other countries
'The Power' is a gender-twisting dystopian novel in which young women discover they have immense electrical power that could be used for good, but unsurprisingly is more often harnessed for evil. As the girls pass it to older women, men are soon cast in a subjugated role. Around the world, male-dominated regimes are overthrown - women throw off their robes in Saudi and dance in the streets (before having their wicked way with passing pretty young men), countries get female presidents and armies and women rule the roost.
For anybody who thought that it might be 'nice' for women to run things for a while, for those who thought we'd all be sitting around playing kumbaya, doing crochet and chit-chatting about breastfeeding and the menopause, it's definitely time to readdress those ideas. Power corrupts, not gender. Women are every bit as evil, manipulative and scheming as the men they've taken over from. There's still exploitation, cruelty, rape as a weapon of war, genital mutilation and lots of other nasty stuff going on.
It's clever, for the most part. The story revolves around an American politician and her daughter, a murderer-turne 'religious' leader, a gangland drug smuggler, a middle European president's wife and a young Nigerian (male) journalist. The stories interweave but what I found more interesting were the little background details - the news anchors who go from dominant male and fawning pretty female sidekick to the woman wearing the 'serious' glasses and getting all the big stories whilst her pretty young male sidekick plays dumb and decorative. Things are done to men that we already know are done to women. In the new country formed from the southern parts of Moldova, men can only travel with the permission of a guardian, can't drive cars, can't go out alone. All classic Saudi Arabian treatment of women. Young men are raped and left for dead with signs that say SLUT hung around their necks. Women attack men and say he 'asked for it' or 'he shouldn't have gone out dressed like that'.
There are some weird inconsistencies. Why does Tunde, the journalist equipped with mobile phone and all modern tools of communication, still write his notes in notebooks and take photos with a film camera?
On the whole, the book, once it gets going, is pretty compelling. I must say though, that I really didn't think the epilogue letters added anything to the story. If the author had stopped with Roxy chatting to her dad, I'd have respected the book more.
Unfortunately reading through to the end, my opinion did change. I began to sense that in her writings, Alderman was really trying to express her own hatred of men in her work. This can be seen in her protrayal of men as nothing more than predators who want to dominate, and act stupidly when they can't. Also the fact that women are protrayed as weak until they get the power, than each pretty much becomes ruthless and out for revenge.
Although I was informed before reading that this book was not a feminist novel, reading it I began to see how in reality it is. First of it makes regular commentary to the pre existing patriarchy and as book goes on: how it collapses. It makes men look stupid as they try desperately to cling to power.
Secondly the real feminist beliefs Alderman has come out towards the end when she discusses life years after the apocalypse.
In such society she states how all men stay at home and raise children whilst women all go out to work. Is it just me or is this just pure feminism hogwash, as she forgets many women like to be housewives who raise their children?
If you are a woman who feels that she can blame or her life's problems on evil men, than I think you'd love this book. Otherwise I'd recommend something else.















